truelife story – Page 21

Were there any disasters? and other questions asked about making the film ‘Swallows & Amazons’ in 1974

On Saturday 26th September at 3.00pm the original film of Arthur Ransome’s book ‘Swallows and Amazons’ was screened at the Riverside cinema in Woodbridge, Suffolk as part of their celebration of ‘100 Years of Film’.

I was on stage to answer questions about how we made the film after the screening. Swallow, the dinghy we used on the movie was rigged up outside the cinema and admired by many.

Back in April, I was invited to a similar screening of ‘Swallows & Amazons’ (1974) also held to raise funds for the up-keep of Arthur Ransome’s yacht Nancy Blackett. As the film ended I was invited up on stage to answer questions about how it was made. Marc Grimston sent a list of these, so I could answer them here for those unable to get cinema seats.

As a child were you like Titty? In 1973, I was aged twelve and at five-foot two, was really too old and too tall for the role of Titty but it was easy enough to pretend to be nine years old. I was on-screen a great deal so it probably a good thing that I was old enough to cope with long filming days. I thought I was much more like Mate Susan but perhaps that made it easier for me to play Titty.

How many tried for the role of Titty? About 1,800 children originally auditioned for the six parts in ‘Swallows & Amazons’. Claude Whatham, the director, wrote inviting me to an interview. In the end there were five girls up for the part of Titty. You can read more about the final audition here.

Sophie Neville on stage with Peter Willis, President of the Nancy Blackett Trust

Had you read the books before? I had read most of the books in the series and loved them, so it was very easy to take on the part. We never had to sit down and learn lines because we knew what to say from reading the book.

Sophie Neville taking about Swallows & Amazons

Were they any disasters during filming? Swallow’s mast broke!

How did you stay safe with the snake? It was a real adder, but quite a tame one. I think they lowered its metabolism by keeping it cool.

How did they make the lion noises? It was a recording of a real lion.

How did you capture their boat? In one take!

How did they film the night scenes? We shot many of them inside Mrs Batty’s barn.

Sophie Neville with Swallow’s flag

When you filmed the approach to the houseboat it seamed as if Amazon was coming in fast, was she? Yes, she hit it quite hard!

How long did it take to film? We spent forty six days onset in total, which meant spending about seven weeks in the Lake District.

Do you still have the parrot? I don’t. The green parrot belonged to Mrs Proctor of Kendal where the residents were terrified of him.

What happened to Amazon? She is owned by a family living in Kent who love sailing her in the lakes. She was the same Amazon as used in the BBC serial of ‘Swallows and Amazons’ made in 1962, when Susan George played Kitty.

Have you been back to the island? Yes! I last returned with Nick Barton who is planning a new film adaptation of ‘Swallows and Amazons’.

Are there adaptations of any other Swallows and Amazon books? Yes, in 1983 I was able to work on the BBC serialisation of ‘Coot Club and The Big Six’, starring Rosemary Leach, Colin Baker, Henry Dimbleby and Julian Fellowes as one of the Hullabaloos. It was my job to cast the children and look after them during the three months we spent on location, which was great fun.

Click here for further details: Riverside Cinema in Woodbridge

My friend Dr Bill Frankland

Dr Bill Frankland with Sophie Neville at Drapers’ Hall

Once Alexander Fleming’s clinical assistant, Dr Bill Frankland was still working as an allergist at the age of 103, ‘I have my first patient at 9.00am tomorrow morning.’ I gather he was still working on academic papers up until his death from Covid in 2020 at the age of 108.

Dr Frankland and I were both Liverymen of the Worshipful Company of Drapers, so found ourselves seated together in all sorts of places from St Paul’s Cathedral to a bus heading for Romford. Always chatty and full of enthusiasm, Bill was an endless source of interesting stories. He gave me detailed insights on WWII, when he served as a medical officer in the Far East, becoming a PoW to the Japanese after Singapore fell and gallantly agreed to became the historical adviser on my next book, ‘Love is for the Brave’. To my astonishment I found myself noting dialogue used in PoW camps. He could remember the exact words used by the Japanese. I was not be surprised to see he’d been invited to the premiere of ‘The Railway Man’, the movie of Eric Lomax’s wartime experience starring Colin Firth and Nicole Kidman. He also attended the 70th Anniversary VJ Day memorial at Horse Guards Parade with other British and Commonwealth veterans.

