It takes a while to warm up but the recording can be watched on YouTube:
Celebrating 50th Anniversary of making the classic movie ‘Swallows and Amazons’ on Zoom with award-winning writer David Wood, Sophie Neville and make up artist Peter Robb-King
Author: Sophie Neville
Writer and charity fundraiser
I captured the Amazon
I CAPTURED THE AMAZON
The Arthur Ransome Society has been able to reunite Swallow and Amazon for the fiftieth Anniversary of the 1974 film and to preserve them for future generations. Come to see them both – and even sail Amazon – at Windermere Jetty museum in Cumbria on 29th and 30th June when John Sergeant will be hosting a Q&A with the cast and crew.
The challenge is on to fully restore Swallow so that families can set her sails and live out the pages of Arthur Ransome’s iconic books today.
Sophie Neville when president of The Arthur Ransome Society
At the age of twelve, I was cast as Able Seaman Titty when the original film Swallows and Amazons was made on location in the Lake District in the summer of 1973. Dame Virginia McKenna played my mother and the six of us children had fun making Ronald Fraser walk the plank. Now hailed as a classic sailing film, I’m assured it has been broadcast on British television more times than any other movie and is currently streaming on Amazon.com and Netflix Europe.
One secret is that the film was made on four different lakes – Coniston Water, Windermere, Elterwater, Derwentwater – and a smelly lily pond. We were able to use Bank Ground Farm as Holly Howe and Brown Howe as Beckfoot, home to the Amazon pirates who careened their dinghy on the lake shore in the company of a 45-man film crew from Pinewood Studios.
Careening the Amazon at Brown Howe, Coniston Water – photo: Daphne Neville
We were only given a couple of days to get used to handling Swallow and Amazon before filming began. Although happy out on the water, the director, Claude Whatham, knew little about boats. To make up for this, we had instruction from a sailing director in the form of a good-looking actor called David Blagden who presented a television programme called Plain Sailing. He’d recently raced crossed the Atlantic in a nineteen foot yacht called Willing Griffin but was unfamiliar with blustery Lakeland winds and did not know how to break down a script. Simon West, aged eleven, who played Captain John, ended up explaining to Claude how to get a decent shot while I tried not to shiver. My costume was designed by Emma Porteous of James Bond fame but consisted of nothing more than a short yellow dress and an enormous pair of navy-blue gym knickers.
Amazon, flying the Jolly Roger, with her seamed white lugsail and heavy centerboard is a lovely boat to sail. Although vital to the story, no one took into account that I needed to take her, on my own, from Secret Harbour on Wild Cat Island and drop her anchor off Cormorant Island. I was given a grey cardigan to wear but had not been asked if I could row. Having grown up handling a Thames skiff, I managed to use the leading lights we’d set up to negotiate the narrow channel and threatening rocks in one take. I repeated the action with Dennis Lewiston, the lighting-cameraman, and his 35mm Panavision camera in the stern but grew so tired that I needed to be carried ashore by a frogman acting as our safety officer.
Sophie Neville having captured the Amazon, with the lighting cameraman and 35mm Panavision Camera in her stern. Swallow is moored alongside – photo: Martin Neville
Titty later anchors Amazon off Cormorant Island on Derwentwater, but the shot of her wrapped in the sail, sleeping aboard, was taken in Mrs Batty’s blacked-out barn at Bank Ground, with the boat rocking on a cradle made by the unit carpenter. This was for a night scene when Titty is disturbed by burglars hiding a heavy trunk that turns out to contain Captain Flint’s treasure. When the action was repeated out on Derwentwater near One Tree Island, I got soaked. Rain had collected in the furled sails.
My one regret is that we didn’t follow the book when sailing the Amazon back to Wild Cat Island. The wind was up and Claude Whatham needed Captain John to sail Swallow ahead of the Amazon which is the faster boat. I originally took the tiller, as Titty is urged to in the story, but had trouble with the rudder. Mate Susan, played by Suzanna Hamilton, is at the helm on the cover of the Puffin paperback brought out to accompany the film, whilst I am fending off.
One of the film stills taken from the pontoon was used on the cover of the Puffin edition of ‘Swallows and Amazons’ brought out in 1974 to accompany the film.
