1973 – Page 10 – Sophie Neville

‘We sailed the length of the lake’ ~ filming Swallows and Amazons on Derwentwater on 9th July 1973

Sophie Neville as Titty Walker with Stephen Grendon as the Boy Roger and Simon West playing Captain John Walker on Derwentwater — Sten Grendon as the Boy Roger, Sophie Neville as Able-seaman Titty and Simon West playing Captain John, Derwentwater in 1973 ~ photo: Daphne Neville

Monday morning on Derwentwater in the Lake District and we had no lessons. The Cumbrian schools had broken-up for the summer holidays, so we were free to play, or as freely as you can be when you are wearing a costume that can not under any circumstances get wet or dirty.

Terry Smith, Sophie Neville and Daphne Neville on location in the Lake District — Behind-the-scenes: wardrobe master Terry Smith with Sophie Neville and her chaperone outside the Make-up caravan on location near Keswick.

Although Claude Whatham was operating with a skeleton crew our wardrobe master Terry Smith was still getting us into the right kit for each scene. My mother said that he either got muddled or distracted at one point as a whole sequence was shot with all of us wearing the wrong costumes. It caused quite a fuss. It would have been expensive in time and money. She thought he had been given the sack, but this doesn’t appear to have been the case.

Sophie Neville, Simon West and Stephen Grendon in the Lake District — Simon West, Stephen Grendon and Sophie Neville whilst on location in the Lake District in 1973 ~ photo: Daphne Neville

One of the secrets of filming ‘Swallows and Amazons’ is that, on this day, Terry Smith adapted Ronald Fraser’s costume and white colonial pith helmet for our property master Bob Hedges to wear. It was he that fired the cannon on the houseboat.

You can tell which shots of the voyage to the island were taken that day as I was missing an eyetooth. One moment it’s there. In the next shot it’s missing.

A boatman working on Derwent Water in 1973 — Clive Stewart our boatman with the houseboat and the dinghies, Amazon and Swallow, on Derwentwater in 1973 ~ photo Daphne Neville

Clive Stewart of the Keswick Launch Co. was one of a number of Cumbrian boatman who worked on the support crew for the filming of Swallows and Amazons in 1973. They played a vital role not only ferrying us to the location but acting as safety boats and keeping modern boats out of shot.

Titty John and Susan on the voyage — Sophie Neville, Simon West and Suzanna Hamilton sailing Swallow

The boatmen were certainly busy once the wind got up on this particular day. Claude Whatham handed over the direction of montage sequence of the Swallows’ first voyage to the island to David Blagden, our sailing director. At last we had the sun and wind for it – if not too much wind. By now were were pretty experienced but the little ship was challenged to the full as wind gusted down from Cat Bells.

Suzanna Hamilton wrote in her diary that, ‘…it was very rough. We thought we were going to do a Chinese jibe but it was OK. We sailed the whole length of the lake.’ What must have been tricky for Simon West was that he had Denis Lewiston, the lighting-cameraman, on board with a 16mm camera, as well as all our clumsy camping equipment. You can see me heaving the crockery basket past the camera on the movie. The result was probably the most exciting sequence in the film, or so my father later declared.

Jean McGill, our unit nurse and driver, was ever around to scoop us up and keep everyone cheerful when we came in feeling a bit chilly.

Terry Smith and Jean McGill on Derwentwater — Wardrobe master Terry Smith wearing the safety officer’s wetsuit with unit nurse and driver Jean McGill on Derwentwater. Kit Seymour is sitting behind them to their right ~ photo: Daphne Neville

In the evening Richard Pilbrow, his girl-friend Molly Friedel and his assistant Liz Lomax came up to our guesthouse in Ambleside to show us the cine footage they took on the sailing weekend that had been the final audition for our parts. This had taken place in March at sailing town of Burnham-on-Crouch in the Maldon District of Essex when were stayed on board a moored vessel and went out sailing with David Blagden in quite grey, chilly weather. The conditions had been pretty rough then. I remember telling Claude that we ‘helmed like anything’. I felt terribly embarrassed later when I realised that ‘helmed’ was not exactly what I had meant to say but I don’t think Claude was familiar with sailing terminology at the time. He would have like the spirit of what I said.

Sophie Neville playing Titty in 1974 — Titty’s missing tooth

It had been choppy but none of our days had been as rough as David Blagden’s Atlantic crossing, famously made in his tiny orange-hulled 19 foot yacht Willing Griffin. I wonder if the footage of this still exists?

