Cumbria – Page 4

Dame Virginia McKenna and her work on the classic film ‘Swallows and Amazons’ (1974)

Virginia McKenna in 'Swallows and Amazons' (1974) by the film poster artist Arnaldo Putzu — Virginia McKenna in ‘Swallows and Amazons’ (1974) immortalized by the film poster artist Arnaldo Putzu (c) StudioCanal

I was so thrilled to read that Virginia McKenna has been awarded a DBE for services to wildlife conservation and to wild animal welfare in the New Year Honours. When I last spoke to her, she was working tirelessly for the Born Free Foundation that she co-founded with her son Will Travers OBE.

I first met Dame Virginia in 1973 when she agreed to star in the first big screen adaptation of ‘Swallows and Amazons’, produced by Richard Pilbrow, directed by Claude Whatham and released by EMI Films in 1974.

Dame Virginia McKenna on Windermere in 1973 - photo: Philip Hatfield — Dame Virginia McKenna at the Langdale Chase Hotel on Windermere in 1973 – photo: Philip Hatfield

She played the part of my mother, Mary Walker. The movie was shot entirely on location in the Lake District where Arthur Ransome set his classic series of children’s books.

Dame Virginia McKenna at Bank Ground Farm in 1973 ~ photo: Daphne Neville (c)

The film has been broadcast on British television more than any other but it is when you watch it on the big screen that you can appreciate what made Virginia McKenna such a great star. Her face conveys a thousand tiny emotions that sweep you into a long-forgotten time when children were able to run free.

Virginia McKenna holding the telegramme — Dame Virginia McKenna on location at Bank Ground in Cumbria ~ photo: Daphne Neville (c)

Dame Virginia had originally been scheduled to come up to Cumbria for the first ten days of the seven-week shoot but, since wet weather closed in, she was obliged to return when the sun came out for the famous scene when Roger tacks up the field at Holly Howe to receive ‘despatches’ in the form of the cryptic telegram BETTER DROWNED THAN DUFFERS IF NOT DUFFERS WONT DROWN.

Virginia McKenna with Hairdresser Ronnie Cogan — Dame Virginia McKenna with Ronnie Cogan ~ photo:Daphne Neville (c)

Dame Virginia enjoyed the discipline and focus of concentration on set and helped centre us from the start. If you watch other movies made at the time, such as ‘The Railway Children’ (1970), most of the adult actresses are wearing wigs with a district nineteen-seventies feel to their costume and make-up. ‘Swallows and Amazons’ owes its timeless appeal to the fact that Virginia simply had had lovely thick hair scooped into a bun and wore her original 1929 garments with grace.

Sophie Neville as Titty in 1973 – photo: Daphne Neville (c)

I played Titty Walker who inveigled her mother into playing Man Friday to her Robinson Crusoe when she came to visit Wild Cat Island. The sequences were shot on Peel Island on Coniston Water where Ransome was taken as a boy by his own parents and met the Collingwood family in the 1890’s. He later became a good friend of Dora Collingwood whose five children became the inspiration for the story ‘Swallows and Amazons’. Her third daughter, the dreamer, was nicknamed Titty.

Dame Virginia McKenna and Sophie Neville on Peel Island ~ photo: Daphne Neville (c)

It can not have been easy for Virginia to act with me, a child of twelve, while frying pemmican in butter on a camp fire. I was self-conscious about having lost an eye-tooth the night before and had rather a sore mouth and she later had to row from the island with a 35mm Panavision camera in her boat.

What I’d forgotten until recently was that Bill Travers watched the filming that day on Peel Island. He’d been a hero of mine ever since he played George Adamson in ‘Born Free’ and Gavin Maxwell in ‘Ring of Bright Water’ opposite Virginia. Their film, ‘An Elephant Called Slowly’, was released as a double bill with ‘Swallows and Amazons’.

You can see a few more behind-the-scenes photos here and I’ve written more about being Robinson Crusoe here.

‘They were very savage savages’ ~ Virginia McKenna with Sophie Neville ~ photo: Daphne Neville (c)

Looking back, I realise how fortunate we were to be able to play out the scenes from the iconic book in the actual locations, such as Bank Ground Farm where the Collingwood children had stayed one holiday as children, so they could visit their grandparents who lived at Tent Lodge next door and were too unwell to have them in the house.

The Walker Family at Holly Howe — Sten Grendon, Simon West, Virginia McKenna, Suzanna Hamilton and Sophie Neville at Bank Ground Farm, in 1973 ~ photo: Daphne Neville (c)

We were not so keen on the publicity photographs taken for the film even though Virginia tried to make it fun. Right from the the very first day of filming, she worked hard to bring us together as a cast, playing games such as ‘Consequences’ to help us laugh and relax, while concentrating on the task of bringing the book to life.

