Writer’s blog

Diary of a Litter Picker: Lockdown Reflections

A rainbow of discarded cigarette lighters

For some odd reason we have seen a rise in litter since Covid-19 broke out. Why is this? Does it reflect national frustrations or just an increase in takeaway meals and outdoor parties?

Green bottles found in ditches and beaches during Lockdown, sorted for recycling

It is strange that people continue to discard PPE despite obvious health risks. Have we ceased to care about endangering wildlife and polluting the environment? Ben Deutsch described it as, ‘an act of libertarian defiance.’ Jill Crouch decided, ‘we are coming out of a me me me time – a superficial needing of more and wondering why we are not fulfilled when we get it.’

There will always be lost things but have we lost pride in Britain?

This rubber shoe was found washed up on the shore with a mask, but there has been gradually less sea plastic found on my stretch of the Solent, presumably due to fewer ferries and less shipping.

A mask and other plastics washed up on the Solent along with an elderly bottle and scaffolding parts

I have been reporting finds in the local newspaper in an effort to inspire others to begin collecting flotsam.

SophieNeville, beach-hedge-and river-saviour,” one reader commented. “It’s frightening just how much litter she removes. I’m inspired to try to emulate her.”

Articles in The Herald by Sophie Neville

Meanwhile, there have been lots of vehicle part to retrieve on dry land.

Vehicle parts dumped in a Hampshire bluebell wood

Lockdown certainly bought an increase in fly-tipping as people used time off work to clear out their sheds and attics or redecorate. At the same time, Council dumps closed during the first Lockdown and then introduced various restrictions, which proved disastrous. The New Forest National Park was hit particularly hard with bed mattresses and junk being dumped in precious wilderness areas.

Matt Rudd, writing in the Sunday Times Magazine was horrified by the increase in rubbish strewn about during Lockdown. He wrote, “There are two schools of thought on why people litter. The first is that they hate themselves for cramming all that junk food into their faces. Chucking wrappers out of the car window is just self-hatred by proxy.” Certainly, most of the litter I find has once wrapped over-sugared, over-salted, over-caffeinated food and drink of some kind. I would add tobacco and harmful drugs to his list. It’s as if people want to distance themselves from guilt and shame.

“The second,” Matt Rudd claims, “is that the further you are from home, the less you care about the environment.” And yet, he witnesses that, even in strict Lockdown, our local parks and car parks are strewn with newly dumped masks. Does the fear of contracting a virus make people more selfish?

However, the response has been amazing. Despite restrictions, individuals have used their daily exercise allowance to clean the beaches and verges of Britain. Litter-Pickers of the New Forest have gained over 1,300 volunteers in the last year, with an active Facebook Page and Justgiving site. They encourage members with sponsors delivering rewards for volunteer achievements.

A gift of encouragement from Litter-Pickers of the New Forest

If you happen upon a litter-picker, do give them encouragement, and if possible, lend them a hand. We are all fighting the same battle.

To find out about Waste Less, Live More, please click here

A pillow washed up on Solent shores

Diary of a Litter-Picker: Roadside survey for ITV’s ‘Tonight’ programme

Surely this is ‘medical waste’ and should be disposed as such?

I was asked to take photos of pieces of litter for ITV’s ‘Tonight’ progamme who were conducting a survey. This took me twenty-five minutes and left me fuming.

A second recently discarded ‘disposable’ face mask greeting visitors

Forgive my rant, but cars never stop while driving out of town around this bend. These items were thrown from moving vehicles, into a Nature Reserve within the New Forest National Park, in the space of a few weeks while Lockdown measures were in place.

Those intelligent enough to pass the Highway Code, obviously think plastic bottles and tin drinks cans are bio-degradable, that there is no need to take responsibility for items that have been in their mouths during a pandemic.

This is not the first time I have found Lynx Africa in the New Forest. I am assured it is sniffed as a recreational drug. This canister was undoubtedly chucked out of a vehicle. Are drivers sniffing it as well as consuming alcohol?

You get three points deducted from your driving licence if something accidentally falls off your roof rack. How many points do lorry drivers get for losing a load – nine? Surely, litterers and fly-tippers should have points deducted inline with this policy? Fly tipping and throwing litter from movie vehicles is hazardous. Being abandoned, the repercussions are endless.

What hope is there for the planet when people can’t be bothered to recycle their own drinks cans?