Richard Pilbrow must put me right on this, but the theory is that he acquired Swallow that weekend. We were told at the London Boat Show that she was originally the all-purpose run-around dinghy built by and for William King & Sons’ boatyard at Burnham-on-Crouch in the 1930s. She has the initials WK carved on her transom. They designed her well – a stable little ship with plenty of room inside and no centre-board to worry about. You can see detailed photographs of her on the Sailing Swallow website.

The story continues…. you can read more in The Secrets of Filming Swallows and Amazons available as an ebook for about £2.99 on all the usual platforms:

Amazons in Ambleside at a Rushbearing Festival on 7th July 1973

Kit Seymour, Lesley Bennett and Sophie Neville at the Ambleside Rushbearing Festival in July 1973 — Kit Seymour, Lesley Bennett and Sophie Neville at the Ambleside Rushbearing Festival on 7th July 1973 ~ photo: Daphne Neville

The filming of Swallows and Amazons was coming to a close but what with all the buckets of water being flung about the day before, Mummy had lost Lesley’s ring. It was a gold ring. Since it would not have been appropriate for an Amazon Pirate of 1929, Lesley couldn’t wear it with her costume. Mum slid it onto her little finger to keep it safe for her. It slid off. We looked and looked, but couldn’t find it anywhere.

And what with all the nocturnal pushings-in, Graham Ford our production manager, had broken his ankle. Although we were up and about on the morning of 7th July, it became clear that the entire film crew were comatose after the wrap party held at the Langdale Chase Hotel. There was certainly no sign of the director. Since it was also raining, an unexpected day off from filming was called.

Instead of heading for Derwentwater we went exploring the Lake District – in different ways. I made a discovery about Rio, or at least the origin of its name.

It seemed normal to have lunch at the Waterhead Hotel. It would be a great treat now. We split up into two groups for the afternoon, which is how I came to explore Rio with the Amazon pirates.

It was very kind of Gareth and Jean to give us presents. I wonder what happened to the pendant with the cross? It would be the height of fashion now. I remember Jean explaining that she wanted to give us a little bit of the Lake District to take home. This came in the form of a bedside lamp made out of a chunk of slate. Mine soon had a pink shade on top. I used it for years.

The Ambelside Rushbearing Parade in 1973 ~ photo: Daphne Neville

The Ambleside Rushbearing Parade was amazing. I can see exactly why Arthur Ransome thought of Rio as the town on Titty’s chart. The festival was like a colourful Rio carnival. Crowds came out to watch as the procession came down the hill. If you click on the snapshot Mum took above, you will find photographs of what it must have looked like when Ransome was a boy and everyone was out in their best hats as they walked down to St Mary’s Church, accompanied by a brass band.

Again, if you click on the shot above, you will find details of what happens today. The wonderful photographs on the Visit Cumbria site show rushbearing ceremonies are held on saint’s days at different churches in Cumbria throughout the summer.

Traditionally, the children of Ambleside are given a piece of homemade gingerbread if they have carried one of the rushes. We hadn’t done this but we did join in with the hymn and the kind neighbours living next door to the Oakland Guesthouse gave us some gingerbread for tea.

St Mary's Church Ambleside Rush Bearers' Hymn — This leaflet was indeed ‘retained’, pasted into my scrapbook

We met the Price family at the festival. The two girls where both carrying dressed reeds. You may recognise Mr Price. He appeared in Swallows and Amazons as the Native who came up to Roger at the jetty in Rio and said, ‘That’s a nice little boat you have there.’ Roger said, ‘Yes.’

The Price Family of Oaklands Guest House in Ambleside, Cumbria — Mr Price who played the part of the Native in Rio with his family in Ambleside. They ran Oakland’s Guesthouse where we stayed for 9 weeks ~ photo: Daphne Neville

Mrs Price must have worked so hard. She had three children ~ a little boy as well as the girls ~ and a number of students from the Charlotte Mason College of Education staying at “Oaklands” guesthouse while cooking our breakfast and high tea. The telephone in the hall must have rung the whole time. Her number was Ambleside 2170.

I expect the demands of the filming, what with drivers coming and going, was a little more that she had originally imagined. No one knew what would be happening next. Although most of the crew were leaving ~ going ‘away from Rio’ ~ we knew we had to be back on location the next day.

Here is a snippet of footage Mum took of the festival. Blink and you’ll miss me ~

The Wrap Party ~ trying to film ‘Swallows and Amazons’ on 6th July 1973

Sophie Neville as Titty Walker on Derwentwater ~ photo: Daphne Neville

Before Jean McGill arrived at the Oaklands Guesthouse in Ambleside, to transport us to the location, a letter arrived. It was from my Daddy who somehow must have found time to post a quick note while taking my sisters to school. We were, indeed, all looking forward to the wrap party to be held that evening at the Langdale Chase Hotel. There was much to do before it started. Twelve scenes are listed on the Unit Call Sheet and it was pouring with rain.

