Tag Archives: ‘Russell Harty’

40th Anniversary Celebrations ~

Guest sepaker Sophie Neville seen here on the film poster of 'Swallows and Amazons'

Sunday 21st April ~ Dulwich Film  screened ‘Swallows & Amazons’ (1974), produced by Richard Pilbrow and directed by Claude Whatham in 1973.  

Sophie Neville as Titty in 'Swallows & Amazons' (1974)

The film was introduced by Sophie Neville who answered questions about how it was made after the screening at the Michael Croft Theatre

Michael Croft founded the National Youth Theatre.  One of his students was Simon Ward, who went on to star as James Herriot in the film version of ‘All Creatures Great and Small’, which Claude Whatham directed in 1974 after finishing  ‘Swallows & Amazons’.  Sophie was invited to watch the filming in Yorkshire, meeting Anthony Hopkins and members of the cast and crew who had worked on Swallows & Amazons in 1973. Brenda Bruce played Mrs Harbottle and Wilfred Josephs composed the music, Terry Needham was the Location Manager and Ronnie Cogan the Hairdresser.

 

Sophie Neville with Ronnie Cogan in 1974

‘I didn’t meet James Herriot until I worked in production at the BBC on Russell Harty in 1982. He was charming – an incredibly confident man. I don’t remember his wife being interviewed but she came with him to the studio and struck me as being terribly nice. She wore a proper dress, which is more than could be said for anyone else in the Green Room.’

A year later Sophie Neville appeared with Simon Ward’s daughter Sophie Ward in the adventure movie ‘The Copter Kids’ when they played sisters. Simon brought the family to watch the filming on location near Gerrards Cross. In September there will be a special tribute to Simon Ward at the Michael Croft Theatre when they will be screening ‘Young Winston’.

Swallows and Amazons flags

Saturday 25th May 2013 ~  

Sophie Neville will be giving a 40th anniversary talk on ‘Filming Swallows & Amazons in 1973′ for members of The Arthur Ransome Society gathering for their AGM at Brockenhurst College in the New Forest ~ Please book with TARStarsinfo@arthur-ransome.org

The plan is that ‘Swallow’ the dinghy from the 1974 film, will be moored at Buckler’s Hard on the Beaulieu River that weekend, and sailing for members of Sail Ransome  if weather permits.

Arthur Ransome’s boat The Nancy Blackett ~ The Goblin in Arthur Ransome’s book ‘We didn’t Mean to Go to Sea’ will be in the Solent for this event and might sail over to Yarmouth with Swallow for ~

31st May – 2nd June ~ Old Gaffers Yogaff event at Yarmouth, Isle of Wight

Meanwhile in the Lake District:

29th May – 2nd June ~ Coniston Regatta based at Bank Ground Farm.

30th May 2013  ~ There will be an outdoor screening of the movie Swallows & Amazons at Holly Howe (Bank Ground Farm) on the shores of Coniston Water,  with Captain Flint’s Houseboat, SY Gondola, in attendance.

Bank Ground FArm above Coniston Water in Cumbria

For news of the 2013 film please click here

To read the filmography posts about the 1974 film please go to ~ https://sophieneville.net/category/autobiography/

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Filed under Arthur Ransome, Autobiography, Cinema, Claude Whatham, Film, Film Cast, Film crew, Film History, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story, Uncategorized

Casting children for the BBC adaptations of Arthur Ransome’s books ‘Coot Club’ & ‘The Big Six’ in 1983 ~

Sophie Neville with Port and Starboard in 'Coot Club'

Sophie Neville with Port and Starboard in ‘Coot Club’

Looking back, it was a complete miracle that I able to work on the BBC adaptations of the Arthur Ransome books, but in 1983 I spent nine months working on Coot Club and The Big Six, released in 1984 as an eight-part drama serial under the generic title ‘Swallows and Amazons Forever’ . Awarded a BAFTA nomination, it is available on DVD today.

Swallows and Amazons Forever! Coot Club children cast by Sophie Neville

In 1982 I graduated from university and entered the BBC as a researcher on the General Traineee Scheme. I had so enjoyed working for Ronnie Barker on The Two Ronnies that my initial aim was to go into ‘Light Entertainment’.  I joined the Russell Harty team, which had a series of thirty-minute shows broadcast live from a studio at London Bridge. I actually invited Susan George on the show without realizing she had played Kitty Walker (Titty) in the black and white BBC drama serial of Swallows and Amazons in 1963.  Since The Russell Harty Show ended at the same time as my contract, I started looking around for a programme strand that was right for me.

The Unit Manager on our team heard that BBC Drama Series and Serials had acquired the rights to the Arthur Ransome books and suggested I went to see the  Producer, Joe Waters.  I knew we’d get on well as soon as I spoke to him on the phone.  Joe was always laughing. Although he’d made numerous episodes of The Enigma Files and Squadron, as well as Police series such as Z-Cars and Dixon of Dock Green, Joe had never filmed with boats and was interested to see the photographs of the camera pontoon devised for Claude Whatham in the Lake District. Joe explained that he had plans to film a number of the Arthur Ransome books but decided to start with the pair set in Norfolk and already had scripts adapted by Michael Robson.