This McDonalds carton probably came from the Southampton takeaway 19.9 miles away. There is a nearer outlet 12 miles away but it would still have been carried for twenty minutes in a vehicle.

Everyone knows that plastic rings can choke wildlife. There is a sign on this bridge saying ‘Otters Crossing’ but I see cars speeding across at 50mph.

So much of the litter I find could be fatal to wildlife. We all know plastic rings can be lethal:

This rope was found the other side of river, looking north. You can see the wildfowl near the reedbeds.

Litter-picker kindly supplied by Litter Pickers of the New Forest

It goes on and on. This is litter collected in an area frequently cleaned by volunteers. I ended up dragging this traffic cone out of the estuary and adding another face mask to my haul.

Items removed from the Lymington river Estuary – May 2021

To see photos of items retrieved from this estuary two years ago, please click here

Diary of a Litter Picker collecting sea plastic from Crown Estates on the Solent

I’ve been getting involved in Keep Britain Tidy’s Great British Spring Clean – making an attempt to spring clean the section of the South Coast where we live, only to be shocked by our own findings. Some of the plastic washed up on the Solent has been around for so long the vegetation has grown over or through it. This is not a rock:

This bucketful of flotsam was brought in by one storm, although some items must have been floating around for a while.

Sophie Neville collecting flotsam from the Solent foreshore and saltmarsh

A week later I found this washed up on the same 600yard stretch of Solent foreshore:

I collected these tins, plastics and polystyrene from a tidal riverbank.

Our waterways are full of drink cans.

The sheer amount of bottles that must have been thrown out of moving vehicles, is staggering. All this needs to be sorted and recycled.

I have found a number of discarded tools including carpenter’s saws. My husband wanted to resurrect these pliers, but they were beyond hope.

There is often a mask amidst the detritus, none of which will rot.

What distresses me most is the ardent fly tipping. These cans of motor oil were nearly full and looked uncontaminated. Why were they discarded? How many litres of river water would they pollute?

These full containers were dumped in a nature reserve within the New Forest National Park. Does someone imagine these things will decompose?

Get involved in Keep Britain Tidy – its fun! You can find more info here

Swallow’s flag and the bamboo fishing rods featured in the 1974 movie ‘Swallows and Amazons’

The flag Titty made for Swallow in the original film ‘Swallows and Amazons’ (1974)

Were some of these stitches mine after all?

A few weeks ago, BBC Antiques Roadshow featured some of the flags from the original movie ‘Swallows and Amazons'(1974) in which I played Titty Walker. These film props had been sent to me by the producer Richard Pilbrow who now lives in Connecticut. I take them with me if I’m ever asked to give a Q&A or talk about ‘The Making of Swallows and Amazons’. Film fans enjoy taking selfies with them.

I explained that they were made on location in 1973, possibly by the Art Director, Simon Holland, who enjoyed painting. Equally, they may have been made by the Set Decorator Ian Whittaker, or Bob Hedges who was in charge of the action props. In the story, Titty decides to make a new flag for the Swallow. I was keen on sewing as a child, and was thrilled to be given a needle and thread to stitch a blue swallow on the flag myself in a scene with Virginia McKenna, who played Mrs Walker, shot at Holly Howe (Bank Ground Farm) above Coniston Water in the Lake District. Rather a modern reel of cotton was caught in vision.

Virginia McKenna, as Mary Walker with Sophie Neville playing her daughter Titty Walker busy stitching Swallow’s new flag in preparation for the voyage to the island (c)StudioCanal

It was not until I returned from recording Antiques Roadshow at Windermere Jetty and had the flag on my desk that I noticed some of the stitches are different from others. It looks as if the small, white stitching on one wing could have been my own. As a child, I had thought the larger stitches rather clumsy but am sure they looked appropriate in vision. It would be worth far more if it was known to have been made by Ian Whittaker. He won an Oscar and was nominated for his work on a number of other films.

Ian Whittaker with the Art Director Simon Holland

‘Properly’, as Titty would say, the bird should be flying towards the mast, although I am assured that Arthur Ransome did once draw a diving swallow on one flag. In his book, the swallow was sewn into the cloth rather that plonked on top of fabric browned by tea but our flag has lasted for 48 years.