The Walker family played by Suzanna Hamilton Stephen Grendon, Sophie Neville, Virginnia McKenna and Simon West at Bank Ground Farm in Cumbria — Suzanna Hamilton Sten Grendon, Sophie Neville, Dame Virginia McKenna and Simon West – photo Daphne Neville (c)

In 1980, I went to work for Ginny and her husband Bill Travers, as a housekeeper for a few months. She needed domestic help while she was appearing with Yule Brynner in ‘The King and I’ at the London Palladium, for which she won an Olivier Award for Best Actress in a musical. I looked after her youngest son, Dan, who later worked as a safety officer and consultant on the 2016 film of ‘Swallows and Amazons’. I met him at the cast and crew screening in Leicester Square.

Ginny and I kept in touch. She was ever-supportive, encouraging me to keep raising funds for anti-poaching in South Africa, where she had been evacuated as a child during WWII.

It was only when I heard her speak at the Kempsford Literary Festival in the Cotswolds that I learnt that other ships in her convoy to Cape Town had been torpedoed and sunk crossing the Bay of Biscay. By some miracle, her ship had been delayed in Liverpool but she described finding the flotsam left by the ships that had been hit.

Having written a number of books herself, Ginny encouraged me to write, urging me to keep focused on one thing.

Virginia McKenna at Bank Ground

Her letters and cards also inspired me to keep raising funds for wildlife conservation in Africa.

Merry Christmas African animals card design by Sophie Neville — A Christmas card design by Sophie Neville

In turn, I supported the Born Free Foundation, printing them greeting cards, donating a Christmas card design for their catalogue and a picture that was auctioned at the Big Cat Open Day in Kent.

Sophie Neville with Virginia McKenna in about 2000 — Sophie Neville with Virginia McKenna in about 2001 – photo Daphne Neville (c)

In 2014, StudioCanal invited us both to appear in the DVD Extras package for the 40th anniversary DVD of ‘Swallows and Amazons’ (1974). While we were waiting for the crew, she told me that she’d appeared in more than thirty movies. I know she’s made a few more since then.

You can watch her interview here:

Interview with Virginia Mckenna

I released the first edition of ‘The Making of Swallows and Amazons’ for which Virginia graciously provided a quote. You can read the first few pages in the preview of the ebook, entitled ‘The Secrets of Filming Swallows and Amazons 1974’ here

To hear Virginia and her son Will Travers talking about receiving her DBE, please click here for BBC Sounds

Virginia McKenna in Swallows and Amazons — Virginia McKenna as Man Friday

~ ‘The Secrets of Filming Swallows & Amazons 1974’~

Swallow, the dinghy that starred in ‘Swallows and Amazons’ (1974)

Sten Grendon as Roger and Sophie Neville as Titty rowing *Swallow*
(c)StudioCanal

BBC Antiques Roadshow featured Swallow, the dinghy used in the original feature film of Swallows and Amazons in their first episode at Windermere Jetty repeated recently on BBC One. You can read about how she was valued by Rupert Maas on an earlier post on this blog here.

I wrote a little more about her history in an article for Practical Boat Owner, Britain’s most popular sailing magazine. The story opens in 2010, when I nearly bought her myself:

‘Swallow is coming up for auction,’ my father said, sending me the details of a clinker-built sailing dinghy stored in Mike Turk’s warehouse in Twickenham. It was the Spring of 2010. I took one look at the online photographs and wept.

The letters WK were carved on her transom. It was the twelve-foot, all-purpose, run-around vessel originally owned by William King of Burnham-on-Sea that had been purchased by Richard Pilbrow in 1973 to feature as Swallow in the original feature film of Arthur Ransome’s classic novel Swallows and Amazons.

*Swallow* built by William King of Burnham-on-Crouch

I knew the little ship intimately. She looked a bit dried out but my husband thought we ought to buy her. I had played the part of Able-seaman Titty, the nine year-old girl who Ransome so cleverly made into the heroine of the story when she grabbed a chance to capture the Amazon, which enabled the Swallows to win the war set to determine ‘who should be the flag-ship’. In mooring her prize overnight near Cormorant Island, Titty witnessed Captain Flint’s stolen treasure chest being buried and was eventually able to rescue it. She was rewarded by the gift of a green parrot.

‘Did you know how to sail before playing Titty in Swallows and Amazons?’ people often asked. The truth was that I had crewed for my father in a similar dinghy and felt confident in a boat but could not have coped single-handed.

Sophie Neville aged about ten sailing in the Cotswolds

However, I had grown up living by a lake in the Cotswolds where we had a Thames skiff, which I often took out. This was important as Titty does quite a bit of rowing in the film. She and Roger become galley-slaves rowing back from the charcoal burners’, they row out to Cormorant Island and she takes the Amazon out of Secret Harbour. This I accomplished alone, in one take, later rowing some distance from Peel Island with the lighting cameraman and his 35mm Panavision Camera onboard. No one had thought about the implications of this when we first tried out the two boats on Windermere but, being aged twelve, rather than nine, I just about coped and grew adept at launching Swallow and moving about in her. As the book was written in 1929, we did not wear life-jackets.

