Kelly Macdonald starring as Mrs Walker and Andrew Scott as Lazlov, with me, Sophie Neville, as a dithering lady in a hat and rusty-coloured jacket getting into the steam train behind Roger at Portsmouth Station. Blink and you’ll miss me.
So opens the new film version of Arthur Ransome’s story ‘Swallows and Amazons’ (2016) directed by Phillipa Lowthorpe, which is coming out in cinemas around the UK on 19th August.
As president of The Arthur Ransome Society, I am keen to promote ‘Swallows and Amazons’, emphasizing the aspect that children today can enjoy the outdoor activities advocated by Arthur Ransome back in the 1930s.
ITV reporter Nina Nannar bravely came out sailing with me in a Scow, rigged like Swallow with a balanced lug sail, to experience the excitement of letting the wind take us along at speed.
When it came to the evening News, ITV showed clips of the movie of ‘Swallows and Amazons’, launched in August 2016.
The item was also shown on the News in New Zealand. A viewer wrote in saying:
‘Great to see a full 3+ minutes about the new S&A film on NZ TV news tonight.Sophie Nevilledid a great job of promoting the value for modern kids to get out on the water or under canvas.’
The 2016 movie stars Ralph Spall, Kelly Macdonald & Andrew Scott, seen here spying on Captain Flint.
A clip from ‘Swallows & Amazons’ (1974) starring Virginia McKenna
in which I played her daughter, Titty Walker or rather Able-seaman Titty, was also shown.
They then showed children today learning to sail, unaccompanied by adults.
‘Where are they now – the cast of ‘Swallows and Amazons’?’
I can see from my admin page that this question is often typed into search engines – three times before 8am this morning. An awful lot of people seem to want to know what the children who played the Swallows and the Amazons back in 1974 are doing now they are all grown up. For this little Swallow it really has been ‘Swallows and Amazons Forever’. I’m still wading out to the island.
‘Titty the Isrealite’ photo of Sophie Neville taken by Hilary Weston
Now a writer, I am officially President of The Arthur Ransome Society, one of the largest literary societies in the United Kingdom with six branches and quite a number of overseas members. They even have association with the Arthur Ransome Club in Japan.
This year we held our International AGM weekend in Dumfries in the lowlands of Scotland, when we much enjoyed walking along the Solway and across the wade to Rough Island, just as Titty walked out across the mud in Arthur Ransome’s book ‘Secret Water’. There seems little difference except that I have a dog called Flint rather than a kitten called Simbad.
Sophie Neville who in 1973 played Titty Walker in the EMI movie of ‘Swallows & Amazons’ dressed up to face the Scottish weather
The great excitement at our IAGM this year was that Nick Barton, the CEO of Harbour Pictures came up to Dumfries with his screenwriter Angela Gibb to tell us about their new adaption of ‘Swallows and Amazons’ released in cinemas on 19th August 2016. I helped him to carry a huge plasma screen up to the hotel where the conference was taking place so that members could watch the thrilling new promo. We were sworn to secrecy, but you can read all Nick told us in a feature article in the Saturday Telegraph. This online version has more photos than the print version and mentions The Arthur Ransome Society. There is additional comment in the Sunday Telegraph.
You can read more about how we made the original 1974 film of Swallows and Amazons here
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’
‘I’ve just read this delightful ebook – thank you so much for writing it! …I hope you will deservedly enjoy hearing that I absolutely adored the film of Swallows & Amazons and learned your name, along with all of the other actors and actresses off by heart from the LP record, which I played and played.
‘I also had the jigsaw of the campsite scene, which I thought was an incredible piece of merchandising (and it was, for its day).
‘I read my first Swallows & Amazons book (Swallowdale, but never mind) in the summer holidays when I was 7, and rapidly recruited my best friend Linda to being a fan. One of our mums spotted that the film was on at our local cinema in Dundee that Christmas, but the next day was the last date it was showing – so we were collected early from our school Christmas party, so that we could make it in time. We were in heaven. The next Easter, our families took us to the Lake District (staying in Coniston) for the first of many holidays there. We remember “finding” Gondola submerged in the reeds, and sailing with our dads over to Bank Ground and seeing the two dinghies named Swallow and Amazon. We soon found a favourite picnic on the shore close to Peel Island, and in later years, my dad and I rowed over to the Island in a rubber dinghy, which was tremendously exciting. Fascinating to hear about the artificial shingle beach!
