Tag Archives: Actors

‘Scottish Mussel’, a British movie featuring our tame otters

A British film starring Talulah Riley, Martin Compston, and Joe Thomas of In Betweeners fame, has come out on DVD.  It also features our tame otters. I travelled up to Dunoon in Scotland to help with the scenes that, in the story, entail an injured otter brought into a wildlife conservation centre set in a beautiful location outside Glasgow.

Sophie Neville with Beanie the Otter

Belinda the Otter with Sophie and Daphne Neville

The romcom is written and directed by Talulah Riley who was keen to use our very energetic young male otter Rudi in a scene where the otter is released back into the wild.  To achieve this on film, without losing him altogether, was quite a feat but he enjoyed himself and the result looks endearing.

When one of the producers asked if I had worked on any other films featuring animals, I had to admit there have been quite a few. We once had a baboon in the studio and I became quite used to filming with trained elephants. I worked with a whole variety of exotic animals on the vet series ‘One by One’ from a pelican to a full grown leopard. In the mid 1980’s I was lucky enough to spend four months on Corfu making the first BBC adaptation of Gerald Durrell’s autobiography ‘My Family and Other Animals’ with Brian Blessed and a huge number of tortoises. As it happens, Rudi appeared in the second series of The Durrells, playing both the male and female otters.

To see more about what the otters have been up to, please go to Daphne Neville’s website here.

You can read about living with tame otters in my book ‘Funnily Enough’ available in the UK here in paperback or on Kindle here

There are more photographs of the otters here

The DVD, which will be released on 3rd October, is available for pre-order here

dphne-nevilles-otter

One of our hand-reared otters who stars in ‘Scottish Mussel’

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Filed under animal stories, British Film, Entertainment news, Film Cast, Film production, Humour, Movie stories, News, Otters, Sophie Neville

The secrets of filming ‘Arthur of the Britons’ in 1972, part two

Shaun Fleming and Michael Gothard with Tamzin Neville as Elka

Shaun Fleming, Michael Goddard and Tamzin Neville in ‘The Gift of Life’

 ~ Behind-the-scenes in film and television, continued ~

Much of Arthur of the Britons was shot at Woodchester Mansion, a vast house built of cut stone yet left half-finished and eventually sold for £1 to Stroud District Council. My father became a Trustee of the Board that decided its future.

It was on the property below the half-finished building, that HTV constructed the vast lathe and wattle hall which comprised King Arthur’s seat.

Michael Gothard with Oliver Tobias

Oliver Tobias as Arthur and Michael Gothard as Kai can just been seen standing outside the doors of the hall

We went to watch the filming soon after the fire scene, which opens the episode entitled ‘The Gift of Life’. My sister Tamzin was cast as Elka, the little Saxon girl who arrived with her brother Krist unexpectedly by longboat. This was spotted drifting down the river – which is in reality the lake at Woodchester. In the story Arthur insists they should be returned to their own people by Kai, portrayed by Michael Gothard, who rode some distance with them on his horse.

Shaun Fleming and Michael Gothard with Tamzin Neville as Elka1

Shaun Fleming as Krist, Micheal Gothard as Kai, Tamzin Neville and Elka and Kerig the hideous doll whose head kept falling off

We were also able to watch. The episode was a beautifully shot.

Tamzin Neville as Elka riding with Kai

‘I want to feed the squirrels,’ Tamzin declared after they had been riding for a while. It was a line few have forgotten.

‘Oh, no!’

‘Oh, yes.’

‘Why couldn’t you feed the squirrels before you left?’

‘I did, but now I want to feed them again.’

I was fascinated in her costume, including her shoes which were made of hessian sacking.

Michael Gothard as Kai1

Sophie and Perry Neville watching their sister Tamzin having her dirty face seen to by a make-up artist during the filming of ‘Arthur of the Britons’ being made on location in Gloucestershire in 1972. Michael Gothard waits, seated on his horse.

I am not sure whether Michael Gothard had worked with children before but he seemed able to cope. It was a good thing Tamzin could ride.  Her hessian dress was not exactly ideal riding wear.

‘I couldn’t even whistle when I had all my teeth.’

Shaun Fleming was excellent as her brother and managed to cling on behind the saddle as they charged across the hills, which can’t have been easy. The secret was that he acted under his mother’s maiden name instead of his real surname.

Daphne Neville with Tamzin Neville and Shaun Fleming

Daphne Neville with her daughter Tamzin Neville who played Elka and Geoffrey Adams who played Hald with Shaun Fleming as Krist in ‘The Gift of Life’

I appeared as the Saxon girl with blonde curly hair seen working in the fields with Heather Wright when the children returned to the Saxon village. While Heather was in lime green, I wore a gold-ish coloured top and plum skirt with no shoes. You can see me hobbling across the end of the field which was full of thistles.