The second part of the scene was shot on Coniston Water, with the Amazon Pirates, Nancy and Peggy ‘dancing with rage’ on Peel Island. A shot of this was used on the cover of a hardback and a DVD distributed by the Daily Mail.
Not many sailing films have been made and it was unusual for a movie to feature so many scenes set in two small dinghies. Mike Turk, whose family had been boat building for centuries, and Nick Newby of Nicol End Marine near Keswick, took up the challenge of adapting a cross-shaped pontoon to act as a mobile camera mount so that our dialogue could be recorded. This extraordinary vessel had two outboards but wasn’t easy to handle. The dinghies were wired to it with underwater cables but tended to pull away. Swallow’s mast broke the first time she was rigged, but the idea eventually worked and only Sten Grendon, playing Roger, fell in.
Amazon rigged up to the camera pontoon – photo: Richard Pilbrow
Somehow David Cadwallader, the grip looking after the camera equipment, managed to keep the horizon horizontal using no more than a spirit level on the tripod. Shadows were lifted from our faces by using reflector boards and, since the whole movie was post-synced at Elstree Studios, the audience can hear what we say.
Filming Swallow and Amazon from the camera pontoon – photo: Daphne Neville
Sophie Neville on the camera pontoon on Derwentwater – photo: Daphne Neville
The first Amazon, a chunky sea-going fourteen-footer with a standing lugsail purchased in Barrow-in-Furness by the Altounyan family in 1928, was originally called Mavis. After being restored, she was renamed Amazon in line with Ransome’s books but remains too leaky to take out. She now resides in the John Ruskin Museum at Coniston where she can be visited like a great aunt.
None of us children knew that the Amazon we sailed had been used in the 1963 BBC adaptation of Swallows and Amazons made in black and white with Susan George playing ‘Kitty’ as Titty was renamed. Looking at the photographs, it would have been good if Amazon’s hull had been painted black but her varnished planks are a nod to the 1970s when everyone was busy stripping pine.
By 2003, she was owned by the White family who I met when they brought Amazon from Kent to Cumbria to feature in Countryfile and an episode of Big Screen Britain. Ben Fogle met their twin daughters on Peel Island, looking very much like Nancy and Peggy in damp bathing costumes having been swimming in Coniston Water. It has been extremely generous of them to pass such a precious boat on to The Arthur Ransome Society.
Amazon at Hunters Yard – photo: Marc Grimston
Amazon is currently being kept at Hunter’s Yard near Ludham where you can apply to sail her on the Norfolk Broads, along with the Titmouse and the Teasle, (a cabin cruiser called Lullaby) and a punt called the Dreadnaught featured in the 1984 BBC adaptation of Coot Club. Swallow is also there under restoration, needing a new keel.
Amazon at Hunters Yard – photo: Marc Grimston
The plan is for both Swallow and Amazon to be on display at Windermere Jetty in Cumbria for the weekend of 29th & 30th June 2024. We hope some of the steamboats used to dress the Rio scenes set at Bowness-on-Windermere such as Osprey and George Pattinson’s launch Lady Elizabeth can be in attendance. Windermere Jetty is currently restoring the steam launch Esperance used by Ransome as his model for Captain Flint’s houseboat, and you can find the fourteen-foot RNSA dinghies used in the 2016 movie of Swallows and Amazons moored in the wet dock.
In 2021, everyone at Windermere Jetty gasped when Rupert Maas valued Swallow highly on BBC’s Antiques Roadshow, but the true worth of both Swallow and Amazon is akin to Captain Flint’s hidden treasure: instead of gold ingots his trunk contained precious memories of friendship and adventure. They no doubt kept him on course when the storms of life blew in and gave him plenty to write about. Just as Arthur Ransome’s books grant us solace, my prayer is that many will be able to grab the chance of sailing the little boats that take us into the stories immortalised on film so long ago.
You can read more of Sophie Neville’s memories in The Making of Swallows and Amazons’, published by the Lutterworth Press and now available as an audiobook narrated by the author
Thanks go to all those who have looked after and lovingly restored the inspirational boats that appear in the adaptations of Arthur Ransome’s books. If you would like to help by making a donation towards the restoration, the link is:
I would like to Donate – The Arthur Ransome Society (arthur-ransome.org)
Sophie Neville with Titmouse at Hunter’s Yard. She will join Swallow and Amazon at Windermere Jetty on 29th and 30th June. Come and join us!
