Tag Archives: Women Only

From ‘Swallows & Amazons’ to ‘The Invisible Woman’

Daphne Neville in about 1973

Daphne Neville in about 1973

My mother, Daphne, started working as a television presenter for Harlech Television in Cardiff.  By 1973 Mum was working at the HTV studios in Bristol two days a week, presenting an afternoon programme called Women Only with Jan Leeming, and doing a bit of radio work for the BBC. Occasionally she appeared on other shows.

Mum appearing as a member of the Salvation Army on 'The Dick Emery Show'

Mum appearing as a member of the Salvation Army on ‘The Dick Emery Show’

While my father’s life was influenced by Arthur Ransome, my mother drew inspiration from the author Noel Streatfield and her novel Ballet Shoes, the story of three little girls who went on the stage. Before her own three daughters were old enough to read she was dreaming dreams. Since she worked at the HTV studios in Bristol, it was natural enough for us to take part in their drama productions that were being made locally.

Daphne Neville in 'Arthur of the Britons' HTV

Daphne Neville appearing with Tamzin Neville and Shaun Dromgoole in the HTV drama ‘Arthur of the Britons’ in 1972. I am not sure who the bearded man is.

When I was offered the part of Titty in Swallows & Amazons, Mum somehow managed to take enough leave to come up to the Lake District and work on the film as a chaperone, although she had to return to Bristol for two HTV commitments. She missed some of the best scenes, and some of our worst moments.

‘You owed your life to Simon West, of course.’

‘Did I?’

‘Oh, yes. Simon was such a good sailor. He was totally reliable.’ She was thinking of the scene when Swallow was meant to narrowly avoid colliding with the Windermere steamer, the Tern, when we only just avoided a terrible accident.

‘You would have gone under the Tern if Simon hadn’t been so calm and controlled. He would never have got into the situation himself, he would have gone about much sooner but was waiting for Claude to give him the cue over the Motorola radio. Claude was too late. He had no idea about boats.’

My mother returned from working in Bristol to find my father, Martin, was not happy about how things were being handled when we were on the water. They stayed up, talking all night, making what must have been one of the first ever risk assessments.

‘Quite a few things changed after that.’ You can tell from studying old call sheets.

‘The ridiculous thing was having to strap the kids into life jackets to go to Peel Island, which was not risky at all. Martin and I then discovered they were BOAC rejects.’

newspaper cutting of cast in life jackets

Lesley Bennett, Simon West, Kit Seymour, Sophie Neville, Sten Grendon and Suzanna Hamilton on Coniston Water 1973

Simon told me that he really couldn’t remember much about being in Swallows & Amazons. Looking back on it all, he reckoned that if I had talked through each day with Mum it would have reinforced memories. My diaries, which were certainly more detailed than those kept by the other Swallows, were supplemented by Mum’s photos, taken on a daily basis and looked at repeatedly. You have seen them all. They have that early Seventies tint to them.

Daphne Neville in 'Diagnosis Murder'

Daphne Neville in the 1975 film ‘Diagnosis Murder’ with Christopher Lee

Meanwhile my mother’s own memories are coloured by how things have changed over the last forty years, the other films she has been in the actors she has met.

‘Ronnie Fraser was perfectly nice. He was treated like a star and kept very much apart from us. He behaved like a star. Now stars have PAs, but he didn’t!’

Mum went on to appear in all sorts of movies. If you don’t blink, you can see her as a Victorian Lady in The Invisible Woman  – Ralph Fiennes’ portrayal of Charles Dickens, soon to be released in cinemas.

For more photos of Daphne Neville in character roles, please click here

Daphne Neville in 'The Invisible Woman'

Daphne Neville in costume for ‘The Invisible Woman’ 2013

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Filed under 1973, Acting, Autobiography, Biography, Cinema, Cumbria, Film, Film Cast, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story, Uncategorized, Zanna Hamilton

Forty years ago ~ life in 1973 ~ Part Two

Sophie Neville with the cast of Swallows

Sophie Neville, Suzanna Hamilton, Sten Grendon, Lesley Bennett, Kit Seymour, Simon West with Daphne Neville off to a Puffin Club event promoting the film and new Puffin edition of ‘Swallows and Amazons’ organised by the legendary Kaye Webb in London  photo: Woman Magazine

When I look back on our lives as they were forty years ago I can’t help smiling. Whilst one is impacted by fashions that were too unfortunate to be revived – those collars we thought so groovy – other things haven’t changed at all. I don’t think sailing shoes or jean jackets have ever been out of circulation.

Claude Whatham on the shore of Coniston Water ~ photo: Daphne Neville

Every day clothes in 1973

In July 1973 Claude Whatham, pictured above in his Levis, had my sisters and I in a series of three Weetabix commercials that depicted life in 1933, forty years before, when the Great British breakfast cereal was first launched on the market. There seemed to have been a wider difference between the thirties and children’s lives in the seventies than in the last forty years.  But am I right?

