A reader’s perpective of ‘The Making of Swallows and Amazons (1974)’ published by The Lutterworth Press

Road sign to Sophie Neville
A sign of encouragement

I love hearing from readers and so appreciate letters and emails. Here are a few that arrived recently:

‘I do indeed have your book; it was a gift from my sister (we both love the film and it’s very much part of our childhoods). I found it incredibly evocative and loved the insights, as well as being taken back through your own experiences. It was exactly what inspired me to head to the Lakes and seek out some of the locations. Hearing about which places and items were purely for the film was especially fun….and saved me a great deal of time trying to find them!’ Timothy Joint. He kindly left a book review on the Waterstones site:

“A Nostalgic Journey Behind the Scenes of Swallows and Amazons”

Sophie Neville’s book, The Making of Swallows and Amazons, is an absolute delight for both devoted fans of the film and for anyone curious about the making of cinema in that era.

Written by Sophie Neville, the book brings a wonderfully personal and vivid perspective to the making of the beloved 1974 film Swallows and Amazons. What makes it especially engaging is how she transports you back to that time. You’re not just reading about the production, you feel as though you’re right there on the lakes watching it unfold.

Sophie shares fascinating insights into the realities of filming on location, from the unpredictable weather to the logistical challenges of shooting on water. Equally compelling are her memories of what it was like as a young actor balancing schoolwork with the demands of filming, which adds a lovely human layer to the story.

There’s a warmth and authenticity throughout the book that only someone who lived the experience could provide. Her reflections on friendships formed during filming, the camaraderie of the cast and crew, and the innocence of that era give the book a nostalgic charm that never feels forced.

More than just a “making of,” this book is a heartfelt memoir, a piece of film history, and a tribute to a unique moment in British cinema. Whether you grew up loving Swallows and Amazons or are discovering it for the first time, this is a wonderful book that will be loved by everyone.

‘I recently read The Making of Swallows and Amazons (1974), and I have to say there’s something genuinely special about the way this book captures not just a film, but a moment in time.’

‘What makes your book so engaging is its authenticity. The decision to weave your childhood diary entries with your adult reflections creates a layered narrative that feels both immediate and nostalgic. It’s rare to get such an unfiltered, “in-the-moment” perspective of a film production  especially one told through the eyes of a child who was living the adventure rather than simply acting it.’

‘The setting itself–the lakes and mountains of Cumbria–adds a natural richness to the story, but what truly stands out is how the experience mirrors the spirit of Swallows & Amazons. It doesn’t feel like a production account; it feels like an extension of the adventure.’

‘There’s also something deeply charming about the absence of modern filmmaking constraints–no digital interference, no rigid scripting,  just immersion, imagination, and discovery. That gives the book a warmth and sincerity that resonates beyond film enthusiasts. This isn’t just a behind-the-scenes account. It’s a memory preserved with remarkable clarity and heart.’ Susan Pouliot

Another reader emailed to say, ‘There’s something rare about The Making of Swallows and Amazons  it’s one of those books that doesn’t just document a film but actually preserves a lived experience. The extracts from your childhood diary are what make it irreplaceable; a child’s unfiltered voice set against the backdrop of Cumbria’s lakes and mountains, interspersed with photographs, maps, and newspaper clippings that ground every memory in something real. For readers who love Arthur Ransome or classic British cinema, this is exactly the kind of book they didn’t know they’d been waiting for.’

I’m assured, ‘That child’s eye view of the entire journey from filming to premiere is the kind of detail readers who love film history and nostalgia would truly enjoy.’

If you have enjoyed reading ‘The Making of Swallows and Amazons’, do leave a brief review online. Waterstones have a page for the paperback or scroll down here for the UK Amazon site. I also have a page on Goodreads here.

Highlights of 2025 – a writer’s year

Sophie Neville aged 21
A long-forgotten photograph of Sophie Neville aged 21

I reached the end of 2025 wondering what on Earth I’d accomplished apart from clearing out my mother’s house – an irksome project as she’d lived there for sixty years, but I found a lot of photos, piles of hand-written letters and other relics from making the original film ‘Swallows and Amazons’, including a news cuttings book and other finds, which I added to this website. I came across more graphics only yesterday, so watch this space.

Sue Anstruther and Sophie Neville signing books with the help of Alex Moore
Sue Anstruther, Alex Moore and Sophie Neville signing books at Riverside Studios in Hammersmith

February 2025, marked my first Doctor Who convention, when I was invited to speak on the panel after a screening of ‘Vengeance on Varos’. Great fun!