I was interested to read that one of your qualifications for getting the job was that you could row, and that you’d practised at home in a Thames Skiff. Many thanks again for giving me such a delightful film to immerse myself in as a child. ‘Helena Smalman-Smith
‘We love your book and tales of filming.’ Love Ambleside – on Twitter
‘…the girls adore your film of Swallows and Amazons. In fact, I fear it is thanks to your film rather than the book that my Swallows and Amazons camping weekend was full to bursting. I also have friends in Suffolk who would happily hot foot it across the country with their three children to hear you!’ Grainne Dennison (teacher and Ransome fan).
‘My daughter is 11 today & this is her favourite present! Titty was always Moira’s favourite character from the books AND the film, she is thrilled!’
‘My daughter LOVED your book! She couldn’t help sharing gems & finished it in a few days on hols. Magic! My turn now!’
‘I have been hesitating to write, but I do want to tell you how much I enjoyed reading ‘The Making of Swallows and Amazons’. It made watching the film so much more enjoyable. I came to Arthur Ransome late in life, but I’ve read all of them, and have a complete collection of the ‘Swallows and Amazons’ adventures.’ Mark Cheng, Bedford
‘I really love the Swallows and Amazons movie. I actually went to see it at the pictures in London, with my family when it first came out, but I was only about 4 or 5 years old, so I don’t remember much about that day. But of course I have watched it many times over the years and since I have the DVD I make a point to watch it at least once every year. You are my favourite as you are so charming!!’ Robert Newland, Dorset
If you have a memory of the film, do leave a comment in the box below.
Lesley Bennett, Suzanna Hamilton, Stephen Grendon, Sophie Neville, Virginia McKenna, Simon West and Kit Seymour gathered at Bank Ground Farm above Coniston Water
You can read the first section of the memoir free of charge on Amazon here.
There are now three different editions available to purchase online:
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’
This question has recently been typed into the Google search engine. It has to be said the ‘Swallows and Amazons’ is a pretty abstract title. What does it mean? Is it about South America?
The national press brewed a great storm last summer when they discovered that BBC Films and the BFI had changed the lead character’s name to Tatty. When the Daily Telegraph phoned me for comment, I asked if someone had made a spelling mistake. Titty was mistakenly referred to as Tilly in The Times a year before, along with rather an over excited headline:
I’ve received letters addressed to Titty for so long that I couldn’t understand the problem until I typed the name Titty into Twitter. You do not see my face – or anybody else’s. I am not sure if it has been defined by the Oxford Dictionary yet but it seems a titty-tatty is now the term used for a certain kind of tattoo.
Last week I found an interesting document. It is the original contract that my father was sent in April 1973 when I was offered a part in the film of ‘Swallows & Amazons’. It doesn’t refer to Titty at all:
This was the reason why my mother suggested I wrote the name Titania Walker on the front of the ship’s log which you can see if you watch the movie closely. Why Theatre Projects used the classical name I do not know. It could be argued that ‘Swallows and Amazons’ contains traces of Shakespearean influence but Arthur Ransome insisted the name Titty wasn’t short for anything.
People often ask how much I was paid for appearing in the feature film. The contact states, ‘We…
This period refereed to the seven weeks spent filming on location. I paid another £10 a day for dubbing the film and for a pick-up day when we filmed a scene in Surrey. Although publicizing the movie was more demanding than being on location we were neither licensed or paid. I did receive a book token for promoting EMI Films at the Lord Mayor’s Show.
Dubbed it was – into a number of languages including French, Czech and Norwegian:
The Norwegian version ?
People imagine that we receive residuals when the film is sold abroad or broadcast on television but we actors are only due a fee if our image is used to advertise a product. This is a few years old but does it count?
Or could this? I saw the image used in a TV commercial with my own eyes, so I’d love to know.
When interviewed aboard the yacht Ransome bought with his royalties, Taqui Altounyan said that on receiving a new copy of ‘The Swallows and The Amazons’, as the first edition was titled, her family were also thrown by the abstract title, wondering if it was about South America. It could be about migrating birds.
You can see Anita Singh’s article that sparked up international debate last summer by clicking here The juxtaposition of the photos is so naughty, but brilliant of course. I’m the one with the telescope.
