Life in 1973 – Part One

I have been writing about life in England fifty years ago, reflecting on how our lives have changed. Can you help me?

Sophie Neville at Elstree Studios in 1973
Sophie Neville at the EMI Elstree Studios in 1973

The big change seems to be in communications. In 1973 we were still queuing up to using coin operated telephone boxes in the street, asking the operator for Ambleside 2232. Letters and notes were written by hand. I learnt italic writing, so as to be clear. Manual type-writers used black and red stripped tape. Mistakes were obvious.

A fan letter

I’d love to receive comments (below) on how you remember aspects of growing up in the early 1970s. What did you eat then? Where did you go on holiday? What was it about 1973 that impacted you?

Jean McGill, Jane Grendon, Stephen Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan~ photo: Daphne Neville
Jean McGill, Jane Grendon, Stephen Grendon, Kit Seymour, Sophie Neville, Claude Whatham, Simon West, Lesley Bennett, Suzanna Hamilton, Ronnie Cogan in 1973

My husband remembers long hair, flared trousers and shirts with massive curved collars. I always longed for an embroidered t-shirt with wide sleeves or a cheese-cloth shirt but loathed the feel of acrylic jumpers and ribbed polo-necks. Stripy ones. The fabric could be so vile, we didn’t feel each other as much as we do now. There was much less hugging.

1973
Mum wearing a fluffy Donny Osmond hat

The food was pretty applauding. My friend Suzanna has just reminded me about the innovation of Italian cooking. Spaghetti was the highlight of our lives; a treat that we might have on Saturdays or for a party when red candles would be pushed into wine bottles and checked paper table cloths could enhance a Bistro image. However prawn cocktail was the pinnacle of popular aspiration, although us children preferred picking of the shells off prawns ourselves.

Daphne Neville in 1973
Daphne Neville in 1973

At parties you’d be offered chunks of cheese and pineapple on cocktail sticks stuck into a half a melon that had been covered in tin foil. I always rather longed for the melon.  Homemade beer was regrettably all the rage, along with freezing your own runner beans. The process was quite fun (we enjoyed sucking air out of the freezer bags with a straw) but the beans were stringy and disgusting.

My family thought having to bring-a-bottle to parties was a great idea but we loathed the fact that cigarettes were smoked everywhere you went. Unless you were in the garden where abysmal furniture design spoilt the view.

Dick Emery

Colour televisions were only just beginning to invade people’s homes. They were terribly expensive. We had to make do with our crackly black and white screen, watching Blue Peter, Animal Magic and Tony Hart  presenting Vision On with cartoons such as Marine Boy until Childrens’ Television ended with The Magic Roundabout just before Daddy came home from the Works in time for the 6 O’Clock News. I then bored myself rigid watching Points West and Nationwide before It’s A Knockout.

We were allowed to stay up to watch  Dick Emery , Benny Hill, and ‘Titter ye not’, Frankie Howerd along with dramas such as The Onedin Line.  There was one sit com starring Wendy Craig entitled Not in front of the Children, which of course we all wanted to watch. What influence did this have on our young minds?

Daphne Neville with Dick Emery 1973
Mum appearing as a member of the Salvation Army on ‘The Dick Emery Show’

Mummy worked for HTV West presenting an afternoon programme called Women Only with Jan Jeeming. She also read the letters on Any Answers?, which was produced by BBC Radio Bristol by Carole Stone. I was so impressed – amazed – to meet a female radio producer. Carole was one of the few who worked her way up from being a BBC secretary to producing Any Questions.

Women Only
HTV West Christmas Show presented by Bruce Hocking, Jan Leeming & Daphne Neville

Our holidays were spent camping in Wales. Packing for this took two weeks. We used drag an orange dome tent out of the airing cupboard and  slept on fold-up sun-loungers from the garden.

Sailing was all about Mirror dinghies, which you could buy in kit form and make out of plywood in the diningroom. We couldn’t afford one, but in the late 1970’s Dad bought a fibre-glass  Topper, which was the height of cool. He called it Earwig.

We had our photos developed at the chemist or sent them off to Tripleprint, so we could share the small version with others. Although they were bought by Bonusprint in 1979, I was a loyal customer until well into the 1990s and remain plagued by small photos I can’t quite bring myself to chuck away. We stuck them in scrapbooks made of green and blue paper. Here is a page of mine from the making of Swallows and Amazons.

Photographs in a child's scrapbook

My family were very keen on taking home movies. Dad usually took slides when we went on holiday, which were viewed along with the supper-8 footage at Christmas time when he pushed the furniture back, took down a painting and projected our memories onto the wall.

