Monthly Archives: July 2013

International Rubery Book Award 2013 for ‘Funnily Enough’

International Rubery Book Award

Thanks to the support of readers and reviewers I was brave enough to share my story, ‘Funnily Enough’ with the panel of judges at The International Rubery Book Award. I now have a cut glass trophy, which has its own silk-lined box.

Rubery Book Award 2013 Header

Rubery Book Award Judges Comment

Funnily Enough by Sophie Neville - International Rubery Book Award 2013

For Funnily Enough – the Website – please click here

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Filed under Autobiography, Christian, e-publication, Family Life, Humor, Humour, Kindle, Memoir, Sophie Neville, truelife story

Forty years ago ~ life in 1973 ~ Part Two

Sophie Neville with the cast of Swallows

Sophie Neville, Suzanna Hamilton, Sten Grendon, Lesley Bennett, Kit Seymour, Simon West with Daphne Neville off to a Puffin Club event promoting the film and new Puffin edition of ‘Swallows and Amazons’ organised by the legendary Kaye Webb in London  photo: Woman Magazine

When I look back on our lives as they were forty years ago I can’t help smiling. Whilst one is impacted by fashions that were too unfortunate to be revived – those collars we thought so groovy – other things haven’t changed at all. I don’t think sailing shoes or jean jackets have ever been out of circulation.

Claude Whatham on the shore of Coniston Water ~ photo: Daphne Neville

Every day clothes in 1973

In July 1973 Claude Whatham, pictured above in his Levis, had my sisters and I in a series of three Weetabix commercials that depicted life in 1933, forty years before, when the Great British breakfast cereal was first launched on the market. There seemed to have been a wider difference between the thirties and children’s lives in the seventies than in the last forty years.  But am I right?

Weetabix Commercial with Tamzin and Perry

My sisters on the set of a Weetabix commercial being shot on location in Gloucestershire in July 1973

Whilst we had never seen stocks of corn until we went on the set especially constructed for the advertisement, Percy Baxter had made them himself back in 1933 when he lived and worked on the Cotswold hills.

Wheetabix Commercial with Tamzin Neville and Percy Baxter

Tamzin Neville with Percy Baxter on location for TV commercial made for Weetabix set in 1933 and filmed on 35mm in Gloucestershire in 1973 by Claude Whatham

The Land Rover in this behind-the-scenes shot could the same vehicle used on a film set today.

Weetabix Commercial shot in 1973

Meanwhile, my mother was presenting her afternoon television programme for HTV West called ‘Women Only’ – dressed in her Donny Osmond hat.  I would happily wear her suede coat today and can often be seen in the hat.  The lace-up boots looked good recently with a Wonder Woman fancy dress outfit but were terribly uncomfortable. My sister still hasn’t forgiven me for giving them away.

Daphne Neville in her Donny Osmond hat

Daphne Neville on location in Jersey while presenting ‘Women Only’ in 1973

As always, well made things of quality have endured, and those faithful goods from Land Rovers to Levi jeans, Puffin Books and Weetabix are, thankfully, still being produced.

for more photographs of making the Weetabix commercial click here

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Filed under 1973, Acting, Claude Whatham, Film, Film Cast, Film crew, Film History, Filmaking, Memoir, Sophie Neville, Suzanna Hamilton, truelife story

Life in 1973 – Part One

For the last year or so I have been writing about life in England forty-odd years ago. Reflecting on how our lives have changed has proved fascinating. Can you help me?  I’d love to receive comments (below) on how you remember aspects of growing up in the early 1970s. What did you eat then? Where did you go on holiday? What was it about 1973 that impacted you?

Jean McGill, Jane Grendon, Stephen Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan~ photo: Daphne Neville

Jean McGill, Jane Grendon, Stephen Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan in 1973

My husband remembers long hair, flared trousers and shirts with massive curved collars. I always longed for an embroidered t-shirt with wide sleeves or a cheese-cloth shirt but loathed the feel of acrylic jumpers and ribbed polo-necks. Stripy ones.