Heather Wright with Perry, Sophie and Daphne Neville in Arthur of the Britons

My other sister, Perry, was barefoot too. My mother, as a Saxon woman with short fair hair, (photographed above) virtually carryied her into the village after Tamzin and Shaun.

Michael Gothard as Kai

There were a number of weapons on set that intrigued us as children. We all wanted to learn how to use them. Oliver Tobias began to teach us sword fighting, however there was an accident on set which put a stop to this. One of the actors was having his boots sorted out by a wardrobe assistant when he casually swung his axe. Although it was just a blunt prop, with no edge to the blade, it went into her head, resulting in a four inch gash across her scalp. He was devastated. It was a complete accident. The wardrobe assistant recovered but it was a sobering incident and great care was taken when handling the props afterwards, even though they seemed blunt and harmless.

Boys playing with dangerous weapons whilst watching Arthur of the Britons

 

Forty two years later this series is still treasured by many. It had such a strong cast. Heather Wright went on to star in The Bellstone Fox with Bill Travers and Dennis Waterman and in the 1976 movie Shout at the Devil with Lee Marvin, Roger Moore and Ian Holm.

Geoffrey Adams was terribly well known at the time, as for years he’d played the part of Detective Constable Lauderdale in the long-running BBC Police series Dixon of Dock Green appearing with Jack Warner in nearly 300 episodes.

Shaun (Fleming) Dromgoole went to work in film production on a number of well known movies including American Gothic and The Woman He Loved, about which starred Anthony Andrews and Olivia de Havilland and Jane Seymour as Wallis Simpson.

To read more about Tamzin’s acting career please see this previous post.

Arthur of the Britons

Shaun Fleming, Tamzin Neville, Sophie Neville , Jenny Fleming, Kerig the doll and  Daphne Neville in 1972

The producer, Patrick Dromgoole was absolutely prolific, producing a huge number of classic television dram serials including The She Wolf of London and The Clifton House Mystery, which my mother appeared in as well as Robin of Sherwood . Her drama pupil Robert Addie played Sir Guy of Gisbourne so convincingly in that series he became hated throughout the UK.  For more photographs of Mum please see flick down though various posts on my blog for Funnily Enough.

Do please add additional information or memories in the comments below.

To read more about the story-line and see more photos, please click here.

It is fascinating to read Shaun Drongoole’s recollection of making the episode. Please click here

 

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Filed under Acting, Biography, Film crew, Film History, Film production, Filmaking, Memoir, Movie stories, Sophie Neville, truelife story, Uncategorized, Vintage Film

Swallows in Egham ~ a pick-up day, filming ‘Swallows and Amazons’ in 1973

Simon West, Stephen Grendon, Suzanna Hamilton and Sophie Neville as the Walker children dressed as they arrived at Holly Howe at the start of their holiday in the Lake District

Simon West, Stephen Grendon, Suzanna Hamilton and Sophie Neville playing the Walker children, as they arrived at Holly Howe at the start of their summer holiday in the Lake District ~ photo: Daphne Neville

While I had been at home with my family, Claude Whatham had been busy in the film editing suite putting ‘Swallows and Amazons’ together with Michael Bradsell.  They had previously worked together on ‘That’ll be the Day’.  Our Continuity supervisor Sue Merry must have known Michael too, as he’d edited Ken Russell’s film ‘The Boyfriend’.  Claude found that they definitely needed the sequence when the Walker children run up to the Peak at Darien and see Wild Cat Island for the very first time.

It is the scene that heralds the start of the adventure and indeed the opening titles of the movie. Richard Pilbrow had always wanted it to be shot at Friar’s Craig on Derwent Water.  There is a postcard of this headland with notes written on it by Arthur Ransome who labelled it for the first illustrator of the Jonathan Cape edition of the book, and it seemed just right for the Peak of Darien despite being a long way from Bank Ground Farm.  Although there had been two attempts made to record the handful of shots needed as the evening light lit up the islands across the water, we had always been held up and reached the spot too late in the day.

Richard must have already been over budget but the money was found to mount a pick-up shoot at Runnymede near Egham in Surrey one Saturday at the beginning of September. We were told that King John signed the Magna Carta under an oak tree there.

 

We loved the idea of meeting up again. Claude said he made an effort to get as many members of the same crew together as possible so it wouldn’t seem strange but it was a big unit.