It was Ernie Russell who was in charge of the action and support boats. Does anyone know where he is now? The day proved difficult and wet, but everyone was in high spirits. It was the last day for most.

It was a great wrap party. Suzanna noted that it didn’t start until 10 O’clock. 10pm! Very grown up. It must have been the talk of Ambleside. Mum took off her Donny Osmond hat and wore a long high-collared dress in pink gingham. I wore the brown and black velvet pinafore dress Mummy and Daddy had bought me in Carnaby Street when we went up to London for my first interview with Claude Whatham. Everyone was kind and jolly.

For a while the party revolved around us. We enjoyed the dancing so much didn’t want to leave, but it was evident that the adults wanted to start to play. As you can imagine, no one could persuade us to go to bed. Jean McGill saved the evening by organising a conga. Having led a sheltered life I had never danced the conga before and thought it the greatest fun. Luckily the Carnaby Street dress was well designed for the job. We conga-ed around the Langdale Chase Hotel with the entire crew. Somehow we ended up conga-ing into her mini-bus and were whisked back to Oaklands before midnight.

The Lady Deerwentwater starring in 'Swallows and Amazons' as Captin Flint's Houseboat — Ronald Fraser as Captain Flint on his houseboat, played by The Lady Derwentwater, with set dresser Ian Whittaker, photographer Albert Clarke and the props guys ~ photo: Daphne Neville

This clip shows Jean McGill (in red) with Sophie Neville (in blue tracksuit top) and Albert Clarke our stills photographer. Our Chaperone, Jane Grendon, is teasing Terry Needham, the second assistant director. Simon West, playing John Walker, stands by Derwentwater in costume. Neville C Thompson (in yellow shirt) smiles at our glamorous tutor Margaret Causey while Graham Ford and others get into a support boat. Actor Ronald Fraser walks towards the lake and waiting boat, followed by hairdresser Ronnie Cogan. You can see Swallow in the background whilst Jean McGill chats to my mother, Daphne Neville who is wearing her yellow, flowery Donny Osmond hat. She originally had a pink flowery version, which Claude admired (and wore himself) but it blew off and sunk to the bottom of the lake.

You can read about the adventures we had making the film in one of the editions of ‘The making of Swallows and Amazons’ available online and from Waterstones where it has been reviewed here:

'The Making of Swallows and Amazons (1974) by Sophie Neville' — Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

Sophie Neville will be giving illustrated talks about sailing afloat on the Foredeck Stage at the Southampton International Boat Show in September 2023

Speaker Sophie Neville — Sophie Neville speaking on the Foredeck Stage

Walking the Plank – The Battle of Houseboat Bay, ending the original movie ‘Swallows and Amazons’ as recorded in my diary on 5th July 1973

Filming on location in Cumbria fifty years ago.

Our designer Simon Holland was rowing Swallow without his shirt. Producer Richard Pilbrow was hanging on the side of the houseboat clad in denim. Terry Smith, the wardrobe Master, was busy drying off Ronald Fraser’s wet costume on the aft deck. The white pith helmet was being touched up by the unit painter. Unions must have been strict back then.

Ronald Fraser with Sophie Neville, Kit Seymour, Simon West, Suzanna Hamilton and Lesley Bennett — The original film Swallows and Amazons (1974)

Director Claude Whatham was making the most of the rare but glorious Lake District weather to complete the scene on the foredeck of the houseboat. The Swallows, the Amazons and their Uncle Jim, who had just been made to walk the plank and was now dripping wet, waited patiently while I delivered Titty’s immortal line: ‘Captain Flint – we’ve got a surprise for you.’ Not quite the same as in Arthur Ransome’s book but it worked well.

War cries from everyone…

Kit Seymour, who was playing Nancy, must have dropped on top of us all.

The cabin of the houseboat had been turned into a dressing room for Ronald Fraser.

A long day’s filming out on the lake.

My mother took a series of photographs showing how the crew managed in the limited space:

Battle of Houseboat Bay ~ The film director and camera crew afloat — Director Claude Whatham in blue denim talks to DoP Denis Lewiston. Terry Needham stands on deck ~ Photo: Daphne Neville

The 16mm camera in the grey punt.