Swallow with Simon West and Suzanna Hamilton (c) StudioCanal

Arthur Ransome described Swallow as being thirteen-foot long with a keel, rather than a centre board. In the illustrations she is painted white, a common way of protecting wood in the 1930s. I am pretty sure that Richard Pilbrow, the producer of the movie, bought the rowing boat we used when we where in Burnham-on-Crouch to audition for the parts in March 1973. She was varnished but had been given and forward thwart, mast, red-brown sail and balanced lug-sail as described in the books.

Simon West who played Captain John, aged only eleven, was a capable sailor with an understanding of the wind that enabled him to cope with gusty Lakeland conditions. Swallow had no buoyancy. In the scenes when we first sail to the island she was laden with camping gear, including heavy canvas tents, the lighthouse tree lantern and a shallow basket of kitchen utensils I shifted every time we went about.

My father Martin Neville on the shore of Coniston Water

My father was an experienced sailor, used to racing yachts having frequently crossed the Solent in his own clinker-built dinghy as a boy. He was looking after us children when he agreed to appear in costume as a ‘native’ aboard the MV Tern on Windermere, which bares down on the Swallows in the story. He watched, terrified, as we sailed towards it. The Victorian steamer only had a notch throttle and an inexperienced skipper. Dad realised that Claude Whatham, the film director, had not anticipated the fact that we would lose our wind in the lee of the passenger ferry. He gave Simon a cue over the radio that was far too late. We only just went about in time, being pushed away from the larger vessel by the bow wave. Watch the film trailer and you can see how very close we got. I was about to reach out and feebly fend off.

Dad spoke sternly to the producer that afternoon, pointing out that we could have all gone down. Sten Grendon, who played the Boy Roger, was only aged eight and could hardly swim. I could have become entangled in the camping gear. My father tested the old BOAC life jackets we wore for rehearsals and to travel out to film locations. They failed to inflate. He nearly took me off the production.

Another tricky scene to film was when John, Susan and Roger set off from the Landing Place on Wild Cat Island leaving Titty to guard the camp and light the lanterns as they hoped to capture the Amazon and sail home after dark. I had push them off, grabbing the telescope at the last minute. Since Swallow’s mast was liable to catch in tree branches, I needed to wade out and give her a hard, one-handed shove. I slipped on a rock and fell up to my waste in water. Knowing it would be difficult to set up the shot a second time, I struggled to my feet and waved them off, dripping wet. By this time John had the mainsheet out as far as the knot and stood to grab the boom to avoid a Chinese gybe as Swallow was hit by a fresh gust of wind as he cleared the headland at the northern end of the island and sped northwards toward Coniston Old Man.

Simon West and Suzanna Hamilton at the helm of Swallow with Stephen Grendon in the bows, while Sophie Neville looks on from Peel Island.

Having spent nearly seven weeks filming in the Lake District, the film was post-synced at Elstree studios. We arrived to sing out our lines to find Swallow there. She had been set in a tank so that the sounds of sailing could be captured. It is something you tend to take for granted as a viewer while it draws you into the experience.

I last saw Swallow looking dejected outside the studio and was worried about what had become of her. Although she was offered to someone who had advised on the film, she was kept safely at Mike Turk’s prop hire company. Richard Pilbrow was hoping to make another film in the series.

When Mike retired, many boats that had featured in movies came up for auction. I knew Swallow would be costly and in need of renovation. After fans of the film and members of The Arthur Ransome Society contacted me, we clubbed together to make a bid. In the end about eighty members of a hastily formed group called SailRansome spent approximately £5,700 on the purchase.

I contacted Nick Barton of Harbour Pictures, the film producer who was gaining the rights to make a new movie, hoping we could be able to re-coup costs by renting her back to him. Nick came up to Coniston Water to watch me re-launch Swallow in April 2011, sloshing brandy wine on her bow in true Ransome style. I helped him to raise finance for the new film, which was made in the summer of 2015 and released in 2016, starring Kelly Macdonald as Mrs Walker, Rafe Spall as Captain Flint and Andrew Scott as a Russian spy. In the end, he decided to use fourteen-foot RNSAs dinghies for Swallow and Amazon as they satisfied the film insurance company who demanded that two identical dinghies were used for Swallow.

This article was first published in Practical Boat Owner magazine

Joining SailRansome was pivotal for me as I was asked by the Nancy Blackett Trust and The Arthur Ransome Society to give a series of talks on how the old film, and the BBC serialization of ‘Coot Club’ and ‘The Big Six’ was made. I ended up speaking at a number of literary festivals, on BBC Radio and even ITV’s News at Ten, promoting the societies and urging people to help get young people out on the water. I ended up taking Swallow out on Ullswater, the Orwell and River Alde, remembering how difficult she is to turn, but enjoying her speed. She ended up being featured on BBC Antiques Roadshow when I brought movie memorabilia up to Windermere Jetty museum for two episodes first screened in 2021.