Bill grew up in the Lake District with his identical twin brother, who sadly died some time ago. He was a good friend of Roger Altounyan and knew his sister Titty. Along with their other three siblings, Taqui , Susie and Brigit, they had been models for the Walker family in Arthur Ransome’s book ‘Swallows and Amazons’.

After he began working as an allergist, Bill became a colleague of Roger who developed the Intal spin-inhaler to relieve asthmatic symptoms.

Bill was amused by the fact that, as a child of twelve, I played the part of Titty in the 1974 feature film of ‘Swallows & Amazons’, delighted that I was able to introduce him to Nick Barton, the producer of the 2016 movie of ‘Swallows and Amazons’, now on DVD and released in the US by Samuel Goldwyn Meyer.

Bill lost his wife to cancer some time ago but his family were ever around him. At the age of 102, he told me that his doctor insisted that he walked a mile a day but it was quite an experience to accompany him along the crowded London streets as he began to use a walking stick which was twirled in all directions.

‘From Hell Island to Hay Fever, The Life of Dr Bill Frankland’, by Paul Watkins.

Click here for a to listen to Bill give an account of his life on Desert Island Discs

Here is a clip of Dr Frankland appearing on ‘The One Show’ a few years ago (he’s on after Andrew Lloyd Weber):

Can you remember ‘Swallows & Amazons’ coming out in the cinema?

Swallows and Amazons at the Belfast Film Festival — ‘Swallows & Amazons’ at the Belfast Film Festival ~ photo by Debbie Davidson who said, ‘We had a fab day watching the movie, reliving our childhood.’

The film ‘Swallows & Amazons’ (1974) was screened at the Belfast Film Festival. Curiously, the ‘Terms and Conditions of Entry’ specified:

CHILDREN UNDER 16 MUST BE ACCOMPANIED BY AN ADULT
NO GLASSWARE OR CANS PERMITTED ON SITE
NO BARBEQUES OR NAKED FLAMES

This was ironic since, ‘Swallows and Amazons’ is about children cooking on campfires, eating canned bully beef or ‘pemmican’ while swigging ‘grog’ out of bottles, as far as possible form adult supervision. However, the movie was shown outside – on a huge screen under the trees opposite Belfast City Hall. ‘THIS OUTDOOR EVENT’, they declared, ‘WILL HAPPEN REGARDLESS OF WEATHER CONDITIONS’. Since the story is about camping this did seem apt but as you can see from the photograph above, it was an idyllic sunny summer’s day.

Ronald Fraser walking the plank in ‘Swallows & Amazons’ (1974)

‘How lovely…we love seeing this wonderful film,’ Gerry Spiller said.

‘My Mother took me to see the film when it was first released, it was in a double bill with ‘Born Free’, which also had Virginia McKenna in. In those days you could just sit in the cinema and see the film again if you wanted to. We did.’ Jon Ford

‘Ok, a confession. When I was twelve I was a spoilt little brat. My parents had decided to take my brothers and I out for a surprise. I refused to go until I was told what it was as I hated surprises. My parents wouldn’t tell me so I very nearly didn’t go. I went only after being told by my big brother that if I didn’t he would hit me. The surprise? A trip to the cinema to see Swallows and Amazons! ‘ Marc Grimston, Author

‘Can’t believe how long ago it was. I remember going to see the film at the Aylesbury Odeon and loving it.’ Kate Pearson

‘… the first film I saw in a cinema, Swallows & Amazons, ABC Colchester April 1974. Cinema now a pub.’ Fabian Breckels on Twitter

‘It was on at the local cinema. My son was too young to go so I offered to take a neighbour’s child on condition that the neighbour’s older child baby-sat for me.’ Janet Mearns