Battle of Houseboat Bay ~ The film crew afloat — The film crew with Director Claude Whatham talking to Simon West, Leseley Bennett, Ronald Fraser and Stephen Grendon on the foredeck ~ photo: Daphne Neville

I think the chap in the swimming trunks is a boatman from Keswick. Does anyone recognise him?

http://www.amazon.com/Swallows-Amazons-Region-Dinah-Sheridan/dp/B00008IARQ/ref=sr_1_4?ie=UTF8&qid=1344950585&sr=8-4&keywords=Swallows+and+Amazons+DVD — DoP Denis Lewiston with his assistant camerman, Sue Merry in black Claude Whatham and the film cast ~ photo: Daphne Neville

The 16mm camera was noisy. This would have been the shot taken when I said we just went through the movements.

Battle of Houseboat Bay ~ The film crew5 — Molly Pilbrow in the plaid jacket with the cast and crew on the houseboat ~ photo: Daphne Neville who was acting as chaperone.

And all the time Molly Pilbrow was keeping an eye on the script. I don’t think there was any room for Graham Ford. He was looking after the base camp:

Graham Ford in Derwentwater — Production Manager Graham Ford in Derwent Water: photo ~ Daphne Neville

It had been a productive day; a battle well fought, the treasure returned.

You can read the full story in ‘The Making of Swallows and Amazons (1974)’ available from The Nancy Blackett shop.

the-making-of-swallows-and-amazons-audiobook-cover

and on Kindle here:

The Battle of Houseboat Bay on Derwentwater, 5th July 1973

Battle of Houseboat Bay ~ Sophie Neville as Titty Walker in Swallow — Sophie Neville at Titty Walker in *Swallow* on Derwentwater in 1973: photo~ Daphne Neville

Sunlight on the water tells the story of my life. At last the skies cleared and fine weather we had hoped and prayed for settled over the Lake District. It enabled us to film the climax of Arthur Ransome’s adventure set on the high seas of Cumbria. It was the day we went to war. The day the Swallows and the Amazons took on Captain Flint at the Battle of Houseboat Bay.

Suzanna's Diary — An extra page in Suzanna’s Diary for 5th July 1973

‘There won’t be a leeside to him, ‘ said Captain John. ‘The houseboat’ll be lying head to wind. Our plan will be to reach into the bay, and then come head to wind one on each side of him.’ Arthur Ransome wrote. ‘If you’ll lay yourself aboard his starboard side, I’ll bring Swallow up on his port.’

the cover of the French DVD of 'Swallows and Amazons'(1974) — Caught shrieking on the cover of the French DVD of ‘Swallows and Amazons'(1974)

To my everlasting regret, while some of the others managed to yell, ‘Swallows and Amazons Forever!’ my battle cry was, ‘Kill, kill!’ The script was pretty sketchy. I have the original and the re-writes, not that I saw either on the day.

This is the revised version of David Wood’s screenplay typed up on 16th June ~

And suddenly I was up on the roof of the houseboat with the Siamese flag~

Simon West and Sophie Neville on Captian Flint's Houseboat — Simon West as Captain John and Sophie Neville as Titty taking Captain Flint’s Houseboat on Derwentwater : photo~ Daphne Neville

We loved capturing Ronald Fraser and of course making him walk the plank. He was very good about it. Here is the shot used for the cover of the 1977 VHS issue of the movie made available in the USA ~

Actually filming this was tricky. The entire film crew with all their equipment including two cameras, two huge reflector boards and a second costume for Ronald Fraser, had to be accommodated either on the house boat or other craft on the bay in Derwentwater. It was a squash. And there were no loos.

Battle of Houseboat Bay ~ The film crew on Derwentwater — The film crew on Captin Flint’s Houseboat on Derwentwater. Ronald Fraser, with a rope around his chest, can just be seen between the reflector boards: photo~ Daphne Neville

The good thing was that by now we were all pretty experienced with the procedure of getting out to what amounted to an inaccessible location with no lavatories – and certainly no room for tea urns. Oddly, space was made for a stand-in wearing a yellow bikini top. One stand-in. How could one stand-in be of any use when there were seven actors onboard?

Battle of Houseboat Bay ~ The film crew record Captin Flint walking the plank — Director Claude Whatham stands on the plank whilst Bobby Sitwell and DoP Denis Lewiston prepare the 35mm Panavision camera on board the Houseboat: Photo~ Daphne Neville

My mother recorded quite a bit of 8mm cine footage that day, showing life behind the scenes ~

The scraggy looking man alone in a glass fibre boat with a paddle was the chap who drove the mobile lavatories from one location to another and yet managed to persuade the girls of Ambleside that he was producing the film.