Property Master Bob Hedges keeping the perch alive

After Antiques Roadshow was broadcast, a lady who grew up in Bowness on Windermere, wrote to say, ‘It may be of interest that we still have the fishing rods that were used in the film. They belonged to my father Leslie Borwick and were lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.’

Leslie Borwick on Windermere

Leslie Borwick, was a keen fisherman who took his daughter out to catch perch. She said that the bamboo rods are quite fragile but one has a wooden reel, which is interesting.

Ronald Bousfield fishing at about the time ‘Swallows and Amazons’ was written

“My mother’s side of the family were very keen fishermen. Their surname was Bousefield and there is a fly called “Bousefield’s Fancy”(Frank Bousefield)”

You can read the original post about filming the fishing scene on Elterwater here

A clip of Swallow’s flag being valued on BBC Antiques Roadshow can be watched on BBC iPlayer.

Memories of making ‘Swallows and Amazons’ (1974): part six

Sophie Neville playing Titty Walker in the 1974 movie

‘Titty from Swallows and Amazons’ often gets typed into the Goggle search engine but when I attempt to use it as a ‘tag’ a message pops up saying: ‘Sorry, you are not allowed to assign the provided terms.’ I can only conclude that Google lacks literary enlightenment but the BBC were happy for me to talk about Titty on BBC Antiques Roadshow recently.

Sophie Neville on BBC Antique’s Roadshow

‘Memory picks and choses,’ as Arthur Ransome said in his autobiography (p33) but those who love his novels often wonder what would have happened to the characters when they grew up. It dawned on me that this might be one reason why people are interested to know what we all did with our lives. I played Titty Walker in Richard Pilbrow’s 1974 movie of ‘Swallows and Amazons’. In 1962, the film actress Susan George played the same character in the black and white BBC television serial of ‘Swallows and Amazons’ with her hair in pigtails. She was called Kitty, apparently with Arthur Ransome’s approval. BBC Films decided to call the Able seaman ‘Tatty’ in the 2016 movie ‘Swallows and Amazons’, when she was brilliantly played by Teddy-Rose Malleson-Allen who went on to star in ‘Four Kids and It'(2020).

The character was inspired by a real little girl, Titty Altounyan, who stayed at Bank Ground Farm (or Holly Howe) when visiting her grandparents who lived above Coniston Water. In 1939, Miss Joyce Cartmell acquired a signed note from Arthur Ransome explaining that, ‘Titty is short for Tittymouse which is what she was called when she was a baby. Nobody ever calls her anything but Titty now’. It appears that Ransome was also asked for a photograph of himself, to which he responded, ‘Too ugly’.

Edward Thomas (1878-1917) described Arthur Ransome as ‘exuberant, rash and intelligent.’ In 1973, I can only assume the film director Claude Whatham was looking for the same spirit in us children. It was certainly captured by Wilfred Joseph’s nautical film score.

What constantly impacts me is the number of people who write in to say how much they wanted  Titty to become their best friend. In many ways the characters from Ransome’s books become friends for life. You can easily gain others who have the same outlook on life by joining The Arthur Ransome Society, who offer activities and grants for young people as well as adults with a literary bent.

You can read more about making the movie in the multi-media ebook entitled ‘The Secrets of Filming Swallows and Amazons’.

And in the illustrated paperback on ‘The Making of Swallows and Amazons’ by Sophie Neville available online and from the Nancy Blackett Trust

 

Talking about ‘Swallows and Amazons’ (1974) movie memorabilia on Antiques Roadshow this Sunday 9th May at 7.00pm on BBC One

This Sunday 9th May, BBC Antiques Roadshow returns to Windermere Jetty in the Lake District at 7.00pm.

Swallows and Amazons fans expressed great excitement when the first episode was broadcast from the museum on Sunday 21st February as it featured ‘Swallow’, the dinghy from the original movie made on location in the Lake District in 1973 and brought to cinema scenes in 1974.

‘Such an iconic film,’ the expert Rupert Maas, commented, admitting that it once inspired him to sail across the Atlantic Ocean.

He chatted to Rob Boden who looks after Swallow for the organisation Sail Ransome before placing a pretty high value on the old girl.

They had just enough wind to sail off into the sunshine.

I had been invited along for the second episode, recorded the next day, when it poured with rain. While others were arriving with exquisite treasures, I staggered into the museum with two carrier bags of old photographs and what my family regard as clutter.