‘One of my all time favourite films. Watched it just the other day in fact. I never seem tire of it. Especially after a trip to the Lakes.’ John Heath

Nancy and Peggy on Wild Cat Island — Lesley Bennett and Kit Seymour as the Amazons when filming in 1973

‘I don’t know why we missed it when it was first shown (I was six at the time)… it came back to the cinema for another showing a few years later and the place was almost empty, so it felt as if they’d put it on specially for us.’ David Cooper

‘Rather like David, missed it as a child. Which makes me rather sad in retrospect. Had no idea it existed until I discovered it through ‘Google’! a few years ago. I now have two copies of it on DVD.’ Paul Thomas

‘I was 11 when the film came out and I was already a huge S&A fan. I loved the film and you, well Titty really, she became my first ever crush. Thank you for the excellent portrayal of Titty. Thanks also on behalf of my own daughters who also fell in love with the film, probably due to my regular screenings!’ Mike Embleton

swa_co_tra_ 008 — Sten Grendon and Sophie Neville on Derwentwater in 1973

‘I finally got to see it while we stayed at Bank Ground Farm our first visit to England. Loved it, cried over it, was delighted to finally see it after many years of sharing a love of Swallows & Amazons books with my mother, my sisters & my children! Mrs. Batty kindly put it on for us to watch in the farmhouse living room.’ Elizabeth Rondthaler Jolley, USA

‘It was two years ago in my 36th year. I found it somewhere on internet after I have read the first (book) to my son. And then we watched together. It was perfect. In Czech republic where I live, Ransome was in my childhood one of the most favourite authors.’ Jiri Precek, Romania

‘In June 1973 I was 9 months into my 3 year teacher training course at Didsbury Teacher Training College… It was not for many years – probably 15 that I contacted Cape for info about locations – still have the reply !!’
Martin Robinson

John and his Flagship with Nancy and Peggy — Sten Grendon, Simon West, Kit Seymour and Lesley Bennett on Peel Island 1973

‘I was 9 in 1974 and saw the film about four times that summer (I think it was shown with Born Free as a double feature) and I had a huge crush on Lesley Bennett! (Where is she now?) I read all the books several times over during the 70’s . Reading your memories made me re-read the book and watch the film for the first time since the 70’s and I have to say the film holds up very well!’ Richard Meads, Worthing, West Sussex

The DVD reviewer Stuart McLean writes: ‘The cast were pretty much the same age as me in 1973 (when it was filmed) and I remember enjoying this tremendously when it came out in 1974, forty years ago. Back then, the idea that four school-kids could take off in a boat for days at a time with no life-jackets seemed perfectly plausible. These days it would be cause for 24 hour rolling news reports.’ Please click here to read on.

Simon Hodkin first went to see Swallows & Amazons in Wales some forty years ago. He kept a scrapbook full of souvenirs, including a letter from Arthur Ransome.

Can you remember the first time you saw the film? Please add to the Comments box.

To watch a filmbeat interview about making the film please click here

You can read about how the film was made here:

‘The Secret Life of Arthur Ransome’ along with a letter from Mrs Ransome herself

‘The Secret Life of Arthur Ransome’ is available for viewing on BBCiPlayer.

This beautifully made documentary, presented by Griff Rhys Jones, examines Ransome’s life as a war correspondent in Russia from 1913 to 1919 when he was close to the action and in dialogue both with Lenin and Leon Trotsky. It raises the question as to whether he was a British spy.

Hugh Brogan, Ransome’s biographer explains that Ransome had originally ran off to Russia in 1913 to escape from his melodramatic wife, Ivy Walker. After using his time to record Russian fairy stories, that can be read today in his book, ‘Old Peter’s Russian Tales‘, he was employed by a national British newspaper to report on events leading up to the Russian Revolution. Black and white archive footage, along with photographs Ransome took himself, illustrate this well.