Sophie Neville with be giving illustrated talks on ‘The Making of Swallows and Amazons'(1974) at the Southampton International Boat Show on 15th, 16th, 21st and 24th September 2023. We’re hoping Amazon, the original dinghy, will be there too.

Inspirational speaker, Sophie Neville — Southampton International Boat Show 2022

You can read more about the adventures had in these paperbacks

and the multi-media ebook, for sale for £2.99:

Being a cormorant ~ filming more swimming scenes for Swallows and Amazons on 4th July 1973

bw Susan teaching Roger to Swim — Sten Gredon as Roger Walker being taught to swim by Suzanna Hamilton playing his sister Susan Walker on location at Peel Island on Coniston in 1973

Roger still couldn’t swim, but he was trying to. Very hard. The production manager had kindly scheduled the second of our swimming scenes as late in the summer as possible. The weather was warmer – we’d elected to go bathing in a river up near Rydal Water on our day off – but it was still pretty chilly out on Coniston.

swa_bw_neg_ 045

Whilst we tried to acclimatise by running around in our swimming costumes the crew were all in their thick coats as you can see from this home movie footage shot by my mother. We had bought her 8mm camera by saving up Green Shield stamps. (Can you remember collecting Green Shield stamps from petrol stations? They were an icon of the early 1970s all by themselves.) I remember someone on the crew calling out ‘Second unit!’ as Mum lifted what looked like a grey and white toy to her face. It was a bit noisy so she was not able to record during a take. You only see us before and after the sequences in the film, but her footage shows quite a few of the members of the crew – all smoking away, even when they were trying to warm us up after each sequence. You can watch Jean McGill, from Cumbria, our unit nurse who was dressed in red, popping Dextrose into our mouths and giving us hot drinks to warm us up. Jean made Gareth Tandy, the third assistant, who was aged about 18, wear a sun hat because he had previously suffered from sun stroke. David Blagden can be glimpsed as the one other man with short hair.

The camera pontoon must have been left up on Derwentwater. Claude was obliged to shoot these scenes from what we called the camera punt, which was smaller but quite useful. Richard Pilbrow sent me a picture. He has included others in a book that he has written about his career, including a section on the making of ‘Swallows and Amazons’ called ‘A Theatre Project’

Claude Whatham and his crew on the camera punt — First assistant David Bracknell, director Claude Whatham, grip David Cadwallader and DoP Dennis Lewiston (seated) with three local boatmen ~ photo: Richard Pilbrow

Do please let me know if you can tell me the names of the three Cumbrian boatmen featured in this photograph who helped us. Others are featured in the home-movie footage. They all look like pirates. Real ones.

Goodness knows that Health and Safety would say about that punt today. The DoP managed to get two sizeable electric lights, on stands, into a boat already overloaded with personnel and expensive equipment. You can see for yourself. Were these ‘Filler’ lights powered by portable batteries? The Lee Electric generator was on the shore. I was in the water. Busy being a cormorant.

We had an interesting afternoon filming with both dinghies. At one point we had the camera with us in Swallow. I found these photographs of us on the internet.

I was given the honour of clapping the clapper-board and calling out, ‘Shot 600, Take one!’ for a close-up of Suzanna Hamilton.

Suzanna Hamilton as Susan Walker sailing Swallow on Coniston Water in 1973

‘The worse possible kinds of natives’… Tourists were beginning to arrive for their summer holidays in the Lake District and we still had quite a bit more to film.

BW Voyage to the island — Sophie Neville, Suzanna Hamilton and Simon West sailing Swallow in 1973

You can read more about the adventures we had making the original film of Swallows and Amazons here:

‘They’re Pirates!’ ~ secrets of filming Swallows and Amazons on 3rd July 1973

Captian Flint on the houseboat with Swallow — Ronald Fraser as Captain Flint on his houseboat with Stephen Grendon, Sophie Neville, Suzanna Hamilton and Simon West in Swallow on Derwentwater, 1973

It was found on e-bay and brought to Coniston Water when we re-launched Swallow at the Bluebird Cafe in 2011. Everyone was fascinated. I’d never seen this hand-coloured print used to publicise the movie in cinema foyers, but it has memories of a good day, spent not on Coniston but further north on Derwentwater.

The movie Swallows and Amazons (1974) Swallow sailing past the houseboat — Swallow sailing past the houseboat on Derwentwater

When Richard Pilbrow’s movie of Swallows and Amazons was first shown on British television in 1977, ITV made a trailer to advertise it. This started with the shot of me saying, ‘They’re pirates!’ People loved it. Everyone was going around saying, ‘They’re pirates!’

