Tag Archives: Bobby Sitwell

The Battle of Houseboat Bay on Derwentwater, 5th July 1973

Battle of Houseboat Bay ~ Sophie Neville as Titty Walker in Swallow

Sophie Neville at Titty Walker in Swallow on Derwentwater in 1973: photo~ Daphne Neville

Sunlight on the water tells the story of my life.  At last the skies cleared and fine weather we had hoped and prayed for settled over the Lake District. It enabled us to film the climax of Arthur Ransome’s adventure set on the high seas of Cumbria. It was the day we went to war. The day the Swallows and the Amazons took on Captain Flint at the Battle of Houseboat Bay.

Suzanna's Diary

An extra page in Suzanna’s Diary for 5th July 1973

‘There won’t be a leeside to him, ‘ said Captain John. ‘The houseboat’ll be lying head to wind. Our plan will be to reach into the bay, and then come head to wind one on each side of him.’ Arthur Ransome wrote. ‘If you’ll lay yourself aboard his starboard side, I’ll bring Swallow up on his port.’

To my everlasting regret, while some of the others managed to yell, ‘Swallows and Amazons Forever!’ my battle cry was, ‘Kill, kill!’ The script was pretty sketchy. I have the original and the re-writes, not that I saw either on the day.

This is the revised version of David Wood’s screenplay typed up on 16th June ~

And suddenly I was up on the roof of the houseboat with the Siamese flag~

Simon West and Sophie Neville on  Captian Flint's Houseboat

Simon West as Captain John and Sophie Neville as Titty taking Captain Flint’s Houseboat on Derwentwater : photo~ Daphne Neville

We loved capturing Ronald Fraser and of course making him walk the plank. He was very good about it. Here is the shot used for the cover of the 1977  VHS issue of the movie made available in the USA ~

A cover for the 1977 VHS copy of 'Swallows and Amazons' ~ US a version

Actually filming this was tricky. The entire film crew with all their equipment including two cameras, two huge reflector boards and a second costume for Ronald Fraser, had to be accommodated either on the house boat or other craft on the bay in Derwentwater. It was a squash.

Battle of Houseboat Bay ~ The film crew on Derwentwater

The film crew on Captin Flint’s Houseboat on Derwentwater. Ronald Fraser, with a rope around his chest, can just be seen between the reflector boards: photo~ Daphne Neville

The good thing was that by now we were all pretty experienced with the procedure of getting out to what amounted to an inaccessible location with no lavatories – and certainly no room for tea urns.

Battle of Houseboat Bay ~ The film crew record Captin Flint walking the plank

Director Claude Whatham stands on the plank whilst Bobby Sitwell and DoP Denis Lewiston prepare the 35mm Panavision camera on board the Houseboat: Photo~ Daphne Neville

My mother recorded quite a bit of 8mm cine footage that day, showing life behind the scenes ~

The scraggy looking man alone in a glass fibre boat with a paddle was the chap who drove the mobile lavatories from one location to another and yet managed to persuade the girls of Ambleside that he was producing the film.

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Filed under 1973, Acting, adventure, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Dinghy sailing, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story

30th June 1973 – Finding our photographs in the Daily Express

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The secret was out; ‘his anecdotes which are many, o u t r a g e o u s, and largely unrepeatable.’ Whilst we had been busy filming on a smelly lily pond the ‘joker’s joker’ had been languishing in the bar of the Kirkstone Foot Hotel just outside Ambleside saying that, ‘he was a lousy lover but loved to practice.’ Oh deary me.  Worse was to come.

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‘…baby, you’ve got to be a bit dotty.’ At least we were described as ‘bright and vivacious’.

 

David Blagden, our sailing director, had a small part of a prison officer in the movie Kidnapped, that we went to watch at the local cinema. It starred Michael Caine, Trevor Howard and Lawrence Douglas, with Jack Hawkins, Donald Pleasence and Gordon Jackson, but sadly not Ronald Fraser. He was still in the bar.

Suzanna Hamilton’s perspective on the day is not so very different but it is in purple.

Mediculs. A sure sign that our movie was over-schedule and over budget, with nothing much anyone could do about it but keep going. We still had to capture the houseboat. And make that splendid gentleman walk the plank.

The distinguished actor Ronald Fraser fishing with Kit Seymour, Lesley Bennett, Suzanna Hamilton, Simon West, Sophie Neville and Stephen Grendon whilst filming on location in the Lake District ~ photo: Daphne Neville

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Diary, Film, Film Cast, Film History, Filmaking, Lake District, Landscape Photographs, Memoir, Movie, Movie stories, Photography, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story

Filming with Virginia McKenna at Bank Ground Farm, Cumbria ~ in 1973

Forty years ago today we were filming with Virginia McKenna at the location used for Arthur Ransome’s Holly Howe above Coniston Water. It was a day of days – the sunshiny day that we had all be waiting for.

Virginia McKenna at Bank Ground Farm

Virginia McKenna at the other side of the boat houses at Bank Ground Farm in 1973 ~ photo: Daphne Neville

David Bracknell with Virginia McKenna at Bank Ground Farm

First Assistant Director David Bracknell standing-in (or kneeling-in) for Roger with Virginia McKenna at Bank Ground Farm. The great trees in the background are sadly no longer there ~ photo: Daphne Neville

The buttercups and daisies were still out in the field that flows from Holly Howe to the lake. Roger was able to tack up the meadow to receive the despatches from Mrs Walker, described in the opening pages of Arthur Ransome’s book.