50th Anniversary of the film ‘Swallows and Amazons’ at Windermere Jetty in Cumbria
Saturday 29th June, 2024 – hosted by The Arthur Ransome Society
10.00am – The exhibition at Windermere Jetty opens. See Arthur Ransome’s dinghy Scarab, Swallow and Amazon from the 1974 film along with Titmouse from the BBC serial of Coot Club and other interesting boats.
There will be a display of 1974 movie memorabilia.
The Altounyan family hope to bring the original Amazon once called Mavis.
Enjoy the Swallows and Amazons lakeside camp and knot tying.
10.30am – Heritage boat trips on the steamboats Osprey and either Lady Elizabeth or Penelope who appeared in the Rio scenes. (This is at an extra cost)
10:30am – Film screening of Swallows and Amazons (1974)
11.00am onwards. Grab a chance to sail Amazon with an experienced skipper. Book with Sail Swallow and Amazon.
12:15am – Talk by Peter Wright on ‘How Ransome came to write Swallows and Amazons‘.
12:30pm – second showing of film Swallows and Amazons (1974)
Lunch at the Cafe on the lake where the Wooden Boat Regatta is gathering
2:15pm – Meet the cast, crew and screenwriter of Swallows and Amazons (1974) – introduced by John Sergeant, President of The Arthur Ransome Society. Do bring any books for signing. Simon West (John), Suzanna Hamilton (Susan), Sophie Neville (Titty), Kit Seymour (Nancy), Kerry Darbishire (Nurse) will be with Peter Robb-King (Make up designer), Daphne Neville (Chaperone) and others who worked on the film made in the summer of 1973.
3:00pm – Talk by Sophie Neville on ‘The making of Swallows and Amazons‘ featuring which scenes from the film were shot on Windermere.
4:00pm – The Boatband Concert
5:00 pm – final showing of film Swallows and Amazons (1974)
Strolling Singers will perform as and when the mood takes them
6:30pm Close
Sunday 30th June, 2024 – hosted by The Arthur Ransome Society
10.00am – The exhibition at Windermere Jetty opens. See Arthur Ransome’s dinghy Scarab, Swallow and Amazon from the 1974 film along with Titmouse from the BBC serial of Coot Club.
The Altounyan family hope to bring the original Amazon once called Mavis.
There will be a display of 1974 movie memorabilia, a Swallows and Amazons camp and activities for children.
10.30am – Heritage boat trips on the steamboats Osprey and either Lady Elizabeth or Penelope who appeared in the Rio scenes. (This is at an extra cost)
10:30am – showing of film Swallows and Amazons (1974)
11.00am onwards. Grab a chance to sail Amazon with an experienced skipper. Book with Sail Swallow and Amazon.
12:15am – Meet the cast, crew and screenwriter of Swallows and Amazons (1974) – introduced by John Sergeant, President of The Arthur Ransome Society. Do bring any books for signing. Suzanna Hamilton (Susan), Sophie Neville (Titty), Kit Seymour (Nancy), Kerry Darbishire (Nurse) will be with Peter Robb-King (Make up designer), Daphne Neville (Chaperone) and others who worked on the film made in the summer of 1973.
1:00pm – Talk by Sophie Neville on ‘The Making of Swallows and Amazons‘
1:45pm – Second second showing of film Swallows and Amazons (1974)
3:15pm – Talk Peter Wright on ‘How Ransome came to write Swallows and Amazons‘
4:00pm – The Boatband Concert
5:00pm close
Celebrating the life and work of Richard Pilbrow who produced the original movie ‘Swallows and Amazons’
I was invited to speak at the National Theatre by Fred Pilbrow who rehearsed the presentation at his studio in London.
He put together the most extraordinary celebration of the life and works of his father, Richard Pilbrow, who died recently at the age of ninety.
The most talented technicians in the theatre world gathered to speak on his life and works. A recording of the event has been made available on Youtube.
It was a fitting tribute to the man who lit up the lives of many and produced a movie that apparently has been broadcast on television more than any other British film and fifty years after the premier in Shaftesbury Avenue is streaming on Amazon today. Read more in ‘The Making of Swallows and Amazons’ now available on Audible.
