This post comes with a huge thank you to readers who have taken the trouble to write in, send emails or add reviews on Amazon about ‘The Making of Swallows & Amazons’
Sophie Neville and Sten Grendon filming on Peel Island in 1973
‘I very much enjoyed reading about all the background and stories of what is one of mine and my children’s favourite films.’ David Hambelton, Oxford
Kit Seymour and Lesley Bennet as the Amazon Pirates
‘…an absolutely fascinating account…about a film we all thought we knew so well. Like so many members of The Arthur Ransome Society I am an utter devotee… I’m finding the background to filming quite fascinating, and if I had thought it possible, yours is the book I have always longed for to exist. I’ve been absorbed in it ever since it arrived, forcing myself to take it slowly and not gobble it up in one go. Of course I’ll be back to it soon, dodging back and forth in tune with your narrative, indenifying particular scenes.’ Jeremy Gibson, Witney
Simon West as John and Sophie Neville as Titty in Swallow
‘If you liked the film, you MUST read this book. “Titty” is enthralling, and the story of the film is almost as exciting as the real story by Arthur Ransome. Essential reading for devotees.’ Chloe Randall, Scotland
Suzanna Hamilton and Simon West on Peel Island
Children still ask me questions that never occurred to me:
‘How did it feel to be on the island by yourself?’ Alex aged 7. The truth of course is that I was never on the island by myself. Perhaps I should have been left there for a while so I could experience it. I would have relished the chance.
DoP Denis Lewiston and Director Claude Whatham in Coniston Water
Another boy asked, ‘How did you do the water?’
This took my breath away for a second. ‘How did we do the water? The water was real, and it was very cold,’ I replied, explaining that we actually shot the film on four different lakes in Cumbria, all of which you can discover for yourself.
Have your children any questions? I’d love to hear them.
Simon West and Sophie Neville on Coniston Water
For more reviews of The Making of Swallows & Amazons on Amazon, please click here.
Very, very many thanks to all those who have taken the trouble to send in feedback about our paperback version of ‘The Making of Swallows & Amazons: Behind the scenes on the Classic Film’.
The publishers have been thrilled to hear what you think, hoping that the will appeal as a good Christmas present.
Here are a few recent comments:
‘Get a glimpse behind the scenes from Sophie Neville, who played Titty, in this gorgeous book, released to celebrate its 40th anniversary.’ Yours magazine.
‘Came home to a wonderful surprise – my copy of The Making of Swallows and Amazons! wonderful.’ Pandora Doyle ‘I love it! So excited. The photos make the book especially the coloured ones. I will be dipping into it all day!’
‘…a delightful book, which tells the behind-the-scenes story of the film. Neville’s account of exploring, sailing, and the green parrot will no doubt have readers reliving childhood memories and falling in love with the Lake District all over again.’ The Lady
‘I can’t wait to read The Making of Swallows and Amazons! My eight year old daughter is also looking forward to it – she has learned to sail on Sydney Harbour just like the Swallows’ mother did! (I learned to sail on other Ransome waters – near Pin Mill in Suffolk!). Thank you so much for sharing your memories of the experience with us – what a magical film!’ Clare Havens, author
‘I ordered two copies, one signed by yourself and one unsigned which is already becoming dog eared {my measure of a good book}.’ Arnold Mostyn
David Bamford: (Antipodes) I am in the middle of reading Sophie’s book about the Making of ‘Swallows and Amazons’ and enjoying every word of it! Now, when I see the stills, I remember her writing about how cold the weather was, and they were dressed in light summer clothes.
Loving @Sophie_Neville ‘s Making of Swallows and Amazons. Technicalities of filming with big unwieldy cameras. Plus lots #ambleside gossip. Eileen Jones @CumbriaPR
‘It was great to read an account of how filming is not as simple as people imagine! Enjoyed it very much.’ Martin Robinson
‘A sort-of layman’s perspective on filming is completely fascinating.’ Nick Archer
‘I enjoyed the book much more than I expected, if that doesn’t sound v strange.’ Tom Morgan. ‘I thought I would enjoy it but I really, really enjoyed it. I… was very impressed by the flow and ease of your writing. My inherent nosiness helped of course.’
