Tag Archives: Dr Frankland

Secrets of filming ‘Swallows and Amazons’ on Peel Island, Coniston Water ~ in 1973

Arthur Ransome’s description of Wildcat Island is based on two real islands. The landing place and open grassy camp site illustrated in the books can be found at Blake Holme on Windermere but when Richard Pilbrow went there in 1972 he was so disappointed by the sight of caravans, and the fact it was so near the shore, that he decided to make the film almost entirely on Peel Island where you find Ransome’s Secret Harbour. We never went to Blake Holme.

It was Peel Island on Coniston Water where the real Swallows, the Altounyan children, camped. Roger Altounyan told Bill Frankland that he secretly spent the first three nights of his honeymoon camping there. It must have been magical. We loved going there – it was hugely exciting, even in the rain. There is something about the steep sides, which makes it like a fortress, the ancient Viking settlement WD Collingwood believed it to be.

Had I been producing Swallows and Amazons I would have used Peel island for the unique Secret Harbour but used the peninsular nearby on the mainland for the landing place, if at all possible. There is a nice open beach there and one wouldn’t have had to lug all the heavy paraphernalia of filming over the water – you can imagine time and effort  involved in taking a 35mm Panavision camera across with its mountings and track. I don’t know how they powered the arc lamps we needed to light the campsite, which was quite dark beneath the trees.  They must have run the cables under water. We loved crossing over there but getting us back for lessons and lunch wasn’t easy. There was no loo.

Sophie Neville, Simon West, Suzanna Hamilton and Stephen Grendon on Wildcat Island in the scene where the Swallows find a place to camp

But – the wonderful thing is that now, when children reach the island, nearly all the places from the film are there. The Landing Place has nearly washed away.  We never knew it at the time but one great secret is that it was created for the film. They must have dumped a huge amount of shingle there.  The other secret is that there weren’t actually enough trees for the Swallows to erect the tents their mother had made for them. Two had to be added by the construction team. Arthur Ransome’s tents are not as easy to put up as you’d imagine. It is difficult for children to get the rope taut enough between the trees to take the weight of the canvas. You need to use wagon knots or twist it with a stick. If you tie the rope too high the tents ruck up. The reality was that Suzanna had Bobby-the-prop-man to help her.

One thing that is not a secret, but can take you unawares, is that there never seems to be any firewood on Wildcat Island.  It is the reason why the Swallows went to the mainland in the book. Roger really did struggle to find sticks to pick up on that wet day in May. Mine were carefully set out for me to find by the Designer.  Poor Roger did fall over and he did get quite badly scratched by thorns. Claude gave him a bit of  ‘Danger Money’ for being brave about it and not complaining.

Stephen Grendon playing young Laurie in the BBC Play ‘Cider with Rosie’

I’m not sure if Sten had ever received Danger Money when he played Laurie Lee in Cider with Rosie, which Claude had made two years before. We watched it that night when it was broadcast on television. It must have been shown quite late as it was was labelled as avant garde.  We had to stay up as of course VHS machines hd not been heard of.

Rosemary Leach played Laurie’s long-suffering mother, Mrs Lee, quite beautifully. She was later to take the role of Mrs Barrable, the Admiral, in the BBC series Coot Club. Mike Pratt, who played Mr Dixon in Swallows and Amazonswas Uncle Ray, and Young Billy – John Franklin-Robbins was The Stranger.  Claude cast me as a little girl from Slad called Eileen Brown, who Laurie Lee always said was the first person he ever fell in love with. He was a friend of Mum’s and was around during the filming, since he still had a cottage in Slad. I’d been to a village school in the Cotswolds myself and enjoyed being in the classroom scenes, despite have to wear a drab and rather itchy green dress.

Sophie Neville with Claude Whatham on location at Slad in 1971

I was too shy to put myself forward when Claude asked if anyone knew the chants to playgound skipping games, but I did work hard to prepare for my big scene. I had to play quite a difficult piece on the piano, accompanying the ten-year-old Laurie Lee as he sawed away on his violin at the village concert, while his motherlooked on with tears in her eyes. I was only given the music three days before the filming and had to practice eight hours a day, for those three days, before I got it right. We plodded through Oh, Danny Boy but were so relieved to get it right that our smiles were real enough. At one point Claude took a deep breath and said, ‘Do you think you could play a little faster?’  I looked at him and replied, ‘They’re crochets. They don’t go any faster.’ He claimed that he didn’t know what a crotchet was.

