Bidding mounted steadily for a hardback first edition copy of ‘The Secrets of Filming Swallows and Amazons (1974)’, signed by the author.
After 64 bids and it sold for £201
– I am quite blown away. Very many thanks to all our supporters.
100% of the money will be donated to BBC Children in Need – under the auspices of ‘Children in Read’ via the Jumblebee auction site where this illustrated book was listed under the categories of both ‘Autobiography’ and ‘Film & Television’.
To read a free sample of the first section of the 2nd edition – available as an ebook – click here – then click on ‘Look inside’.
To see more on the second edition of the ebook – click here
‘highly amusing and thoroughly enjoyable’ David Butters
Since the bidding ran so high, I will include a signed copy of the 2nd edition, entitled ‘The Making of Swallows and Amazons (1974)’, published by The Lutterworth Press. This contains colour plates with more photos and additional stories that flowed down from the Lake District after the first edition came out.
I’m also including a hardback First Edition of my memoir ‘Funnily Enough’, which has a bit on ‘Swallows and Amazons’ and a signed copy of ‘Ride the Wings of Morning’, which has noting about the making of ‘Swallows and Amazons’ but is all about living out the adventurous outdoor lifestyle advocated by Arthur Ransome, so there are four books in the bundle.
Although surpassed by Phillip Pullman and JK Rowling, I gained far more than authors such as Bernard Cornwall, Jeffery Archer, Sophie Kinsella and Maggie O’Farrell.
Being a filmography, ‘The Secrets of Filming Swallows & Amazons’ sat alongside the bestsellers, ‘Killing Eve’ by Luke Jennings and ‘Kay’s Anatomy’ by Adam Kay, which you can see by clicking here.
This auction of books has already raised £21,841 for BBC Children in Need, which is fantastic. It closed on Friday 13th November at 11.00pm.
If you need to know more about the auction, please contact Paddy Heron at Children in Read: firstname.lastname@example.org
50% of funds will be sent to Save the Waterberg Rhino and 50% will support projects that uplift local communities that are run by trusted friends. Each member of our team has been challenged to raise at least £1000 in sponsorship. The Drapers Company have kindly offered to match any funding that I raise personally, so if you can sponsor me your donation will be doubled. Even very small amounts are a huge encouragment and will go along way to improve things in Africa.
DAY 1 – Riders will be met at Johannesburg airport and driven north to Ant’s Nest Game Reserve deep in the Africa bush where we will meet horses that have been selected for the expedition and set off in search of wildlife.
The Waterberg is home to the third largest population of rhino in South Africa, so their protection on the plateau is vital.
~The Waterberg Trust Riders with white rhino in 2017~
DAY 2 – We will spend the day riding up to Ant’s Hill, viewing game on horseback and looking for a breeding herd of white rhino, along with buffalo, wildebeest and antelope. We’ll return to Ant’s Nest for a talk on the work of ‘Save the Waterberg Rhino’.
DAY 3 – We set off early, riding north through the reserve and along sandy roads to the Waterberg Living Museum to meet Clive Walker, one of South Africa’s leading conservationists who is raising awareness of biodiversity and ecological systems. We may get the chance to see rare golden wildebeest as we ride up to Triple B Ranch were we will spend the night in a traditional farmhouse.
DAY 4 – We ride down through Triple B Ranch, where they have hippo and over the hills to Lindani game reserve, which will give us another amazing opportunity to see wildlife such as vervet monkey, baboon and warthog, zebra, eland and giraffe.
DAY 5 – This is a long day when we ride to Jembisa, a reserve on the Palala River where the pace will get faster. We hope to find more plains game including giraffe, jackal, warthog and red heartebeest.
DAY 6 – We plan to visit Lapalala Wilderness School, which I have been associated with since 1992 when I became a horse safari guide in the area. The Waterberg Trust has been able to send groups of underprivileged children on a residential course at this eco-school to learn about conservation and the plight of South Africa’s wildlife.
One lesson is about what to do if you find a snake in the house.
The students take their enthusiasm into the community whose support is essential if poaching is to be combated. They are given a local mentor who can help with future issues.
We’ll spend the rest of the day riding across Jembisa where we hope to find hippos and perhaps see crocodile in the river before reaching the furthest point of the ride and grab a few photographs before bidding our horses farewell.
