Autobiography – Page 4 – Sophie Neville

From Actress to Author a life in Creativity – an interview with Wendy Jones

The audiobook of 'The Making of Swallows and Amazons' — The new audiobook

I was interviewed about working in film and television on Episode 170 of The Writing and Marketing Show. You can listen it on Spotify here

On Apple Podcasts here or scroll down here to the podcast entitled: From Actress to Author: A Life in Creativity

This is a transcript of the notes I made to prepare for it:

It’s fifty years since ‘Swallows and Amazons’ was filmed on location in the Lake District, can I ask: how did you go about getting the role of Titty?

The extraordinary thing was that, as a normal schoolgirl, I didn’t do a thing. A letter arrived out of the blue inviting me for an interview. Forty years later, when I put an extract of my ebook on ‘The Secrets of Filming Swallows and Amazons’ up on Goodreads, one reviewer wrote that it was ‘a good idea for a novel but a bit far-fetched.’ They didn’t realise that my story was true.

The prospect of risking film finance on six unknown children must have been daunting. Claude Whatham the film director, knew both me and Sten Grendon (who played Roger) as he had cast us in the first BBC adaptation of Laurie Lee’s memoir Cider With Rosie, back in 1971. He’d given me the part of Eileen Brown because I could play the piano well enough to accompany Laurie Lee on violin in the parochial church concert. I stumbled through ‘Oh Danny Boy’ at an agonising pace but did exactly what I was told. You can still buy the DVD.

After my first audition for the part of Titty, a group of us were taken on a sailing weekend to see how confident we were in boats but I was never asked to read for the part as you might expect. There was no film test. It all happened very fast. The letter was sent on 30th March. By 14th May 1973, we were shooting the first scene with Dame Virginia McKenna playing my mother.

Virginia McKenna with Sophie Neville in Swallows and Amazons — Dame Virginia McKenna as Mother with Sophie Neville as Titty Walker

Tell us about your time on the set and the recording of the movie. The ninety- minute feature film was shot on 35mm almost entirely on location in the Lake District where we were based for seven weeks. The first set was a railway carriage, which was nice and warm. It was soon a twelve-foot dinghy out on Coniston Water when I wore nothing more than a thin yellow dress and a pair of navy blue elasticated knickers. The experience was usually chilly, and involved a great deal of waiting around, but we survived.

I’ve got to ask this, what was it like to work with Virginia McKenna? Dame Virginia was charming and brought us together as a family, helping me to concentrate on the story. I had a few scenes alone with her on Peel Island when Titty, who is pretending to be Robinson Crusoe, persuades her to play Man Friday. It was unexpectedly embarrassing because I lost a milk tooth halfway through one sequence and grew self-conscious about opening my mouth. I coped better when handling her boat. I’m longing to be invited on a chat show when they gather together all the film actors who’ve played Robinson Crusoe. I’m pretty sure that I’m the only woman who has embodied the character in a movie.

I’m curious, were you able to sail before getting the part or did you have to learn? I grew up by a lake and had crewed for my father so I was used to small boats, but it was Simon West and Kit Seymour who were the brilliant sailors. Their skill shines through and made the film great. Some of the maneuvers were quite scary.

Filming Swallows and Amazons (1974) from a camera pontoon

No one asked if I could row a boat and yet Titty rows in three crucial scenes. It’s more difficult than you might think when you have a Panavision camera onboard or are effectively towing the camera boat. We now have a modern dinghy which we sail on the Solent, with a little more attention to safety.

Nina Nannar with Sophie Neville on ITV News — Nina Nannar interviewing Sophie Neville for ITV News at Ten

If I remember rightly there weren’t a lot of life jackets in the movie. Was health and safety not such a concern then? The story is set in 1929, so none of us wore life jackets in vision. We could swim but the water was freezing and our wooden boat lacked buoyancy of any kind. My father, who was an experienced sailor, was not happy with the safety aspects and nearly took me home. We’d been fine while sailing free but nearly collided with the Lakeland steamer while Dad was dressed as a film extra, looking down on us from the deck. He insisted on a safety officer after that.

Sophie Neville at The Nancy Blackett Day

Are you still a sailor or do you feel that part of your life is over? The Arthur Ransome Society has just acquired both Swallow and Amazon, the clinker-built sailing dinghies used in the film, which are being restored for members to sail. I’m very much looking forward to taking them out on Windermere. I am also a member of the Nancy Blackett Trust who keep the first yacht that Arthur Ransome bought with his royalties from ‘Swallows and Amazons’. I’ve sailed her on the Orwell, on the Solent where I live, and through the inland waterways of the Netherlands. You too can join the trust and imagine yourself as one of the characters in Ransome’s books ‘We Didn’t Mean To Go To Sea’ and ‘Secret Water’ in which his yacht is cast at the Goblin. It’s wonderful reading those novels when you are on board.

I can’t help but wonder, how did your acting career help in your writing career? It helps when writing dialogue – and film scripts.

Sophie Neville directing a sequence with BBC cameraman Lorraine Smith

Why the change from acting to writing? As soon as I graduated from university, I went into television production at the BBC in London, where I began writing my first piece for Nicholas Parsons in 1982. I went on to write or edit about seven programmes that I produced when working for BBC Education. I only began writing books and articles in 1999 after turning professional as a wildlife artist. This was useful as I’ve been able to draw on my stock of illustrations including decorative maps, which always look good at the beginning of a book.