1973

Mum wearing a fluffy Donny Osmond hat

The food was pretty applauding. Suzanna Hamilton has just reminded me about the innovation of Italian cooking. Spaghetti was the highlight of our lives; a treat that we might have on Saturdays or for a party when red candles would be pushed into wine bottles and checked paper table cloths could enhance a Bistro image. However prawn cocktail was the pinnacle of popular aspiration, although us children preferred picking of the shells off prawns ourselves.

At parties you’d be offered chunks of cheese and pineapple on cocktail sticks stuck into a half a melon that had been covered in tin foil. I always rather longed for the melon.  Homemade beer was regrettably all the rage, along with freezing your own runner beans. My family thought having to bring-a-bottle fun but we loathed the fact that cigarettes were smoked everywhere you went.

Dick Emery

Colour televisions were only just beginning to arrive in people’s homes. They were terribly expensive. We had to make do with our crackly black and white screen, watching Blue Peter, Animal Magic and Tony Hart  presenting Vision On with cartoons such as Marine Boy until Childrens’ Television ended with The Magic Roundabout just before Daddy came home from the Works  in time for the 6 O’Clock News.

We were allowed to stay up to watch  Dick Emery , Benny Hill, and ‘Titter ye not’, Frankie Howerd along with dramas such as The Onedin Line.  There was one sit com starring Wendy Craig entitled Not in front of the Children, which of course we all wanted to watch. What influence did this have on our young minds?

Mummy worked for HTV West presenting an afternoon programme called Women Only with Jan Jeeming. She also read the letters on Any Answers?, which was produced by BBC Radio Bristol by Carole Stone. I was so impressed – amazed – to meet a female radio producer.

Women Only

HTV West Christmas Show presented by Bruce Hocking, Jan Leeming & Daphne Neville

Our holidays were spent camping in Wales when we used an orange dome tent and yet slept on fold-up sun-loungers. Sailing was all about Mirror dinghies, which you could buy in kit form and make out of plywood. We never had one. In the late 1970’s Dad bought a fibre-glass  Topper, which was the height of cool. He called it Earwig.

My family were very keen on taking home movies. Dad usually took slides when we went on holiday, which were viewed along with the supper-8 footage at Christmas time when he pushed the furniture back, took down a painting and projected our memories onto the wall.

What have I forgotten? Do post your own recollections, especially of sailing and camping in the early seventies, in the comments below.

Dick Emery ~ walking social history

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Filed under 1973, Dinghy sailing, Family Life, Memoir, Sophie Neville, Suzanna Hamilton, truelife story

Sailing the Nancy Blackett

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If you have ever wondered what Nancy Blackett is doing now – here she is. Built by Hillyards of Littlehampton in 1931 she was bought by Arthur Ransome with royalties from Swallows and Amazons and became both the inspiration and model for his book about the Swallows’ unplanned voyage to Holland ~  We Didn’t Mean to go to Sea, in which she was known as the Goblin. She also appears in Secret Water.

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I was at the Royal Harwich Yacht Club to give a talk on making the BBC adaptations of two other Arthur Ransome books set in East Anglia, Coot Club and The Big Six.

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I thought that people would rather be out in the sunshine or watching the Wimbledon finals but it was well attended.

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After watching a clip of Ginger and Rosa, the BFI/BBC feature film directed by Sally Potter that Nancy Blackett starred in last year, we wandered down to the jetty in front of the new club house, and grabbed a chance to go out on the Orwell.

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Soon sails were being hoisted and we were underway, sailing down river in the evening light.

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Conditions were perfect for Nancy, a 28 foot Bermurdan cutter.

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I took the helm, whilst the others did the hard work.

Pin Mill in Suffolk

We were soon sailing past Pin Mill, which also features in the book.

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Some members of the crew were experienced sailors,

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others had previously managed to avoid spending much time on the water, but we all had a wonderful experience and were sad when the sails were stowed for the night.

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We saw a couple of Thames barges also coming in, as Nancy settled down after a successful day.

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For more photos please click here

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Filed under Arthur Ransome, Diary, Sophie Neville, Swallows and Amazons, truelife story

30th Anniversary talk on filming ‘Coot Club’ and ‘The Big Six’

Coot Club - Sophie Neville with Port and Starboard in Coot Club

Unbelievably, thirty years have passed since we started filming the BBC adaptations of Coot Club and The Big Six on location in Norfolk.  We drove up to Norwich on 17th June 1983 and by 3rd July would have been in full swing. It had been my job to cast the children who I was now looking after on location.