Speaking about Richard Pilbrow at the National Theatre
Richard Pilbrow told me that the most difficult thing he ever had to do was to persuade Mrs Ransome to grant him the rights to make ‘Swallows and Amazons’ into a movie.
But he did. He found funding from EMI Films and asked Dame Virginia McKenna to play Mother.
Neville Thompson put together a great crew
with Denis Lewiston as DoP,
the Oscar winning set dresser Ian Whittaker,
and the avant guard director Claude Whatham fresh from making ‘That’ll Be the Day’ with David Essex and Ringo Starr.
Filming on location in the Lake District wasn’t easy.
How they lit the scenes on Peel Island I do not know.
It rained so hard that Simon Holland had to order black drapes from Pinewood Studios so they could shoot the night scenes in Mrs Batty’s dusty barn.
But the film worked because Richard had insisted that the children playing the lead characters could sail.
The film didn’t make much at the box office but it worked well on television.
I’m told it has been broadcast more than any other British Film. Having a U certificate it has allowed many parents a lie-in on Sunday mornings.
Families assure me that they have watched the VHS or DVD thirty times or more. StudioCanal remastered it for cinemascope Blu-ray and we filled the big northern cinemas.
The good news is that, fifty years after the premier in Shaftesbury Avenue,
we are restoring the dinghies: Swallow and Amazon for families to sail.
I wrote up the diary I kept on location as a twelve year-old. Richard sent me the flags.
At the 50th Anniversary celebrations this April a man in the audience stood up to say that as a young doctor, he was working at a hospital on Good Friday. As he walked around he found peace in every ward, sick children snuggled up and happy. They were all watching ‘Swallows and Amazons’ on television. Richard’s gift.
Richard and Molly’s dream became an inspiration to many.
Here you can see Richard and Molly with Claude Whatham, Neville, Fred, Abigail, Suzanna Hamilton and me at the sailing audition held in Burnham-on- Crouch. Simon West who was cast as Captain John went on to win the Optimist British Championships and represented the UK overseas.
Writing the foreword to the well-loved novel ‘Swallowdale’ by Arthur Ransome
When Albatros Media in the Czech Republic re-published a hardback edition of ‘Swallowdale’ by Arthur Ransome, I was invited to write a foreword. This was for a special edition of the bestselling book illustrated by the great Czech artist Zdenek Burian.
The somewhat daunting task gave me the opportunity to recommend that readers book a holiday in Cumbria. It’s always exciting to find the actual locations described in a novel, particularly one you know well, although I believe finding Swallowdale is quite a challenge.
I was commissioned by Ondřej Müller, Fiction Program Director who had my words translated into Czech. Here is the English version:
Of all Arthur Ransome’s books, it was Swallowdale that inspired me to go camping. I have since pitched my tent all over the world from Papua New Guinea in the Pacific to Patagonia, which I crossed on horseback. I once spent six months driving down through Africa, sleeping in a tent and using all I had learnt from this beautifully written book. Not long after this expedition, I started to draw maps in the hope that I that might encourage others to travel and explore the world as the Swallows did.
Back in 1973 I had the great privilege of playing the part of Titty in the movie of ‘Swallows & Amazons’ that has been translated into Czech twice. Throughout my life I have received letters from people telling me how Arthur Ransome’s books have given them direction in life, encouraging them to set sail and explore unchartered waters.
If you ever visit the English Lake District take the charcoal burners’ advice and keep a good lookout for adders but in searching for Swallowdale one thing is for sure, you will be walking in Arthur Ransome’s footsteps. He was taken to the summit of Old Man Coniston, the mountain known in the book as Kanchenjunga, as a small baby and rowed into the secret harbour of Peel Island, or Wild Cat Island as the Swallows called it, when he was a boy.
The people of Cumbria still welcome visitors, indeed you can stay at the farm known as Holly Howe and it is possible to take a boat out on the lake below it. Coniston Water is not an exact replica of the map in the book, but you can enjoy looking for Horseshoe Cove and the Amazon boathouse. Rio can be found on Windermere where you might also find the Peak of Darien along with native steamers. Titty would encourage you to let your imagination take you further and I am sure Roger would suggest you take a fishing rod.