‘Great book, I really enjoyed reading it.’ Stephen O’brien
‘Really enjoyed it. Lots of insight into/memories of 70s life (not sorry to have left that behind!!). Very interesting to learn more about your co-stars, and the other people involved in creating the film – my original discovery of your blog was having watched the film, and wondering “where are they now?” That question is comprehensively answered!! Also very interesting to learn about the process of film-making – we take so much for granted with digital video cameras these days. I guess for me the whole thing about learning about you, Suzanna, Lesley etc as people is what most interests me from a human point of view – kind of much the same as learning about the Altounyans and Collingwoods in Hardyment’s book.’ Paul Fernandez.
‘Lovely to meet you in Ambleside, It was a great evening. Book and DVD are brilliant.’ Ali Graham
‘I matched your book to the DVD and the two made a really good present, even though I say so myself!’ Barry Burles
Sophie Neville outside the school bus on location with her sister Tamzin Neville in 1973 ~ photo: Martin Neville
A reader has written in, saying: ‘Much of what one hears about life behind the scenes for younger actors has to do with schooling on set. Did you have tutors all the time or only if you were shooting during the school year? And were you able to keep up with your fellow pupils at “regular” school?
If children under the age of 16 are involved in filming they only have to keep up with their schoolwork during term time. The film company will normally comply with this by employing a tutor at the film studio or on location.
When filming Swallows & Amazons in 1973 we were often in such remote areas that a double-decker bus was hired for us to use as a mobile classroom. It could be seen wobbling along the narrow lanes of the Lake District from Bank Ground Farm at one end of Coniston Water down to Peel Island or over to Brown Howe the other side of the lake depending on instructions given the night before.
We were legally obliged to complete three hours of school work a day but my mother thought it would be OK if we managed fifteen hours a week. I am pretty sure we kept working through half term to achieve this, although I did record that we had Witsun Bank Holiday Monday as a formal Day Off. When I look back at my school work I only notice that I would have benefited from higher quality waterclours, brushes and paper.
Our tutor, a local education supply teacher called Mrs Causey, believed in dictation; masses of it:
We were also taught about the history, geography and topography of the Lake District. This was worked into our own records of filming:
A sample of school work completed whilst filming in the Lake District in 1973
I certainly kept up with my friends at school. One wrote recently to say, ‘I do remember the lovely illustrated diary you wrote at the time, as you brought it back to school for us to look at.’
I only missed seven weeks of the summer term to make Swallows & Amazons. What was amazing was that I was obliged to sit the end of year exams in Ambleside. The results would not have been as good as normal, particularly in Maths and Science but I eventually caught up.
There was quite a bit of discussion about whether or not I should miss more schooling. I was only ever offered further film work during school holidays but as I went to a boarding school making arrangements to go to London for auditions could be a nuisance.
I’d get messages to phone home and letters detailing complicated plans.
This ‘picture’ turned out to be an adventure movie called ‘The Copter Kids’. Mum was obviously going off to lunch with Virginia McKenna and reading the letters on the Radio 4 programme Any Answers whilst I was busy sitting summer exams.
My sister Tamzin did a great deal more acting that I did as a child. She didn’t mind missing school altogether or having a tutor. What she hated was being sent to a large comprehensive school in London for a term so that she could rehearse in North Acton. That didn’t do her any good at all.
Lights, camera, action: working as a child in television
You can read more about ‘The making of ‘Swallows and Amazons’ (1974) on Kindle, in paperback or listen to the new audiobook, all available to purchase online.
When I appeared on Channel 5 recently Matthew Wright asked, “… if it’s possible to have a Swallows and Amazons childhood these days – and if today’s kids would actually have the skills to survive.”
I received so many interesting comments on Twitter and Facebook that I thought I should copy them here, hoping it is OK by those who took the time to write in.