The BBC’s erstwhile political correspondent John Sergeant, explains the significance of certain survival strategies Ransome used, such as using ‘his practical skill to outwit people’, over extracts from the original feature film ‘Swallows & Amazons‘, produced by Richard Pilbrow in 1974.

Suzannah Hamilton, Stephen Grendon, Sophie Neville and Simon West above Derwentwater in 1973 — Suzannah Hamilton, Stephen Grendon, Sophie Neville and Simon West, 1974

The scenes from the movie also show how the story Ransome wrote when back in the Lake District, was in many ways an outworking of feelings accumulated while he was working in Russia. By concentrating on his writing, he neglected his own daughter just as Uncle Jim was not around for the Blackett girls.

In the dramatised documentary, the beautiful actress Alina Karmazina plays Evgenia, the girl Ransome fell in love with while he was filing reports from Petrograd. They later escaped over the border, trading her copper kettle for freedom of passage.

If the BBC had contacted Richard Pilbrow he would have been able to send them this letter. It was written to Neville Thompson, the online producer of the film, by Evgenia, who had become the second Mrs Ransome. It has never been published before. She gives the address as her retirement home near Banbury but it shows what kind of girl she was:

Page two:

When Mrs Ransome saw the finished film in 1974, her only comment was that the kettle was of the wrong period.

Suzanna Hamilton playing Susan Walker with Stephen Grendon as Roger Walker camping on Peel Island, Conioston Water in Cumbria — Was Susan a portrayal of Evgenia? Here she is played by Suzanna Hamilton.

The story of the Ransome’s escape from Russian has been told by Hugh Lupton, Arthur Ransome’s great nephew, who gave us a rendition at The Arthur Ransome Society meeting near Bungay. It can be listened to on CD, available on CD from Burning Shed.

The Secret Life of Arthur Ransome can be watched on BBC iPlayer by clicking on the photo here

What hit the cutting room floor on the film ‘Swallows & Amazons’ (1974)?

One of the questions asked by fans of the film Swallows & Amazons, produced by Richard Pilbrow for EMI Films in 1974, is, ‘Did any of the scenes written by David Wood ever hit the cutting-room floor?’

Simon West and Sophie Neville in Swallows and Amazons (1974) — Simon West and Sophie Neville on Peel Island in 1973

Although I had a lead part, I wasn’t allowed to read the script as a child, only Arthur Ransome’s book on which the movie was based. I never gave it a thought, and for years, but looking back through the original screenplay I can see that the answer is, ‘Not many.’

The shots of finding Swallow in the boatshed, bringing her out and raising her flag were moved forward and set under the voice-over of the Walker children reading out the letters written to their father. This moved the story along.

Simon West talking to director Claude Whatham with Sophie Neville

There is a scene in the book set at Holly Howe when medical supplies are being packed for the voyage. This was shot with Virginia McKenna at Bank Ground Farm above Coniston Water, but must have slowed down the pace of the film as it was replaced by a more exciting montage of shots, that also progressed what is a pretty gentle start to an adventure story.

Virginia McKenna as Mother with Sophie Neville as Titty making Swallow’s flag

Making patterans on the way to the charcoal burners, was a lovely scene from the book that was recorded but never included in the film. Captain John can been seen explaining how gypsies use them as secret markers in this black and white still.It was shot on a mossy bank in oak woodland so very characteristic of the Lake District and profiled by the Guardian newspaper the author Arthur Ransome had once worked for.

It was at this dramatic location, high above Derwentwater, that my favourite behind-the-scenes shot of the director, Claude Whatham was taken. You can see Cat Bells in the background.

Claude Whatham talking to his cast: Sten Grendon, Simon West, Sophie Neville & Suzanna Hamilton

Mrs Ransome, who worked closely with the screenwriter, had agreed that the storm scene on Wild Cat Island would not to be included in the screenplay. We children thought a great pity. Such a violent gale blew in one day when we were filming on Peel Island that we would have had the right weather conditions, but you can not include everything. It was only a 90 minute movie.