Sophie Neville with Swallow on Coniston Water — Sophie Neville after re-launching *Swallow* on Coniston Water in 2011

Next summer, you should be able to sail Swallow or Amazon yourself, in the company of an experienced skipper, by contacting Hunter’s Yard near Ludham on the Norfolk Broads. They also rent out Titmouse and yacht who played the Teasel in the BBC adaptation of ‘Coot Club’. As you can see from this clip, Swallow was in need of restoration when first acquired by Sailransome. She now needs a new keep. I have news of her restoration on this website here.

You can read more on the Arthur Ransome website here.

You can read more about the adventures we had making the original film in ‘The Making of Swallows and Amazons (1974)‘ by Sophie Neville, published by the Lutterworth Press, available from libraries, online retailers and to order from all good bookshops including Waterstones.

An article by Sophie Neville first published in Practical Boat Owner. A subscription to this bestselling UK magazine makes a great Christmas present.

Sophie Neville has been speaking at the Stroud Christian Book Festival.

A write up of Sophie’s talk for BookBlest – the first Stroud Christian Book Festival – on The Making of Swallows and Amazons can be found on this website here

If you missed Sophie’s talk on ‘The Making of Swallows and Amazons’, you can read about her adventures in one of these editions, available online.

'The Making of Swallows and Amazons (1974) by Sophie Neville' — Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

There is a brief resume of the talk on this website, here Prepare to be taken back to the 1970s:

Sophie Neville speaking at the Southampton International Boat Show #SIBS22

Inspirational speaker, Sophie Neville — Southampton International Boat Show 2022

In 2022, Swallow, the dinghy that starred in the original film Swallows and Amazons was on display at the Southampton International Boat Show, greeting families as they arrive.

Sophie Neville who once played Titty Walker with her good little ship

Sophie Neville gave talks on filming afloat and the movie was made on location in the Lake District fifty years ago.

Over 103,000 people visit the show. Although busy, it did not feel crowded. There is a lot to see and do.

Speaker Sophie Neville — Sophie Neville speaking on the Foredeck Stage at #SIBS22

Thanks to the help of excellent technicians, presentations proved popular, with ‘inspiring talks on the Foredeck Stage’.

On the cover or Britain’s bestselling boating magazine

Sophie signed copies of ‘The Making of Swallows and Amazons‘ at Future Publishing’s corner stand.

“It was a great opportunity to meet film fans, readers and feature writers.”

Nick Jeffery the yacht publicist with Sophie Neville at the Southampton Boat Show

You can find a four-page feature on Swallow in Practical Boat Owner magazine.

A 4-page feature article in the bestselling magazine Practical Boat Owner

You can apply to The Arthur Ransome Society to take Swallow or Amazon out yourself on the Norfolk Broads next summer.

Sophie Neville with *Swallow* from *Swallows and Amazons (1974)*

If you are unable to get to the Southampton International Boat Show this year, you can watch an in-depth interview released this week by Your Take:

Your Take interview Sophie Neville on Zoom

Playwrights, writers, journalists and illustrators inspired by Swallows and Amazons

Tom Stoppard, the playwright, said he turned books over as a child hoping they might be ‘Swallows and Amazons’. (The Guardian) Hermione Lee notes in her recent biography of Tom Stoppard, that as an eight-year-old boy, ‘The first real book he picked up, soon after getting to England, was Arthur Ransome’s Peter Duck, the third in the Swallows and Amazons series, a 1930s epic of Atlantic Ocean travel, shipwreck, hostile pursuit and secret treasure. He spotted on the jacket that Ransome had written some other books too. ‘My method of searching for these books had a sort of pathos about it: I simply went around picking up any book I saw lying about to see if it was called Swallows and Amazons. But it never was.’ Luckily he found a full set of Arthur Ransome books at school. ‘Stoppard, that enchanting master of the English language, was a Czech refugee, and Ransome was therefore one of his early English-language influencers.’

I have been asking if Agatha Christie referred to any of Arthur Ransome’s books. She didn’t, but I’ve been told that in Hugh Laurie’s adaptation of Why Didn’t They Ask Evans? Frankie Derwent reads Swallows and Amazons aloud to a young boy who has had a traumatic experience, as he falls asleep. The passage she reads includes: “But the big hills up at the lake helped to make him feel that the houseboat man did not matter. The hills had been there before Captain Flint. They would be there for ever. That, somehow was comforting.” Hugh Laurie must be a Ransome enthusiast.

Michael Frayn the awarding winning novelist, screenwriter and playwright, perhaps best known for his farce ‘Noises Off’, and dramas entitled ‘Copenhagen’ and ‘Democracy’, names ‘Swallows and Amazons’ as his first “Great Life Choice” on BBc Radio 4’s ‘This Cultural Life.’

Julian Fellowes acted in the BBC adaptation of Coot Club but I’m not sure if he has referred to Swallows and Amazons in any of his novels of screenplays.