DAY 7 – Riders will visit Lethabo Kids Club in the Township of Leseding who run an excellent ‘Back to School’ project to ensure all local children get into an appropriate school, equipped with uniform, shoes and school bags. We will meet Nurse Grace whose salary is financed by The Waterberg Trust. The very first school nurse in the area, she has been looking after pupils’ health and issues that detract from their studies. We will also drop in on Kamotsogo community craft project that helps women living with HIV/Aids before leaving for the airport.
~Sophie Neville with students sponsored by The Waterberg Trust in 2017~
I need to get fit as there will be approximately 32–40km’s of riding per day, clocking up a total of 32 long hours in the saddle. It will be an exploratory venture, riding through this beautiful area, now proclaimed a UNESCO biosphere. You can read more about the ride here.
WHAT YOU CAN DO TO HELP:
Support us on social media by sharing information.
This autumn, the Nancy Blackett Trust presented another screening of the classic film ‘Swallows & Amazons’ at the Riverside in Woodbridge. The cinema was celebrating 100 years of film and were thrilled to welcome a large and enthusiastic audience of children and Arthur Ransome enthusiasts one of whom told us he saw the film in Shaftesbury Avenue when it first came out in 1974.
Swallow, the original dinghy used in the film was on display outside the cinema and I went along to answer questions about how the movie was made. Here are some of those asked by children in the audience:
Had you ever been on a boat before you started filming? Yes, my father was a great sailor and I’d crewed for him. As Titty, I had to row quite a bit – back from the charcoal burners, later when I captured Amazon and alongside Roger when we went to find the treasure on Cormorant Island.
How did you do the night time? We used Mrs Batty’s barn at Bank Ground Farm as a studio.
Which lake did you film on? Arthur Ransome wrote about an imaginary lake based on real places that we found on Windermere, Coniston Water, Derwentwater, Elterwater and a smelly lilly pond. the great thing is that you can go and find them too.
Did you enjoy filming? Yes, very much, but it could be chilly.
How long did it take to film? Forty-five days in all. It’s a 90 minute film so you can work out just how much we managed to film per day. It was well under the 4 minutes-a-day scheduled.
Did Titty actually keep the parrot? Titty did in the story but the parrot in the film was rather savage and had to be returned to Mrs Proctor of Kendal. However my parents bought a very tame green parrot called Chico who would sit on my shoulder, even when I went rowing.
Were you cold when you we filming the swimming scenes? Yes! We nearly passed out.
Why didn’t you wear life jackets? The film was set eighty-six years ago in 1929 when children didn’t wear life-jackets. We wore BOAC life-vests during rehearsals and when being taken out to the location.
What are the children doing now? Working! Suzanna Hamilton is the only one of us to kept acting. She’s appeared in two feature films this year including ‘My Feral Heart’. Simon West has an engineering company that invents machines, Sten Grendon is a gardener, Kit Seymour is spending this year in Australia and I believe Lesley Bennett lives in the Netherlands, but I’m not sure. I’d love to make contact with her. Virginia McKenna is still acting as well as figure-heading her charity Born Free that does so much to relieve the suffering of animals.
In reality, how old were you all when you acted? Roger was 8, I was aged 12 pretending to be aged 9, Susan was 12 and John 11. Nancy was about the right age as she celebrated her 13th birthday towards the end of the filming. The secret was that Peggy was the eldest at 13.
Do you have a cameo role in the new film? You might just see me on the platform of the railway station but I am wearing a wig!
Why is Swallow’s flag brown? Because it a little elderly.
The camping kit – was it all packed in Swallow? We children didn’t know it at the time but it didn’t all fit in, although they did keep taking the tents down. Why we had a rolling pin on board, I do not know.
What happened to Amazon? The Amazon Arthur Ransome knew, which was originally called Mavis, can be seen at the Coniston Museum. The dinghy we used in the film was also used in the black and white BBC TV serial made in 1962. She is now in Kent – and still sailing. You can see her on ‘Country Tracks’ by clicking here.
Forty two years ago, this shot was taken of Virginia McKenna valiantly playing Man Friday, rowing away from what I had decided was a desert island. We were filming on Coniston Water in the Lake District. She was playing my mother, concerned about leaving a small girl alone as the evening drew in. I’ve been set a copy of Lancashire Life, published in 1974, which describes the filming at length. Quite fun. You can see a still of Man Friday and I cooking Pemmican cakes for supper on the camp fire, top right.