Jane Grendon, whose son Sten played Roger, wrote to tell me that before filming began, ‘…one of the very first things we were asked was, ‘can Sten swim?” ‘I know he could doggy paddle,’ she continued. ‘Neville (Thompson, the online Producer) organised swimming lessons at Pitville Pool, Cheltenham which included jumping off the diving boards. At the time I didn’t know why and I don’t think Sten is a natural in the water and the swimming lessons didn’t prove very successful. Claude (Whatham) told me – at the end of filming I think, when he gave me a copy of he original script – these lessons were because in the original script Roger was to jump in the water after Uncle Jim walked the plank.’ Jane sent me a copy of the page in question. I had not seen it before: It was a page of the script we never had time to shoot. I am so glad. It wasn’t needed. We just made sure Captain Flint had no access to a rope ladder for a while.

I’m often asked if any scenes involving the Amazons were cut, but none were left out. Nancy and Peggy simply do not appear in the book as much as one might remember.

Please leave any questions about the making of ‘Swallows & Amazons’ in the comments below.

You can read the full story of the making of Swallows and Amazons (1974) in one of the editions listed online here:

'The Making of Swallows and Amazons (1974) by Sophie Neville' — Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

Lucy Batty of Bank Ground Farm

We were sad to hear that Lucy Batty has passed away. She was 87. Our thoughts are with her family. She will be fondly remembered by visitors from all over the world who were made so welcome at Bank Ground Farm above Coniston Water in the Lake District, which she ran as a guest house for many years. It was also used as a film location, becoming known as ‘Holly Howe’ in Richard Pilbrow’s 1974 movie, Swallows & Amazons.

Bankground Farm — Bank Ground Farm in the Lake District

I first met Mrs Batty when we filmed in her home back in 1973 and returned to stay with her in 2003 when the BBC asked Suzanna Hamilton and myself if we would appear in Countryfile, which they were filming at Bank Ground Farm with Ben Fogle. It was then that she had time to show me her photo albums. What a life she led! She was very proud of having brought up seven children on the farm, “Two of my own and five that came with my husband,” she explained. “Getting them all off to school in the mornings was such hard work that my in-laws came to help on my first day.They all wanted bread and dripping for breakfast, with sugar sprinkled on top.”

Sophie Neville with Lucy Batty at Bank Ground Farm, Westmorland in 1973 ~ photo: Daphne Neville — ~ Sophie Neville with Lucy Batty in 1973~

“A magistrate once asked me what running a B&B entailed. ‘It’s much like looking after cattle,’ I told him. ‘You bring ‘um in, feed ‘um, see they’re bedded down, turn ’em out and muck’um out.’ He flung back his head and roared with laughter.”

She had a great sense of humour. I have a cutting from an article in The News written by Brenda Colton and published on 25th May 1973. It reads:

‘When Mrs Lucy Batty was asked if her house could be used for the setting of the film Swallows and Amazons, with guest star Virginia McKenna, she was delighted. After all, her home, Bank Ground Farm on the east side of Coniston Water, near Brantwood, was the setting chosen by Arthur Ransome for his children’s book Swallows and Amazons.

Mrs Batty thought it a good idea that the story should be filmed in an authentic location, and she felt she should be able to put up with a few cameras and film men for a while. But she just did not realise the scale of a “medium budget” film like this one, or what the production staff could do to her house. It was not the two double-decker buses coming down the path and parking on the farm that she minded, nor the numerous vans, lorries, cars and caravans. It was not even the difficulty of having 80 men and women wandering round the farmhouse carrying equipment here, there and everywhere. But when art director Simon Holland started tearing up her lino and carpet in the kitchen to get to the bare stone floor, she did get a little annoyed. Especially when he removed all the electric sockets, lights and switches, pushed all the kitchen furniture into the larder and whitewashed the newly papered walls.

“Have you seen the kitchen?” Mrs Batty said to me. “The larder is piled high with my furniture; and you would not believe the tip my lounge is in. But they are a funny lot. I asked if I could wash the beams in the kitchen for them, and they said ‘Oh no, we want them to look old.’ I have even had to hunt out a lot of old pottery from the cellar for them.