Sir Antony Jay, the author and co-writer of Yes, Minister and Yes,Prime Minister, who was editor of the BBC Tonight programme and Head of Television Talk Features, was a fan. Janet Means of the Arthur Ransome Group said that when she was a child, and he was a very young BBC producer, that he used to lend her Swallows and Amazons books. Janet spotted several references to Swallows and Amazons and Titty, ‘with the assumption that the Radio 4 audience would understand the reference’, in series 6 of the Radio 4 sitcom No Commitments written by Simon Brett.

Puffin edition of Swallows and Amazons — 1974 Puffin edition of ‘Swallows and Amazons’

Tony Ross – illustrator of Horrid Henry and The Little Princess, said, “I absolutely loved this book as a boy. I read it when I was ill with the mumps. The simple line drawings were just wonderful; they gave the feeling of wide open spaces and freedom. When you’re bound up in bed, when your jaw is aching and your face is the size of a football, it’s nice to be wafted out into the water. Swallows and Amazons gave me a lifelong love of sailing. I’m a bad sailor, but I love messing about on boats.” Daily Telegraph

Jago Silver who illustrated ‘The Storybook Bible’, which has sold over 2 million copies, produced a set of Never stop exploring prints, depicting Wild cat Island and other scenes from ‘Swallows and Amazons’, which he has brought out on the cover of notebooks and mugs.

The illustrator and painter Caroline Assheton brought out this pastel of Titty from the original film of ‘Swallows and Amazons’, enabling prints to be sold in aid of BBC Children in Need.

Sophie Neville as Titty by Caroline Assheton

Miss Literarty has brought out this interpretation of Arthur Ransome’s 1930 classic, Swallows and Amazons, depicted in the style of a 1930s vintage travel poster and available on Etsy.

Tony Collins, who brought out 1,400 books as a publisher, mentions that he grew up reading Swallows and Amazons in the first page of his new memoir How to Make Mistakes in Publishing.

Joel Walker of the Arthur Ransome Group recommends ‘Mountains of the Mind’ by Robert Macfarlane, which won the Guardian First Book Award, saying: “Chapter 6, ‘Walking off the Map’, starts with a quote from ‘Swallows and Amazons’ and goes on to briefly but brilliantly explore the history of exploring and map-making, with an emphasis on what drives us to do it. All very relevant to the Swallows. The last bit of the chapter touches on how we can continue exploring, even in places that have apparently already been thoroughly explored; there is a paragraph about ‘Swallows and Amazons’, and how children are especially good at this. There is also a lot of Ruskin throughout the book, plus the odd mention of Kanchenjunga. And I learned that Ruskin’s favourite mountain was the Matterhorn, which gave me the delightful thought of Ransome imagining Ruskin meeting the young Jim Turner, Molly Turner and Bob Blackett, telling them about the Matterhorn and that leading to their choice of romantic name for the Old Man.”

Melanie Philips, the British journalist, broadcaster and author, lists Swallows and Amazons as one of the ‘great childhood books’ that ‘stay with us for ever’. ‘Books that make a profound impression on us in childhood can form part of our mental scaffolding throughout our lives.’ (The Times)

Journalist, and a TV presenter and author Louise Minchin said, ‘I devoured Swallows and Amazons by Arthur Ransome. It gave me two things, a love of reading and a sense of adventure. It was the first time I was able to escape into a world that wasn’t my own and I felt like I was on board those tiny sailing boats in the Lake District having wild adventures.’ (Daily Mail)

Frances Wheen who wrote the a-claimed biography of Karl Marx joined us at Pin Mill for a marathon reading of We Didn’t Mean To Go To Sea hosted by the Nancy Blackett Trust

Brian Doyle, the publicist of many iconic movies including the original film of Swallows and Amazons, wrote about Arthur Ransome in his book, The Who’s Who of Children’s Literature, claiming that he launched a ‘new age’ in children’s literature by writing about his own childhood by the lakes he loved so much. He is featured in these books about making the film, available from all the usual sites online

For a list of other well known writers who have been inspired by Arthur Ransome, please click here.

Well known authors and celebrities who love Swallows and Amazons

The Duke of Edinburgh is reputed to have spoken of a ‘Swallows and Amazons spirit’ or ‘the spirit of Swallows and Amazons’. The books are certainly loved by many.

I was interviewed by the antiques expert Marc Allum who reckoned my collection of memorabilia from the 1974 film would be worth about £5,000. You can read more about this here. I have a feeling this episode recorded at Windermere Jetty might be repeated someday soon.

Rupert Maas the art expert on BBC Antiques Roadshow, who watched the film as a boy, said that the Arthur Ransome books inspired him to sail across the Atlantic. He valued Swallow, the dinghy we used in the movie at more than £10,000.

