Tag Archives: Lanehead

News about the Lanehead boathouse once used by Arthur Ransome

Daily Express Boathouse article

I arrived back from holiday to find that, following the ITV report, daily newspapers in the United Kingdom have been writing extensively about a certain inspirational boathouse on Coniston Water that is currently for sale.

The Daily Mail even included a clip from the film of Swallows & Amazons in their online article.

The Times calls it ‘Ransome’s adventure playground’. The Evening Mail published a photograph of him I hadn’t seen before.   The Daily Telegraph admitted that the Estate Agents have had more inquiries from journalists than buyers.

What no one has picked up on was the useful wooden jetty in front of the boathouses that appeared on Countryfile, Big Screen Britain and Country Tracks presented by Ben Fogle for BBC One.

Geraint Lewis of the Arthur Ransome Trust tells me that the wooden part of the jetty belongs to Lanehead. The old stone part belongs to Bank Ground Farm. So far as we are aware, the wooden part is not included in the Lanehead boathouse sale. Sealed bids had to be in by 4.00pm on 12th September. Peter Walker of Kendal tells me, ‘According to the local boatmen… the Lanehead boathouse has not been sold… prospective buyers have been put off by access problems.’ (See comments below).
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Suzanna Hamilton and Sophie Neville below Bank Ground Farm on Coniston in 20031

Suzanna Hamilton and Sophie Neville when filming ‘Countryfile’ on Coniston in front of the Lanehead Boathouse in 2003

The Battys, at Bank Ground, have bought a floating jetty/pontoon, which was used by the National Trust’s Steam Launch Gondola during the Coniston Regatta in May. Geraint says,
‘This was quite a feat, as the jetty was a lot shorter than Gondola, whose prow was well over the land once docked.’
He tells me that Bank Ground intend to build a new wood jetty if or when they get planning permission, suitable for more regular visits by the Gondola and Campbell the Coniston Launch. Such a jetty would need to be “L” shaped, to allow rapid arrival and departure in deeper water’.

Do let me know of the latest news on this.

Suzanna Hamilton and Sophie Neville on Coniston in 2003

Sophie Neville and Suzanna Hamilton on the jetty in front of the Lanehead boatshed during the filming of ‘Countryfile’ at Bank Ground Farm.

For those who do not know the historical background:

Lanehead is the large white house above Coniston Water in Cumbria, which was once owned by WG Collingwood. He worked as the personal secretary to John Ruskin who lived  at Brantwood, just a little further down the East of Lake Road. Collingwood met the writer Arthur Ransome when he was a young man on holiday in the Lake District and invited him to stay at Lanehead.

Arthur Ransome became firm friends with WG Collingwood’s daughters Dora and Barbara. Although he light-heartedly proposed to both of them, Dora married a friend of her brother’s, a doctor of Armenian-Irish decent called Ernest Altounyan. He worked at the hospital his father had established at Aleppo in Syria where Dora joined him. They had five children – Taqui, Susie, Titty, Roger and Brigit who they would take to the Lake District every four or five years so that they could spend time with their grandparents.  With so many in the family party, the Altounyans stayed at Bank Ground Farm, next door to Lanehead. Arthur Ransome joined his old friends, helping Ernest to acquire two clinker built dinghies so that they could teach the children to sail. One was called Mavis, the other Swallow. These were kept in the boathouse that is currently for sale, which then only had a short stone jetty.

When Arthur Ransome wrote ‘Swallows and Amazons’ for the Altounyan children, depicted as John, Susan, Titty, Roger and Brigit, he set the opening chapters at Bank Ground Farm, which he called Holly Howe.

For more information on this please read Christina Hardyment’s book, ‘Arthur Ransome and Capt Flint’s Trunk’ (p.32-44) and Jeremy Collingwood’s new book, ‘A Lakeland Saga – The story of the Collingwood and Altounyan family in Coniston and Aleppo’. Roger Wardle, (see comments below) who has written a number of books on Arthur Ransome and has his diaries from the period tells me that there is no evidence that Arthur Ransome taught the Altounyan children to sail or that they even went out sailing in 1928/1928.  He sailed Swallow alone until the weather got too bad and she was put away for the winter but the little boat obviously stirred his imagination.

Claude Whatham at the Boathouse with Simon West and Sophie Neville

Director Claude Whatham at the Bank Ground Boathouse talking to Simon West and Sophie Neville when filming ‘Swallows & Amazons’ in 1973

The film Swallows & Amazons produced by Richard Pilbrow in 1973, used the Bank Ground boathouse and jetty as a location. John discovers Swallow in the boatshed on the lake below the farm where the Walker family are staying.

Simon West in the boathouse

John Walker discovering ‘Swallow’ in the boatshed belonging to Holly Howe, in the EMI-Theatre Projects film of ‘Swallows & Amazons’ (1974)

The children gain permission to sail Swallow and soon have her brown sail hoisted with John as Captain and  Susan as Mate, with Titty and Roger registered as crew, whilst baby Vicky helps wave them off on their adventures. The rowing boat moored next to it was known as ‘the native canoe’. It was used by Mrs Walker, graciously played by Virginia McKenna when she rowed out to Wild Cat Island where the Swallows went to camp. They encountered two girls who became know as the Amazon Pirates, after their own gaff-rigged dinghy that flew the Jolly Roger.

Virginia McKenna on location at Bank Ground Farm ~ photo:Daphne Neville

Virginia McKenna at Bank Ground Farm sitting behind the boathouses when the film was being made in 1973 ~ photo:Daphne Neville

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Filed under 1973, Arthur Ransome, Claude Whatham, Cumbria, Dinghy sailing, Film History, Lake District, Memoir, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, truelife story

Swallows & Amazons boathouse on Coniston Water is up for sale ~

The Lanehead boathouses below Bank Ground Farm

I believe that the middle boathouse in this photograph I took last year is the one currently for sale.