“But I have given up now. I have just left them to it.”

What she never knew was that Ian Whittaker the set dresser went on to win an Oscar for set design and received Academy Nominations on three other classic movies.

What I really did not know, until I watched the BBC documentary ‘Country Tracks’, was that Mrs Batty reached the point when she locked out the crew. She explained that when she was originally asked if we could film on her property she did not quite realise the scale of operations and only asked for – or accepted – a location fee of £75. She said that she decided that £75 was not enough, padlocked her front gate and wouldn’t let them back in until they agreed to pay her £1,000. It was a lot of money, more than double the fee I received for acting in the whole movie.

To read a little more about filming of Swallows & Amazons at Bank Ground Farm, please click here.

Sophie Neville holding the horses — Sten Grendon, Sophie Neville & Simon West with Mr Jackson at Holly Howe

For the amusing clip of Lucy Batty being interviewed by Ben Fogle about hosting the film company please click here and fast forward.

For Bank Ground Farm’s website please click here

I am sure many people reading this have their own memories of Mrs Batty who was such a great character. Please do add them to the Comments box below. I feel it would be a tribute to all the hard work and love she put into making Bank Ground available over the decades for so many to enjoy.

Stephen Grendon, Simon West, Virginia McKenna, Suzanna Hamilton and Sophie Neville, trying not to look as tall as she was in 1973 ~ photo: Daphne Neville — The farmhouse as Holly Howe in 1973

You can read more about the adventures we had making the original film Swallows and Amazons here:

Taqui Altounyan on Peel Island

Amazon, originally known as Mavis, now rsiding at the Coniston Museum — Amazon, originally known as Mavis, now residing at the Coniston Museum

People come from all over the world to visit Mavis, the traditional gaff-rigged dinghy known to all those who love the Arthur Ransome books as Amazon. She has been lovingly renovated but, still being a bit leaky, is on permanent display at the Coniston Museum in the Lake District. It was in this clinker-built dinghy and another little ship named Swallow that the Altounyan children learnt to sail on Coniston Water in the late 1920s.

In later life they used Mavis to teach their own children and grandchildren to sail. She was kept in Brigit Sander’s (ne Altounyan) boathouse at Slate Quay, which so resembles Ransome’s illustrations of the Amazon boathouse.

SUZIE, TAQUI, BRIGIT — Suzie, Taqui and Brigit Altounyan

One of the secrets of ‘Swallows and Amazons’ is that the character of Captain John, was, if anything, loosely based on a the eldest girl in the family. Arthur Ransome obviously needed to balance genders and have two boys and three girls instead of only one boy, as in real life. Taqui Altounyan seemed to take this in her stride, giving him what advice she could. She has detailed this in her memoirs of the family’s lives: In Allepo Once and Chimes from a Wooden Bell – excellent books that have become much sort after.

Roger Wardale, author of many books about Arthur Ransome and the locations he used in his stories, kindly sent me these photographs of Taqui that he took when she was showing him some of the places where she played as a girl.

Taqui on PEEL Island - — Taqui Altounyan on Peel Island, Coniston Water

The Lake District, where her Collingwood Grandparents lived, was obviously a special place for her.

Taqui at Beacon Tarn — Taqui Altounyan pointing to the rocks from which they would jump into Trout (Beacon) Tarn.

These photographs of Roger’s show her walking back in time,

visit Mavis in Coniston Museum

Taqui + MAVIS — Taqui Altounyan looking at Mavis, who was later renamed Amazon

and go aboard SL Esperance on Windermere,

Taqui, _You can sweep up_ — ‘You can sweep up’ Taqui Altounyan in Esperance

soaking up the atmosphere in her cabin.

Taqui HOUSEBOAT PICNIC — Taqui Altounyan with Roger Wardale and some of his former pupils inside the Esperance, which was the model for Captain Flint’s houseboat

Very many thanks to Roger Wardale, whose own books can be found listed here.