Rupert Maas was busy valuing a painting by the waters edge but came to say Hello in the lovely new cafe at Windermere Jetty while we watched the expert, Marc Allum value another item.

Marc later walked around to inspect my collection of ‘movie memorabilia’ relating to the film of ‘Swallows and Amazons'(1974), filmed in the Lake District forty-eight years ago. He liked the programme from the premier and the original black and white film stills, along with the flags kindly sent to me from America by Richard Pilbrow who produced the movie now distributed by StudioCanal who have a remastered cinema Bluray and DVD with Extras.

The camera crew seemed adept at keeping their equipment dry, but lining up shots was tricky since everyone had to be carefully distanced.

Marc Allum socially distanced from Sophie Neville and her bow

I knew that signed, first edition copies of Arthur Ransome’s book ‘Swallows and Amazon’ are worth up to £11,000. A note sold in an envelope addressed to a Miss Cartmell postmarked 1939 and accompanied by a small card signed by the author with a pen and ink sketch of a sailing boat, sold recently with an estimate of £1,000-1,500 but I did not think my collection of movie memorabilia from the early 1970’s would be worth much.

Marc Allum lining up a shot with Sophie Neville

Marc invited me to take up the bow an arrow, whittled on location during the filming and fletched with feathers from a ‘Red Indian Headdress’ purchased from a toy shop in Ambleside in 1973.

Marc Allum and Sophie Neville with the director

I suggested the director might like to take a shot of the ML Tern as she passed but visibility was too low. Marc concentrated on my collection, which had nearly been thrown out in a fit of de-cluttering years ago. He valued it at far more than I ever would have imagined.

I wondered if my item would ever be included, thinking it could easily hit the cutting room floor, but this well a kind reader alerted me to the Radio Times billing here

To see more photos of BBC Antiques Roadshow at Windermere Jetty, please see the previous post here

You can find the illustrated book on ‘The Making of Swallows and Amazons’ here:

For details on the BBC Antiques Roadshow website, please click here They tell me they, “would be delighted to hear of any developments that may occur following the transmission of the programme. For instance, further information about the history of an item occasionally comes to light or a decision is taken to put the featured piece up for sale. Should you have any such news, please contact the Antiques Roadshow Office at antiques.roadshow@bbc.co.uk.”

The episode ‘Windermere Jetty 2 – series 43’ will be on BBC iPlayer here

Detail of an original ‘Swallows and Amazons'(1974) movie poster hanging at Windermere Jetty Museum

You can read more about how ‘Swallow’ was bought at auction and restored, in Yachts and Yachting and on the Sailransome website.

You can listen to Sophie chatting about the experience on BBC Radio Cumbria here

Swallow’s original burgee and the White Elephant flag captured from Captain Flint’s houseboat, featured in the 1974 film of ‘Swallows and Amazons’

COVID Reflections – an anthology

I am honoured to have become a patron of COVID Reflections, a charitable project inviting writers and artists to contribute to an anthology celebrating the positive aspects of the pandemic. The hope is to make a difference by raising money for worthy causes affected by Lockdown and giving a voice to those that are heard the least.

COVID Reflections was founded by Ash Subramanian, a consultant breast surgeon from Sussex, who has gathered an impressive team of volunteers and trustees, profiled here.

Ash Subramanian on the South Bank

Their aim is to publish a coffee table book and multi-media ebook that can be sold to raise funds for charities that have taken a hammering in the last year. You are invited to submit a poem, diary entry or piece of prose.

Think of sending in 200 words on what Lockdown meant for you. I wrote:

There were no tests available when I contracted COVID-19 early March 2020. I stayed at home, puzzled about being unable to smell. Although the virus wiped days from my life, Lockdown proved a golden time. My step-son brought his tiny twin boys to live with us for nine months. The two-year-olds thrived while we dug up the lawn to plant vegetables, enjoying the birdsong and wonderful weather. I let my hair grow, turned the spare bedroom into an office and devoted my daily exercise to collecting litter – which became horrendous – and coastal plastic – which diminished slightly. I donated clothes to women in need, was interviewed on Zoom and enjoyed church on WhatsApp. We raised funds for those seriously hit by the pandemic and prayed for friends admitted to hospital. Released from the tyranny of my usual diary, I learnt how to say ‘rainbow’ in Portuguese, regained my sense of smell and wrote a novel. We spent Christmas alone and had no holidays, but for me, the ‘Time of Corona’ felt like a year off, enabling me to remain at home with my family, where I was needed and needed to be.