Rupert Maas on Windermere, valuing *Swallow* on BBC Antiques Roadshow in 2021

Salman Rushdie told of arriving at an English public school having learned about England from Arthur Ransome’s ‘Swallows and Amazons’. That school was Rugby where Ransome had been a reluctant pupil himself. (Radio 4’s ‘This Cultural Life’ broadcast on 22nd June 2024.) He told the Sunday Times, ‘If I was going to be posh, I’d say the book that made me a reader was Alice in Wonderland. But the real truth is Swallows and Amazons. Somehow in Bombay, all those Arthur Ransome books showed up in the local bookstore. I loved the enormous personal freedom the children had. They had boats and could go sailing in the Lake District with no grown-ups in sight. They could have adventures on islands with pirates. I was a child of the same age as these children and I was very attracted to this lifestyle of these kids messing about in boats.’ He moved to the UK at the age of twelve specifically to go to boarding school. When speaking on Desert Island Discs he said he was following “some spirit of adventure, I guess. I remember reading the Swallows and Amazons books. The amount of personal freedom those children had, I thought it was sensational.” I wonder what influence the books had on his writing? Does he mention any of Arthur Ransome’s books in his classic children’s novel ‘Haroun and the Sea of Stories’?

Jeffrey Archer was inspired by the book saying it was one he would take to a desert island. “I love Swallows and Amazons because it has the sense of children working together. It was very moral in that it made clear that individuals don’t matter.” (The Independent) “Swallows And Amazons was unputdownable – though I did not try to emulate their adventures.” (My Weekly) “It’s a story with enduring appeal” (The Express)

Garth Nix, who has brought out more than forty books in different genres, says that as a nineteen year-old he enjoyed, “re-reading lots of my old favorites in the places where they were set… I read Swallows and Amazons in the Lake District,” which set him off on a career in publishing.

Kate Adie, the News correspondent, who, on ‘I’ve never seen Star Wars’ (BBC Radio 4 ), gave ‘Swallows and Amazons’ 10/10 a few years ago.

Labi Siffre, the singer-songwriter said on Great Lives that Arthur Ransome’s Swallows and Amazons books taught him responsibility and a morality that shaped and influenced his life.

Jane Garvey, of BBC Radio 4’s Woman’s Hour, chose We Didn’t Mean To Go To Sea as one of her five favorite books. “I’ve no idea why I loved this book so much, but I know I did. It’s one of the Swallows and Amazons series, and involves an accidental trip to Belgium. I found it absolutely hair-raising – I’m not exactly intrepid myself so it probably petrified me.” (The Week)

David Bellamy, the botanist and television presenter who lectured at my university ‘… said he was inspired in his love of nature as a boy by the books of Sir (sic) Arthur Ransome, author of Swallows and Amazons. “By the time I was 14 I’d read all his books and saved up so that I could go to the Lake District to camp and learn to sail. It tipped me towards natural history.”’ The Guardian

Norman Willis, former General Secretary of the Trades Union Congress and president of the European Union TUC, became President of The Arthur Ransome Society. It is still going from strength to strength.

AA Gill, the British journalist said, “Swallows and Amazons:- Being dyslexic, I started reading late and this was the first book without pictures that I read on my own. My Grandmother gave it to me for Christmas when I was nine. It took me about three months to read but I was gripped.”

Adam Hart-Davis, the cycling TV presenter, actually met Arthur Ransome as a boy. He has often spoken at The Arthur Ransome Society’s events and has written a number of non-fiction books on what the past has done for us.

Benjamin Britten who was born in Lowestoft had a well known love of Swallows and Amazons and was keen to base a children’s opera on one of the books. ‘So desperate was he for Ransome’s We Didn’t Mean to Go to Sea that at one point he swapped his composition draft of the newly completed cantata Saint Nicolas for a copy of the book!’ BrittenPears Arts

Hayao Miyazaki, hailed as ‘the animation legend’ lists Swallows and Amazons in his Top 50 Favourite Children’s Books.

Sarah Moss, the Sunday Times bestselling author told the Guardian, “I loved the Swallows and Amazons series, and especially Swallowdale in which a shipwreck is redeemed and the adults provide exactly the right support when the children mess up.”

Michael Frayn the award winning novelist, screenwriter and playwright’s first pick was Arthur Ransome on BBC Radio 4’s progamme ‘This Cultural Life’.

Dick Strawbridge, and Dr Alice Roberts the anthropologist, presented a documentary devoted to the landscapes that inspired Ransome as an author in both the Lake District and East Anglia, which was repeated on television recently. I think Dick Strawbridge may have stumbled on the drystone remains of the the charcoal burners’ hut that we used in the original film, without knowing it. You can watch their explorations here:

There are more enthusiasts listed in the previous post here.

You can read more about Oscar winners, actors and other well known people associated with the original film of Swallows and Amazons here:

Celebrities who love ‘Swallows and Amazons’

When Jonathan Cape first published Swallows and Amazons on 21st July 1930 for the price of 7/6d, it was eagerly received by numerous authors including JRR Tolkein and AA Milne. I’m often asked which well known people alive today have expressed an interest in Arthur Ransome’s series of books.

Griff Rhys Jones, who presented The Secret Life of Arthur Ransome using clips of the 1974 film of Swallows & Amazons in which I played Titty, joined me at Pin Mill in Suffolk for a marathon reading We Didn’t Mean To Go To Sea, Ransome’s novel that tells of the Swallows’ hair-raising voyage to Flushing. You can find Griff’s books here.