For more photos of Amazon please click here

You can read about making of the original film of ‘Swallows and Amazons’ here:

Titty Altounyan

I am assured that Titty’s family will not be offended if I re-publish these news clippings. She has become well-loved by many who I know would like to learn more about her. The Times used her Christian name of Mavis, but she was always known as Titty.

Titty obituary - The Guardian

Titty Altounyan was born in Aleppo on 28th May 1920, and would have been aged nine when Arthur Ransome began writing ‘Swallows and Amazons’. She died in Bradford at the age of seventy eight.

Although she was heralded as Arthur Ransome’s muse, I know that Titty Altounyan had no wish to be famous. If anything, she gradually disassociated herself with the character in the books, who struck her as being so good and clever. But Titty was her name.

It was a name I have lived with too, for I played the part of Titty in the film of Swallows & Amazons produced by Richard Pilbrow in 1973. Children and adults alike still call me Titty all these years later. One summer, when I was sailing Swallow, the dinghy used in the 1974 film, someone took this shot of me. It is as if I am still flying Titty’s inspirational flag, which I do with humility and with honour.

Sophie Neville lowering Swallow’s sail on Ullswater in 2014

Titty Altounyan with the Ransome’s flotilla on the Norfolk Broads in 1934 (?)

Mrs Ransome wrote to Titty’s mother, Dora Altounyan, from Wroxham. This postcard was kindly shown to us by Ted Alexander who rescued it from certain destruction.

I thought I was far too fair to play Titty but Mrs Ransome approved. Despite Ransome’s book illustrations of girls with dark hair, she was most decisive about casting “An English rose” to play Titty and that the children should have British colouring. The idea was that viewers could easily associate with us. I am of Scots/English/Irish heritage, like three of Titty’s grandmothers, but have no Armenian blood. I rather wish I did. It’s nuisance having such fair skin. My second name is Rose.

Hairstylist Ronnie Cogan giving Sophie Neville a Titty hair cut on location

I don’t know if Titty ever saw the 1974 film of ‘Swallows and Amazons’. She might have done. I only hope that we captured the sense of adventure experienced by the Altounyans when they were little and went camping on Peel Island during the weeks when they stayed with their grandparents, Mr and Mrs WG Collingwood, at Lane Head at the northern end of Coniston Water.

Titty and John bringing Swallow into the secret harbour — Simon West and Sophie Neville bring Swallow into the Secret Harbour on Wildcat Island *(c) Studiocanal*

Although they are seen wearing shorts as young children I have been told that the Altounyan girls sailed in dresses, which they tucked up into their knickers if they had to wade ashore, much as I did in the film.

Sophie Neville as Titty (c) StudioCanal

The reference to Titty’s name coming from The Tale of Mrs Tittlemouse in the article feature in The Times above is incorrect. Titty’s name was based on a character in fairy story Titty Mouse and Tatty Mouse by Joseph Jacobs published in 1890, that begins when Titty Mouse and Tatty Mouse go leasing (or gathering) corn. Here is a later edition. Titty ‘never could resist anything in print.’

You can read the original story here

A version of the story published in 1949

With thanks to Roger Wardale who showed me the handwritten letters that Titty sent him. She had the most beautiful writing.

Titty Altounyan's neice, Barbara Altounyan with Sophie Neville. — Titty’s niece, Barbara Altounyan, with Sophie Neville at a TARS Weekend.

If you would like to read more about the amazing time I had playing Titty in Swallows and Amazons, the first section can be leafed through, free of charge here:

The Boy Roger and the invention of the asthma inhaler

John Franklin-Robins with Sophie Neville as Titty and Sten Grendon as Roger

~ Photo (c) StudioCanal ~

I have been deliberating upon points where fiction touches reality. The most significant in my own life is the story behind my fictional brother, Roger Walker, one of the lead characters in ‘Swallows and Amazons’. The real Boy Roger was responsible for saving me from acute misery. Whilst I was asthmatic as a child, Dr Roger Altounyan was behind the invention of the Intal spin inhaler, which bought me instant relief.