Ride the Wings of Morning by Sophie Neville

You wrote a book, which I am reviewing for the magazine, called The Making of Swallows and Amazons. What was it like revisiting your past in this way? I began writing that particular memoir as a blog using the diaries and scrapbooks that we’d kept on location as children. I was aided by other members of the cast, fans of the film and members of both The Arthur Ransome Society and Arthur Ransome Group on Facebook who helped me with historic detail. Once published, additional stories floated down from Cumbria, which was exciting. It’s now in its second edition and is out as an audiobook. I’ve been gathering information for a third edition and a book about the making of ‘Coot Club’ and ‘The Big Six’, a serial made by the BBC that I worked on behind the camera in 1983. The first three chapters have already been included in the DVD Extras package.

What does a writing day look like for you? I usually wake early, sit up in bed and write for two or three hours before the emails pour in. If possible, I’ll keep writing until lunchtime, but the admin of life tends to encroach on my time.

Let’s get personal, maybe a silly question for a sailor but on holiday do you prefer sea or mountain and why? Ah, you must read my book ‘Ride the Wings of Morning’. I enjoy summer sailing but prefer riding horses through the hills.

If you could go anywhere in the world to write a book where would it be and why? I’ve written most of my books in South Africa where the climate agrees with me. It’s easier to concentrate in the wild.

Sophie Neville on Triple 'B' Ranch in South Africa — Sophie Neville at Camp Davidson in the Waterberg

What’s your favourite meal? I’m a Celt – 57% Scottish with a bit of Danish blood. You’ll find me at the seafood bar ordering gravlax followed by a rare steak – preferably from stock reared on the moor.

Do you prefer keyboard or notebook and pen? I work with a notebook and pencil to start with, then bash away at my laptop, which is not good for the posture.

'Funnily Enough' by Sophie Neville — The original diary ~ Funnily Enough by Sophie Neville

Last question, which one of your books do you recommend to Mom’s Favorite Reads readers? I recommend ‘Funnily Enough’, based on a diary I kept about my family and the tame otters we kept. It’s light and amusing but says something about love and friendship. I hope it will inspire others to keep a journal or begin sketching. You’ll find an audiobook and a kindle copy illustrated in colour. I hope it proves a blessing.

You can read more about Wendy H Jones and contact her via her website here

You can find information on where to buy Sophie’s books on this website here

Was ‘Swallows and Amazons’ filmed on Windermere?

This question is often typed into search engines. Arthur Ransome was living at Low Ludderburn above Windermere when he wrote ‘Swallows and Amazons’ in 1929, setting it on ‘The great lake in the north’. Like me, he undoubtedly did a bit of wondering, and was inspired by many of the locations that can be seen from Windermere, envisaging the island Blake Holme as a model for ‘Wild Cat Island’ and Silver Holme as ‘Cormorant Island’ nearby.

Martin Neville aboard MV Tern on Windermere

The ‘native shipping’ on Windermere was brought to life in the 1974 film when the Swallows narrowly miss hitting the MV Tern.

MV Tern on Windermere was built in 1890 with a steam engine, converted to diesel in the 1950s, and is still operating today.

On the deck of the MV Tern on Windermere in 1973 ~ photo: Martin Neville

It was a tricky sequence to shoot and since Swallow lost her wind in the lee of the steamer she only just managed to turn in time.

You can read more about this near disaster in the diary I kept here

My father’s view of Swallow attached to the camera pontoon from his position on MV Tern ~ photo: Martin Neville

The other big scene was shot at Bowness-on-Windermere, referred to as Rio in the story.

Steamboats such as Osprey and the Lady Elizabeth, who is currently residing at Windermere Jetty museum, appeared in the background.

The film crew of ‘Swallows and Amazons’ wait with Swallow and Stephen Grendon at the end of the jetty while Simon West, Suzanna Hamilton and Sophie Neville line up by the launch

Had we arrived in Rio? Arthur Ransome confirmed this in a letter to a young reader:

When the movie was made in the summer of 1973 the original green boat sheds, featured in Ransome’s sequel ‘Swallowdale’ were captured on film.

The Swallows row into Bowness - a film still available from StudioCanal — The Swallows row into Bowness – a film still available from StudioCanal

Is that the steam launch Osprey moored to the jetty?

Kit Seymour who played Nancy was watching the filming. You can just see the original bandstand with period cars parked in the background.

The bandstand and shelter on Glebe Road were also caught on celluloid, along with the traditional Windermere skiffs. You can see more photos of the filming on this website here.

The Price children, Perry Neville, Jane Grendon, Tamzin Neville and Pandora Doyle in their 1929 costumes on the shore of Lake Windermere at Bowness in 1973

The Swallows in Woodland Road, Windermere in 1973

After buying rope for their lighthouse tree in Woodland Road, the Swallows walk down Church Street past the Stags Head Hotel.

John, Susan and Titty walking down to the jetty

Other scenes were shot nearby, with the film opening on a steam train running along the River Leven on Lakeside and Haverthwaite Railway. You can add details about the locations yourself by contributing to the website Reelstreets which logs film locations in the United Kingdom.

Talking to the engine driver at the Haverthwaite Railway Station on the first day of filming 'Swallows and Amazons' in 1973 (Photo: Daphne Neville) — Talking to the engine driver on the first day of filming ‘Swallows and Amazons’ in 1973 (Photo: Daphne Neville)

When Richard Pilbrow, the film producer asked Mrs Ransome to point out more, she claimed the Peak at Darrien could be found on Windermere. She may have been thinking of a headland at Waterhead but in the end the opening titles shot was taken from Friar’s Crag on Derwentwater with the Borrowdale Fells in the background. The secret is that the 1974 film ‘Swallows and Amazons’ was also shot on Coniston Water, Elterwater and a lily pond near Skelworth Fold.