If it was my best performance it was because I had been lying on a red ant’s nest – and they stung us.

The other secret is that that lighthouse tree in this shot is not a tree. Not one that was growing. It was a big log that Bobby Props had stuck in the ground making the ants very angry indeed.

Sophie Neville as Titty Walker in Swallows and Amazons — Sophie Neville as Titty Walker in the ITV trailer for the movie of ‘Swallows and Amazons’ when it was first shown on television in 1977

This was the second location that we used for ‘Lookout Point on Wild Cat Island’. It was on a promontory that overlooks the bay where the houseboat was moored on Derwentwater. There were bushes but no sadly big pine trees. The log was planted so that our director Claude Whatham could get what is called a two-shot of the Swallows watching Nancy sail past Captain Flint’s houseboat, while Peggy raises the skull and crossbones. As we were keeping low the height of the lighthouse tree was not an issue.

The Swallows at the Lighthouse tree Lookout point — Simon West, Suzanna Hamilton, Sophie Neville and Stephen Grendon as the Swallows at the Lookout Point on Wild Cat Island

Just prior to this scene when we spot the Amazons for the first time, I was working on the chart while Susan was sewing a button onto Roger’s shirt. The needle stuck into him as he flung himself down on the grass beneath the lighthouse tree.

Roger and Susan at the camp site — Stephen Grendon as Roger having a button sewn back on by Suzanna Hamilton playing Susan Walker in the previous scene.

Since needles are small you can hardly see what is happening but I think it is a detail that Arthur Ransome would have appreciated. I wonder if the same sort of thing had happened to him as a child? He used his memories of Annie Swainson throwing boys across her lap to darn their knickerbockers whilst they remained on him, just as Mary Swainson frequently darns Roger’s shorts after sliding down the Knickerbockerbreaker rockface in Swallowdale. Claire Kendall-Price describes this and where it all happened beautifully.

Here is the diary entry I kept for that day in the Lake District ~

Suzanna’s diary is more succinct ~

I don’t know why she felt depressed. Perhaps it was the ants. She was on more of them than me and they were not waving. They were very angry.

So, the secret of Wild Cat Island is that the lighthouse tree sequences were shot in two different places. Although we were mainly on Peel Island on Coniston Water, Rampsholme, an island on Derwentwater is depicted in the opening titles. This is faithful in that Arthur Ransome annotated postcards to show that wanted this view and the fells beyond as a backdrop for his story. In her book, In the footsteps of the ‘Swallows and Amazons’, Claire Kendall-Price provides a wonderful map and guide showing how you can walk from Keswick to find some of the locations.

We didn’t use the island known as Blake Holme on Windermere at all even though Arthur Ransome had envisaged the camp fire as being there. Richard Pilbrow told us it had become a real camp site by 1973 with caravans on the nearest shore.

Sophie Neville with Swallow outside the Bluebird Cafe on Coniston Water — Sophie Neville in 2011 holding the original photograph in front of the newly restored dinghy at the Bluebird Cafe on Coniston Water. If you look carefully you can see that Swallow is being inspected by a modern day pirate ~ photo: Kitty Faulkner

The “They’re pirates” shot was used in the movie trailer, which you can watch on Amazon Prime here

The iconic photograph of Swallow sailing past the houseboat was used on the first edition of ‘The Making of Swallows and Amazons (1974)’ which has become a collector’s item but can still be found online.

The Making of SWALLOWS & AMAZONS

The Lutterworth Press bought out an improved 2nd edition and this multi-media ebook is available everywhere for £2.99:

Challenges faced by the Second Assistant Director whilst filming Swallows and Amazons in the Lake District on 2nd July 1973

Sophie Neville with Terry Needham in 1973 — Sophie Neville with Terry Needham and the unit radio at Derwentwater ~ photo: Daphne Neville

I am often asked about my career in acting. I was even asked about it by the crew of Swallows and Amazons as we climbed in and out of boats on Derwentwater back in 1973.

‘Are you going to be another Bette Davis?’ (I gathered I looked vaguely like her but didn’t really know who she was.)

‘Will you get stuck as a child actress like Shirley Temple?’ (I didn’t really know who she was either.)

lighthouse-tree-on-derwentwater

There was much speculation. The truth was that I was always more interested in what was happening behind the camera, and how the story was told, than I was in our performances. I had an empathy for the men who had to keep changing carefully made arrangements when the clouds rolled in. Whilst I was always interested in set dressing I loved aiding and abetting Terry Needham, the second assistant director, with whom we naturally spent a great deal of time. The 2nd July 1973 must have been a busy day for him. A maddening day really.