Wilfred Josephs, who was familiar with crochets, wrote the most beautiful music for Cider with Rosie. You can listen to some of it on You Tube ~

Sophie Neville as Elieen Brown and Philip Hawkes as Laurie Lee in ‘Cider with Rosie’ directed by Claude Whatham in 1971.

4 Comments

Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Diary, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Letters, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story

Serendipity

or Swallows and Amazons Forever

Serendipity [ser-uh n-dip-i-tee] an aptitude or faculty for making desirable discoveries by accident

Serendipity indeed.  The word has been quoted to me so many times that I’ve started to take note.  The serendipit in question connects me to a rather large, bald man with massive moustaches called Arthur Ransome.

In March 1973 my father was sent a letter, completely out of the blue:

We are at present casting for a film version of SWALLOWS AND AMAZONS which Mr Whatham is going to direct. We were wondering if you would be interested in your daughter being considered for one of the parts in this film.  Amazing!

Sophie Neville as a child

Sophie Neville as a child ~ photo: Martin Neville

To gain a part I had to be able to swim well. I think this was to do with ensuring I was unlikely to drown.  As it happened I could row, sail and swim.  My parents had taught me. I can’t remember Claude Whatham asking me about this when he interviewed me. He wanted to know what my favourite Television programme was.  ‘Blue Peter!’  ‘Why?’,  ‘Because they show you how to do things.’ It was exactly what Mr Whatham wanted to hear. Why?  Because that is what Arthur Ransome does in his books. He doesn’t tell.  He shows his readers how to sail. And how to camp. By the age of twelve I had already read all eleven books in the series and loved the stories. What I didn’t know then was the effect they would have on the rest of my life.

By May 1973 I was on my way up to the Lake District to play Titty Walker in the feature film being produced by Theatre Projects and distributed by EMI.  I didn’t think I was right as Titty at all.  In real life Titty had been Anglo-Armenian and grew up in Syria. The illustrations show her with dark hair, cut in a bob. And I thought of myself as far more like the practical Susan, Titty’s older sister.  However I was assured that I could play Titty and I did. Able seaman Titty, crew of the Swallow. Thankfully they cut my straggly blonde hair and I sang out the dialogue that I already knew off by heart from reading the book, ‘I expect someone hid on the island hundreds and hundreds of years ago.’

Sophie Neville with Suzannah Hamilton and Simon West sailing Swallow 1973 ~ photo copyright Canal et Image

How the real parrot arrived on my shoulder I can’t quite remember but within months of returning from Coniston Water I had a green and yellow parrot of my own.  I think he had outlived his owner and was given to us to keep.  He was good company and very chatty. I adored him and could take him anywhere. When I was asked to be in Animal Magic to talk about the film he sat on my shoulder while I was rowing a boat, and I think did most of the talking.What I didn’t realise was how themes from Arthur Ransome’s life would follow me through the rest of my life.

Swallows and Amazons LP

When the time came for me to matriculate I went to Collingwood College at the University of Durham.  The name resonated later when I discovered that W.D. Collingwood’s grandchildren were the real Swallows. W.D. Collingwood was an archaeologist living above Coniston Water, where the books are set, and had excavated Peel Island– or Wild Cat Island– finding the remains of a Viking settlement there. Some one had hidden there hundred of years ago.  WD Collingwood Titty’s Gransfatherstudied at the Slade, as did my own grandfather HW Neville. He may have been there at the same time as Titty’s mother Dora Collingwood.

Arthur Ransome won a Kitchener Scholarship. Years later these rare awards have been won by both my niece and my nephew. When Arthur Ransome first lived in London, he had digs in Hollywood Road. When I moved to London I shared flats with friends, first in Tregunter Road, then Harcourt Terrance, which ware merely extensions of Hollywood Road, which is off the Fulham Road in West Brompton. I had gained a graduate traineeship at the BBC. The first drama series that I worked on was Swallows and Amazons Forever! an adaptation of Arthur Ransome’s books set on the Norfolk Broads, Coot Club and The Big Six. It was not a chance thing, I contacted the Producer and asked if I could work on the series, but the fact that I’d heard about it was unusual, and amazing really that it was made that year when I was available to join the production team. I had first worked with Rosemary Leach, who played The Admiral – Mrs Barrable, when she starred, not as Missee Lee, but as Mrs Lee in Cider with Rosie. I later found myself working with William the Pug dog on Eastenders when he featured as Ethel’s ‘Little Willie’ . It was such fun to see him again. He was a playful little dog with a great sense of fun.