The Kirkstone Foot Hotel Ambleside in 1973 — The Kirkstone Foot Hotel, Ambleside in 1973

In real life, Richard based his production office at the Kirkstone Foot Hotel near Ambleside at the northern tip Windermere and it was from here that we practiced sailing Swallow and Amazon in May 1973. Here is a description written by my twelve-year-old self:

Preparing for filming Swallows and Amazons by sailing on Windermere, written by Sophie Neville, when aged 12 — Preparing for filming Swallows and Amazons by sailing on Windermere

Virginia McKenna, who starred in the film as Mrs Walker, was accommodated at the Langdale Chase Hotel on the lake. The wrap party was held there to the great excitement of children in the cast. You can see the view on the hotel website here.

Dame Virginia McKenna on Windermere in 1973 - photo: Philip Hatfield — Dame Virginia McKenna on Windermere in 1973 – photo: Philip Hatfield

The 40th Anniversary DVD includes an Extras package on the locations and you can read more in ‘The Making of Swallows and Amazons’, available online in different editions here or direct from The Lutterworth Press.

For mugs or other gifts showing my map of Windermere, please click here or here for the cream and green map

Swallows and Amazons mugs — Mugs printed with maps used to illustrate Sophie’s books

10 Tips for Photographing Books

On Sunday 16th July 2023, Sophie is giving an online talk on photographing books at a Summer Festival of Books and Writing, detailed on Facebook here. Please add your own to the comments section, below.

Funnily Enough – the paperback has black and white illustrations

Book reviewers and writers need a huge variety of photographs to illustrate blog posts and social media stories. I run informal workshops at conferences to show writers what can be achieved quickly and easily. It’s fun and we’ve had some great results. Many were simple but worked well.

'The Making of Swallows and Amazons (1974) by Sophie Neville' — Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

I use a spotlight and various props while authors bring along their books and publications. I help them to dress a shot to inspire reading and we snap away with iPhones, taking shots for summer reading and ‘Ideas for Christmas’.

We feature ebooks on Kindle or open a magazine to showing articles.

Ten tips:

Always use a spotlight – a desk light will do, or wait for lovely outdoor light.
Think of who is going to read your book, where, when and why.
Chose a minor colour used on the cover for your background eg: gold or dark grey. A cashmere pashmina or plaid tablecloth can look good.
Only use 1, 3 or 5 props with a limited palette of colours. Don’t distract from the book.
Useful props include sunglasses and a straw hat with a few leaves to suggest summer reading, spectacles and comparison books with a steaming cup of coffee or glass of wine for winter, wrapping paper and ribbon to suggest giving a book as a present. Vintage black and white photos illustrate 20^th Century historical fiction well.
Tap the screen on the spot you need in clear focus, such as the title.
Frame as closely as you dare. Try to feature the spine.
When you take portraits of people, animals or birds, compose images with one eye in the centre of the shot.
If you want a comic shot, cut your subject off at a shoulder joint.
Play around with the picture until you get it right. Discard any that aren’t perfect.

Take three aspects for each set up: square shots for Instagram, landscape shots for blog posts, Twitter or Facebook and portrait aspect for Facebook or Instagram Stories. Check out publishers’ photos for ideas.

An idea for an historical novel coming soon

Enjoy yourself. It should be quicker and easier than using Canva or computer generated images but that is fun and you can add graphics:

Sophie Neville won the Create! Prize for Photography in 2020.

Her memoirs include ‘Funnily Enough’ serialized in iBelieve magazine, ‘Ride the Wings of Morning’ and ‘The Making of Swallows and Amazons (1974)’ published by The Lutterworth Press. She is working on two novels set in East Africa, which have been winning writing awards.

originally featured in Christian Writer magazine

The King and I

Happy Coronation Weekend!

King Charles III’s love of Swallows and Amazons is noted on the Nancy Blackett Trust website

How appearing in Crossroads launched my career as a writer

David Moran playing Kevin Banks with Sophie Neville as his sister in Crossroads for ATV May 1981 — David Moran with Sophie Neville in Crossroads for ATV

Nolly – streaming on the new ITVX – features Helena Bonham Carter celebrating the fabulous 1980’s fashions worn by Noele Gordon when she starred as Meg Mortimer in the long-running ATV soap Crossroads. It can be revealed that forty-two years ago, a bright pink and purple polyester costume was being made for me. My real-life sister and I played Kevin Bank’s younger sisters, appearing as bridesmaids when he married Glenda Brownlow in the Spring of 1981.

Glenda Barlow’s wedding to Kevin Banks. We played his younger sisters dressed in pink.

I kept copies of my contracts signed by Margaret French for the three episodes we appeared in . We had a REHEARSAL & RECORDING on 27th March at the ATV Centre in Birmingham, before which I’m sure we had at least one costume fitting. My sister and I had a 7.00am call for Make Up and Wardrobe before an 8.00am Outside Broadcast on Monday 6th April and we shot the wedding scene in episode 3457 on the afternoon on Friday 17th April.

I earned £50.83, less National Insurance and was given £1.70 towards expenses and subsistence, for appearing in three episodes itemised as PROGRAMME TITLE: XROADS EPS3455/6/7 It was much appreciated. I’d only earned £10 for a whole week working as a promotions girl selling Monster Munchies at a wholesale supermarket the year before. My college fees at Durham University, with food and accommodation, were £350 for the term.

We shot one episode at the Barlow family home before being taken to the Church of St Laurence in Alvechurch clutching our fake flowers. A crowd of excited fans began to gather, virtually mobbing Paul Henry who played Benny Hawkins the handyman. He was obliged to scamper through the graveyard, pursued by screaming middle-age ladies in crimplene.

David Moran, Perry Neville, Lynette McMorrough and Peter Hill - 14th May 1981 — David Moran, Perry Neville, Lynette McMorrough and Peter Hill – 14th May 1981

My sister and I were bemused by the whole experience. I remember being interviewed for the part by a female producer with a pretty cut-and-dried attitude. She stared at my feet, horrified by the summer shoes I was wearing. ‘Never wear white shoes,’ she said as I left the room. ‘They make your feet look large.’