Coot Club - the hay wagon

Amazingly, we were to able enjoy three months of almost solid sunshine and had the most wonderful time. The eight-part serial, produced by Joe Waters, was first broadcast in 1984 under the generic title of Swallows and Amazons Forever! This was because Joe was hoping to dramatise other Arthur Ransome books, but sadly they proved too expensive.

The Big Six

The Death and Glory Boys weighing their great fish with Sam Kelly

I gave an illustrated talk about how the series was made at the Royal Harwich Yacht Club on the River Orwell for the Nancy Blackett Trust Annual Meeting, explaining how Rosemary Leach and I had both appeared in the BBC drama Cider with Rosie back in 1971. Having starred as Laurie Lee’s mother, she had the lead part of Mrs Barrable, the Admiral in Coot Club.

Henry Dimbleby and Rosemary Leach in 'Coot Club' and 'The Big Six'

BBC TV’s adapation of  ‘Coot Club’ and ‘The Big Six’

Swallows and Amazons Forever! (1984) DVD

The drama, set in the early 1930’s, was nominated for a BAFTA.  It had an exceptionally talented cast including Rosemary Leach, John Woodvine, Sam Kelly and Henry Dimbleby.  I’m not sure if you can spot him that easily on the cover of the DVD, but one of the characters in the story soon became a household name. It was William, Mrs Barrable’s fawn pug dog. He was soon known nationally – if not internationally – as Little Willie, Ethel’s pet dog in the soap opera Eastenders.

Coot Club -

The puppy we chose to play Williams who later starred as Little Willie in ‘Eastenders’

While Jack Watson was at the helm of the Sir Garnet, Julian Fellowes played Jerry, self-appointed skipper of the Margoletta and the leader of the Hullabaloos. Whilst with us on the Norfolk Broads he forged a creative partnership with our director Andrew Morgan that launched his career as a writer.  They were soon working together on adaptations of classic books such as The Prince and the Pauper and Little Lord Fauntleroy.

Julian Fellowes as Jerry in Coot Club

Julian Fellowes as Jerry in ‘Coot Club’

Looking back, I can see a number of connections between Coot Club and Doctor Who. You will see we had not one but two Time Lords with us in the guise of The Eel Man, who was played by Patrick Troughton, and Dr Dudgeon, played by Colin Baker, who went on to become a later incarnation of the Doctor.

Patrick Troughton as the eel man

Patrick Troughton as The Eel Man in ‘The Big Six’

A number of the crew worked behind the scenes on Doctor Who including our Visual Effects Designer, Andy Lazell and the writer Mervyn Haismen. I found myself working on Vengeance on Varos a year later when Colin Baker swapped his Norfolk tweeds for the multi-coloured coat he wore in the TARDIS.

Colin Baker as Dr Dudgeon in 'Coot Club' and 'The Big Six'

Colin Baker as Dr Dudgeon in ‘Coot Club’ and ‘The Big Six’

However,  I expect the members of the Nancy Blackett Trust will want to know most about the beautiful period boats that appeared in the series, some of which members of the Arthur Ransome Society have been tracking down. Sadly some, such as the Catchalot seem to have deteriorated but the Janca, who played the Margoletta has been restored, and the  Death & Glory is still on the Broads.

Lullaby undersail, playing the Teasel with her stage name painted on a false transome

Lullaby under sail, playing the Teasel with her stage name painted on a false transom

 The wonderful thing is that you can still hire the yacht we used to play the Teasel and take the same route through the Broads as Arthur Ransome took with his wife in the 1930’s when he was absorbing experience from which to write. What I did not know until recently was that Titty Altounyan ~ the real Titty portrayed in Swallows and Amazons ~ accompanied them one year, but I will leave that story for a future post.

Coot Club - book cover

I remember setting up this photograph for Puffin at Gay’s Staithe on the Broads

For more information on Saturday’s talk please click here

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Filed under 1983, Acting, Arthur Ransome, Film crew, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, truelife story