PPE I collected from the coast

You could submit a painting, drawing, photograph or audiovisual contribution be it music or film. Here is Piers Harrison-Reid with his brilliant poetry. He works as a nurse in A&E at Norwich Hospital and has been supporting COVID Reflections by appearing in virtual concerts.

The aims of COVID Reflection’s projects are :

• To give those effected by this pandemic a lasting voice and platform to express themselves.

• To bring communities together, encourage collaborations and to spread positivity.

• To raise significant charitable funds to support organisations on a national and local level .

Dr Kate Grant’s painting or
Jenny Liston, Nurse Practitioner, making a car-side consultation in a pop up tent, Suffolk

Covid Reflections have a Facebook page here

and can be found on Twitter here

I sent in a shot of a home-schooling project that took on a life of its own.

Carrots from our Lockdown garden

The project has the blessing of the Arch-Bishop of Canterbury and will have a Foreword by Captain Sir Tom Moore’s daughter. They are collaborating with The Sussex Constabulary, The Sussex Ambulance & Fire service, a growing representative of MPs, every major religious group, The Royal Society and The Royal College of Surgeons.

National Covid Memorial Wall in London – photo by Roff Smith

Anything submitted will be published either in a printed book or in electronic format.

You can find submission details on COVID Reflection’s website here

‘Hope’ by Kieran Gandhe aged 12, taken at the beginning of the pandemic

COVID Reflections hopes to make a real difference by raising money for worthy causes and providing support to individuals and businesses who have been adversely affected by the pandemic. They will do this by making grants to local, small national and large national charities, to enable them to help those who need it the most, allowing them to continue to do the amazing work that we know is being carried out every day. We hope that, together, we are able to make a difference. If you would like to be involved, please email C19voices@gmail.com or visit their website www.CovidReflections.org

Diary of a Litter Picker: We Will Fight on The Beaches

We are an island nation. Our coastline is precious. It speaks to us of freedom, holidays and relaxation. Those who live near beaches are well aware that they attract visitors who boost the local economy, and yet our shoreline is often covered in rubbish.

I find hundreds of small pieces of fishing net, plastic wrappers and cellophane, washed up on the Solent, along with glass bottles and rope. It’s been going on for years, threatening the environment and wildlife, if not our sanity.

This is historic litter found lodged in bushes along the Solent shore. Much of this is more than ten years old.

After a while it melds with the landscape, remaining a risk to animals. Below, you can see what is typically brought in on the tide.

There is often the remains of one shoe. Have we come to accept the phenomenon of an errant flip-flop? The lettering on this one amused me.

We have begun to accept society’s cast-offs, but why so many plastic pegs?

Metal fish, their hooks elsewhere.

There is often a lot of blue. Perhaps it’s the recent prevalence of masks.

This mask was worn over the eyes, rather than mouth, but she’s wearing protective gloves.

This is a battle we all need to fight. The bottom line is that we can’t even use beaches if there is too much broken glass.

Be a litter hero and turn the tide on plastic pollution. Day by day, we’ll get there.

My helpers on a Solent litter-pick

To see a collection of the weirdest this found on a Solent beach clean, please click here.

The charity Keep Britain Tidy is asking everyone to join their million mile litter picking mission #GBSpringclean – Please click here for details

Litter Pickers of the New Forest Beach Picker of the Year 2020

Points to add to the 3rd edition of ‘The Secrets of Making Swallows and Amazons’ (1974): Part five

Imdb, the International movie data base, list Billy Mayerl’s composition ‘Marigold’ as being included in the original film of ‘Swallows and Amazons’. This intrigued me. I looked up the music as I couldn’t think where it had been featured. Listen to the original version and see if you can recognise it:

The famous variety and radio entertainer Billy Mayerl playing ‘Marigold’ and other melodies

It was ‘played’ on the radio in the chandlery in Rio, laid over the scene when the film was dubbed at Elstree Studios. We didn’t hear it when we were in the actual shop.

Sophie Neville, Suzanna Hamilton and Simon West inside the chandlery

The Swallows bought ‘grog’ (ginger beer) and rope for the lighthouse tree. Postcards and wicker shopping baskets hung in the chandlery, which had weighing scales on the counter.