The costume designer rang a week later to ask if we could bring our own white shoes.

We were suddenly centre of attention, part of the growing Banks family. I was ‘taken unawares,’ as Glenda might have said, but am ashamed to say that my motivation was not to rock the nation’s consciousness or promote church weddings, but simply to earn enough to pay for my college fees at Durham University.

I was slightly in awe of the Crossroads cast. They didn’t know me from a flatfish but David Moran was enthusiastically inclusive, hugging us at every opportunity.

Most of the other actors arrived dressed as wedding guests. It should have been a joyful gathering but the atmosphere seemed strained. Noele Gordon, famous for playing Meg Mortimer since 1964, sat in the congregation next to Tony Adams but looked grim. She learned she was to be axed a month later.

Crossroads was well known for being recorded live in studio. I had returned to college by May 1981 when our episodes were broadcast. The ladies serving dinner looked at me and asked how I’d managed to drive up from Birmingham to Durham so quickly. Our sequences on location had been prerecorded.

Here is the actual continuity photo taken at the ATV studios by the costume designer.

I wrote about the floral polyester being somewhat brighter in reality in an article for our university magazine, The Idler, edited by Nick Archer, Charles Stewart-Smith, and Alastair Fothergill whose new book Wild Isles has become a bestseller. Looking back, it must have been my first article I ever published. I wrote another on appearing in the Two Ronnies and began working on the cover design.

There was more pink: You can see photos of other productions that I appeared in if you scroll down here and read more in The Secrets of Filming Swallows and Amazons, available as an ebook.

Ronnie Corbet with Sophie Neville filming ‘Charley Farley and Piggy Malone’ at Southampton Docks for the BBC comedy series ‘Two Ronnies’

Author Interview: Sophie Neville

by Francesca Tyer –

How old were you when you first read Arthur Ransome’s books? Did you have a favourite storyline or character?

My father devoured the Swallows and Amazons books as they were published in the 1930s. I was a slow reader but must have started the series aged about ten or eleven as I’d read seven of the twelve by the time we arrived in the Lake District to make the film in 1973. I enjoyed the practical aspects of the books and most readily identified with Mate Susan, although I counted all the characters my friends. Ransome published thirty other books. Some are heavy going, but I enjoyed his autobiography.

Sophie Neville as a child ~ photo: Martin Neville

Have you re-read the books since your childhood? If so, how has your perception of the books and the characters, in particular Titty, changed?

I’ve re-read most of the books in the Swallows and Amazons series and gain something new each time I read Swallows and Amazons, recently appreciating how important Titty’s imagination was to progressing the story. Her ideas take the plot forward. I ended up writing an article on how Swallows and Amazons can be seen as an allegory to missionary work undertaken by Arthur Ransome’s great aunts, one of whom received a Boxer arrow in her bonnet for her efforts in China.

Simon West and Sophie Neville on Peel Island in 1973

Do you think playing Titty influenced your own personality? If so, how?

Titty helped me to look beyond the saucepans and concentrate on creative endeavors rather than getting bogged down by management and administration. Acting in the film instilled in me a work ethic, responsibility and striving for excellence. Looking back, the part was a huge burden to lay on the shoulders of a twelve-year-old but it was worth it. The film has had an enduring quality and is still broadcast today. I find constant interest when I’m in social or sporting situations. For me, it has truly been a case of ‘Swallows and Amazons Forever!’

Sophie Neville rowing to Cormorant Island — Sophie Neville as Titty and Stephen Grendon as Roger rowing to Cormorant Island

Do you remember what you wanted to be before you became an actress? Did a writing career ever interest you as a child?

I acted professionally from the age of ten until I was twenty-one, going into television production at the BBC before I became a writer. I’ve also worked as a safari guide, wildlife artist and – thanks to Titty – as a cartographer. You can see a few maps I drew on my website here.

I’ve undertaken quite a bit of charity work, fundraising and acting as webmaster for The Waterberg Trust. I can’t remember having strong career ambitions as a child but knew art to be my strongest subject. I have a visual brain that flits about. Keeping a diary and constant letter writing has helped me develop my writing and has given me a huge quantity of material to draw upon.

Suzanna Hamilton with Sophie Neville as Titty busy writing the ship’s log

What led/inspired you to become a producer?

Claude Whatham was a ground-breaking director who inspired all those around him, but directing became a viable option at Opera Camp, annual amateur productions we took part in over our summer holidays as teenagers. I began directing plays at university and developed a burning desire to direct for television, always ‘looking for the shot.’ By producing documentaries, I got to direct and put them together, editing voice-overs into a narrative arc. I would now like to adapt my own stories for film, so have Final Draft software on my laptop and Witness Films Ltd registered as a UK company, but although I have a couple of ideas out to tender, I’ve been concentrating on polishing my historical novels.

The director and cast of Swallows and Amazons — Director Claude Whatham with his cast of Swallows in 1973

I’ve read that before filming Swallows and Amazons, you were in a production of Cider with Rosie. Was playing Titty anything like your experience of playing Eileen Brown?

Claude Whatham directed bother Cider With Rosie (1971) and Swallows and Amazons (1974) so the experience was similar. I also appeared in a Weetabix commercial he made in the Cotswolds. All three productions were set in roughly the same period, but Titty’s costumes, designed by Emma Porteous, were easiest to wear. Cider With Rosie was the most daunting production as I had to play the piano, which required three days of intensive practice. Titty only had to draw, write and row a boat, which was much more my thing.

Titty working on the chart - copyright StudioCanal — Titty working on the chart

Working with Virginia McKenna was amazing. Hugely inspirational and one of our most iconic British film actresses, she taught me a great deal – and still does.