Sophie Neville who worked on Doctor Who

The fans have worked out that those on the production team have lots of stories and I was made very welcome. I’d forgotten that I had invented Varian knitting or wore red in the studio. Sadly, Nabil Shaban, who played our monster, Sil, was too ill to join us and died in October 2025.

Sophie Neville working on the Doctor Who episodes 'Vengeance on Varos'
Sophie Neville working on ‘Doctor Who’ with Nibil Shaban, Martin Jarvis and Forbes Collins

However, it was great to be reunited with other members of the cast including Geraldine Alexander who rushed over from the set of ‘Bridgerton’, and Colin Baker who I’d also worked with on ‘Coot Club’. You can read more about the day on this website.

Rob with Sophie Neville, Geraldine Alexander, Nicola Bryant, Stephen Yardley, Colin Baker and Forbes Collins
Rob with Sophie Neville, Geraldine Alexander, Nicola Bryant, Stephen Yardley, Colin Baker and Forbes Collins

As a member of a film crew you are busy but invisible until your name is worthy of a credit. As a writer you are invisible until you win an award. One of my screenplays written in 2024 reached the semi-finals of the Scriptwriters & Co International Festival, which was exciting.

Then two reached the finals of the Screencraft’s True Story screenplay competition. There were only eight other finalists.

I was awarded an Honourable Mention for excellence in screenwriting at the glitzy International Film Gala in London, when I was joined by Lucy Calcott who has been editing my work.

This script was one of ten finalists in the Pitch Now screenplay competition.

I won a Lonely Wolf screenplay award, was in the running for a Creative Worlds Award

and on the Cannes Screenplay List. All this was followed by a feature interview in The Church Times, a profile of my writing to date and a few other author interviews when I was asked unexpected questions about my past.

Being nominated and winning a screenwriters award at the New Media Film Festival in Los Angeles was exciting. While in Spain, I took part in an onscreen Writer’s Block Q&A chaired by Dr. Maya Rockeymoore Cummings and was interviewed by Susan Johnston on what I’ve learnt as a writer. (I’ve learned that smelt is spelled smelled in America!)

Meanwhile, one of my stories reached the finals of the prestigious American Christian Fiction Writer’s Genesis Contest and a silver coat pin arrived in the post.

The same WWII story won a genre award in the Page Turner Awards and another was shortlisted in their Culture Award.

Right at the end of the year, literally on 30th December, I won the Eyelands Book Award for an unpublished historical novel, which was encouraging. It’s the third award they have bestowed on me. I absolutely treasure the ceramic tree trophies.

From August 2025 onwards, I helped Children in Read raise nearly £10,000 for BBC Children in Read by taking part in an online charity book auction, which was fun and involved dialogue with many amazing writers.

It was great to receiver this illustrated review of the film ‘Swallows and Amazons’. My non-fiction books received flattering online reviews, which is always appreciated and Resolute Books inspired me to bring out my memoires as a trilogy of life as a single girl. This is exciting but on the back burner for now.

The Gondola
The Gondola on Coniston Water today, re-built and restored by the National Trust.

Meanwhile the National Trust asked if they could use my ‘Swallows and Amazons’ map of Coniston Water to promote MY Gondola’s cruises.

Map showing film locations around Coniston Water

Items featuring this map and others can be purchased from Redbubble:

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books

Meanwhile, real life continued to plung forward. We’ve had our house on the market and, whilst my mother was diagnosed with medium dementia, she refused to leave home. It made finding time for anything else tricky, but I managed a little litter picking.

We ploughed on with sorting through the vast number of letters and photographs Mum had stored all a-muddle.

What a task! As one friend said, ‘it’s bad enough finding homes in the house for things that come in use, let alone things that don’t!’

I was beginning to feel overwhelmed when I was asked to knit poppies for a commemorative installation at church. This was so calming that I made about 150 whilst watching dramas. My excuse for imbibing every crime serial available is that I need to examine script construction. I shot footage of our ‘towering achievement’ for BBC South Today and aided a drone photographer who took this shot for The Guardian and other national papers.