Whilst I was in front of the camera, delivering the line that fore-shadows the adventurous section of Arthur Ransome’s story, Terry Needham would have been busy planning who would go out in which boat and when. Just as important really.

Richard Pilbrow and Claude Whatham in the Capri — Producer Richard Pilbrow and Director Claude Whatham discussing the script in the Capri on Derwentwater. Molly Pilbrow is in the boat with them ~ photo: Daphne Neville

Whilst filming out on the lakes ‘Swallows and Amazons’ was far more complicated than most movies to stage manage. Terry needed to have what Claude Whatham called his ‘Artistes standing-by, ready on set’ when the set in question was a boat moored out in a lake. In reality this meant that the film actor Ronald Fraser had to wait around on the houseboat with Costume, Make-up and Props, whilst the sun tried to decide whether to come out.

Ian Whittaker with Ronald Fraser on the Houseboat — Set dresser Ian Whittaker, Ronald Fraser and one of the Prop Men on the houseboat ~ photo: Daphne Neville

Terry Needham, ever straight forward and prosaic, also had to make provision for a number of extra people who wanted to try and watch the action, notably Albert Clarke, the stills photographer, and the Producer, Richard Pilbrow who was often looking after journalists from major newspapers and magazines. We were making a movie that needed to be well publicised if it was to succeed.

Richard Pilbrow on the houseboat — Claude Whatham discussing plans with sailing director David Blagden (in white hat) and Richard Pilbrow with Molly Pilbrow in checked jacket, on the aft deck of the houseboat played by The Lady Derwentwater ~ photo: Daphne Neville

What made Terry’s job even more demanding than usual was that since we were all under the age of sixteen we still had to complete at least three hours schooling a day. I was only meant to spend three hours a day in front of the camera and leave at 5.00pm. This meant that, unlike Ronnie Fraser, we had to be collected from our red bus and taken over the water to our set at the last possible moment when the camera and crew were ready to roll. We had no mobile phones, only Motorollas.

The Production Team on 'Swallows and Amazons' in 1973 — Second Assistant Terry Needham, Associate Producer Neville C Thompson and Production Manager Graham Ford with the unit radio on a sunny day in June 1973

As Swallow, our clinker-built dinghy, was wired to a floating pontoon, the job of our loyal Lakeland boatmen was particularly important. Can anyone tell me the name of this chap, in the photo below?

Chaperone Jane Grendon on Derwentwater in a Dory with a local boatman

Terry Needham also had to take into consideration the numbers of people licensed to be in each support boat. Although a period film, our clothes were simple, so we didn’t need the contingent of dressers and make-up artists typically demanded by costume dramas. However life-jackets were a must and wherever we went one of our licensed chaperones had to come too. Since Mum stayed at our guesthouse in Ambleside with Kit Seymour who was ill with ‘flu that day, it was Jane Grendon came out on the lake with us. It was her son Sten, playing the Boy Roger, who walked off the jetty into the water. Poor Jane was pushed in fully clothed. Suzanna Hamilton also fell in – or so she claims. What a nightmare for Terry Needham.

Terry Needham exhausted — Terry Needham with the crew on the Houseboat moored on Derwentwater, Cumbria ~ photo: Daphne Neville

Terry survived to have the most prestigious career in film. Whilst he worked as an assistant director for Stanley Kubrick on The Shining (would Jack Nicholson have been easier to manage than us lot?) Terry was unit manager on Empire of the Sun for Stephen Speilberg and the first assistant director on such classic movies as Full Metal Jacket, Rambo III, A Man for All Seasons, The Field, The Golden Compass and Clash of the Titans. I only list a few of his many credits. He worked for Ridley Scott as Associate Producer and First Assistant on White Squall, G.I.Jane, Gladiator, Hannibal and Black Hawk Down – all gigantium tasks – and was Executive Producer of Red Dragon, and Kingdom of Heaven, again for Ridely Scott. He is still working on movies. What changes he must have seen. I wonder if he can remember that far distant summer spent in the Lake District?

I would not have had the physical strength to follow in Terry’s footsteps. It was his job – plus a bit of work with action props and set dressing – that I found myself busy doing at the BBC when I was an Assistant Floor Manager on big costume dramas. I was exhausted after about four years. The walky-talky I found so attractive aged twelve became rather heavy on my hip. I have a Polaroid photograph of myself looking tired out when working as a Location Manager in Bayswater, kept to remind myself not to accept such work again. Perhaps I should have taken the Bette Davis route after all. I might have had Terry looking after me again.

