Tag Archives: Elterwater

‘It must be Niagara’…Dixon’s Farm and walking up to the charcoal burners ~ while ‘Swallows and Amazons’ in 1973

Sophie Neville at Elterwater

Sophie Neville by Elterwater in 1973 ~ photo: DJ Neville

My mother was very excited about meeting the actress Brenda Bruce who Claude had engaged to play Mrs Dixon. She had arrived on 10th June whilst we were filming the fishing scene at Elterwater where she found Claude keeping up our moral by wearing my mother’s Donny Osmond hat. I think he needed it for warmth. It was unexpectedly cold. I can remember being worried that Brenda Bruce would be chilly as she was only wearing a blouse and flip-flops. Now I understand that she ‘was of a certain age’ and didn’t feel the cold quite so much as skinny twelve-year-olds with opinions.

Brenda Bruce

 I shouldn’t have been worried about Mrs Dixon. She looked wonderful in the film – was wonderful – and very comfortable in her nice clean dairy. I had no idea that Brenda Bruce was so well-known, that BAFTA ~ the British Academy for Television Awards had named her Best Actress in 1963. “Yes, you do!” Mum said. “She was the White Queen in Alice Through the Looking Glass.”  She’d actually worked for Claude quite a bit and he trusted her to play a small part well.  When I look back on Swallows and Amazons I can see that he made sure it didn’t become chocolate-boxy. You can tell by glancing at Mike Pratt’s costume. Mike Pratt who played Mr Dixon the provider of worms for our fishing bait, the lovely Lakeland colours of his garments contrasting with the harsh blues and reds of our 1970’s clothes.

What Richard Pilbrow and Claude Whatham did want to make the most of was the Westmorland scenery. In many ways they were making a landscape movie. I think what they most enjoyed was finding all the locations to put together Arthur Ransome’s imaginary lake as depicted in the end pages of Swallows and Amazons and I am often asked where the waterfall is. “It must be Niagara!”  No, Sophie. It’s somewhere near Elterwater.

Kevin Burn sent me some suggestions with photos which made me feel pretty sure the actual waterfall is Skelwith Force. But Roger Wardale, who is an expert on Arthur Ransome’s locations, thinks not. “I don’t think it’s Skelwith Force which is more a series of rocky rapids in fairly level ground. I watched the film again yesterday and was reminded of the waterfall at Glen Mary (otherwise known as Tom Gill) the outlet for Tarn Hows dropping down to the Coniston-Ambleside road 4 miles from Skelwith Bridge.” So – any ideas most welcome!

What I can’t remember where Dixon’s Farm was filmed. The scenes set at Jackson’s Farm, Arthur Ransome’s  ‘Holly Howe’ were shot at Bank Ground Farm by Coniston Water, but all I know about the location for Dixon’s Farm is that our tutor got terribly lost trying to find it…

Geraint Lewis of the Arthur Ransome Trust has written to confirm Kevin Burn’s theory about the location we used for Mrs Dixon’s dairy. ‘I had a long conversation once with Lucy Batty about her recollections of filming at Bank Ground in the house, barn, etc. She confirmed that they used the buildings shown as Tent Lodge Cottages on Google Maps – as Dixon’s Farm. That certainly seems to fit from the view of the lake and shoreline trees in the background.’

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, David Wood, Diary, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story

The third day of filming ‘Swallows and Amazons’ in the Lake District in 1973

At Beckfoot: The Amazon’s garden and boat house ~

Day 3 of the diary

Day 3 of the diary  page 2

The Amazon’s time had come. In the script, the short scene where Nancy and Peggy careen their dinghy is set in the Amazon boathouse, but Claude Whatham shot them scrubbing the underside of their dinghy on the lakeside with Beckfoot behind. Nancy threw a bucket of water over him for his pains. It was a complete accident.  She actually chucked the water onto the bottom of the boat but it splashed back.  He was squatting below the camera to the bottom right and got well and truly soaked by what must have been very cold, lake water. Kit Seymour roared with laughter and he took in it good spirit but only up to a point. I don’t think he had anything else to wear.

David Blagden, David Cadwallader, and David Bracknell looking at the Amazon’s bottom with DPO Denis Lewiston in the backround with the Panavision

I was a conscientious child and keen not to fall behind with my school work.  Children under the age of sixteen have to be issued with a licence by their local education authority before they can act in films.  Mum, who was our legal chaperone, decided it would be quite fine if we did fifteen schooling hours a week rather than a minimum of three hours a day, as stipulated in the rule book.  I spent the day catching up in our school bus.

Mum was equally fluid about the time we spent on set – or indeed on location. Sten Grendon, who played Roger, was aged nine. I now know he was meant to go home every day at 4.30pm but we all returned together whenever it was deemed practical. But his mother, Jane, was with him and if ever there was a child who needed to expend energy it was Sten. Sending him back to the Oaklands Guest House early could have endangered the people of Ambleside.  It did us a lot of good to work hard, and cope with real, if channelled, responsibility.

We were all busting with energy, so much that I grazed my leg badly climbing a tree at lunch time that day. Claude put a stop to any more tree climbing as a result. He couldn’t risk any of us getting injured. My sister Tamzin Neville broke her ankle when she was in the middle of playing Anthea, the leading role in a BBC serialisation of E.Nesbit’s  The Phoenix and the Carpet. It could have been a disaster but she wore long Edwardian dresses with petticoats that covered up her splint. My legs were fully on display in Swallows and Amazons. If I hadn’t have been wearing dungarees when I climbed that tree the world would have seen the scratch.

I can remember admiring the large house featured as Beckfoot, the Blackett’s house on the lakeside, and wandering past towering the rhododendrons in the garden, but I have no idea where is is.  Christina Hardyment felt that Arthur Ransome must have modelled Beckfoot on Lanehead, the Collingwoods’ house on the East of Lake road above Coniston, but the film required a big house with lawns going down to a lake.  I don’t have the call sheet for that day. Can anyone tell me where the location was?   Is it on the south western shore of Coniston?  And is the Amazon Boathouse in the same place?  My mother thought it was at Elterwater but John Ward has written in to say that the ‘big house’ was Brown Howe House on the western Shore of Coniston Water south of Peel Island. The boathouse is also there on the edge of the lake.

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I have just found an article in The Times which includes an extract from Kit Seymour’s diary:

‘This is the day I had been waiting for. The Amazons had at last begun filming. We got changed and had to be made up sunburnt. We then rehearsed what to do. We did the second scene. I quite accidently threw a bucket of water at Claude. After lunch we had to film the interior of the boat house. Peggy had to say, ‘Not a breath of wind.’ This was quite funny becasue our hair was flying about everywhere. They had to film this scene quite a lot of times.’ 

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, David Wood, Diary, e-publication, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Letters, Memoir, Movie, Movie stories, Richard Pilbrow, Swallows and Amazons, truelife story