Even if travelling does not appeal to you, ‘Swallowdale’ is such a vivid story that you will sail back in time to 1931 quite effortlessly. This classic book is full of wonderful imagery from ‘black wretched thoughts…crowding in like cormorants coming to roost’, to potatoes being in bad mood. It is enjoyable on many levels. I laughed when Titty decided, ‘Miss Turner could hardly be dead if she was complaining of cold plates’ and was uplifted by her joy at discovering, ‘the most secret valley that ever there was in the world.’
I am so pleased that Albatros Media are able to bring you this beautifully illustrated edition, to read, enjoy and perhaps pass on to others.
If you are in North America and are looking for a copy of ‘Swallowdale’ in English, copies are on sale here for U$15.77 The illustrations are by Arthur Ransome himself.
Sophie Neville in Hampshire Life magazine
The April issue of Hampshire Life magazine has a four-page feature celebrating the 50th Anniversary of the release of the original movie ‘Swallows & Amazons’ (1974) in cinemas, which you can now read online here.
The link with Hampshire is that my father grew up in Lymington and learnt to sail on the Solent. I met my husband Simon at an archery match in Worcestershire and was amazed to hear he lived on the Lymington River. I came down to the South Coast just before we got engaged but didn’t move in until after we returned from our honeymoon in Spain.
I’ve lived in Hampshire for twenty years now, give talks at the Southampton Boat Show and meet the Nancy Blackett when she sails down to Buckler’s Hard on the Beaulieu River where my parents spent their honeymoon.
It feels odd being described as an actress, but it’s good to get a front page byline.
Great British Life have a Spring Offer for magazine subscriptions, which make a good present.
The books mentioned are for sale from the Nancy Blackett Trust and all the usual places online.
50 years ago – when the EMI film ‘Swallows and Amazons’ (1974) was launched in cinemas
The original film ‘Swallows & Amazons’ was first screened at a preview in London on 31st March 1974.
Brian Doyle, the film publicist, noted it in his diary. This was sent to me by his daughter, Pandora Doyle, who was taken along with her mother Jo and friend Alison.
The cast of ‘Swallows and Amazons’ either joined them there or at an afternoon press screening on 2nd April. We certainly went to one preview. It utterly amazed us. We had not remembered the Lake District being so sunny.
The premiere was also held at the ABC cinema in Shaftesbury Avenue, London, at a Royal Gala Premier on 4th April 1974.
The film has since been dubbed into at least eight different languages and screened all over the world. A number of different titles have been used from ‘Svaler og Amasoner’ to ‘El Capitan Pirata’.
They do not provide a release date for the Czech Republic, but it has been dubbed into Czech twice and is popular there. You can easily buy copies of the French version
It is now screening on Netflix Europe and Amazon Prime.
There was a big splash when ‘Swallows & Amazons’ was first screened in Gloucester. Sten Grendon, who appeared as the Boy Roger, and I were taught to swim at the leisure centre there. Chris Maloney, who was awarded an MBE for his part in founding the Special Olympics, began to coach me when I was ten. I’ve been told that he also taught Sophia Loren to swim for ‘The “Goodness Gracious Me” Heiress’.
As we lived locally, Sten and I were asked to attend the first screening at the newly converted triple screen ABC in Gloucester, which was daunting. They were also screening ‘The Sting’ and ‘The Great Gatsby’ that both starred Robert Redford.
Chris Maloney later got Suzanna Hamilton and I jumping off the high board at Gloucester Leisure Centre. She was far braver than I.
You can read more in ‘The Making of Swallows and Amazons’ available in paperback from £15 or ‘The Secrets of Filming Swallows & Amazons’ an ebook for only £2.99
Photos from the 50th Anniversary celebration of ‘Swallows and Amazons’ (1974) at the Cinema Museum on 6th April 2024
– ‘He must be a retired Pirate’ but what of the chances of finding Rio Cinema?
Keen fans of Claude Whatham’s original film ‘Swallows and Amazons’ gathered at the Cinema Museum in London for the 50th Anniversary celebrations hosted by the writer and broadcaster Brian Sibley.
After doors opened at 1.00pm, delicious food and drink was served in the main hall where Hugh Grant held his 50th Birthday party. Charlie Chaplin had been housed there as a child. It had been the chapel of the workhouse where his mother had been sent with her offspring.