Griff Rhys Jones at Pin Mill for a reading of ‘We Didn’t Mean to Go To Sea’

John Sergeant, the veteran newscaster, has made a number of documentaries about Arthur Ransome, chatting to Griff on The Secret Life of Arthur Ransome, and The Secret Life of Books.

Geraint Lewis of The Arthur Ransome Trust sailing with John Sergeant

Ben Fogle interviewed Suzanna Hamilton and myself on Countryfile and Big Screen Britain after exploring the locations around Coniston Water. You can watch the episode here.

Ben Fogle interviewing Suzanna Hamilton and Sophie Neville on *Countryfile*

Libby Purves, author and broadcaster, is now President of The Arthur Ransome Society. She refers to Swallows and Amazons in at least one of her novels.

A keen sailor, she also took part in the marathon reading of We Didn’t Mean To Go To Sea organised by The Nancy Blackett Trust who own and look after the Goblin, the yacht portrayed in the story.

Libby Purves reading ‘We Didn’t Mean To Go To Sea’

Dame Ellen McArthur, yachtswoman and Patron of The Nancy Blackett Trust, claims that Arthur Ransome’s novels inspired her to sail. She gives Swallows and Amazons a good mention in her book Taking on the World. Ellen was portrayed by Suzanna Hamilton in a Stephen Sharkey play at a festival at the Southall Playhouse. Suzanna played Susan Walker in the 1974 film of Swalllows and Amazons.

Sir Richard Branson often says how much he loved the book as a boy, describing it as, “a lovely kids’ adventure book.” He told The New York Times: “As a very young kid, I loved the Arthur Ransome novel Swallows and Amazons. It’s about a group of children having adventures in England. Now I read it to my grandkids. It’s a beautiful book.” I met Richard years ago when I worked on The Russell Harty Show. To may amazement, he recognised me when I was filming in the street in Kensington months later, so perhaps he has watched the original film of Swallows and Amazons.

John McCarthy, the journalist and keen sailor, made a radio programme called Paddling with Peter Duck, sailing Swallow, the dinghy featured in the 1974 film. You can sail her yourself via SailRansome.com

Peter Willis on Ransome’s yacht Nancy Blackett with Kevin Dawson and John McCarthy

Theresa May said she loves Swallows and Amazons. ‘When she was young she appears to have enjoyed reading… listing… Swallows and Amazons among her favourites.’ Mirror and Daily Mail She gave a copy to Baroness Davidson, once leader of the Scottish Conservative Party.

David Dimbleby loves gaff-rigged boats and recently helped with PR at the London Boat Show. He visited us on the set of the BBC Drama serial Swallows and Amazons For Ever! filmed on location in Norfolk.

Sophie Neville with David Dimbleby on location in Norfolk back in 1983

Sir Ben Ainslie ~ Steven Morris of the Guardian reports: “He recalled how he started sailing in Cornwall on the creeks around Falmouth as a boy. Ainslie has called it a Swallows and Amazons kind of childhood. He had friends on the other side of the creek so he sailed over to see them.”

Ben lived in Lymington – and came to our club to celebrate after the Olympics.

Congratulating Ben Ainslie on his Olympic gold medal

Nikki Henderson, the youngest ever Clipper Around The World yachtswoman was inspired by the book Swallows and Amazons naming Swallow and one of the coolest sailing boats ever in Yachting World as reported by the Nancy Blackett Trust.

Alan Smith of BBC Radio 4, appeared as a boy in the scenes shot at Bowness. He was on location at the Haverthwaite Railway Station in May 1973 on the first day of filming Swallows and Amazons(1974) with Virginia McKenna who starred in the film as Mrs Walker. To read more, please click here.

Alan Smith in the doorway of the train with his friend John Eccles

Arthur Ransome might be amused to know that a number of politicians were inspired by his novels. Jess Asato, MP for Lowestoft, said, on Radio 4’s ‘The Week in Westmister’, that her favourite childhood reading was ‘Swallows and Amazons’. She is on the Education Committee which is accepting Reading for Pleasure submissions.

The list continues in the next post here.

The end-title theme music to ‘Swallows and Amazons’ composed by Wilfred Josephs

You can read about The Making of Swallows and Amazons in paperback or on Kindle. The Secrets of Filming Swallows and Amazons is available on all the ebook platforms. There is a review here.

The Making of Swallows and Amazons by Sophie Neville — Different editions of ‘The Making of Swallows and Amazons’ by Sophie Neville

Sophie Neville interviewed by Jadzia Smeaton on The Making of Swallows and Amazons (1974)

Sophie Neville author of The Making of Swallows and Amazons — Sophie Neville

What is most memorable about the making of ‘Swallows and Amazons’ for you?

I love exploring the places Arthur Ransome features in his stories. We were privileged to live out the pages of the book on location in the Lake District, but sailing in nothing but a short cotton dress and a pair of navy blue gym knickers was decidedly chilly – we earned our passage.