The general Store in Rio
Sophie Neville in Rio with four bottles of grog ~ photo: Daphne Neville

This shot was taken during the filming on the corner of Woodland Road, Bowness-on-Windermere during the filming in June 1973. I wonder who the people in the background were – possibly members of the film crew. The man in the blue top looks like Gareth Tandy the third assistant director who would have been asking passing traffic to wait while filming was in progress. The building looked like this in 2012 but I need a more up to date photo.

Once Tom Kirkbride’s cobbler’s shop, later Mr Cropper’s sweet shop selling rainbow sherbet, Andy Dyker’s Fine Furnishings, a hairdressing salon and now a wood-burning stove showroom

Jenny Maconchy wrote in to say, “It may be of interest that we still have the bamboo fishing rods that were used in the film. They belonged to my father Leslie Borwick and lent to the film crew. They are rather worse for wear but still treasured as I was a big fan of the books when I was young. Unfortunately I was living abroad when the film was made so have no memories of it.”

The Swallows fishing for perch on Elterwater (c) StudioCanal

As a boy, Arthur Ransome had his own perch rod with a colored float to use at Nibthwaite. Towards the end of the filming, Claude Whatham gave Simon West a similar fishing rod, which Ronnie Fraser taught him to use on Derwentwater.

Ronald Fraser behind-the-scenes on Swallows and Amazons (1974)
A member of the Arthur Ransome Group wrote, "I did not realise that the Lakeside Railway had only just re-opened in time for the filming. Of course, although Lakeside Station does get a mention in one of the books, it was the Windermere Station where the Swallows always travelled to. Although Lakeside Station would have been far more convenient from Beckfoot,the Great Aunt always insisted on Windermere as it meant less changes for her. Incidentally both Lake Windermere and Coniston Water had rail connections years ago (which is the likely route for the slate from Slater Bob’s mine although this is not mentioned being outside the scope of a childrens’ story).
With Virginia McKenna at the Haverwaite Railway Station
Viginia McKenna at the Haverthwaite Railway Station in Cumbria soon after it re-opened in May 1973. Simon West, Suzanna Hamilton, Lesley Bennet and Sophie Neville are with her. The carriage with compartments is in the background ~ photo: Daphne Neville

“‘Swallows and Amazons'(1974) was instrumental in helping me through a very stressful period of my life, and writing was a great healer for me. The results of my efforts are in the The Arthur Ransome Society library : ‘Prospectors Afloat’ and ‘Coots in the North’ a completion of the short portion which was published. I will be obtaining ‘The making of Swallows and Amazons’ and no doubt many more of your other publications in due course.” Charles H Ball

The Swallows at the Lighthouse tree Lookout point
Simon West, Suzanna Hamilton, Sophie Neville and Stephen Grendon as the Swallows on Wild Cat Island

I’ve just read that in Zulu folklore, the swallow is known as Inkonjany – the one who points the way to summer. “The swallow, and other birds like it, is regarded by our people as a symbol of effort and hard work as well as of unity, because you will see these birds gather together in large groups as they come and go. The name Inkonjany means the little pointer, and it comes from the verb komba, which means to point out something. It was said that if you saw a lot of swallows in the sky, it meant that the summer and the harvest would be very good.” I felt this applied quite well to the Walker family migrating north for their summer holiday and working hard as being the best crew they could be.

One of the film fans has called her hens Titty and Nancy. I’m sure Mrs Jackson would approve. Do use the comments box below to write in with any connections you have to ‘Swallows and Amazons’ and the original film.

You can read more in ‘The Making of Swallows and Amazons’ available from libraries, bookshops or direct from the publisher . The Nancy Blackett Trust have signed copies and it can be purchased online here:

There is also a similar multi-media ebook entitled, ‘The Secrets of Filming Swallows and Amazons'(1974). You can see inside the first section for free here

Points to add to the third edition of ‘The Making of Swallows and Amazons’ (1974) – part four

Windermere in the English Lake District

When I was last in the Lake District, I grabbed the chance to climb to the top of Gummer’s Howe to look down on the ‘Great Lake in the North’. Arthur Ransome, who once lived at High Nibthwaite, must have gazed at this exact, same view. ‘Native shipping’ was passing a wooded island and a bay where I could see a yacht was moored. It was like looking down on the chart I once drew for the original film of ‘Swallows and Amazons’ first screened in cinemas forty-seven years ago in April 1974.