“Would they survive? Hmm. Better drowned than duffers…” Fergus
“Of course it’s possible – we do it every time we are on holiday at www.lowwaterend.co.uk real Swallows and Amazons location. Our kids love it….” Kate
“I think few parents would look at a small sailboat & Coniston Water or Windermere, and give the go-ahead for children ages 12-7 to sail & camp by themselves. However, there are a lot of really wonderful parents who sail & camp WITH their children, and then allow independent exploration with help nearer at hand.” Elizabeth (USA)
“OK – so we cheat a little – in that we stay in the cottage rather than in tents on Wild Cat Island – but it has got a little busy there of late. Trying to bring a boat or canoe into the secret harbour is more like trying to park in a multi national supermarket car park, but very little has truly changed on the island and if you can see past the bright orange and red buoyancy aids of the temporary visitors, one can still imagine being the Walker children. And if you get the island to yourselves – it’s pure joy. We frequently issue the owl hoot just to let our kids know that food is ready! As for the lagoon downstream – it’s still there – our kids have taken to canoeing as far downstream as they can – wading in low water and paddling down rapids where they can. They take no mobiles, IT equipment etc – and they are gone for hours making maps of the stream and naming the shores, fallen trees etc.” Kate
“I’ve just been reading my daughter the bit in Winter Holiday where Dick rescues the cragfast sheep by inching his way along a rock ledge. “Would you be able to do that?” I asked her. “No, I’d be much too scared!” she replied. And I said “Good!”.” Valerie
“Some risks are too high, too likely to leave the child unable to enjoy a normal life afterwards. Examples: diving into rivers with rocks, driving way above the speed limit, using illegal drugs/binge drinking. There are risks that simply have too high a chance of a serious bad outcome. I like the “Roots & Wings” approach. While they are young, you teach how to make a reasonable decision about any given risk, then as they mature, let the child figure out more on their own.” Elizabeth
“It isn’t only duffers who come to grief, and even if it was, duffers deserve to be protected from their own stupidity. So, I prefer the idea of teaching children what the risks are and how to manage risk so that they can then do things that look highly risky without there being any great risk. What is wrong is to shut children’s lives down instead of teaching them how to be safe and free, and that’s the most dangerous route of all because it sets them up for empty lives which will lead them on into a prolonged and deep exploration of alcohol and drugs. Freedom is essential for good mental health and needs to be maximized, but learning about risk management is a crucial part of that. So, how do you teach risk management without it being dull? Get out there with your children and join in with the play. Point out the possible dangers along the way, not in a lecturing way, but simply by telling little stories about idiots who came to grief by making mistakes. It doesn’t take long to make a dangerous environment safe for children to play in by putting ideas in their heads as to all the easy ways to be killed or injured by the apparatus at hand. If they know what the unexpected dangers are, they will be armed against making them. If they die after that, then it will be against the odds – it would have been more dangerous not to let them out.” David
“Agree 100%. In my mind, risk-averseness is one of the great failings of my fellow modern Americans. Never be sorry for a might-have-been.” Sandy
If you have views on the subject, or want to see more on outdoor pursuits discussed on the programme, send an email to: wrightstuff@channel5.com
No matter where I am in the world, not a day goes by without someone, somewhere asking a question or sending a message in connection with my writing. I am hugely grateful for the encouragement.
In many ways, ‘The Making of Swallows & Amazons’ was written by popular request, effectively commissioned by hundreds of people who wanted to know how it felt to appear in the film, albeit forty years ago.
It has to be said that was a little apprehensive about the questions I might be asked on Matthew Wright’s show, broadcast live on Channel 5 – for two hours. If you are feeling brave, click here to see a profile on The Wright Stuff.
They wanted to know about the idea of children being allowed the freedom to take risks and enjoy their own adventures away from civilisation.
“… if it’s possible to have a Swallows and Amazons childhood these days – and if today’s kids would actually have the skills to survive. “
If you have views on the subject or want to see more on outdoor pursuits discussed on the programme email: wrightstuff@channel5.com
IF NOT DUFFERS WONT DROWN
You may need Windows 8 to watch it but the whole programme can be viewed here:
Over the next few days I am going to be giving Q&A sessions at cinemas screening StudioCanal’s newly restored version of Richard Pilbrow’s movie ‘Swallows & Amazons’ (U) to celebrate the 40th anniversary of the film’s release in 1974.