Titty was the name of an imaginative and ‘highly original’ little girl who Arthur Ransome first got to know in the Lake District when she was aged eight. When I met her niece Barbara Altounyan, she was most amused to hear that I had once played her Auntie Titty.
~Sophie Neville playing Titty Altounyan in the 1974 film ‘Swallows & Amazons’. Official photograph taken a Bank Ground Farm above Coniston Water copyright: StudioCanal~
I’d brought Barbara some long lost family photographs that included some of Titty’s wedding in Aleppo. They are beautiful.
Titty on the arm of her father, Dr Ernest Altounyan in Aleppo, 1954
Titty on her wedding day with her husband Melkon Guzelian, her sister-in-law, her father Ernest Altounyan, her mother Dora and brother Roger, far right. You can also see Roger, Ernest and Dora below, with Roger’s wife standing far right.
There is also a more informal shot.
‘Don’t you want to know about Titty?’ Barbara asked me. ‘She was a very detailed person and quite a perfectionist.’ I knew she was a wonderful artist who had studied under Henry Moore at the Chealsea School of Art. Although she produced a lot of colourful art, she was unwilling to ever attempt to sell her work. I was also told she also had long legs. I only hope that I have represented her well.
Titty and her siblings had dark hair, but I was told that Mrs Ransome wanted the children playing the Swallows to have have blonde hair. She insisted that Titty was played by ‘an English Rose.’
Titty Altounyan at her sister Brigit’s wedding to John Sanders in 1953
(NB: Ransome did not write ‘Swallows and Amazons’ while on holiday on Coniston Water as was stated in the programme. To see a photograph of Low Ludderburn, the house above Windermere where Arthur Ransome lived and wrote ‘Swallows and Amazons’ please click here and scroll down.)
You can read about what it was like to play the part of Able Seaman Titty in the original film of ‘Swallows and Amazons’ in this illustrated paperback, available online or to order from libraries worldwide:
David Stott has written in to say, “When l got the job driving for ‘Swallows and Amazons’ l think I took over the production car when Jean McGill started driving you children around in the mini-bus.” This must have been in May 1973 when the original film of Arthur Ransome’s classic book was being made in Westmorland.
David has all sorts of memories of filming ‘Swallows & Amazons’ in the Lake District that I knew nothing about.
“Jean mentioned that she took Ronnie Fraser for an early morning glass of champagne to get him going. I remember having to take him to the Lodore Swiss Hotel in Borrowdale while filming on Derwentwater. He would order what he called, ‘A Frazer’, which was some sort of vodka cocktail.”
David was only about seventeen at the time. Driving Ronald Fraser around must have been something of an eye-opener.
“I remember bringing him back to film ‘walking the plank’ and he was very drunk at the time. Expect he needed it for the cold water. He could be a little difficult when he had had a few.”
“I was rather star struck when l was driving Virginia McKenna,” he admitted. “On one occasion I had to drive her from the farmhouse on Coniston to Grange railway station. She was telling me all about filming ‘Born Free’ with the lions and I drove a bit slowly as l was enjoying her company. We arrived rather late and l had to throw her and her luggage onto the train just as it was leaving.” I asked Virginia about this but she couldn’t remember ever being late for the train. I can only imagine that David must have coped well.
“On another occasion I think l had Richard Pilbrow in the car,” he was the producer of the film. “We were driving back from Derwentwater when a cow jumped off a bank and landed on the bonnet, causing quite a lot of damage. I was dreading going back to Browns Motors and telling Alan Faulkener the owner what had happened.” Richard is still alive and well.
David, who now owns Crossways Hotel near Glynebourne, comes from an old Cumbrian family. His grandmother lived at High Green Gate, the farm next door to Beatrice Potter at Hilltop.
“My great grandfather was Farmer Potatoes in the ‘Tale of Samuel Whiskers’. It was sketched from a photograph that my mother still has.” Indeed, there was an article in Cumbria Magazine about Beatrice Potter’s relationship with the Postlethwaite family.
One of our locations – Haverthwaite Station today
“My father was the local joiner in Ambleside. He also kept about 1000 hens and delivered eggs around the hotels at the weekends. My brother and l would often help him on a Saturday morning.” David obviously knew the roads of Cumbria well.