Sophie Neville with Sten Grendon, Jane Grendon, Claude Whatham and Neville Thompson

Sophie Neville looks on as Stephen Grendon organises his costume helped by Jane Grendon with Claude Whatham and Neville C Thompson.

The one thing that was striking was how much our hair had grown. We all needed a trim. Sten needed a full hair cut. Luckily Ronnie Cogan was free.

Stephen Grendon playing Roger Walker having his hair cut by Ronnie Cogan

Neville Thompson had even managed to book the same Make-up caravan. It was here that Peter Robb-King the make-up designer toned down our summer tans in an effort to match the skins of the pale Walker children who’d been sitting in the railway compartment with their mother at the beginning of the film.

Photograph of movie hair-stylist Ronnie Cogan giving a boy a short back and sides hair cut

Ronnie Cogan giving Sten Grendon a hair-cut. I was in the Make-up caravan beyond.

The ironic thing was that it was Make-up that held us up when we were first failed to record the scene in the Lake District. It took so long for Peter Robb-King to sponge down all four of us with pale foundation that the sun had set before we arrived on location. I can remember my mother hurrying him along, claiming it was ridiculous as it was too dark to see our freckles anyway. I was keen on the importance of continuity and had contradicted her. Claude couldn’t believe how long it had taken us to change. He had been furious when we turned up late but tried hard not to let us think it had been the fault of us children.

Simon West playing John Walker and Suzanna Hamilton as Susan Walker

Simon West playing John Walker and Suzanna Hamilton as Susan Walker

There was no Peak of Darien at the farm in Surrey, but a field had been found where we could run up to an oak tree. We just had to pretend we were looking out over the lake.

If you click on the shot below it should take you to a post I wrote on the opening locations of the film. Scroll down and you’ll see the shot of us running down the meadow at Bank Ground farm. This was the shot Claude had to cut from to the sequence that we were currently filming. Scroll right down to the end of the post and you’ll see me on Friar’s crag looking exhausted after a long day’s filming. I am so glad we were not able to continue that day.

Director Claude Whatham with Sophie Neville, Stephen Grendon, Suzanna Hamilton and Simon West. Producer Richard Pilbow looks on ~ photo: Daphne Neville

Although he had a freelance camera operator in a stripey shirt who we did not know, we met our Director of Photography Denis Lewiston who was setting up the shot with Claude under the oak tree, using a 35mm Arriflex camera on ‘short legs’.

If you click on the photo above you should get to a Post written about a location that was set on Derwentwater near Friar’s Crag – or on part of Friar’s crag that will give you an idea of what the real Peak of Darien would look like. However, the day in September in Egham was hotter than any day we’d experienced in Cumbria. Claude was soon wearing my straw hat.

DoP Denis Lewiston, Claude Whatham, Sophie Neville, Suzanna Hamilton and Simon West with Gordon Hayman behind the 35mm Arriflex Camera ~ photo: D.Neville

If you click on the photo above it will take you to the day on 8th July when we had tried and failed to shoot this scene despite rushing around.

Although we look a bit hot and stiff in these photographs that my mother took when we were lining up the shots I think that the movie was probably made by this scene. We had learnt how to magic-up performances by this stage. If you watch the finished film our faces can be seen glowing with excitement. This was also partly because we were happy to be together again, on a sunny day in a lovely place.

Sophie Neville playing Titty Walker with Stephen Grendon as Roger Walker with Gordon Hayman, Denis Lewiston and Claude Whatham behind the camera

I’ve just realised this image of Titty, clutching her school hat as she looked out over an entirely imaginary lake, was the last actual shot recorded. Soon my close-up was ‘in the can’ and ‘a wrap’ was called. It had been the 1003rd slate of the movie. We celebrated with tins of Fanta rather than champagne.

Since the first shot in the compartment of the steam train as it travelled between Haverthwaite Station and Windemere , recorded back in May, I had put on about seven pounds and grown taller than my elder brother and sister.

Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West

I can’t help thinking that this photograph is symbolic of the futures we were to step into. Sten Grendon is holding an apple, Suzanna seems to have a framed photograph and I’d been given a roll of camera tape. What Simon West is holding is something of a mystery, but it is tightly clasped.

Simon West writing his address for me on a scrap of paper

Soon it was time to go. We changed back into our own clothes and said goodbye.But it wasn’t long before we saw Claude again. Once he’d finished editing the film we were called to the work on the sound. The movie was still in the making.

Sophie Neville saying goodbye to director Claude Whatham

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Cinema, Claude Whatham, Film, Film Cast, Film crew, Film History, Filmaking, Memoir, Movie, Movie stories, Photography, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story