Would you consider Susan to be an influence on Titty within the story?

Susan made camping on the island possible. Suzanna Hamilton, the remarkable British actress who played Susan in the original film of ‘Swallows and Amazons’, became our rock without becoming prim or losing the joy and excitement of adventure. She went on to play leading roles in a number of major movies including ‘Out of Africa’ opposite Meryl Streep and ‘1984’ with John Hurt and Richard Burton. She is still working on cutting edge productions and recently had a guest appearance in ‘Eastenders’.

Is there anything you think should always be included in different versions of ‘Swallows and Amazons’?

You must feature the green parrot! It’s vital to enter the world of a 9-12 year old child, capturing the trepidation. It would be interesting to adapt Arthur Ransome’s books without featuring adults, or only including them as shadowy facilitators.

How did you feel about playing a part where you were able to be the cunning and playful younger sister?

In real life, I was the elder of three sisters so took on the roles of both John and Susan. Playing Titty felt something of a release. I was freed from the responsibility of taking the helm.

Titty is well-read and bright, creative and imaginative but I wouldn’t call her cunning. She longs to be alone on the island to experience what it was like to be Robinson Crusoe, which is why she volunteers to stay behind to light the candles, but is that a cunning plot? She is an innocent.

What was your favourite line in Swallows and Amazons?

Titty’s lines are challenging and can only be uttered with humour and an acceleration of charm. I rather enjoyed, ‘X marks the spot where we ate six missionaries’, although I don’t think it can be found in the book. ‘Thank you so much for letting us see your lovely serpent’ would probably be disallowed these days.

Did you have a favourite scene?

Finding the lighthouse tree was a short sequence that worked well. We shot it on the banks of Derwentwater towards the end of the filming. But I most enjoyed our day with the charcoal burners. They were wonderful.

What did you enjoy most about filming in the Lake District?

We loved High Force, the waterfall, and exploring the mossy woodlands. Secret Harbour on Peel Island is very special, as is One Tree Island where we found the treasure.

Do you feel that you and your character influenced children?

Even now, nearly 48 years after the film was released, I receive correspondence from people telling me how the original film of ‘Swallows and Amazons’ influenced their lives or helped carry them through a tough patch. It is always wonderful to hear how Titty has inspired others.

Maurice Thomas who used to live in Cockermouth wrote: ‘My mum and my Auntie Gladys took me to see this little children’s flick in 1974/5 as it was a double bill with ‘The Railway Children‘. I remember ‘The Railway Children‘ reasonably fondly, but ‘Swallows & Amazons‘ had me utterly mesmerised.’

If you were to give any advice to actors wanting to perform in ‘Swallows and Amazons’ what would it be?

Visit the locations. Go to Bank Ground Farm and run, fast, down the field to dip your hands in the lake as Arthur Ransome did as a child. Capture that feeling and carry it with you as you sing out the lines.

And be prepared for the impact the story will have. It could follow you all your life.

To read another recent interview with Authors Reach please click here

If you would like to read more about the secrets of filming Swallows and Amazons, you can ‘Look inside’ the ebook free of charge here:

Titty’s Tooth in The Times

Sten Grendon and Sophie Neville – trying to row with her mouth shut.

The story of my missing tooth published in The Times! A great honour. The indignity of being toothless still rankles but I now have a full set.

You can find the whole story on The Nancy Blackett Trust website

It’s possible to spot the gap by watching the film trailer for the 1974 movie of ‘Swallows and Amazons’ with further information on the International movie data base also seen here:

Sophie Neville, aged 12, without tooth. Suzanna Hamilton, aged 12, with beautiful teeth.

A signed first edition paperback of ‘The Making of Swallows and Amazons’ sells for £251 in an auction in aid of BBC Children in Need, 2021

In November 2021, an anonymous donor bid £251 for a signed first edition of ‘The Making of Swallows and Amazons’. The money raised went directly to BBC Children in Need.

Books listed in the category Auto Biography/Biography

Nearly eight hundred newly published books had been donated to the Children in Read charity auction organised by Paddy Heron, which raised a total of £24,888.

‘Funnily Enough’ an illustrated diary by Sophie Neville

Rare copies of my first edition paperback of ‘The Making of Swallows and Amazons’ are often priced highly on Amazon, but when the bidding went above £75, I promised to include a signed first edition hardback of my memoir ‘Funnily Enough’, which includes a brief section on appearing in the film.

When the bidding went above £101, I promised to add my third illustrated memoir about Swallows and Amazons style adventures in Africa, written in letter form.

Ride the Wings of Morning by Sophie Neville — ‘Ride the Wings of Morning’ by Sophie Neville

However, £251 is so very generous that I am off to my archive store to see if I can find a hand-painted map to include in the package.

Map showing the film locations around Windermere

I drew three different maps showing our film locations in the Lake District and reproduced them in different colour-ways, using one on the cover of my original ebook entitled ‘The Secrets of Filming Swallows and Amazons (1974)’, which is still available on Kindle and any of the ebook outlets.