Virginia McKenna playing Mother in Swallows and Amazons

What were your favourite and least favourite parts of the filming process?

We loved eating iced buns on set but hated hanging around in the cold. There was a lot of waiting for clouds to pass in the Lake District where I spent days clad in nothing but a thin cotton dress and enormous pair of navy blue gym knickers. I became more interested in the technical aspects of filming rather than acting, which for us children was more a case of ‘Let’s pretend.’

Claude Whatham showing the 16mm camera to Simon West and Sophie Neville. Sue Merry and Denis Lewiston. — Claude Whatham showing the 16mm camera to Simon West and Sophie Neville. Sue Merry and Denis Lewiston can be seen behind us.

What were your first impressions of the Lake District? Had you ever been to the Lake District before filming Swallows and Amazons?

My parents had taken me to the Lake District as a three-year-old and loved going themselves, so it was a treasured destination in my family. I was dazzled by the lakes and mountains. Holly Howe (Bank Ground Farm) above Coniston Water is a very special place. I love gazing up into the Langdales and walking up into the fells. We were members of the Steam Boat Association, something I have written about in my book, Funnily Enough and I returned over Lockdown to appear in BBC Antiques Roadshow when Swallows and Amazons was profiled.

Sophie Neville aged four — Sophie Neville aged three in the Lake District

How detailed was the diary you wrote during the filming? Had you ever thought about turning your notes into a book before you were persuaded to write The Secrets of Filming Swallows and Amazons?

I’ve put every page of my diary kept whilst making Swallows and Amazons on my blog at Sophieneville.net/swallowsandamazons My mother kept them, nagging me to write them up for years. Finding the time was difficult but I got there in time for the 40^th Anniversary of the film’s release when StudioCanal brought out a DVD with an Extras package we appeared in.

Diary kept filming 'Swallows and Amazons 16th May 1973

What was the writing process like? eg. challenges

The challenge with adapting a diary is to eliminate inevitable repetition but something extraordinary or disastrous happened everyday whilst filming Swallows and Amazons. With so much filmed afloat or on islands, it was an incredibly difficult production to work on and made a story in itself. I enjoyed finally bringing the book to life and interacting with readers who so kindly sent in reviews and comments. Some love hearing what we all went on to do after the film. One reader did not want to know, but I included this as there were many interesting links and coincidences, especially since I worked on the BBC serialisation of Coot Club and The Big Six.

and favourite moments?

It is very exciting when the first paperbacks arrive. Every author enjoys unpacking that box.

The first edition of The Making of Swallows and Amazons

What is the most surprising thing you’ve learned as a writer?

I never guessed how many times I would need to re-work my books. Each one is read though and edited repeatedly, on and on until it flows well and reads flawlessly. Recording the audiobooks has opened up a whole new world. I narrated them myself, which was far more complicated than I imagined. It’s difficult to digest the fact that I am on Spotify and the audiobookstore. Funnily Enough is selling well on audible.

Do you have any events lined up to promote the book?

Yes, I list the events on my website sophieneville.net/events I’m hoping to be signing copies at the Royal Thames Yacht Club in April and Southampton International Boat Show in September.

I often give illustrated talks on how Swallows and Amazons was made and Q&As at cinema screenings. I’ve begun running workshops on photographing books at literary conferences, which is proving popular.

Giving a talk on how sailing sequences are filmed

Could you tell me a little bit about your other books?

Funnily Enough and Ride the Wings of Morning are illustrated memoirs that follow on from The Making of Swallows and Amazons, which is now in its 2^nd edition.

Merry Christmas Everyone and Write Well are anthologies to which I have contributed a chapter. I have written Forewords to four books, including the Czech version of Swallowdale by Arthur Ransome, and Swallows, Amazons and Coots by Julian Lovelock. I have a couple of non-fiction books waiting in the wings including The Secrets of Filming Coot Club. The first three chapters have already been included in DVD extras for the remastered version of the DVD.

Swallows And Amazons Forever! (Coot Club & The Big Six) SPECIAL EDITION [DVD]

Are you currently writing anything, either to do with Arthur Ransome or entirely separate?

I often write articles for magazines, which have connections to Swallows and Amazons, and have completed two historical novels, which are set in East Africa.

Finally, could you tell me about your other pursuits such as your litter picking, art and the combination of the two? Have art and conservation always interested you?

I have always been passionate about wildlife conservation, often giving talks about otters since they are the key indicator species we have been active in protecting as a family. I am taking part in the Race for Reading by litter picking whilst walking the coast to raise funds for the UK literacy charity SchoolReaders. I sometimes make collages out of the rubbish to attract attention to the composition of sea plastic. You can see examples of this and my paintings on Instagram @Sophienevilleauthor

David Wood, who wrote the screenplay to Swallows and Amazons fifty years ago

Sophie Neville and David Wood appearing on CBBCTV

David Wood, the award-winning playwright who adapted ‘Swallows and Amazons’ for the big screen in the early 1970s, wrote to say, “A fan recently reminded me that SWALLOWS, the film, will be celebrating its 50th birthday next year! Hard to believe, but true!”

He’s right. The Royal Gala that launched the film was held at the ABC in Shaftesbury Avenue on 4th April 1974. I still have the dress I wore and found a copy of the programme signed by other children in the cast. You can see photos in post I wrote about it here.

“I couldn’t attend the premiere,” David said, “I was rehearsing in Manchester!” This was a pity as it would have been amazing to watch the first film he’d written on the big screen with members of the cast present.