Swallows and Amazons Coot Club and The Big Six

Coot Club and The Big Six

The first documentary I directed for the BBC involved an adder. I was filming in at a Nature Reserve in Dorset with a group of children who came across one immediately. It was huge, a black adder. The Billies would have declared this a great sign of luck. I’m not sure I thought much about Swallows and Amazons, over the next few years but I did film at a school in Cumbria and loved being back in the Lakes.

After working at the BBC for eight years I fell ill and, much like Arthur Ransome, had to abandon my full time job to work from home.  Like him I had a yearning to spend as much time as possible in the great outdoors and chose to live in the wilderness. I spent my time exploring southern Africa, camping and cooking on fires.  Of the subjects I’d studied at university the ones I most enjoyed were cartography and water-colours. I started to earn my living by drawing birds, animals and decorative maps.  The maps usually depicted game reserves and involved giving names to landmarks as places of interest, just like Titty’s maps. I must have drawn forty maps in the style of those on the original cover of Swallows and Amazons, using the same borders and style of lettering. And I kept diaries, writing just as Titty would have done. I also worked freelance for the BBC, mainly setting up wildlife programmes.  A rye smile did pass my lips when I was asked to find South African items for Blue Peter. I was thinking back to my first interview at Theatre Projects with Claude. They came to South Africa for their summer expedition one year, and it was I who sent them off to film the Outspan harvest and wild dog puppies in the Kruger National Park.  After a while I fell into the pattern of flying back to England at Easter time and returning to Africa in the autumn.  This was partly through choice, partly to comply with visa regulations and work commitments. I’d migrate every year with the swallows.

When we were making the feature film of Swallows and Amazons my mother looked after all six children.  The girls playing the Amazons, Nancy and Peggy Blackett, needed to learn how to shoot with a bow and arrow.  My mother taught them.  She had learnt how to draw a long bow when she was first married, and was encouraged by an ex-Olympian called Bertie. I became interested too, which stood me in good stead as the next part I had in a feature film was playing Liz Peters, a fictional archery champion.

Thirty years after the premier of Swallows and Amazons I had flown back from Africa and was staying at my parents’ house, when a lady arrived from Korea.  She timidly knocked on the door, explaining that she was translating Swallows and Amazons into Chinese and would love to talk to me about the book.  She came bearing gifts: a hand-quilted wedding bedspread and a pile of silk garments amounting to a bride’s trousseaux.  It was a week after I had met my husband-to-be. At that stage he had not even asked me out and I had no idea we would marry. I’d met him at the archery – shooting with my bow and arrow. He was Bertie’s grandson. My three sisters have never been a bit interested in archery. If I hadn’t been enthused by Swallows and Amazons, and consequently taken it up to play Liz Peters, I would never have met my husband. I still have the wedding quilt.

Sophie with her husband on the coast of South Africa

And then I met Dr Frankland, a Harley Street Consultant who was to become an historical adviser on a script I was developing.  I soon learnt that Bill Frankland had been a good friend of Roger Altounyan and knew his sister Titty.  As young  men they both worked for Alexander Flemming.

Roger, Titty and their elder sisters Susie and Taqui were W.D.Collingwood’s grandchildren,  the real characters on which Arthur Ransome based the Swallows.  What I didn’t know was that Roger Altounyan became an allergist.  He developed the spin-inhaler, experimenting on himself.  Dr Frankland explained that he eventually died as a result. I was allergic to feathers as a child and prone to horrific asthma attacks. Not from parrot’s feathers but old pillows and eiderdowns. The Ventolin inhaler is something to which I probably owe my life. Dr Frankland, who is to celebrate his 100th birthday this March, still works as a Harley Street allergist and is often called upon to make broadcasts on Radio 4.  He instigated the pollen count, numbered Saddam Hussein as one of his most gratful patients and has been the expert witness at a number of murder trials.

Bertie’s Olympic bow now hangs on my stairs. I am still sailing dinghies, still drawing maps but thankfully no longer suffer from asthma. Harbour Pictures with BBC Films are now planning a new film adaptation of Swallows and Amazons. A whole new generation of children will be shown how to sail and camp and cook on open fires. I couldn’t be more thrilled.

 

6 Comments

Filed under 1973, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, e-publication, Film, Film Cast, Film crew, Film History, Filmaking, Lake District, Letters, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Swallows and Amazons, truelife story