A collection of movie memorabilia now lines the walls. It’s in incredible place.
‘He said, – “Yes.”‘
Brian Sibley interviewed David Wood OBE, who at the age of twenty-nine had adapted Arthur Ransome’s book into a 90 minute screenplay under the iron fist of the widowed Mrs Ransome. Born in Russia, she had been Leo Trotsky’s private secretary and was a pretty formidable old lady.
David told us that having taken the producer, Richard Pilbrow, and his associate Neville C Thompson around various Lake District locations, Evgenia Ransome declared she wanted the Swallows to all have blue eyes and blonde hair. I’d know that she wanted ‘And English rose’ to play Titty, but this was news to me.
Although David was well known for his starring role in the film ‘If….’ with Malcolm McDowell, ‘Swallows and Amazons’ was the first movie he wrote. He’s been too busy acting on stage to spend much time on location but entrusted the script changes to the director.
The film screening was heralded by a letter from Dame Virginia McKenna, which I was given the privilege of reading out.
‘It is almost impossible to believe that it is the 50th Anniversary of ‘Swallows and Amazons’. I am really sorry I cannot be with you but I am here in spirit.
For anyone who feels downhearted by the troubles in our present-day world, there can be no better cure than to be here this afternoon watching this delightful film set in such beautiful scenery.
In a few moments you will be transported to an earlier time and a different place. You cannot but enjoy this very special film.’
We then watched StudioCanal’s remastered version of the movie on the big screen. The Lakeland mountains looked magnificent and the detail amazing. Gareth Tandy, who had worked on the crew as Third Assistant Director said, ‘I’d totally forgotten that I played one of the robbers!
After an intermission, I chatted to Peter Robb-King the Make Up Designer and met up with Cedric James who’s been on the camera crew.
‘They’ve got India-rubber necks.’
Brian Sibley then interviewed the cast on how we’d got the parts, what impact the film had on our lives and what we’d spent our earnings on.
The answers proved hilarious. It was lovely to hear from Jane Grendon, Sten’s mum, who had travelled from Gloucestershire to be our official chaperone. She pointed out how very hard we had worked all that time ago.
Neville C Thomason’s daughter-in-law spoke and I displayed the flags that Richard Pilbrow had sent from America before he sadly passed away at the age of 90.
There was then time for fans to get books, cards and film posters signed in the age-old tradition. Many thanks go to Brian, Lee Pressman and other volunteers of the Cinema Museum who made it all possible. It was an amazing day. One young fan had come dressed as Titty with a green parrot on her shoulder, there were a few diminutive Amazons in red hats and Neville Thompson’s great granddaughters arrived in very smart pirate jackets.
‘Farewell and Adieu.’
Don’t worry if you missed it! You can watch a recording of the Q&A here.
The cast and crew met up at Windermere Jetty in Cumbria on 29th and 30th June 2024, when Swallow and Amazon, the boats featured in the film could be seen as well as Mavis, who still belongs to the Altounyan family, and Arthur Ransome’s dinghy used as the model for Scrab. You can find details of events on this website here.
Celebrating 50th Anniversary of the EMI film ‘Swallows and Amazons’ at the Cinema Museum in London
On Saturday 6th April there was be a 50th Anniversary screening of the original film ‘Swallows and Amazons’ followed by a Q&A with cast and crew hosted by Brian Sibley and the screenwriter David Wood at the Cinema Museum in London. More info and link to ticket sales here.
A train strike complicated plans for many ! but cast members Simon West (Captain John), Suzanna Hamilton (Mate Susan), Sten Grendon (Boy Roger) and Kit Seymour (Captain Nancy) managed to make it, along with Gareth Tandy, who worked on the crew as Third Assistant director, and Jane Grendon who was our chaperone.
Cedric James who worked on the camera came along.
As did our Make Up Designer Peter Robb-King .
I hoped Terry Needham, the Second Assistant might be able to make it but he is in New Zealand.
It was packed with every seat sold – a tribute to all the others on the crew who have passed away.
The screening took place at the Cinema Museum, 2 Dugard Way (off Renfrew Road) Kennington, London SE11 4TH, a former workhouse where Charlie Chaplin once stayed.
Thanks go to David Wood for getting us all together.
There will be other events around the country listed on this website here.
Sophie Neville 