The programme of the Royal Gala Premiere of 'Swallows and Amazons' 1974 — A signed programme from the premiere of ‘Swallows and Amazons’ held on 4th April 1974

The event was followed by the publisher Kaye Webb’s Puffin Show at The Commonwealth Institute in Kensington High Street where the dinghy Swallow was on display from 9-21st April. I remember going along to meet readers. One of them wrote to me years later, thrilled that she’d won a new copy of the book. You can read her letter and find the Puffin Post article in an earlier post here.

Kaye Webb's Puffin Club 1974 — Kaye Webb’s Puffin Club Show – April 1974

“Do you think anyone will do anything to celebrate the anniversary? Are there any producers or distribution companies that might be approached? I am in touch with Richard Pilbrow, in America. I might drop him an email… Let me know if you think we ought to try to do something… a special screening, perhaps?”

When I suggested a few News presenters who might be interested in becoming involved, David replied saying:

“John Sergeant and I were at Oxford together, and performed in revue and cabaret….I directed him in a musical!

“Libby Purves interviewed me a few years ago at The Story Museum, Oxford. I was on Midweek twice too….”

“Have never met Ben Fogle, but years ago I knew his mother, Julia Foster. Her first husband was Lionel Morton, pop singer and Play School presenter, who played Owl for me in the first London production of THE OWL AND THE PUSSYCAT WENT TO SEE……in 1969!!!!!!”

“I was delighted that Virginia McKenna got her Damehood! Well deserved.”

This year marks the 50th Anniversary of making the film in the Lake District. I explained that I had been invited to give a talk to members of the Royal Thames Yacht Club in Kensington in April, hoping her could join me.

“I will put your April 18^th talk in the diary – not sure yet if I will be free to come! But would appreciate you asking if I could attend. Last time I was there I gave a magic show for the members’ children!! About 50 years ago….just like the film!”

“The plans sound exciting. I wonder if the Arthur Ransome Society, to whom I gave a talk not long ago, might be interested in arranging something…”

They are. The idea is to put on an event at Windermere Jetty Museum in July 2024, under the auspices of Lakeland Arts. The Arthur Ransome Society are hoping to have both Swallow and Amazon there.

David then wrote to say: “The Cinema Museum, a rather wonderful institution in the Kennington area of South London, have pencilled Saturday April 6^th 2024 for two screenings of SWALLOWS, to celebrate fifty years.” We have been invited to give Q&As and sign copies of our books. “Martin Humphries, who runs the Cinema Museum, organised a similar event about IF…., when I did a Q&A after the screening.”

This year is also the 50th Anniversary of the Lakeside and Haverthwaite Steam Railway where we spent the very first day of filming on 14th May 1973.

I have details of my own forthcoming talks and events on another page here.

Any other ideas are invited! Please leave your suggestions in the comments section below.

Auditioning to play the part of Titty Walker in the original film of Arthur Ransome’s book ‘Swallows and Amazons’ in 1973

Fifty years ago this day, auditions were being held at 10 Long Acre near Leicester Square in London for parts in the original film of Arthur Ransome’s book ‘Swallows and Amazons’ produced by Richard Pilbrow of Theatre Projects with the help of Neville C Thompsom and financed by Anglo EMI Films. It was to star Dame Virginia McKenna, but the leading roles were all for children under the age of thirteen who needed to be able to row and sail.

Producer Richard Pilbrow with Neville C Thompson on Derwentwater in the Lake District in 1973 — Richard Pilbrow and Neville C Thompson in the Lake District in 1973

I recently received a Tweet from the award-winning author Wendy Clarke who wrote: ‘Funnily enough (many, many years ago) I auditioned for the film role of Titty Walker… I would have been 12 then. I didn’t belong to a sailing club and couldn’t sail! Amazed I got the audition!’

When I asked if she could tell me more, she replied: ‘I have next to no memory of the day so wouldn’t have very much to say about it! I’m seeing my mum tomorrow and have asked her to bring her 1973 diary!’ Here it is:

Wendy Clarke’s mother, Joy Matthews, kept a diary every day of her life

‘This is where I went for the audition apparently. Was that the same place as you?’

It was! I remember the actual room.

Wendy explained that her mother, Joy Matthews, ‘has written a diary every day since I can remember (even if it’s just to say what the weather was like). Over the years it’s been very useful. She is now 91. I think this was the photo we sent!’

Wendy Clarke, aged 12, who auditioned for a part

‘I’ve just been reading your post and laughing at the escapades during the shooting of S&A. Can I really picture myself in your shoes… if I’m honest, no! I would have been too much of a scary cat. Especially when the mast broke!‘

A friend of mine also auditioned for ‘Swallows and Amazons’ but she couldn’t remember any details. Simon West, who ended up being cast as Captain John, told me that he met Richard and Neville for a first audition at his sailing club. His sister, Ginny, who was keen on acting, spotted a notice, but his father was amazed when he said he would also like to be considered for a role in ‘Swallows and Amazons’. Aged eleven, he was a little young for the part of John, but he was bright, practical with a passion for sailing. Kit Seymour and Lesley Bennett, who would eventually play the Amazons, also heard about the opportunity at their respective sailing clubs. Richard Pilbrow was very keen to find children who could sail and were able to swim well.

Kay Frances Ecclestone wrote to say she saw a, “poster in my sailing club. If it was in 1973, I’d have been 12 or 13 & had been sailing since I was 9 & just started helming in races.” This was at “Pagham Yacht Club which was where my family sailed… I didn’t (audition) although I seriously thought about it, but I didn’t want my long hair bobbed! I can remember clearly being at the Club noticeboard and excitedly reading the poster. I loved all the Arthur Ransome books and spent my first ever sailing prize that year (which was a book voucher) on buying the final in the series of Puffin paperbacks that I didn’t have. I have no idea why my Mum didn’t point out that my hair would grow back!” She is still racing her Scorpion dinghy today. “The original Puffins (with some replacement Puffins as the original fell apart from constant reading) in my AR book collection.”

