‘Scottish Mussel’, a British movie featuring our tame otters

A British film starring Talulah Riley, Martin Compston, and Joe Thomas of In Betweeners fame, has come out on DVD.  It also features our tame otters. I travelled up to Dunoon in Scotland to help with the scenes that, in the story, entail an injured otter brought into a wildlife conservation centre set in a beautiful location outside Glasgow.

Sophie Neville with Beanie the Otter

Belinda the Otter with Sophie and Daphne Neville

The romcom is written and directed by Talulah Riley who was keen to use our very energetic young male otter Rudi in a scene where the otter is released back into the wild.  To achieve this on film, without losing him altogether, was quite a feat but he enjoyed himself and the result looks endearing.

When one of the producers asked if I had worked on any other films featuring animals, I had to admit there have been quite a few. We once had a baboon in the studio and I became quite used to filming with trained elephants. I worked with a whole variety of exotic animals on the vet series ‘One by One’ from a pelican to a full grown leopard. In the mid 1980’s I was lucky enough to spend four months on Corfu making the first BBC adaptation of Gerald Durrell’s autobiography ‘My Family and Other Animals’ with Brian Blessed and a huge number of tortoises. As it happens, Rudi appeared in the second series of The Durrells, playing both the male and female otters.

To see more about what the otters have been up to, please go to Daphne Neville’s website here.

You can read about living with tame otters in my book ‘Funnily Enough’ available in the UK here in paperback or on Kindle here

There are more photographs of the otters here

The DVD, which will be released on 3rd October, is available for pre-order here

dphne-nevilles-otter

One of our hand-reared otters who stars in ‘Scottish Mussel’

Sophie Neville: Profile

SOPHIE NEVILLE

Actors are warned: ‘Never work with children or animals’. This was originally coined because they can come across so well that an actor’s performance won’t be noticed.

Sophie spent years at the BBC specialising in drama productions that featured children and animals. She directed her first documentary in Kenya at the age of 25. By the age of 27 she was directing improvised dramas in a tough London Comprehensive school. After spending 13 weeks on the Ealing film stages as Director of FX sequences and animation on a 10-part drama she was asked to produce a series working with 4 to 6 year-olds. By the age of thirty she was directing a serial that featured an 8-year-old girl in almost every scene. ‘I cast identical twins to play the part, used two cameras operated by sports cameramen and finished by 4.30pm each day.’

‘I’d acted in feature films as a child and knew what would work. And what could cause havoc. You need to check children’s teeth well before filming. They tend to lose them just when it is most likely to wreck your continuity. The BBC never used casting directors, so I’d look for kids myself finding  a large cast of children able to sail for two Arthur Ransome book adaptations and the right boy to play Gerald Durrell in My family and Other Animals.’

‘I’d grown up with animals and love working with them. My family keep tame otters and filming wildlife sequences – handling creatures from adders to elephants – has always been part of my life. Making the zoo vet drama series with grat apes and big cats was fascinating . The best ting about working on Eastenders was that I was re-united with Little Willie, the pug dog that we had bought to play William, the hero of  Coot Club.’

Beenie the Otter Sophie hand-reared

In 1992 Sophie emigrated to southern Africa where she worked freelance for the BBC setting up wildlife films and documentaries in Botswana, Namibia and throughout South Africa.  ‘One highlight was setting up the Blue Peter visit to South Africa when Diane Jordan interviewed Archbishop Tutu.’

Breaking her pelvis in a riding accident Sophie was immobilized for a while but took up painting and established herself as a wildlife artist.

After meeting her husband at an archery match Sophie settled down  to concentrate on writing, looking for true stories that could be adapted for the screen. She has published Funnily Enough about her life in Gloucestershire and Ride the Wings of Morning set in Southern Africa. She is currently writing a pair of historical novels. Her filmography, The Making of Swallows and Amazons (1974)’ is published by the Lutterworth Press and available here.

Sophie Neville in Beijing

Sophie travels widely. She has driven through twenty different African countries and ridden horses across the Namib Desert, the Masai Mara and the Okavango Delta. She rode from Addis Ababa up to the Blue Nile in Ethiopia and through Cappadocia in Turkey. In 2009 she rode across South America in 19 days and is planning a 6th ride in southern Botswana.

Sophie is a founder and trustee of the Waterberg Welfare Trust . She has a BA Hons in Anthropology, is a fellow of the Endangered Wildlife Trust, an intercessor for CHM, a speaker for Bible Society, a Director of Witness Films Ltd and a member of The Drapers Company, which was used as locations for ‘The Kings Speech’.

Sophie lives with her husband on the south coast of England.  They have three grown children, two boats and constant building projects.

You can find a full list of books Sophie has contributed to on her Amazon page here

Sophie Neville

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