You can see Terry Needham with his portable radio at the end of this short 16mm film clip that was shot a couple of days later on Coniston Water. The pushings-in were still all the rage.

If you enjoyed this post, do think of getting a copy of ‘The Making of Swallows and Amazons’ available from libraries, online retailers and Amazon here

'The Making of Swallows and Amazons (1974)'

The lighthouse tree ~ filming ‘Swallows and Amazons’ on Derwentwater 1st July 1973

‘It would make a superb lighthouse,’ but not for a good few years yet. The Scots pine planted by The Arthur Ransome Society on the northern end of Peel Island was growing well when I last paid it homage.

Suzannah Hamilton, Stephen Grendon, Sophie Neville and Simon West above Derwentwater in 1973

I hope I don’t spoil the magic if I explain that the pine used in the 1973 film of ‘Swallows and Amazons’ is on a promontory above Derwentwater. An appropriate tree was chosen that overlooked the location we used for Houseboat Bay.

The lighthouse tree climbed by Simon West — Captain John, played by Simon West, starts to climb the lighthouse tree at the Lookout Point: Photo ~ Daphne Neville

If you can avoid being distracted by David Bracknell’s trendy two-tone trousers, you can see a bit more of the lighthouse tree location with the lake beyond. I’ve been told it is at Friar’s Crag. Can anyone find the actual tree?

The lighthouse tree with Titty hanging the lantern — Sophie Neville as Titty Walker hanging the lantern. Claude Whatham sits beside the camera crew including Eddie Collins, Dennis Lewiston and Bobby Sitwell, whilst first assistant David Bracknell looks on: photo ~ Daphne Neville

As a child reading Swallows and Amazons I was always deeply impressed that Captain John managed to climb the pine tree in Arthur Ransome’s drawing. Simon West was able to use branches but he really did climb quite high. The cameraman had a scaffold tower.

Suzanna wrote that, ‘In the late afternoon the Amazons were filming on the pontoon. Kit wasn’t feeling well.’ Lesley had recovered a bit but there was a ‘flu-like bug going around. Neither of them look that well in the resultant photograph but they survived.

Nancy and Peggy Blackett — Kit Seymour as Nancy Blackett with Lesley Bennett playing her sister Peggy Blackett in Amazon, who is still sailing today.

If you would like to read more, upload a copy of ‘The Secrets of Filming ‘Swallows and Amazons'(1976)’ for sale on Amazon Kindle and other e-readers for £2.99

Sophie will be giving illustrated talks on ‘The Making of Swallows and Amazons’ at the Southampton International Boat Show in September.

30th June 1973 – Finding our photographs in the Daily Express on a day off from filming ‘Swallows and Amazons’ in the Lake District

The secret was out; ‘his anecdotes are many, o u t r a g e o u s, and largely unrepeatable.’ Whilst we had been busy filming on a smelly lily pond the ‘joker’s joker’ had been languishing in the bar of the Kirkstone Foot Hotel just outside Ambleside saying that, ‘he was a lousy lover but loved to practice.’ Oh deary me. Worse was to come.

‘…baby, you’ve got to be a bit dotty.’ At least we were described as ‘bright and vivacious’.

We loved going to the cinema in Ambleside. David Blagden, our sailing director, had a small part of a prison officer in the movie Kidnapped, that we went to watch. It starred Michael Caine, Trevor Howard and Lawrence Douglas, with Jack Hawkins, Donald Pleasence and Gordon Jackson, but sadly not Ronald Fraser. He was still in the bar.

Suzanna Hamilton’s perspective on the day is not so very different but it is in purple.

Mediculs. A sure sign that our movie was both over-schedule and over budget, with nothing much anyone could do about it but keep going. We still had to capture the houseboat. And make that splendid gentleman walk the plank.

Ronald Fraser fishing with the Swallows and Amazons — The distinguished actor Ronald Fraser fishing with Kit Seymour, Lesley Bennett, Suzanna Hamilton, Simon West, Sophie Neville and Stephen Grendon whilst filming on location in the Lake District ~ photo: Daphne Neville

Sophie Neville will be giving illustrated talks on making the movie at the Southampton International Boat Show in September 2023. For more info please click here

Secrets of filming Swallows and Amazons

If you would like to read more, Sophie’s diary is included within her ebook of ‘The Secrets of Making Swallows and Amazons (1974)’ available from online retailers and Amazon Kindle for £2.99 here

The Secrets of Filming Swallows & Amazons