If you visit the ITV News website, you can watch a story about the boathouse originally belonging to the Collingwood family of Lanehead which inspired Arthur Ransome when writing Swallows and Amazons. It includes a short clip of the fishing scene from our film.

The reporter from Border Television didn’t get all his facts right. We are not sure who Arthur J Ransome is.  The author was called Arthur Mitchell Ransome.

The Walker family finding Swallow at Holly Howe

Here we were, intrepid explorers, finding Swallow at Holly Howe in May 1973. The water was freezing. You can see the lovely view from the boathouses.

If you want to find out more about the property for sale, the details are here on the RightMove website.

For the latest news on the new film adaptation, please see The Westmorland Gazette. For their article about the boatshed please click here. There is also one in the Express.

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Filming ‘Swallows and Amazons’ at Bank Ground Farm in Cumbria in 1973

Bank Ground Farm ~

If you take the East of the Lake road along Coniston Water you will find Bank Ground Farm. It lies between Brantwood,  John Ruskin’s former home, and Lanehead where Arthur Ransome’s friends the Collingwoods lived. Ransome was particularly good friends of Dora Collingwood, who married an Irish-Armenian doctor keen on sailing called Ernest Altounyan. They went to live in Syria but every five years or so would bring their children to visit their Grandparents for the holidays. The would stay at Bank Ground Farm next door. Ernest bought two 14 foot sailing dinghies called Swallow and Mavis in which his family learnt to sail.

It was for the five Altounyan children, Taqui, Susie, Titty , Roger – and Bridget, the ships’s baby, that Arthur Ransome wrote Swallows and Amazons after they gave him a pair of bright scarlet Turkish slippers as a birthday present.  I don’t think I knew that Titty was a real girl when I played her in the film, but I did know her character in the books and only felt rather bad that I didn’t have her thick dark hair.

Bank Ground Farm

Bank Ground Farm with its views over Coniston Water in the Lake District

Bank Ground Farm is much smarter now. Lucy Batty, who let us take over her home in 1973, is still around but the guest house is now run by her grandson Jonathan. You can either stay in the main house, where there is a lovely corner bedroom with views right down Langdale, or you can take a self catering cottage or flat, since they have been able to convert the barn and stables into further accommodation. I’ve just received post from Peter Willis of The Nancy Blackett Trust who said,

“I stayed at Bank Ground in the summer – it was utterly lovely, exactly as it ought to be – Jonathan Batty and his wife are really hospitable, and one of the great pleasures was the friendliness and interstingness of the other guests, who included a Japanese Ransome fan. Do have dinner if they’re doing it. Food’s great, but so’s the sociable atmosphere.”

16th May 1973

15th May 1973

Int: Holly Howe ~ Bank Ground Farm near Coniston

It was grey and raining in the Lake District on 15th May 1973. Instead of filming the scene when Roger tacks up the field, Denis Lewiston, the Director of Photography, lit Mrs Batty’s living room at Bank Ground Farm for an evening scene. Simon Holland the Art Director dressed the room in the style of a Cumbrian farmhouse in the 192os with oil lamps, Bobby the prop man brought in all the camping gear we were to be packing, while Virginia McKenna was having her hair done up and we had lessons in our red double-decker bus. Then we recorded a scene, the dialogue of which was never used in the finished film.

Int/Ext: Holly Howe

Int/Ext Holly Howe

The Screenplay: David Wood’s adaptation of Arthur Ransome’s book ‘Swallows and Amazons’

You do see Susan packing bars of soap and me making heavy weather of sewing our flag, my hair pinned back in a hideous way, with rather a modern reel of white cotton laying on the desk.  John packed the telescope in a biscuit tin, which to me now seems a mistake as we used it on the voyage, very much not in a tin, but then one always re-packs many times before an important trip.

Virginia McKenna as Mary Walker with Sophie Neville playing her daughter Titty Walker busy stiching Swallow’s new flag in preparation for the voyage to the island

After lunch we shot the scene when Mother is teaching us how to erect a tent on rocky ground, as she did with Father when they were young. Titty asks if she is really old.

‘Not really. But I was younger then,’ Virginia McKenna replied looking dubious.

This is rather how I feel now, all these years later, especially when I walk into a room when people are expecting me as Titty. I’m not really old, but I do look different from when I was only twelve. This always happens when I return to Bank Ground Farm. Everyone is a bit taken back by my height but say I sound just the same. And I am married now with a family of my own. It is a bit like when Peter Pan flew back to see Wendy and found she looked just like her mother – not least because in the play the adult Wendy is always played by the actress who formerly takes the role of Mrs Darling.

Sophie Neville

Simon West, Sophie Neville and Suzanna Hamilton in the 1974 film of ‘Swallows and Amazons’ with Sophie Neville today, photographed at the recent Arthur Ransome Society Literary Weekend

I was standing outside the front door of Bank Ground once, talking to Lucy Batty, when two Japanese girls arrived to stay at the farm. They were fans of the film. They looked up at me and declared, ‘Ooo Titty!’ and bowed their heads whilst clasping their hands together in greeting. They had come from the other side of the world and yet recognised me immediately. Perhaps I haven’t changed that much after all.

The weather must have cleared up a bit by teatime on 15th May as we recorded the scenes in the boat house when John discovers Swallow, brings her out to the stone jetty and steps the mast. I’m pretty sure that the sunlight comes from an arc-lamp. They must have had to take the generator down to the lakeside. Suzanna got her shorts wet as she pushed out the clinker-built dinghy but we loved being by the water.

To be continued…

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