About ten years ago I met Dr Bill Frankland, a former POW to the Japanese who became a Harley Street allergist and president of the British Allergy Association, now the British Society for Allergy and Clinical Immunology. Bill told me that Roger Altounyan had been a good friend ever since they worked together on the Intal project. Roger introduced him to his sister Titty who, as a child had been in the inspiration for the character I played in the film of Swallows & Amazons.

I’d had known that Roger Altounyan had been in the RAF during World War II, but not that he had qualified as a doctor and become an allergist. Bill told me that he used his knowledge of propellers to develop the Intal spin-inhaler and effectively treat asthma.

Dr Bill Frankland celebrating his 100th Birthday in 2012 with Sophie Neville

Please click here to listen to his life story on Desert Island Discs

Dr Frankland gave me a set of photos taken at Roger Altounyan’s going-away party in Cumbria when he took his family and friends up Coniston Water on the Gondola. He said that Roger insisted on smoking a pipe even though he was reliant on oxygen and explained that the experimentation was partly responsible for his early death in 1987.

I will explain the connection in further depth.

The well-loved book Swallows and Amazons was written by Arthur Ransome for the children of friends of his after they brought him a pair of red slippers for his forty-fifth birthday in January 1929. He based his main characters, the crew of the Swallow, on these five real Altounyan children who had been staying at Bank Ground Farm in the Lake District,

The character Roger Walker, known when he first started sailing as the Boy Roger, was inspired by Roger Altounyan then about six years old. As a consequence he was obliged to live out his school days under Swallow’s flag, as it where. This may have become tedious, although it was much the same for Sten Grendon who played the part of Roger in the 1974 film.

Altounyan Children - Susie, Taqui, Titty (seated) and Roger — The well-known photograph of the four eldest Altounyan children – Susie, Taqui, Titty (seated) and Roger (copyright ???)

Roger is seen here with three of his four sisters, and below as a boy along with Arthur Ransome obviously playing tennis (copyright: Brotherton Library, Leeds). The story of his family is told by Jeremy Collingwood in his recent book, A Lakeland Saga.

Did we depict Roger Walker accurately in the film? May be not! Richard Pilbrow, the producer of Swallows & Amazons told me that Mrs Ransome was furious that Claude Whatham had cast a boy with dark hair, but she never explained why. She did not like the photograph she had been sent but it was taken before Sten’s received a short back-and-sides.

Sten Grendon as Roger Walker with Virginia McKenna playing his mother

~ Photo (c) StudioCanal ~

Luckily, when Evgenia Ransome visited the location and actually saw Sten running around at Bank Ground Farm she seemed happy enough and said nothing more. Perhaps Virginia McKenna somehow managed to make everything alright.

Sten Gredon playing Roger in 1973

~ Photo (c) StudioCanal ~

What I didn’t know until recently was that Roger Altounyan was an asthmatic himself.

Roger was specifically allergic to guinea pigs and would routinely experiment on himself. He would not have been allowed to do this by today’s regulations, which some say would have held back the testing indefinitely. I gather from reading Rodney Dingle’s biography that the model inhaler that he made with a piece of hose pipe worked well, whilst the prototype made professionally did not. If you use an inhaler you will hear that the propeller has to be able wiggle in order for the medication to be successfully diffused into the patient’s mouth and lungs. The discovery was portrayed by David Suchet in a documentary entitled Hair Soup.

Roger Altounyan’s daughter Barbara has just sent me this link where you can read more about Roger and his family.

Dr Roger Altounyan

I was allergic to feathers, not parrot’s feathers, but old pillows and eider-downs. I may owe my life to Roger and his spin-inhaler. The medication certainly helped me enormously and has always given me the peace of mind that it will give me relief if I do get wheezy.

Further reading: Roger: The Life and Distinguished Achievements of Dr Roger Altounyan, by Rodney Dingle. It is difficult to get hold of but Kirkland Books in Kendal have a copy.