Ronald Fraser on the cover of the VHS
Sten Grendon, Simon West, Suzanna Hamilton and Sophie Neville as the Swallows making Ronald Fraser walk the plank. Where are the Amazons?
If you can come, please do bring a question. I am always very interested in those asked by the children. They can be quite difficult to answer:
‘What did it feel like to be alone on the island?’
Titty leaving her tent on Wild Cat Island
‘Where you really able to keep the parrot?’
Kit Seymour with Sophie Neville and Polly in the Houseboat
‘How long did it take to film?’ is another question I am often asked. The answer is quite complicated.
Then I ask, ‘Would you like to know about the mistake I made?’
The crew of the Swallow leaving Holly Howe
I started singing, ‘Adieu and Farewell’, when the sea shanty Spanish Ladiesis always sung: ‘Farewell and Adieu…
Farewell and adieu to you fair Spanish ladies,
Farewell and adieu to you, ladies of Spain;
For we’re under orders
For to sail to old England,
And we may ne’er see you fair ladies again.
We’ll rant and we’ll roar, like true British sailors,
We’ll range and we’ll roam all on the salt seas;
Until we strike soundings
In the Channel of old England,
From Ushant to Scilly ’tis thirty-five leagues.
Virginia McKenna watches the Swallows sail from the jetty at Bank Ground Farm on Coniston Water. Can you spot the safety officer – a frogman just visible right of shot?
I noticed that one inconsistency made by the design team was that the swallow flew down our flag whereas it always flies up Swallow’s burgee in Arthur Ransome book illustrations. I count it as a subtle differentiation that I reproduce whenever I draw the crossed flags myself.
When I was writing ‘The Making of Swallows & Amazons’ I noticed that, while the title of the book is ‘Swallows and Amazons’, the graphic designer working on the film always used an ampersand, making it SWALLOWS & AMAZONS in the 1974 film.
There is another odd thing right at the end of the film, as the credits roll. See if you can spot what it is.
There are often screenings at cinemas in Cumbria:
Royalty Cinema Bowness-on-Windermere, the Roxy Cinema Ulverston and the Alhambra in Keswick where we held a Q&A
StudioCanal, who distribute the 1974 feature film of Swallows & Amazons (U), have a huge treat in store for film fans:
“40th Anniversary Restoration of SWALLOWS & AMAZONS, starring Virginia McKenna and based on Arthur Ransome’s classic novel, will be released on brand new Special Edition DVD and first ever Blu-ray release on 4th August! Pre-order your copy here: amzn.to/1pmF7fe. Special anniversary screenings will be taking place – ”
The Hackney PictureHouse will host the first London screening with Q&A by me, Sophie Neville, on Thursday 31st July at 11.00am. Please click here for details. Do join us!
It has been a difficult secret to keep. Virginia McKenna, Suzanna Hamilton and I were interviewed for the DVD extras, which I believe also feature Christina Hardyment exploring the film locations this summer while imparting information about Arthur Ransome who drew on his own childhood holidays in the Lake District to add detail and authenticity to the original story.
The 16mm behind-the-scenes footage that my parents took when they were with us on location back in 1973 was handed over to the technicians to use in the extras package. I haven’t seen the finished version yet, although I did record a commentary to explain what was going on.
If you want a great family day out by the sea and enjoy dressing up,
put Hastings Pirate Day in your diary for July 2015
There is lots going on including:
Grand Parade with Drummers through the Old Town of Hastings
Brand new family friendly Pirate Ship Ride
Children’s and Street Entertainers
Pirate Crazy Golf Competition
Pirate and Craft Market
Walking the Plank
Jack Sparrow lookalikes on the Stade (in aid of Gt Ormond Street Hospital)
Winkle Club will transform Winkle Island into a Sci-Fi Paradise
Fancy Dress Competition (open to all including the dog!)