David explained that, although he lived in Ambleside at the time, he has not seen Jean since the filming, so enjoyed reading that I had been in touch with her. “Jean’s Mum was called Girlie and she used to run a nursing home on Lake Road. Jean had a brother who was nicknamed Blondie. We would often have a cup of tea with Girlie in the nursing home kitchen.”
“It’s Jean!” It was Jean McGill ringing from Bowness in Cumbria. She had been our driver and the unit nurse on the film of ‘Swallows & Amazons’ made in the Lake District from May to July 1973, released a year later in 1974.
Jean McGill our unit driver and location nurse with Sophie Neville ~ photo:Martin Neville
“I’ve never seen the film,” Jean declared, “but I loved your book about making it. It brought back such memories.” I urged her to tell me more. “I remember when Suzanna Hamilton cut her hand whittling wood. It was bleeding like anything. I bandaged it up nicely but the director was horrified and made me take the dressing off again.” I think this was when we were in the middle of filming on Peel Island. The accident put an end to our wood carving hobby, which was a shame. We’d been using a Swiss Army knife to make our own bows and arrows with Bob Hedges the prop man.
Ronnie Fraser outside the dining bus on location with a paper cup of champagne
” You children persuaded me to go out to dinner with Ronnie Fraser! Why I went, I haven’t the foggiest. He was a rough character – very coarse.” Ronald Fraser was the movie actor playing Captain Flint. “I used to have to drive him to the local hotel in the mornings and order champagne to sober him up.”
“How would champagne have helped to sober him?”
“I don’t know. He told me it would.”
“I think he’d been divorced for a while at the time.”
“I wouldn’t have married him in the first place,” Jean assured me.
Terry Smith wearing the safety officer’s wetsuit with unit nurse and driver Jean McGill
Jean had been taken on as the unit nurse after the first nurse proved rather out of her depth. I thought she was a State Registered Nurse but she corrected me. She had 26 years experience in nursing becoming a hospital sister but was never an SRN. “I was a driver for Browns (of Ambleside)” and as such was paid to work on the film. “I wasn’t paid to be the unit nurse. It didn’t matter, I wouldn’t have missed it for the world.”
I only found out recently that my mother hadn’t been paid to be a chaperone either, despite the responsibility as well as her legal obligations. It was hardly a big budget movie. Like Jean, she was simply thanked with a bouquet of flowers at the end of the filming.
Jean was one of the few local people who worked on the film throughout the seven weeks we were on location. Her local knowledge made all the difference as she knew the roads well, took short cuts to avoid the traffic and knew the best swimming spots when the weather warmed up.
Suzanna Hamliton, Simon West, Claude Whatham Sophie Neville, Kit Seymour, Jean McGill with Daphne Neville (kneeling) Blackpool, 1973
I reminded Jean about the early 1970s – what we ate and how we dressed. ” I bought a pair of jeans for the first time in my life. It was so hot that I changed into shorts while we were on set. You children took the jeans and stitched a big red heart on the backside.” There was a craze for adding embroidered patches to denim clothing. These were expensive to buy but we persuaded to Sten Grendon’s mother to make red hearts for everyone’s jeans. “It made walking through Ambleside very embarrassing.” Jean sounded as if she was still recovering from the indignity 43 years later. “It mucked me up!”
Jean went on to drive for Mountain Goat Tours in Cumbria and worked in a doctor’s surgery before becoming a registrar for ‘hatches, matches and dispatches’. “I’m a coffin-kicker now,” Jean told me cheerfully. She never worked on another film but kept a copy of the original screenplay and other memorabilia.
Not long after I spoke to her a brown paper package arrived in the post. It contained an envelope with the writing,
FOR THE ATTENTION OF TITTY
‘Still looking for the photographs. Will send to you when I find them. 43 years old? It was this tatty when I got same! Jean.’
And this is what the envelope contained:
Here is Jean in her red top talking to my mother in her Donny Osmond hat:
adorn the shelves of the award-wining Aldeburgh Bookshop
The sun shone and holiday makers enjoyed the beach
Sophie Neville who in 1973 played Titty Walker in the EMI movie of ‘Swallows & Amazons’ dressed up to face the Scottish weather
David has all sorts of memories of filming ‘Swallows & Amazons’ in the Lake District that I knew nothing about.
Sophie Neville 