The first miracle was that, although he had a full production team booked, Joe needed someone to help find children who could handle boats confidently on the Norfolk Broads. In the 1980’s drama directors at the BBC were expected to do their own casting, but Joe’s director, Andrew Morgan, was still editing another series and wasn’t going to have enough time to cast the children’s parts.  This had to be settled at least seven weeks before filming as Education Authorities request six weeks to process licenses required for children to work as actors. The second miracle was that Marcia Wheeler, the BBC Department Manager would not have given the job to me had I not been able to point out that the Graduate Trainee Scheme was paying my salary.  It was January and she had a choice of permanent staff available.

Coot Club - Death and Glories

Jake Coppard, Mark Page and Nicholas Walpole as the Death and Glory boys ~ photo: Sophie Neville 1983

I set to work, scouring the schools of Norfolk, as we needed boys with local accents to play Pete, Joe and Bill – the Death and Glory boys, as well Roger, little Malcomb and youths who could take on the roles of George Owden and his side-kick Ralph as well as Brian and Rob.

Coot Club Baddies

Boys virtually cast for me by the teachers of Norfolk ~ Dean Harkness who played Brian and Sy Rainsbury who played Rob (?)

I must have written to the Head teachers of every single secondary school in the country, and visited most of them. I managed to find really bright boy to play Dick Callum up in Norfolk, but although I auditioned a number of girls in Norwich, Caroline Downer, who played Dot Callum, and the Farland twins were actually represented by London agents.

Coot Club - Richard Walton

Richard Walton, who was cast as Dick Callum, in Norfolk in 1983

You wouldn’t expect it to be difficult, but I couldn’t find a boy to play Tom Dudgeon. He was the most important character. It was essential he was out-going and could sail well. I dredged school after school, meeting literally hundreds of children. Joe had found a very nice lad who went to a London stage school but he was fifteen and had never been in a boat. He rather wanted to give the part to Diana Dor’s son, but he too, admitted that he couldn’t sail either. We were getting very close to the deadline and I was almost in despair when I took my cousin to see a musical in the West End. During the interval I turned round and saw a boy, perfect for the part of Tom, sitting right behind me.

‘Do you by any chance sail?’ I asked.

‘Oh, yes,’ he replied, ‘We’ve got a cabin cruiser. I often take the helm.’

I went to meet his parents and found myself looking up at David Dimbleby, asking if his son would consider taking the lead in the Arthur Ransome series.

Henry Dimbleby in 1983

Henry Dimbleby in 1983 ~ photo: Sophie Neville

Casting parts for book adaptations is never easy.  I’d always envisaged Dot as having straw-coloured plaits and Port and Starboard as being robust Tom-boys, but in the end the right girls seemed to float to the surface. Andrew Morgan was thrilled, appreciative of the fact that finding identical twins of the right age who can swim, sail and act convincingly was not easy. Caroline was the only girl I had met with hair long enough and thick enough to make into the plaits Ransome had drawn in his illustrations of Dorothea. She was dark and had no experience of boats but convinced us she was right in so many other ways that we offered her the part and sent her off to learn how to sail.

Caroline Downer as Dot Callum

Caroline Downer as Dorothea Callum in ‘Coot Club’ and ‘The Big Six’, 1983

Since we were scheduled to make nearly four hours of television, we had three months of filming ahead of us. The six children who had leading parts in both books, legally had to be over the age of thirteen to work for such a long period of time. My job had been to find thirteen-year-olds who looked younger. I also needed to show Andrew and Joe how well the children could act in the space of a few minutes. I had Anna Scher to thank for this.

Anna Scher had been Suzanna Hamilton’s drama teacher and agent. In 1968 she’d started a wonderful after-school theatre for children, based in Islington.  I knew Claude Whatham had respected her enormously and asked if I could sit in on some of her classes. Anna worked fast, getting her students to concentrate and giving them a number of improvisation exercises. I had directed plays at university, so was used to getting good performances out of young people, but she was an expert, explaining that conflict was the key, ‘Drama is conflict!’ she’d declare.

Coot Club Audition

Children who were short-listed for parts in ‘Coot Club’ having lunch at a final audition held in Norwich in 1983. The boys who played Joe and Pete are in the foreground.

When I auditioned children, I extended this by telling them they had to be able to list ten issues for the argument they were putting forward and that I wanted to see each point worked into the drama. For example,

‘You walk into your brother’s room and catch him smoking. I want you to try to persuade him it is stupid and give him ten reasons why he should quit.’

The boy playing the brother had to find ten reasons why he should be able to smoke if he wanted to. Joe Waters hadn’t seen this before but agreed that it worked much better than asking children to read scripts. It amused him. The kids who ended up playing Bill, Pete and Joe of the Death and Glory, responded well both to Joe’s laughter and exercises that required their own imput. Despite never having had drama lessons they were able to prove themselves capable of delivering convincing performances.

But, would they be able to get the lines of a script out, whilst handling a boat on open water?

Coot Club - Joe Waters with Henry DimbJleby

Producer Joe Waters with Henry Dimbleby who played Tom Dudgeon in ‘Coot Club’ & ‘the Big Six’ ~ photo: Sophie Neville

One secret was that I asked all the children from Norfolk who were short-listed if they would like to work as Extras on the series even if they didn’t land a part. These children were issued with licences and could have been called upon if any of the cast had to back down at the last-minute.  If you look carefully you can see them  in some of the busier scenes.

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Filed under Acting, Arthur Ransome, Biography, Claude Whatham, Film Cast, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story