The Remembrance cascade of poppies at Boldre Church
The cascade of homemade poppies at Boldre Church

After taking my mother for a holiday in Pembrokeshire, we found her a place at Denville Hall, the amazing retirement home for those who have worked in the entertainment industry. She appeared briefly on ‘The Repair Shop Christmas Special’, which I profiled on her website. I added some of the old photos of her early career as a television presenter and have started giving a series of illustrated talks to the residents. The first one was on her work behind-the-scenes on the original movie ‘Swallows and Amazons.’

For some years now, I have been the webmaster for The Waterberg Trust, a UK registered charity supporting amazing projects in a corner of rural South Africa. We sponsor the role of the only school nurse working in the Limpopo Province. Along with caring for pupils, she has established four school vegetable gardens and distributes food parcels to those in need. I’ve started a project knitting hats to take them as an encouragement in 2026.

You can read about life at my parents’ house in my memoir ‘Funnily Enough’, which won a Rubery Book Award when it first came out and is now available as a paperback for £7.99, on Audible and other audiobook platforms. The illustrations look best on the ebook version. You can see a free sample here.

Funnily Enough – the paperback with black and white illustrations

A signed and dedicated paperback of ‘The Making of Swallows & Amazons’ auctioned in aid of BBC Children in Need 2025

A book signed by the author always makes a good Christmas present. Each year, I take part in an annual online charity auction organised by Children in Read to raise funds for BBC Children in Need.

You can scroll through the site on Jumblebee. co.uk. and choose from an amazing selection of biographies and other books donated by contemporary authors.

In 2025, I donated a signed and dedicated illustrated paperback copy of ‘The Making of Swallows and Amazons (1974)’

It was accompanied by a signed print of Titty Walker played by Sophie Neville in ‘Swallows and Amazons’ (1974) drawn by the artist Caroline Assheton

Sophie Neville as Titty by Caroline Assheton
Sophie Neville as Titty by Caroline Assheton

Funds raised go directly to BBC Children in Need

Paddy Heron, the fundraiser, has been advertising the event on Twitter

Taking part is always great fun and offers authors a bit of publicity whilst presenting readers a choice of signed and dedicated books and illustrations.

There are always many bargains to be had

In 2023, items in the Authors and Illustrators’ auction, raised a total of £24,061 for BBC Children in Need.

This year, authors and illustrators raised £9,766.

Over the eleven years that the annual event has been running a stunning total of £141,766 has been raised. I joined in 2020 and have raised a total of £616 for this cause.

Bidding has now closed but put the event in your diary for next year.

Thank you for supporting this great cause!

‘The Making of Swallows and Amazons (1974)’ – a book review

'The Making of Swallows and Amazons (1974)'

Chloe Williams has just written from Ontario in Canada, to say, “Some books entertain. Some enlighten. And some, like The Making of Swallows and Amazons and The Secrets of Filming Swallows & Amazons, manage to bottle something impossibly rare: the feeling of looking back through a child’s eyes and realizing it was all real; the lake, the sails, the laughter and somehow, you were part of it.”

“These aren’t just behind-the-scenes diaries. They’re sun-dappled time machines. Your voice, both in memory and in your original childhood notes, is a miracle of tone: witty, observant, buoyant, and deeply human.”

Of the original movie, she wrote: “What A Christmas Story is to snowglobes and childhood winters, Swallows and Amazons (1974) is to summers on the water and you’ve preserved that magic with charm, heart, and astonishing detail.

“What makes these books unforgettable isn’t just nostalgia. It’s how alive they are. We feel the smell of old sails and camera tape, the blur of location shoots, the uncertainty and excitement of being a child caught in a grown-up world of filmmaking yet utterly at home in it. We meet legends like Virginia McKenna not as distant stars, but as fellow travelers in the adventure. And it’s a joy.”

The Making of Swallows and Amazons seems to resonate with:

  • Readers of nostalgic memoirs that celebrate childhood, nature, and storytelling
  • Adults who are captivated by the lake-country magic of Arthur Ransome
  • Film lovers who cherish insider views of filmmaking
  • Educators and parents seeking real-life adventure stories for young readers
  • Fans of Call the MidwifeThe Durrells, and 84, Charing Cross Road

“The joy and authenticity in your books mirror exactly why Swallows & Amazons (1974) still has such a hold on people’s hearts. The memoirs don’t just tell the story of making the film, they recreate it, letting readers smell the lake air and see the magic unfold through a child’s eyes.”

The audiobook of 'The Making of Swallows and Amazons'
The new audiobook

I’m hoping the audiobook will also amuse readers. It’s now available on all the online platforms including Audible, where isis being offered for free on their membership trial.