‘…Each crossing of the field brought him nearer to the farm. The wind was against him, and he was tacking up against it to the farm, where at the gate his patient mother was awaiting him.’

Virginia McKenna with Hairdresser Ronnie Cogan

Virginia McKenna having her hair adjusted by Ronnie Cogan ~ photo:Daphne Neville

I don’t think you can tell that this section of the scene was recorded seven whole days later than the sequence that runs directly on from this when the Boy Roger delivers the very same ‘If not duffers’ telegram to Captain John. The hole that had been dug for the camera alongside our picnic had been filled in. You can see this from Mother’s perspective when I was milling about near the lake looking towards the island I couldn’t actually see.

Virginia McKenna on location at Bank Ground Farm (Holly Howe) in the Lake District. Property Master Bob Hedges is working in the foreground. Lee Electric lighting assistants stand-by with reflector boards while Assistant Sound Recordist Gay Lawley-Wakelin waits on a box with the boom ~ photo: Daphne Neville

Poor Sten, he had to run up the field on what proved to be our hottest day. I remember Jean McGill, the Unit Nurse ministering cool drinks and a flannel soaked in cool eau de Cologne to make sure he did not get dehydrated. We all wanted a go with the cool cloth on the back of our necks at lunch time.

With Virginia McKenna at Bank Ground Farm

The Walker Family ~ Suzanna Hamilton playing Susan, Stephen Grendon as Roger, Sophie Neville as Titty, Virginia McKenna as Mother and Simon West as John in the meadow full of buttercups at Bank Ground Farm

It was good to escape the heat by getting out on the water. We shot the scene set on the old stone jetty at the boat houses below the farm when Titty leads ‘Good Queen Bess’ down to the harbour to inspect her ship. I didn’t realise she had a large box of matches in her hand. Virginia kept it a surprise from us in real life. I was excited to find out that Simon Holland, the Designer had painted the branded cover by hand.

As the Call Sheet specifies, our dinghy Swallow had been loaded with all the tents and camping equipment that had been on Peel Island the day before. I didn’t realise at the time quite how often the design team had struck camp and made it up again. I just sat on top of the equipment singing Adieu and Farewell, not very well, as we sailed out onto Coniston Water, waving goodbye to our Fair Spanish Ladies.

Arriving at Holly Howe

Claude Whatham with Virginia McKenna. Mrs Jackson stands patinetly at the door ~ photo: Daphne Neville

I am sure that we had already recorded the scene in David Wood’s screenplay when the Walker family arrive at Holly Howe, but Claude decided to take advantage of the golden light and shoot it again.  I am sure this was a good decision. It had been a long day and we were tired but the excitement of our arrival is tangible.

Arriving at Holly Howe

Director Claude Whatham, in a 1970s yellow long-sleeved t-shirt, watching the taxi drive up to Mrs Jackson’s front door in 1929. DoP Dennis Lewiston sets up the shot with Focus-puller Bobby Sitwell ~ photo: Daphne Neville

Nurse with Baby Vicky, the ship's baby

Nurse with Baby Vicky, the ship’s baby at Holly Howe ~ photo: Daphne Neville

Sophie Neville holding the horses

Stephen Grendon, Sophie Neville and Simon West with Mr Jackson at Holly Howe~ photo: Daphne Neville

My mother thought that Mrs and Mrs Jackson, Mrs Walker’s nurse and Vicky the ship’s baby, who are listed as Extras on the Call Sheet, were particularly well cast. It must have been a long day for them. It was a long hot day for all of us, but a happy day.

Simon West, Stephen Grendon, Suzanna Hamilton and Sophie Neville

Simon West, Stephen Grendon, Suzanna Hamilton and Sophie Neville playing the Walker children in ‘Swallows and Amazons’ 1973 ~photo: Daphne Neville

The girls who had been taken on as our Stand-in’s the day before did not seem to be around to help limit the hours we spent on set, but perhaps I am muddled. They may have only materialized on Peel Island at a later date.

Stephen Grendon, Simon West, Virginia McKenna, Suzanna Hamilton and Sophie Neville, trying not to look as tall as she was in 1973 ~ photo: Daphne Neville

What I really did not know, until I watched the documentary broadcast last Sunday, was that Mrs Batty, who held the lease on Bank Ground Farm, had locked out the crew. She explained that when she was originally asked if we could film on her property she did not quite realise the scale of operations and only asked for – or accepted – a location fee of £75. The arrival of the two red double-decker buses, the Lee Electric van, the generator and other lorries, not to mention the Make-up caravan rather daunted her, as did the furniture moving activities involved at the start of the filming when we shot the interior scenes. She said that she decided that £75 was not enough, padlocked her front gate and wouldn’t let them back in until they agreed to pay her £1,000. It was a lot of money, more than double the fee I received.

Sophie Neville with Lucy Batty at Bank Ground Farm, Westmorland in 1973 ~ photo: Daphne Neville

You may have seen the BBC documentary about the making of Swallows and Amazons, when Ben Fogle interviewed Suzanna Hamilton and myself at Bank Ground Farm for ‘Big Screen Britain’. This was  re-packaged last year on a programme called Country TracksMy father’s 16mm footage had been skilfully inter-cut with an interview with our Director, Claude Whatham. I did not know that it was being broadcast but was able to watch on-line.

Sophie Neville at the Bank Ground Farm Boathouses

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Diary, Dinghy sailing, e-publication, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story