Wendy wrote: ‘Second interview… so I couldn’t have done too badly! (Probably still hadn’t mentioned the small matter of not being able to sail)… I may not have got the part but least I got to go to Madame Tussauds and the Planetarium!’

My parents only received a letter asking if I would like to be considered for a part on 26th March 1973. It was addressed to my father who was on an export mission to South Africa and the envelope lay unopened in our hall for a while. Luckily it was printed with the Theatre Projects logo and Mum did open it.

Wendy returned to Theatre Projects’s offices in Long Acre for a third interview on 7th April. She was doing well:

I’d broken up from school for the Easter holidays on Tuesday 3rd April. On Sunday 8th April we collected Dad from Heathrow, drove straight to Longacre for a 11.00am. Leicester Square and walked through China Town. I remember Claude looking rather intense as he asked me questions. He wanted to know what my favourite television progamme was. He didn’t ask me to read, which was just as well as I would have been hopeless. Did he ask if I could row or sail? I might have told him that I could swim well, as I’d just gained a bronze life saving medal, one of my few achievements to date.

I too was taken to Madam Tausauds when the ticket took you to the neighbouring Planetarium as a double bill and remember walking thorough China Town.

Unknown to me, Mrs Ransome had wanted all the Swallows to have blonde hair and was insistent that ‘an English rose’ to played Titty. Wendy had dark hair as a child. I was fair. Mum described my scraggly hair as ‘dark blonde’.

I had one other advantage. I’d worked for Claude Whatham in 1971 when he had cast me as Eileen Brown in the first BBC adaptation of Laurie Lee’s book ‘Cider With Rosie’, set in the 1920s. We later found out that Claude liked working with actors like Brenda Bruce who he had employed on previous occasions. I’m not sure when he joined the production of ‘Swallows and Amazon’ but it could have been late in the day as he was the second director taken on board.

We were told that 1,800 children had been considered for the six parts in ‘Swallows and Amazons’. Most of them had been members of sailing clubs. Claude had not wanted to visit stage schools but Suzanna Hamilton, who was cast as Mate Susan, had been going to the Anna Scher after school Theatre Club in Islington, which he may have visited. I had first met him at a drama club in Stroud in Gloucestershire in 1971.

Our final audition was held afloat, when about twenty children spent a couple of days on a scout boat at Burnham-on-Crouch in Essex. Looking at Mum’s diary this must have been from Wednesday 18th to Good Friday, 20th April. Richard and Claude wanted to see how confident we all were on the water. We were taken dinghy sailing in wet and windy conditions. I remember Kit and her twin sister Alison Seymour facing the waves without a qualm. Richard bought his children Abigail and Fred along and I knew Sten Grendon who had also been in ‘Cider With Rosie’. We might have travelled to Essex together. The five girls up for the part of Titty all shared a cabin. I thought I was too old, too tall and too gangly. We were not aware of a screen test but Richard’s assistant Molly took super 8 cine footage.

Meanwhile, Wendy Clarke had been taken to Cumbria by her parents: ‘We’d gone to the Lake District to get a feel for it. Hadn’t heard anything about interview so Mum rang and, as she so very succinctly put, ‘that’s that’. That made me laugh.’

I noticed they had been to see the waterfall where we eventually shot a scene on the way to visit the charcoal burners.

Wendy wrote: ‘That May, mentioned in Mum’s diary extract, was my very first time in the Lake District. It was only years later, in my forties, that I visited again and fell in love with it. Maybe I’m destined to sail that boat after all! So lovely to ‘meet’ you (even though I probably hated you at the time for taking my part (which I would have been rubbish at anyway!) x

Wendy Clarke, whose website can be found here

‘My husband has just said, ‘why did you not tell me any of this?’ I was probably just relieved I didn’t have to get in a boat! In later life I discovered I was better at novel writing than acting!’

She added: ‘I’ve just found something else that links us. We both entered our books into the Flash Fiction Novel Opening Competition. My debut psychological thriller What She Saw, which was set in the Lake District, won it in 2017!’ I had a story shortlisted in 2022, which was encouraging.

Claude Whatham with the children he eventually cast as the Swallows

I would love to hear from others who auditioned all those years ago – do email me or leave a comment below. I have written a little more about the gaining the part from my perspective on an earlier post here.

I retuned to boarding school for the summer term on Tuesday 1st May, was collected on 10th May and was whisked off to the Lake District on Friday 11th May. Filming began on Monday 14th May – only a few weeks after my first interview. Everything had happened very fast.

I’ve been asked to give talks on ‘The Making of Swallows and Amazons’, which I detail on my Events page. You can find different editions of my books listed here with an audiobook, narrated by me, Sophie Neville, available on all the usual platforms.

Highlights of 2022 – looking back in gratitude

In 2022, I was able to concentrate on polishing up two historical novels set in East Africa that I’ve been writing.

After one was short-listed by The Virginia Prize for Fiction, I entered it into a number of writing competitions being shortlisted by Fiction Factory, the Flash Fiction’s Novel Opening competition and winning 3rd prize in I AM in Print’s Romance Writing Competition judged by the Kate Nash Literary Agency for its commercial potential, which was flattering as romance is only an element in the story.

3rd Prize Winner in I AM Writing Romance

An earlier draft had been awarded third prize in Association of Christian Writers’ novel writing competition. On 30th December it won the Eyelands International Book Awards for an unpublished historical novel. I’m thrilled.

This year my World War II novel, set in Burma and Japan, which has won three novel writing awards, received two accolades with Roadmap in the USA, was long-listed by the Exeter Prize, Retreat West and the Cinnamon Literature Award having been placed the finals of the Page Turner Awards and the American Christian Fiction Writers contest for an historical novel. It was shortlisted by C&R Press Awards for Fiction in the USA.