Being awarded an OBE in 2004 for services to wildlife and the arts, Virginia has since become a national treasure. She will quickly deny this but you will find photographs of her at the National Gallery, along with Suzanna Hamilton, who played her daughter – and my sister, Susan in Swallows & Amazons (1974).
Having just celebrated her 84th birthday Virginia has also been heralded as one who inspires others. I concur. ‘Do one thing at a time,’ was her advice to me, ‘Otherwise you can’t do anything well.’
If you interview her now, Virginia is more likely to talk about wildlife than acting. She uses her name to promote kindness. And to stop the slaughter of elephants. One of her latest missions is to urge schools to teach children about conservation. She has recently become patron of Shropshire Cat Rescue’s Purr project. Arthur Ransome helped finance a similar project himself.
2015 marks the thirty-first anniversary of the Born Free Foundation, which Virginia established with her son Will Travers to help big cats and other large mammals held in captivity. She still travels the world to raise awareness and alleviate suffering, drawing on all she learned from George Adamson whilst filming Born Free in Kenya back in 1966, and An Elephant Called Slowly in 1970. You can read more about her work by clicking here.
Our first major public appearance for the promotion of ‘Swallows and Amazons’ was The Lord Mayor’s Show . For the first time since the filming we climbed into our costumes and then into Swallow who had been mounted on low-loader. Afloat on a float, we made ready to sail through the City of London.
It must have been early November and was so very cold before we set off that we needed to keep our own coats on. We were anxious this would spoil things for people. I’m sure it would not have made much difference. Did anyone know who we were? The film hadn’t come out. We were riding on the wave that Arthur Ransome and his books were so well loved by the people of our nation.
What was fun, if a little odd, was that it was the first time, indeed the only time, that the Swallows and the Amazons had been in a dinghy together. As we were taken through the streets of London passers-by started to wave at us and we waved back. Soon it was waves all round. Being Titty, I had Swallow’s flag to fly. John let Nancy take the tiller.
We were amazed to find huge crowds of people had gathered and that it was all rather fun. I don’t know why but Sten must have joined my mother on the pavement by the time this shot was taken. I can see the back of his head in this next photograph. He is wearing the tartan hat Claude Whatham bought him at Blackpool fun-fair.
Jeremy Fisher Frog was leaping about in front of us, which was rather amazing. With him danced other representatives from the Tales of Beatrix Potter, The Royal Ballet’s wonderful feature film that also came out in 1973/4. We were marking the 35th anniversary of EMI, whilst bringing the Lake District to London Town, which is something we all could celebrate.
Since we didn’t have to talk to anyone, we were able to enjoy being involved in the pageant, which included so many icons of British Life.
I hadn’t met a Pearly Queen before, but there was a whole clan of them in their glorious suits, lovingly embroidered with mother of pearl buttons. I resolved to collect enough to adorn my own jacket. My favorite view was of HM the Queen’s gold state coach pulled by her lovely white horses, six in hand. I’d been to see them at the Royal Mews when we came up for my first interview at Theatre Projects offices in Longacre when I first met our director Claude Whatham.
My mother took a photograph of the Queen’s Drum Horse. Much later she found that he was a stallion, on offer as part of a British Horse Society breeding improvement scheme. He was brought over to service her Irish mare Gerty. The result was a lanky skewbald called Nimrod, an enormous gelding who Andrew Parker Bowles rejected on behalf of the British Army. This proved an error. Like most heavy horses Nimrod was just slow to grow. He eventually became a national dressage champion, although not in our hands.
We have one last photograph which shows that the float in front of us depicted an EMI film crew, with 2K lights, a camera and technicians. It is studing this photograph that made me feel that we were not in Swallow as the transom seems so differnet. I don’t suppose anyone else noticed.
Funnily enough I was in a boat for the Lord Mayor’s Show this year. We rowed up the Thames in the Lord Mayor’s procession on Saturday 12th November.
I am on the crew of the Drapers’ Barge, Royal Thamesis a 33 foot shallop, which I last rowed on the tideway for the re-creation of Nelson’s funeral covered by Sky TV. You may have seen her taking part as the in the Queen’s Jubilee Pageants. We have been asked to take part in the procession of boats that heralds the Lord Mayor’s Show this coming November.
This colour footage shows various aspects of the Lord Mayor’s procession in 1973 including the Queen’s Gold State Coach built in 1762 and a float with Daleks, which must represent Doctor Who, a series I worked on about ten years later when at the BBC.