The return of the Old Town skeleton crew
Bands in Participating Venues
Massive Pirate Treasure Trail
Pirate Art Projects
…..And pirate films are being shown!
The exciting thing is that the Electric Palace cinema, in the heart of Hastings Old Town have invited us back for another screening of the restored version of Swallows & Amazons (U).
‘Forty years after she enchanted film-goers as Titty in Swallows and Amazons, Sophie Neville has found a new audience… telling the behind-the-scenes secrets of the film of Arthur Ransome’s classic novel.’ The Daily Mail The Making of Swallows & Amazons ‘…is based on diaries, letters and old photographs which Sophie has turned into a heart-warming account of making the movie, which starred Virginia McKenna and Ronald Fraser.’
The Telegraph~ Culture: ‘Set in the Lake District in 1929, the film follows four young adventurers who sail a dinghy around Lake Coniston, cook for themselves over campfires and sleep in makeshift campsites.’
‘…The occasional chaos and terrible weather during filming contributed to the eventual popularity of the extraordinary and very much loved film.’ The Times
‘The film Swallows & Amazons is 40 years old, but thanks to its careful period evocation, its respect for Arthur Ransome’s original book and the performances of its child actors, it’s become a timeless classic. One of those children was Sophie Neville, who played Titty, and who kept a diary during the filming. That diary, with her adult recollections, is this book. It’s a fascinating insight into filming on location in the Lake District…’ Classic Boat
‘… The result is compulsive reading as she recalls that cold wet summer, while the camera crew wrapped up warm and she shivered in her skimpy dress as Able Seaman Titty Walker. Sophie brings to life all the many memorable characters who worked on the film and in particular the other children, the Director Claude Whatham who developed a great relationship with his young cast and the stars Virginia McKenna and Ronald Fraser. Nor are the other young actors forgotten for there are diary contributions from Suzanna Hamilton who played Susan, Stephen Grendon who played the Boy Roger and Kit Seymour who played Nancy Blackett. The text is supported by numerous illustrations showing life on and off the set.’ Roger Wardale, author of Arthur Ransome: Master Storytellerand other books
‘You don’t need to be a Swallows & Amazons fan to enjoy this book – it’s universal!’ Winifred Wilson, Librarian of The Arthur Ransome Society
‘This was a most unusual and interesting book. I picked it up expecting to browse through it, and found myself so drawn in to Sophie Neville’s detailed, amusing and insightful description of film making in the 1970’s that I was unable to put her book down. As Arthur Ransome fans, my family and I have always loved the film, and felt that Sophie Neville was ‘just right’ as Titty. What fun it has been to be introduced to the young twelve year old Sophie with her intelligent awareness of the challenges facing the production crew while she shivered in her cotton dresses. The many photographs and illustrations contribute richly to bringing the 1970s setting to life. Sophie recorded her experiences beautifully, and in so doing, added one more valuable book to the cultural heritage of all Arthur Ransome fans.’ Juliet Calcott, English teacher,South Africa
Lots of photos throughout the book bring the scenes to life – a delightful read.’ Celia Lewis author of An Illustrated Country Year
Sophie Neville has been chatting to Mark Forrest on The Evening Show.
The second edition of this paperback is published by The Lutterworth Press, available online here
A number of people have specifically asked, ‘Where is Rio in Swallows and Amazons?’
The answer is that Rio lies on the eastern shore of Arthur Ransome’s imaginary lake. I have always loved the map in his book, originally drawn by the illustrator Stephen Spurrier, that was used on dust jacket and frontispieces of the first editions. The Arthur Ransome Literary Estate have given me permission to include a thumb-nail image:
The hardback edition
The Arthur Ransome Trust have made the map into a jigsaw puzzle. You can buy a virtual piece of this map to raise funds for their projects. If you go to their website and hover your cursor over the jigsaw pieces you can discover a great deal about the locations mentioned in the books with names of all the islands. Please click here and wait for it to load.