What have I forgotten? Do post your own recollections, especially of sailing and camping in the early seventies, in the comments below.

Dick Emery ~ walking social history

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Promoting the original film of ‘Swallows and Amazons'(1974) at the Lord Mayor’s Show fifty years ago.

Suzanna Hamilton, Stephen Grendon, Leslie Bennett, Simon West and Kit Seymour sailing the streets of London in 'Swallow'
Suzanna Hamilton, Stephen Grendon, Leslie Bennett, Simon West and Kit Seymour sailing the streets of London on polystyrene waves.

Our first major public appearance for the promotion of ‘Swallows and Amazons’ was The Lord Mayor’s Show . For the first time since the filming we climbed into our costumes and then into Swallow who had been mounted on low-loader.  Afloat on a float, we made ready to sail through the City of London.

Sophie Neville, Suzanna Hamilton and Lesley Bennett

It must have been early November and was so very cold before we set off that we needed to keep our own coats on. We were anxious this would spoil things for people. I’m sure it would not have made much difference. Did anyone know who we were?  The film hadn’t come out. We were riding on the wave that Arthur Ransome and his books were so well loved by the people of our nation.

Stephen Grendon, Suzanna Hamilton, Lesley Bennett, Simon West, Kit Seymour and Sophie Neville in Swallow. What is the building behind us?

What was fun, if a little odd, was that it was the first time, indeed the only time, that the Swallows and the Amazons had been in a dinghy together. As we were taken through the streets of London passers-by started to wave at us and we waved back. Soon it was waves all round. Being Titty, I had Swallow’s flag to fly. John let Nancy take the tiller.

Kit Seymour, Sophie Neville, Simon West and Suzanna Hamilton together with huge crowds of Londoners ~ photo: Daphne Neville

We were amazed to find huge crowds of people had gathered and that it was all rather fun. I don’t know why but Sten must have joined my mother on the pavement by the time this shot was taken. I can see the back of his head in this next photograph. He is wearing the tartan hat Claude Whatham bought him at Blackpool fun-fair.

Jeremy Fisher Frog was leaping about in front of us, which was rather amazing. With him danced other representatives from the Tales of Beatrix Potter, The Royal Ballet’s wonderful feature film that also came out in 1973/4.  We were marking the 35th anniversary of EMI, whilst bringing the Lake District to London Town, which is something we all could celebrate.

Tamzin Neville meeting Mrs Tittlemouse

Since we didn’t have to talk to anyone, we were able to enjoy being involved in the pageant, which included so many icons of British Life.

I hadn’t met a Pearly Queen before, but there was a whole clan of them in their glorious suits, lovingly embroidered with mother of pearl buttons. I resolved to collect enough to adorn my own jacket. My favorite view was of HM the Queen’s gold state coach pulled by her lovely white horses, six in hand. I’d been to see them at the Royal Mews when we came up for my first interview at Theatre Projects offices in Longacre when I first met our director Claude Whatham.

My mother took a photograph of the Queen’s Drum Horse. Much later she found that he was a stallion, on offer as part of a British Horse Society breeding improvement scheme. He was brought over to service her Irish mare Gerty. The result was a lanky skewbald called Nimrod, an enormous gelding who Andrew Parker Bowles rejected on behalf of the British Army. This proved an error. Like most heavy horses Nimrod was just slow to grow. He eventually became a national dressage champion, although not in our hands.

The Queen’s drum horse who sired our foal, Nimrod

We have one last photograph which shows that the float in front of us depicted an EMI film crew, with 2K lights, a camera and technicians. It is studing this photograph that made  me feel that we were not in Swallow as the transom seems so differnet. I don’t suppose anyone else noticed.

Funnily enough I was in a boat for the Lord Mayor’s Show this year.  We rowed up the Thames in the Lord Mayor’s procession on Saturday 12th November.

I am on the crew of the Drapers’ Barge, Royal Thamesis a 33  foot shallop, which I last rowed on the tideway for the re-creation of Nelson’s funeral covered by Sky TV. You may have seen her taking part as the in the Queen’s Jubilee Pageants. We have been asked to take part in the procession of boats that heralds the Lord Mayor’s Show this coming November.

Sophie Neville rowing The Drapers Barge
The Drapers’ Barge ‘Royal Thamesis’ taking part in the Lord Mayor’s Show

This colour footage shows various aspects of the Lord Mayor’s procession in 1973 including the Queen’s Gold State Coach built in 1762 and a float with Daleks, which must represent Doctor Who, a series I worked on about ten years later when at the BBC.