We’ll see what happens next. Over the last year, the original film of Swallows and Amazons was broadcast a number of times in the UK and Australia.

I had a story about making the movie featured in the Times Diary, which attracted a bit of attention.

This was great as I’ve been bringing out a new range of mugs and useful items using one of the book covers I designed. I used the maps within to produce gifts.

What I did not expect was to win a gold medal for taking part in a literacy charity Race for Reading as I collected marine plastic whilst walking 90 miles along the coast.

Thanks to my kind sponsors I raised a total of £2,180 for SchoolReaders who bring the joy of reading to so many.

I ran a workshop on ‘Photographing Your Books’ at the Association of Christian Writers literary weekend held at the Hayes Conference Centre when we heard from a number of brilliant speakers including Paul Karenza, Tony Collins and the author Anne Booth.

Funnily Enough – 2nd edition with black and white illustrations

It was so popular that the editor of Christian Writer commissioned an article capturing the essence of my talk.

I originally ran this workshop as online as a fringe festival activity for Anita Faulkner’s writers group Chick Lit and Prosecco. I went to her first colourful country book launch at Waterstones in Gloucester this July.

Sophie Neville off to a book signing at Waterstones

I wore the same hat during the archery season when I won a prize for Most Hits in Meriden and both the Ladies’ Arrow and Best Ladies Gold at the West Berks Archery Society.

Over the summer of 2022 I was interviewed on Your Take, by Jadzia Smeaton and Authors’ Reach. Barbara Altouyan who interviewed me on Family Talk spoke on the Today Programme and David Butters had a review of ‘The Making of Swallows and Amazons’ published in the popular magazine Practical Boat Owner.

A 4-page feature article in *Practical Boat Owner* magazine

After writing articles for Mixed Moss and Practical Boat Owner myself, I gave talks about The Making of Swallows and Amazons on the Foredeck Stage at Southampton International Boat Show 2022.

Inspirational speaker, Sophie Neville — Southampton International Boat Show 2022

The publicity offered was amazing. 110,000 people came, passing Swallow, our dinghy used in the 1974 film Swallows and Amazons as they entered the show.

Meanwhile I recorded both the audiobook of The Making of Swallows and Amazons and my autobiography Funnily Enough at Monkeynut Studios.

Both books are now edited and are becoming available from all the audiobook retailers including Spotify.

Ruth Leigh featured a review of Funnily Enough on her amusing blog here. You can find more reviews on Goodreads. David Butters can be seen here checking the 2nd edition of Funnily Enough now available from Amazon.

David Butters reading 'Funnily Enough' — David Butters from Lancashire

I wrote about Queen Elizabeth II’s love of Swallows and Amazons and provided a Foreword for Boats Yet Sailing by Trevor Boult

After losing my voice, I continued marketing what is possibly my most amusing book, Ride the Wings of Morning.

Very grateful for online reviews posted by readers

It was a great privilege to be the keynote speaker at Book Blest, the Stroud Christian Book Festival.

Later in November I helped raise funds for BBC Children in Need, looked after the Duchess of York at Romantic Novelists Association Awards Evening in London and read a Christmas story for UBC Radio Ireland.

Sophie Neville, Sarah Fergusson Duchess of York and Emma Grundy Haig from Joffe Books — Sophie Neville and Sarah Fergusson with Emma Grundy from Joffe Book

Many thanks to my readers and reviewers for their support over the last year. I hope that you have time to read and rest before the 2023 is upon us. I’ll be giving a talks celebrating 50th Anniversary of filming Swallows and Amazons (1974) at the Royal Thames Yacht Club in London, at Windermere Jetty Museum for Lakeland Arts in Cumbria and will speak on adapting novels for film and television at the British Christian Writers’ Conference at Ridley Hall Cambridge. Hopefully, I’ll be taking part in ‘A Believers Guide to Marriage’, a BBC documentary made by Milk and Honey Productions about how faith can guide people through life events.

Mail on Sunday - A homage to Swallows, Amazons and a girl with a rather rude name!

The audiobook of ‘The Making of Swallows and Amazons’ (1974) narrated by Sophie Neville who played Titty

In the long hot summer of 2022, I spent three days in a sound-proofed booth at Monkeynut Studios near Romsey narrating the audiobook of my memoir on the adventures we had making the 1974 movie ‘Swallows and Amazons’, now published in paperback by The Lutterworth Press.

I found telling the story, with all the different voices, more difficult than I had imagined but the audiobook has been beautifully produced, with sound adding a different dimension to this filmography that resonates with the lives of so many.

Sophie Neville at Monkeynut Recording Studios

It is now up on Audible here

You can listen to a free sample in the Audiobook Store here

There are a number of different online retailers. It is available on Spotify:

The audiobook of The Making of Swallows and Amazons (1974) by Sophie Neville

Kobo have this deal:

Scribd stock it, along with a couple of articles from Practical Boat Owner, but I did not narrate those. It might be better to read them online.

You can listen to this true life story on audiobooks.com

It is also available on Audiobooksnow

Google Play and audiobookstore.com who have it on a special price here. This must be the American version:

Wheelers stock it in New Zealand

Google books have it in the UK

Barnes and Noble sell it in U$ dollars

LibroFM

Storytel have it for sale in rupees.

I gather it will be available on Audible but they are very slow to add books.

I hope it will take you back to that long hot summer in 1929 when the Swallows first set sail and remind you of the early 1970s when we made the original film in the days before mobile phones or computers without CGI or green screens. We literally walked into the page of the books and sang out Arthur Ransome’s immortal lines as the wind took us up Coniston Water. I hope you enjoy it.