Weetabix Commercial with Tamzin and Perry

My sisters on the set of a Weetabix commercial being shot on location in Gloucestershire in July 1973

Whilst we had never seen stocks of corn until we went on the set especially constructed for the advertisement, Percy Baxter had made them himself back in 1933 when he lived and worked on the Cotswold hills.

Wheetabix Commercial with Tamzin Neville and Percy Baxter

Tamzin Neville with Percy Baxter on location for TV commercial made for Weetabix set in 1933 and filmed on 35mm in Gloucestershire in 1973 by Claude Whatham

The Land Rover in this behind-the-scenes shot could the same vehicle used on a film set today.

Weetabix Commercial shot in 1973

Meanwhile, my mother was presenting her afternoon television programme for HTV West called ‘Women Only’ – dressed in her Donny Osmond hat.  I would happily wear her suede coat today and can often be seen in the hat.  The lace-up boots looked good recently with a Wonder Woman fancy dress outfit but were terribly uncomfortable. My sister still hasn’t forgiven me for giving them away.

Daphne Neville in her Donny Osmond hat

Daphne Neville on location in Jersey while presenting ‘Women Only’ in 1973

As always, well made things of quality have endured, and those faithful goods from Land Rovers to Levi jeans, Puffin Books and Weetabix are, thankfully, still being produced.

for more photographs of making the Weetabix commercial click here

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Filed under 1973, Acting, Claude Whatham, Film, Film Cast, Film crew, Film History, Filmaking, Memoir, Sophie Neville, Suzanna Hamilton, truelife story

Life in 1973 – Part One

For the last year or so I have been writing about life in England forty-odd years ago. Reflecting on how our lives have changed has proved fascinating. Can you help me?  I’d love to receive comments (below) on how you remember aspects of growing up in the early 1970s. What did you eat then? Where did you go on holiday? What was it about 1973 that impacted you?

Jean McGill, Jane Grendon, Stephen Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan~ photo: Daphne Neville

Jean McGill, Jane Grendon, Stephen Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan in 1973

My husband remembers long hair, flared trousers and shirts with massive curved collars. I always longed for an embroidered t-shirt with wide sleeves or a cheese-cloth shirt but loathed the feel of acrylic jumpers and ribbed polo-necks. Stripy ones.

1973

Mum wearing a fluffy Donny Osmond hat

The food was pretty applauding. Suzanna Hamilton has just reminded me about the innovation of Italian cooking. Spaghetti was the highlight of our lives; a treat that we might have on Saturdays or for a party when red candles would be pushed into wine bottles and checked paper table cloths could enhance a Bistro image. However prawn cocktail was the pinnacle of popular aspiration, although us children preferred picking of the shells off prawns ourselves.

At parties you’d be offered chunks of cheese and pineapple on cocktail sticks stuck into a half a melon that had been covered in tin foil. I always rather longed for the melon.  Homemade beer was regrettably all the rage, along with freezing your own runner beans. My family thought having to bring-a-bottle fun but we loathed the fact that cigarettes were smoked everywhere you went.

Dick Emery

Colour televisions were only just beginning to arrive in people’s homes. They were terribly expensive. We had to make do with our crackly black and white screen, watching Blue Peter, Animal Magic and Tony Hart  presenting Vision On with cartoons such as Marine Boy until Childrens’ Television ended with The Magic Roundabout just before Daddy came home from the Works  in time for the 6 O’Clock News.

We were allowed to stay up to watch  Dick Emery , Benny Hill, and ‘Titter ye not’, Frankie Howerd along with dramas such as The Onedin Line.  There was one sit com starring Wendy Craig entitled Not in front of the Children, which of course we all wanted to watch. What influence did this have on our young minds?

Mummy worked for HTV West presenting an afternoon programme called Women Only with Jan Jeeming. She also read the letters on Any Answers?, which was produced by BBC Radio Bristol by Carole Stone. I was so impressed – amazed – to meet a female radio producer.

Women Only

HTV West Christmas Show presented by Bruce Hocking, Jan Leeming & Daphne Neville

Our holidays were spent camping in Wales when we used an orange dome tent and yet slept on fold-up sun-loungers. Sailing was all about Mirror dinghies, which you could buy in kit form and make out of plywood. We never had one. In the late 1970’s Dad bought a fibre-glass  Topper, which was the height of cool. He called it Earwig.

My family were very keen on taking home movies. Dad usually took slides when we went on holiday, which were viewed along with the supper-8 footage at Christmas time when he pushed the furniture back, took down a painting and projected our memories onto the wall.

What have I forgotten? Do post your own recollections, especially of sailing and camping in the early seventies, in the comments below.

Dick Emery ~ walking social history

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Filed under 1973, Dinghy sailing, Family Life, Memoir, Sophie Neville, Suzanna Hamilton, truelife story