Looking to the south, I could see Lakeside Station and the Haverthwaite steam railway running alongside the River Leven where we began filming back in May 1973. The renovated line had only been running for two weeks but we were instantly transported back to 1929, when Ransome wrote the book in a grey barn nearby.

Blake Holme, one of the wooded islands on which Wild Cat Island was modelled

Michael Johnson left a comment on the Arthur Ransome Group Facebook page saying, ‘The Lakeside & Haverthwaite is a lovely line, but frustratingly slow. It’s such a short line that the journey would be over within a few minutes even at a modest speed, like 25mph. Drivers are under standing instructions to drive at little more than walking pace so the journey takes at least 15 minutes. That way everybody thinks they’ve got their money’s worth!’ I hadn’t noticed when travelling on the line myself a few years ago.

The River Leven and southern end of Windermere in Cumbria

Ransome wrote: ‘Windermere is the lake, a bit disguised’ although he used many locations found on Coniston Water that perhaps he wanted to keep more secret. However, it is clear that Rio is his name for Bowness-on-Windermere, which I was able to explore recently. This was the jetty where the Boy Roger was left guarding Swallow.

Bowness-on-Windermere

Charles Elliot from Bowness remembers us, “filming in the bay with some actors in a rowing boat. There was no security so I walked down the jetty right behind the camera.” Was this captured by the Guardian newspaper here?

It’s possible find some of the locations and even some of the traditional boats that appeared in the movie. The natives may be able to help you. Brian Salisbury said, “The village store was my grandfather, Tom Kirkbride’s cobblers shop from mid-1930s to mid-1950s.

Woodland Road, Windermere

Stan Cropper took it over and added the LH extension.” He said of our set designer, “They did it up with the original red wooden finish.” The cat was called Rusty.

Simon West as Captain John in ‘Swallows and Amazons’ (1974) – StudioCanal

After he posted this photo on Facebook, Harry Hodgson wrote to say, “I remember looking at all the 1930’s products in the windows.”

This behind-the-scenes cine footage shot by my father in 1973 shows the film extras getting off the coach at Bowness and a scene being shot on the jetty:

Stephen Newton and Phil Procter would go and watch the filming in their dinner break from Borwicks Aquatics. “There was a band playing in the bandstand and a bloke on a pushbike with a front box selling ice cream. You can see this in the film when the kids are on the pier in the background.”

Windermere skiffs at Bowness-on-Windermere

In many ways, the 1974 film ‘Swallows and Amazons’ has become a touchstone to re-set our lives. Nigel Young writes: “On arrival back from touring, I’d get to Oxenholme station and rush home, change into my boots and head to the hills passing through Bowness…. I’d look across the lake and count the trees on the small beach, seven in all? and in my mind’s eye try to place the bandstand which features in the film so prominently. I’d look for the jetty where Roger was confronted by a blazered gent in whitened shoes asking him about his boat and think… ‘What have they done with it?’  

Lakeland steamers embarking from Bowness-on-Windermere

“Then I’d look at the landscape and note all the changes since the making of the film before heading home where I’d immediately put the film on, grab a glass of white wine and just sit and watch it, getting transported back in time to another way and another space, but that space still exists in some strange dimension for me, and I feel in touch with the lakes and in touch with a past I can totally relate with.  John wears one of those stripy  S buckle belts on his shorts.  I had one too!

Sophie Neville in Bowness, Cumbria
Sophie Neville, Simon West, Suzanna Hamilton and Stephen Grendon in Bowness in the summer of 1973

“You were well cast, almost as if you were a family before you all started and the cinematography, especially where the sailing sequences are concerned, is something out of this world. Whoever shot and edited the footage for the film were totally at one with the story and the locations…..   And Ronald Fraser !!  …well I would say he really did ‘Swim’ …… I was Principal of an Outdoor Education Centre on Windermere for over a decade and I am aware of just how cold the lake can be in winter or summer….and there goes ‘Ronald’ getting thrown off the plank by you guys into Coniston or Windermere which ever, they are both as cold as each other!”

To read a previous post on finding the film locations and taking the Lakeside and Haverthwaite steam train, please click here

Bowness-on-Windermere

You can read more about the film locations used in ‘Swallows and Amazons'(1974) in ‘The Making of Swallows and Amazons’ published by The Lutterworth Press who can send you a copy.

'The Making of Swallows and Amazons (1974)'