An early letter Ransome wrote a fan of the book
Arthur Ransome told his readers that they would need to go and find the places mentioned in the books themselves. Most people think that if you compare his lake with Windermere there is only one option for the town of Rio.
Photograph taken by Martin Neville 1973 showing Windermere skiffs and George Pattinson in his steamboat ‘Elizabeth’. The old green boathouse can be seen beyond the town jetty.
Bowness-on-Windermere in the English Lake District was used as the location for ‘the native settlement of Rio’ in the film of Swallows & Amazons produced by Richard Pilbrow in 1973 and now distributed by StudioCanal, who have a shot of the town on their website here.
Photograph of the town jetty at Bowness taken in June 2014 by John Burgess
Today the Bowness lakeside looks a little different, although the skiffs are still pulled up on the beach.
My father admiring the traditional boats
The old green boathouses have been replaced by a modern development but you can still walk along the town jetty, as the Swallows did, and even catch a native steamer down to the Lakeside and Haverthwaite Railway where the opening scenes of the film were shot.
MV Swan on Windermere today, seen from Lakeside Railway Station.
The secret known to a few people is that the chandlers shop where the Swallows bought grog and rope for the lighthouse tree is actually in Windermere town.
The Swallows in Woodland Road, Windermere – now a barber’s shop
This is what the location looks like nowadays:
Woodland Road, Windermere
John, Susan and Titty can then be seen walking past the Stags Head Hotel in Church Street, Bowness-on-Windermere, which was ‘dressed’ with a pony and trap and vintage cars to emulate 1929 when the book was written. Click on the image to see the same view today:
John, Susan and Titty walking past the Old England Hotel. The Stags Head Hotel lies just beyond them in Church Street
This is how Church Street looks today. Please click on this image for the source.
If you go to explore the location, do send in more photos.
Evening Post 11th June 1973. Please click on the photo for more news cuttings
Where you there?
We’d love to hear from anyone who took part in the filming. The entire Kendall Borough Band came along, someone brought a pony and trap, others arrived with period vehicles including a motorcycle. A man arrived with three donkeys and a number of local people took part, appearing as film extras. Do contact us in the comments box below.
If a new film adaptation is made, the producer has told me it may now be too difficult to use Bowness. It’s busy place in the summer months. The village of Coniston might be an alternative. What do you think?
Meanwhile here are the lyrics to the sea shanty Titty loved, Away Rio. The tune was incorporated into the film score.
O, the anchor is weighed, and the sails they are set, Away, Rio!
The maids that we’re leaving we’ll never forget, For we’re bound for the Rio Grande,
And away, Rio! aye, Rio!
Sing fare-ye-well, my bonny young gel,
For we’re bound for the Rio Grand!
So man the good capstan, and run it around, Away, Rio!
We’ll heave up the anchor to this jolly sound, For we’re bound for the Rio Grande,
And away, Rio! aye, Rio!
Sing fare-ye-well, my bonny young gel,
For we’re bound for the Rio Grand!
We’ve a jolly good ship, and a jolly good crew, Away, Rio!
A jolly good mate, and a good skipper, too, For we’re bound for the Rio Grande,
And away, Rio! aye, Rio!
Sing fare-ye-well, my bonny young gel,
For we’re bound for the Rio Grand!
We’ll sing as we heave to the maidens we leave, Away, Rio!
And you who are listening, good-bye to you, For we’re bound for the Rio Grande,
And away, Rio! aye, Rio!
Sing fare-ye-well, my bonny young gel,
For we’re bound for the Rio Grand!
Come heave up the anchor, let’s get it aweigh, Away, Rio!
It’s got a firm grip, so heave steady, I say, For we’re bound for the Rio Grande,
And away, Rio! aye, Rio!
Sing fare-ye-well, my bonny young gel,
For we’re bound for the Rio Grand!
Heave with a will, and heave long and strong, Away, Rio!
Sing a good chorus, for ’tis a good song,
Traditional – Lyrics from Iron Men & Wooden Ships, by Frank Shay
Sophie Neville 