If you see men walking down the street with a telephone box it is probably an indication that there is a film crew nearby.
This was a distinctive director with red hair called John Prowse filming a drama serial called The Changes on location in Bristol in back 1975 when wooden tripods were used with 16mm cameras and portable monitors hadn’t been developed.
The Changes was a BBC adaptation of the books by Peter Dickinson written and produced by Anna Home. It starred Victoria Williams, Keith Ashton and Rafiq Anwar. Jack Watson was in four episodes and my mother had what one might call a cameo role as a villager. She can be seen in the photo above in the pink headscarf.
Sonia Graham appeared in this scene wearing a long red cloak. I later worked with her on the vet series One by One.
The story explored the concept of a time when machines ground to a halt and all cars became useless. Vehicles still seemed to be used as camera mounts. John Prowes is standing on top of a doramobile in this photograph.
Does anyone remember seeing the outcome of all this toil?
I have been writing about life in England nearly fifty years ago, reflecting on how our lives have changed. Can you help me?
I’d love to receive comments (below) on how you remember aspects of growing up in the early 1970s. What did you eat then? Where did you go on holiday? What was it about 1973 that impacted you?
My husband remembers long hair, flared trousers and shirts with massive curved collars. I always longed for an embroidered t-shirt with wide sleeves or a cheese-cloth shirt but loathed the feel of acrylic jumpers and ribbed polo-necks. Stripy ones.
The food was pretty applauding. My friend Suzanna has just reminded me about the innovation of Italian cooking. Spaghetti was the highlight of our lives; a treat that we might have on Saturdays or for a party when red candles would be pushed into wine bottles and checked paper table cloths could enhance a Bistro image. However prawn cocktail was the pinnacle of popular aspiration, although us children preferred picking of the shells off prawns ourselves.
At parties you’d be offered chunks of cheese and pineapple on cocktail sticks stuck into a half a melon that had been covered in tin foil. I always rather longed for the melon. Homemade beer was regrettably all the rage, along with freezing your own runner beans. The process was quite fun (we enjoyed sucking air out of the freezer bags with a straw) but the beans were stringy and disgusting.
My family thought having to bring-a-bottle to parties was a great idea but we loathed the fact that cigarettes were smoked everywhere you went.
Colour televisions were only just beginning to arrive in people’s homes. They were terribly expensive. We had to make do with our crackly black and white screen, watching Blue Peter,Animal Magic and Tony Hart presenting Vision On with cartoons such as Marine Boy until Childrens’ Television ended with The Magic Roundabout just before Daddy came home from the Works in time for the 6 O’Clock News.
We were allowed to stay up to watch Dick Emery , Benny Hill, and ‘Titter ye not’, Frankie Howerd along with dramas such as The Onedin Line. There was one sit com starring Wendy Craig entitled Not in front of the Children, which of course we all wanted to watch. What influence did this have on our young minds?
Mummy worked for HTV West presenting an afternoon programme called Women Only with Jan Jeeming. She also read the letters on Any Answers?, which was produced by BBC Radio Bristol by Carole Stone. I was so impressed – amazed – to meet a female radio producer.
Our holidays were spent camping in Wales when we used an orange dome tent and yet slept on fold-up sun-loungers. Sailing was all about Mirror dinghies, which you could buy in kit form and make out of plywood. We couldn’t afford one. but in the late 1970’s Dad bought a fibre-glass Topper, which was the height of cool. He called it Earwig.
My family were very keen on taking home movies. Dad usually took slides when we went on holiday, which were viewed along with the supper-8 footage at Christmas time when he pushed the furniture back, took down a painting and projected our memories onto the wall.
What have I forgotten? Do post your own recollections, especially of sailing and camping in the early seventies, in the comments below.
When I was about thirteen, we were given a green parrot from South America called Chico. A shot of me, rowing down a lake with the parrot on my shoulder, was used to replace the test card image of Carol Hersey playing tic tac toe with a hideous clown.
Chico was wonderfully tame and came everywhere, chatting away in Spanish. He was much more affectionate – and less of a treat – than Beauty, the parrot with a Lancastrian accent who played Polly in Captain Flint’s cabin. One minute he’d be sitting on Tamzin’s shoulder, the next, he’d be on mine.
We didn’t always have tea with a parrot, but once the film of Swallows and Amazons was on general release I was often invited to appear on radio or television. This usually entailed going to a studio to appear on a magazine programme such as Points West or Nationwide. However, Robin Hellier, who had just begun working for the BBC on Animal Magic, was thrilled to hear that I really did have a green parrot and brought a film crew from Bristol to our house. We didn’t know at the time that some of the footage taken would end up filling endless small gaps in the schedules.
Although the focus of the item was a profile of my role in Swallows and Amazons, the aim must have been to get as many animals on the programme as possible since they also featured our donkeys having their feet trimmed. The faithful parrot was still on my shoulder. I don’t know what the blacksmith thought.
I thought Robin Hellier was a brilliant director, far better than Claude Whatham at letting us know what he wanted to achieve. I was able to tell Robin this when I found myself working with him in South Africa twenty-two years later. He laughed, admitting that it was the very first film he ever directed. Being conscientious, he took the trouble to write to let me know when it was to be broadcast, although I can’t remember ever seeing it go out.
Children’s television was watched by everyone I knew in the 1970s. Letters poured in. My mother loved getting them. The volume was such that I think she had to answer some of them for me.
And over the years the letters have kept coming.
These came from a girl I corresponded with for years. My friends at university were amazed to find letters arriving addressed to Titty, but they were always charming. I appreciated them more and more as the years went by.
My mother only wrote me one proper letter while I was away at boarding school. It was to tell me that Chico had died. He spent so much time flying free that he caught a virus off wild birds and could not be saved. I was utterly inconsolable.
Animal Magic continued to featured through our childhood until 1982, when I started working at BBC Television myself. Johnny Morris, who presented the series, became a legend in his own time and is remembered with great affection.
A WildFilm History interview of Robin Hellier can be viewed on this link: