Sophie Neville in Hampshire Life magazine

The April issue of Hampshire Life magazine has a four-page feature celebrating the 50th Anniversary of the release of the original movie ‘Swallows & Amazons’ (1974) in cinemas, which you can now read online here.

The link with Hampshire is that my father grew up in Lymington and learnt to sail on the Solent. I’ve lived in the county for twenty years, give talks at the Southampton Boat Show and meet the Nancy Blackett when she sails down to Buckler’s Hard on the Beaulieu River where my parents spent their honeymoon.

It feels odd being described as an actress, but it’s good to get a front page byline.

Great British Life have a Spring Offer for magazine subscriptions, which make a good present.

The books mentioned are for sale from the Nancy Blackett Trust and all the usual places online.

'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

Sophie Neville interviewed in the Church Times this month

Writer Sophie Neville on the Solent
Sophie Neville on the Solent

As the 50th Anniversary of the original film Swallows and Amazons (1974) approaches, Terence MacMath interviewed me for the Church Times. You can read the article here It is free to read online this March.

My book on travelling around southern Africa, Ride the Wings of Morning, was reviewed here

The Church Times also reviewed Funnily Enough. It can be found here 

Terence is interviewing Suzanna Hamilton next. We are being joined by Simon West, Sten Grendon and Kit Seymour to give a Q&A with Brian Sibley and David Wood before a big screen showing of Swallows and Amazons at the Cinema Museum on 6th April 2024 and will be going to the Swallows and Amazons Festival at Windermere Jetty on 29th and 30th June 2024.

Up to date information on forthcoming events can be found on the Events Page of this website here

Sophie Neville as Titty with Suzanna Hamilton as Susan
Sophie Neville with Suzanna Hamilton in Swallows and Amazons (1974)

A Writer’s Year – Highlights of 2023

2023 started with a bang when I learnt that I had won the Eyelands Book Award for an unpublished historical novel, but that wasn’t all.

My true life story ‘Funnily Enough’ came out out as an audiobook – available on Spotify, Audible and all the other platforms.

My guiding light Virginia McKenna was awarded a DBE . It is well-deserved. You can find photos and read more on this website here.

Since 2023 marked the 50th Anniversary of making the original film in the Lake district, I gave a number of talks and ran a series of #OTD – On This Day – social media posts. Having spent years in Africa, I am wrinklier than Swallows’s flag, but my hair has become darker. At least it is my natural colour.

50th Anniversary of filming Swallows and Amazons in the Lake District
50th Anniversary of filming Swallows and Amazons in the Lake District

The Arthur Ransome Society were able to acquire both Swallow and Amazon, the dinghies used in the 1974 film. Hunters Yard near Ludham on the Norfolk Broads, who already own heritage boats used in the BBC adaptations of Coot Club and The Big Six are making them available for hire.

Amazon will soon be available to hire at Hunter's Yard, Ludham
Amazon will soon be available to hire at Hunter’s Yard, Ludham

My WWII novel was shortlisted by both the 2023 Chanticleer Award for wartime fiction in the United States and Flash 500’s novel opening competition. Another won third prize in Louise Walters’ Page 100 competition, which was flattering.

But – I slipped on the Pembrokeshire coastal path – walking around a pile of fly-tipping – and broke my wrist. Six weeks later, I broke it again.

broken wrist in velcro cast

I was unable to type for a while. We ended up doing #NoMowMay, June, and July and I couldn’t go litter-picking until September.

I ran an online workshop for writers on photographing their books.

The author Wendy H. Jones interviewed me on The Writing and Marketing Show.

I attended the Romantic Novelists’s Association Conference at London University meeting an editor from Pan MacMillan.

and gave four talks on the Foredeck Stage at the Southampton Boat Show 2023

We had the iconic dinghy Amazon on display and I had a four-page feature article published in the national magazine Practical Boat Owner.

It was a great opportunity to meet sailing enthusiasts and speak in front of the camera.

Sophie Neville speaking at the Southampton Boat Show

I hugely enjoyed speaking at The British Christian Writer’s Conference at Ridley Hall in Cambridge where I met other members of Resolute Books.

I donated a signed copy of ‘The Making of Swallows and Amazons’ to the 2023 Children in Read charity auction, which raised so much for BBC Children in Need that I added a signed DVD and a number of other books to the package.

In December, we received the sad news that Richard Pilbrow, who produced the original film of ‘Swallows and Amazons’ died at the age of ninety. He would have been thrilled to know that the remastered version of the film was broadcast on television in Ireland on 23rd December.

Molly and Richard Pilbrow in 1973

We were hoping Richard could join us for the 50th Anniversary celebrations of the release of the film in cinemas. The screenwriter, David Wood, has organised Q&As at two screenings at the Cinema Museum in London on 6th April 2024.

Lakeland Arts and The Arthur Ransome Society are planning a Swallows and Amazons Festival at Windermere Jetty on 29th and 30th June 2024.

Other events and more details for 2024 can be found on my Events Page.

Come and join us in 2024!

Sophie Neville with Amazon, the dinghy from 'Swallows and Amazons'(1974)

Points to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ part nine

People often ask how making the original film of ‘Swallows and Amazons’ influenced my life. What struck me when I last saw the 1974 film trailer on Amazon Prime was that it begins with Titty saying, ‘The endless trek, through the Sahara Desert…’ In 1985, I did just that, crossing the Sahara on an expedition led by Charlie Mayhew, now CEO of the charity TUSK. I made my first documentary on the aid projects we worked on when we eventually reached Kenya. Had uttering those lines when I was little influenced my decision to drive from London to Johannesburg?

Sophie Neville on an endless trek, crossing the Sahara Desert – photo James Lindsay

People who know Arthur Ransome’s books are able to point out where the original film of Swallows and Amazons made mistakes. Janet Mearns noted that the Swallows ‘certainly didn’t take enamel mugs’ camping, ‘because they took extra in case of breakages.’ I had never noticed!

Andrew Clayton pointed out that, ‘Someone (Hugh Brogan?) Said that John was the lad he wanted to be. Titty, while based on an original person, carries some of his dreams and literary interests.’

Making a film while crossing the Sahara Desert in 1985

Peter Wright, former chairman of The Arthur Ransome Society, noticed that I sang ‘Adieu and Farewell’ instead of ‘Farewell and Adieu to you fair Spanish Ladies’ as the Swallows sailed from the jetty below Holly Howe. I now realize this mistake may have been due to the influence of ‘The Sound of Music’, which was the first movie I ever saw in the cinema. Captivated by the big screen at the age of four, I must have had the lyrics – ‘So long, farewell, auf Wiedersehen, adieu, Adieu, adieu, to yieu and yieu and yieu,’ imprinted on my brain.

I didn’t sing very well, but one of the secrets to the integrity of the film was that there was no vanity. None of us sought to further ourselves. Self promotion was an unknown concept. We had no personal agenda. We were not there for the money or any reason other than to live out the life portrayed in the books. All of us spurned the publicity and still find it surreal.

Someone also said how much they would have loved to live through a scene from ‘Swallows and Amazons’. We were fortunate enough to live through an abridged version of the book, which is what my parents hoped. It must have been one reason why my headmistress let me take a term off school to appear in the film.

Sophie Neville writing letters from Africa with the author Rebecca Hunter

Since then I went on to lead a ‘Swallows and Amazons’ style life, exploring unchartered territory, which isn’t always easy, I was touched when a fan of the books wrote:

‘Arthur Ransome has helped me through some very difficult times – when you are at your wits end to know what to do or where to turn, it is so refreshing to return to the Lake, or Norfolk, to a peace and tranquillity where  you can forget your problems and just enjoy the adventures of the Swallows, Amazons, D’s, Coots, wherever you happen to be.’

Sophie Neville
Sophie Neville in a vehicle that we submerged in Moremi. The shoes were later stolen in Mosambique, the Toyota in Johannesburg ~ photo: Rebecca Hunter

Nigel H Seymour wrote, ‘…every-time I put the ‘Swallow’s and Amazon’s film  on, I’m transported into another dimension and another time.  it’s so very refreshingly simple and innocent, it radiates with a romanticism and  happiness which has sadly been lost now for ever, but luckily we have the film and we still have ‘You’….. to keep the memory alive!’

The audiobook of 'The Making of Swallows and Amazons'
The audiobook of The Making of Swallows and Amazons (1974

David Wood, who wrote the screenplay for ‘Swallows and Amazons’ (1974), shares stories from filming ‘If….’ the British movie he starred in opposite Malcolm McDowell in 1973.

FILMING if….

David Wood OBE shares an insight into filming one of the most outrageous British films of all time.

Filming If…. is the first written memoir about the cult classic film with rather a short title directed by the talented Lindsay Anderson in 1968. David Wood co-starred as one of the three public school boys, alongside Malcolm McDowell (Mick) and Richard Warwick (Wallace), who led a revolution against authority. This was regarded by many as a metaphor for the social and political situation in the UK.

If…. celebrates its 50th anniversary this year. The book contains David’s memories of the personalities involved, the day-to-day challenges, and the reception given to the avant garde film, which won the Palme d’Or at Cannes. David Wood reflects the brilliance of Lindsay Anderson and his team. With a foreword by Malcolm McDowell and an afterword by George Perry.

Filming If…. has been highly endorsed and enjoyed by many:

…What a brilliant thing you have done, recalling what it was like being directed by the great Lindsay Anderson, and being part of this hugely important film and its dazzling cast.” – Joanna Lumley OBE

David Wood has written a wonderfully evocative insider’s view of the shooting of one of the best British films ever made.” – Sir Alan Parker

“If…. is a classic movie – I was at the première in 1968 and we all sensed it then… I’ve a feeling this book’s going to be something of a classic, too.” – Gyles Brandreth

“What are you waiting for? David Wood’s gentle memoir of the film and its legacy is required, one-sitting reading.” – Total Film Magazine

Copies are available from the author via Amazon: https://amzn.eu/d/9Cgiz0X 

Sophie Neville and David Wood appearing on CBBCTV

David Wood went on to write or adapt a huge number of plays, musicals, television programmes and feature films. The first screenplay he wrote was for ‘Swallows and Amazons’ (1974). He wrote to me with stories of working with the audacious Mrs Ransome, which I posted on this website here.

David’s movie ‘Back Home’ won a gold award at the New York Film and Television Festival in 1991. He went on to receive enormous acclaim in the West End, winning an Olivier Award in 2013 for his stage adaptation of ‘Good Night Mr Tom’, and the JM Barrie lifetime achievement award for his contribution to children’s arts in 2017. You can find his website here.

David and I caught up properly when we were invited onto the CBBC programme Cinemanics – which you can read about here.

David Wood on QuoteUnquote

The Make up designer Peter Robb-King adds points to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ part eight.

Sophie Neville being made up for the part of Titty by Peter Robb-King in 1973

Peter Robb-King, the Make-up Designer on ‘Swallows and Amazons'(1974) rang up to say he had my milk-tooth that had fallen out half-way through a scene with Virginia McKenna. ‘It’s in a metal film canister, which I’d taken to a dentist to try and get a replacement.’

He said that although not his first movie, ‘Swallows and Amazons’ was his first film when he was in charge of Make-Up design. ‘I hoped initially to work at the BBC but was turned down for being a man.’ It just happened that he went on a supernumerary training scheme for feature film make-up in 1968, starting on ‘The Avengers’.

He said the highlight of his career would be impossible to pin point, but he worked on some iconic movies including The Rocky Horror Picture Show, Legend with Tom Cruise and some of the Star Wars, Batman and Indiana Jones pictures. At one time he rescued a parrot while making an Indiana Jones film in Sri Lanka. ‘Three ring-necked parakeet chicks were thrown out of their nest by a crow and rescued by the animal handler. One was adopted by Stephen Spielburg, another by the production manager, while Peter and his wife brought up the third, which lived with them for twenty-five years.

Ronald Fraser as Captain Flint with Daphne Neville and Sophie Neville playing Titty Walker on Derwentwater in 1973

Peter knew Ronnie Fraser’s addiction to alcohol would be difficult for the crew to deal with but managed to get him in and out of the make-up caravan.

‘He wasn’t alone at the time. There were a number of screen actors at the time who you’d think would never be able to say a line but they’d end up word-perfect.’ He didn’t recall any difficult moments with Ronnie. Peter reckoned that one of the reasons why they didn’t make a sequel could have been Ronnie’s problem. ‘He may have damaged his own career. It’s difficult for the other actors.’ He thought it sad that there was never a sequel.

Ronald Fraser, Peter Robb-King (make-up) and Ian Whitaker (set dresser) on the houseboat in 1973
Ronald Fraser, Peter Robb-King (make-up) and Ian Whitaker (set dresser) on the houseboat in 1973

Peter told me that, ‘Denis Lewiston (the director of photography on ‘Swallows and Amazons’) was scared of green. He didn’t like photographing the colour green, which everyone thought hysterical since we were filming in the Lake District.’

Dennis Lewiston, director of Photography on 'Swallows and Amazons' ~photo:Richard Pilbrow
Dennis Lewiston, director of Photography on ‘Swallows and Amazons’ ~photo:Richard Pilbrow

Denis Lewiston, the brilliant cinematographer, has died but he was around to approve the remastered version of the BluRay and DVD of ‘Swallows and Amazons’ in 2014. After a long and fulfilling career he will be remembered fondly and admired for the numerous films he made, seeking excellence with every sequence.

To see some of the shots Denis set up for the film of ‘Swallows & Amazons'(1974) please click here for the BFI site. Peter assured me that a recent industry survey of children’s films rated ‘Swallows and Amazons’ (1974) as one of the best ever.

Peter Robb-King was one of the few people to formally retire from the film industry. ‘It’s very rare. Many people don’t retire. They just stop working.’ His daughter sent him a picture of him making me up on the set of Swallows and Amazons. ‘I remember what I looked like then, so it was interesting.’

The full story of ‘The Making of Swallows and Amazons’ is now available as an audiobook.

The audiobook of 'The Making of Swallows and Amazons'
The new audiobook

Points to add to the 3rd edition of ‘The Making of Swallows and Amazons’: part seven

The classic film Swallows and Amazons – currently streaming on Amazon – was made fifty years ago, and yet it still fascinates viewers. Here are a few interesting questions and points raised by Arthur Ransome enthusiasts that I ought to include in the next edition of my book written to accompany the remastered DVDs. It’s now out as an audiobook.

Roy Haslam wrote: ‘Must be a wonderful feeling to be connected to Swallows and Amazons that is loved by millions.’

I replied saying it could be overwhelming, but his comment made me think: If you could chose any movie to appear in what would it be? The amazing thing about the 1974 version of Swallows and Amazons was that we made it entirely on location. There were no computer graphics. There was no studio work until we reached the post-sync stage. We simply lived out the pages of the book.

Radio Times 1979 when ‘Swallows and Amazons’ was first broadcast five years after it was released in cinemas

Mike Clay thought, ‘for you children it must have been a confusing mixture of great excitement, frustration and boredom!’

It was in someways, but I would not say I was frustrated by anything more than falling behind at school. Missing the summer term put me in the second stream for Maths.

What’s new on Netflix

Hilary Dodd wrote: ‘I worked at the Warterhead Hotel at the time they were making Swallows and Amazons and the lead actors stayed there. Virginia McKenna, Brenda Bruce, Ronald Fraser, if memory serves. I was in charge of taking their order for dinner and generally making sure that they had everything they wanted in the restaurant. Miss McKenna was charming and treated all of us with courtesy, respect and politeness. The film company threw a big party at the end of filming for the locals as a thank you for the hospitality they received. We all worked incredibly hard but it was an exciting experience.’

‘Swallows and Amazons’ (1974) screened on Talking Pictures TV on 30th December 2021

David Thomson says he was sixteen at the time and a film extra in the Bowness scenes. ‘One member of the crew used the name Pierse Jessop when chatting up pretty girls in Ambleside.’ He was around on set but not a member of the film crew. As I remember, he provided the mobile loos.

A local lady told everyone she played Dame Virginia McKenna in the long-shots. I miss-spelt her name Toni Turner. It was Joni Turner. This idea could have been mooted as a possibility, but in the end there was no need for a double. Joni worked on set as Suzanna’s stand-in for a few days and is wearing Mrs Walker’s cardigan in one behind-the-scenes shot so she might have worked as a stand-in for Virginia McKenna, enabling the lighting cameraman to set up before the actors arrived on set.

Mike wrote that, “re-reading the stories virtually taught me to handle a dinghy. My thanks go to Arthur Ransome!”

Roger Sturge added, “Roger Altounyan taught my parents to sail in Mavis aka Amazon on Coniston Water in 1936.” He would have been aged about fourteen. “They always said while they were learning, Arthur Ransome would sail round them, but I’m not sure of the veracity of that… My first of many childhood adventures sailing on Coniston was in Amazon as a one year-old.”

…. a review of the DVD by Kieron Tyler who later observes, ‘it is also amusing watching… John (Simon West) bossing his younger brother and sisters about’, which is true! He read the wind, while we just sat in the boat waiting for orders.

Noel Flay Cass of The Arthur Ransome Group: ‘To put it in sailing terms, it can be very easy to think that you are a good sailor, or that sailing is easy, when the wind and tide are with you. It’s worth remembering that it might not seem so when you are always tacking against an ebb.’

Jennifer Bailey writes: ‘For the record, my daughter loves that you call out “Kill, kill!” approaching the houseboat. She finds Titty gratifyingly bloodthirsty.’

Neil Jeffery ‘Living on the coast in Cornwall as a child, I fell in love with the lakes first through your film and then the books! As a young child I so wanted a friend like Titty.’ He added, ‘I always escape back in time every year or so, most often with Swallows & Amazons. All classics, and probably led to my first career as a Deck Officer in Merchant Navy.’

You can watch the film trailer on Amazon Prime

The 1974 film was described as, ‘An escapade that brims over with laughter.’

‘I certainly think ‘Swallows and Amazons’ is top-of-the-crop of those made in 1973/74. The others haven’t stayed in the public mind anywhere near as long. I think ‘Swallows and Amazons'(1974) fully deserves the appellation ‘Timeless Classic’.’ Daivd Butters ‘You don’t realise how much thought and hard work goes into filming even a short sequence. I love the story about the sheep!’

I’m often greeted as a long-lost friend. It’s because characters in the stories have become friends to many.

Sekhmet of the Terven KPSS wrote that as a child, ‘I was so convinced that the Swallows and Amazons were all real people that I wrote to them to ask if I could go sailing with them. My mum kindly wrote me a postcard back from them. I recognised her handwriting, but it was still a lovely thing to do.’

One good thing about the film is that it helps us understand more about the book of Swallows and Amazons and subsequent novels in the series. Jon Blanchard writes, ‘I am just reading Picts and Martyrs noticing it is the only book where the Amazons appear without the Swallows. Then I wondered why the Amazons, unlike the Ds and Swallows, do not appear in a book on their own. And I came up with an answer. Nancy and Peggy are only seen through the eyes of the others. We get to see through the eyes of Titty, Roger and Dorothea and know their thoughts. We also see into the minds of Dick and occasionally John, although they are less interested in other people. But we do not get into the minds of Susan and the Amazons. Everyone looks up to Nancy and Peggy is her sidekick, so they would not work as the centre of consciousness in a whole book. All the others have doubts and anxieties however much they long for adventure, but Nancy never. There would not be any tension.

From Actress to Author a life in Creativity – an interview with Wendy Jones

The audiobook of 'The Making of Swallows and Amazons'
The new audiobook

I was interviewed about working in film and television on Episode 170 of The Writing and Marketing Show. You can listen it on Spotify here

On Apple Podcasts here or scroll down here to the podcast entitled: From Actress to Author: A Life in Creativity

This is a transcript of the notes I made to prepare for it:

It’s fifty years since ‘Swallows and Amazons’ was filmed on location in the Lake District, can I ask: how did you go about getting the role of Titty?

The extraordinary thing was that, as a normal schoolgirl, I didn’t do a thing. A letter arrived out of the blue inviting me for an interview. Forty years later, when I put an extract of my ebook on ‘The Secrets of Filming Swallows and Amazons’ up on Goodreads, one reviewer wrote that it was ‘a good idea for a novel but a bit far-fetched.’ They didn’t realise that my story was true.

The prospect of risking film finance on six unknown children must have been daunting. Claude Whatham the film director, knew both me and Sten Grendon (who played Roger) as he had cast us in the first BBC adaptation of Laurie Lee’s memoir Cider With Rosie, back in 1971. He’d given me the part of Eileen Brown because I could play the piano well enough to accompany Laurie Lee on violin in the parochial church concert. I stumbled through ‘Oh Danny Boy’ at an agonising pace but did exactly what I was told. You can still buy the DVD.

After my first audition for the part of Titty, a group of us were taken on a sailing weekend to see how confident we were in boats but I was never asked to read for the part as you might expect. There was no film test. It all happened very fast. The letter was sent on 30th March. By 14th May 1973, we were shooting the first scene with Dame Virginia McKenna playing my mother.

Virginia McKenna with Sophie Neville in Swallows and Amazons
Dame Virginia McKenna as Mother with Sophie Neville as Titty Walker

  • Tell us about your time on the set and the recording of the movie. The ninety- minute feature film was shot on 35mm almost entirely on location in the Lake District where we were based for seven weeks. The first set was a railway carriage, which was nice and warm. It was soon a twelve-foot dinghy out on Coniston Water when I wore nothing more than a thin yellow dress and a pair of navy blue elasticated knickers. The experience was usually chilly, and involved a great deal of waiting around, but we survived.
Sophie Neville with Suzanna Hamilton
Sophie Neville with Suzanna Hamilton
  • I’ve got to ask this, what was it like to work with Virginia McKenna? Dame Virginia was charming and brought us together as a family, helping me to concentrate on the story. I had a few scenes alone with her on Peel Island when Titty, who is pretending to be Robinson Crusoe, persuades her to play Man Friday. It was unexpectedly embarrassing because I lost a milk tooth halfway through one sequence and grew self-conscious about opening my mouth. I coped better when handling her boat. I’m longing to be invited on a chat show when they gather together all the film actors who’ve played Robinson Crusoe. I’m pretty sure that I’m the only woman who has embodied the character in a movie.
Sophie Neville as Titty
  • I’m curious, were you able to sail before getting the part or did you have to learn? I grew up by a lake and had crewed for my father so I was used to small boats, but it was Simon West and Kit Seymour who were the brilliant sailors. Their skill shines through and made the film great. Some of the maneuvers were quite scary.
Filming Swallows and Amazons (1974) from a camera pontoon

  • No one asked if I could row a boat and yet Titty rows in three crucial scenes. It’s more difficult than you might think when you have a Panavision camera onboard or are effectively towing the camera boat. We now have a modern dinghy which we sail on the Solent, with a little more attention to safety.
Nina Nannar with Sophie Neville on ITV News
Nina Nannar interviewing Sophie Neville for ITV News at Ten
  • If I remember rightly there weren’t a lot of life jackets in the movie. Was health and safety not such a concern then? The story is set in 1929, so none of us wore life jackets in vision. We could swim but the water was freezing and our wooden boat lacked buoyancy of any kind. My father, who was an experienced sailor, was not happy with the safety aspects and nearly took me home. We’d been fine while sailing free but nearly collided with the Lakeland steamer while Dad was dressed as a film extra, looking down on us from the deck. He insisted on a safety officer after that.
Sophie Neville at The Nancy Blackett Day
  • Are you still a sailor or do you feel that part of your life is over? The Arthur Ransome Society has just acquired both Swallow and Amazon, the clinker-built sailing dinghies used in the film, which are being restored for members to sail. I’m very much looking forward to taking them out on Windermere. I am also a member of the Nancy Blackett Trust who keep the first yacht that Arthur Ransome bought with his royalties from ‘Swallows and Amazons’. I’ve sailed her on the Orwell, on the Solent where I live, and through the inland waterways of the Netherlands. You too can join the trust and imagine yourself as one of the characters in Ransome’s books ‘We Didn’t Mean To Go To Sea’ and ‘Secret Water’ in which his yacht is cast at the Goblin. It’s wonderful reading those novels when you are on board.

  • I can’t help but wonder, how did your acting career help in your writing career? It helps when writing dialogue – and film scripts.
Sophie Neville directing a sequence with BBC cameraman Lorraine Smith
  • Why the change from acting to writing? As soon as I graduated from university, I went into television production at the BBC in London, where I began writing my first piece for Nicholas Parsons in 1982. I went on to write or edit about seven programmes that I produced when working for BBC Education. I only began writing books and articles in 1999 after turning professional as a wildlife artist. This was useful as I’ve been able to draw on my stock of illustrations including decorative maps, which always look good at the beginning of a book.
Ride the Wings of Morning by Sophie Neville
  • You wrote a book, which I am reviewing for the magazine, called The Making of Swallows and Amazons. What was it like revisiting your past in this way? I began writing that particular memoir as a blog using the diaries and scrapbooks that we’d kept on location as children. I was aided by other members of the cast, fans of the film and members of both The Arthur Ransome Society and Arthur Ransome Group on Facebook who helped me with historic detail. Once published, additional stories floated down from Cumbria, which was exciting. It’s now in its second edition and is out as an audiobook. I’ve been gathering information for a third edition and a book about the making of ‘Coot Club’ and ‘The Big Six’, a serial made by the BBC that I worked on behind the camera in 1983. The first three chapters have already been included in the DVD Extras package.

What does a writing day look like for you? I usually wake early, sit up in bed and write for two or three hours before the emails pour in. If possible, I’ll keep writing until lunchtime, but the admin of life tends to encroach on my time.

Let’s get personal, maybe a silly question for a sailor but on holiday do you prefer sea or mountain and why? Ah, you must read my book ‘Ride the Wings of Morning’. I enjoy summer sailing but prefer riding horses through the hills.

If you could go anywhere in the world to write a book where would it be and why? I’ve written most of my books in South Africa where the climate agrees with me. It’s easier to concentrate in the wild.

Sophie Neville on Triple 'B' Ranch in South Africa
Sophie Neville at Camp Davidson in the Waterberg

What’s your favourite meal? I’m a Celt – 57% Scottish with a bit of Danish blood. You’ll find me at the seafood bar ordering gravlax followed by a rare steak – preferably from stock reared on the moor.

Do you prefer keyboard or notebook and pen? I work with a notebook and pencil to start with, then bash away at my laptop, which is not good for the posture.

'Funnily Enough' by Sophie Neville
The original diary ~ Funnily Enough by Sophie Neville

Last question, which one of your books do you recommend to Mom’s Favorite Reads readers? I recommend ‘Funnily Enough’, based on a diary I kept about my family and the tame otters we kept. It’s light and amusing but says something about love and friendship. I hope it will inspire others to keep a journal or begin sketching. You’ll find an audiobook and a kindle copy illustrated in colour. I hope it proves a blessing.

You can read more about Wendy H Jones and contact her via her website here

You can find information on where to buy Sophie’s books on this website here

Was ‘Swallows and Amazons’ filmed on Windermere?

Swallows and Amazons map of Windermere

This question is often typed into search engines. Arthur Ransome was living at Low Ludderburn above Windermere when he wrote ‘Swallows and Amazons’ in 1929, setting it on ‘The great lake in the north’. Like me, he undoubtedly did a bit of wondering, and was inspired by many of the locations that can be seen from Windermere, envisaging the island Blake Holme as a model for ‘Wild Cat Island’ and Silver Holme as ‘Cormorant Island’ nearby.

Martin Neville aboard MV Tern on Windermere
Martin Neville aboard MV Tern on Windermere

The ‘native shipping’ on Windermere was brought to life in the 1974 film when the Swallows narrowly miss hitting the MV Tern.

MV Tern on Windermere was built in 1890 with a steam engine, converted to diesel in the 1950s, and is still operating today.
On the deck of the MV Tern on Windermere in 1973 ~ photo: Martin Neville

It was a tricky sequence to shoot and since Swallow lost her wind in the lee of the steamer she only just managed to turn in time.

You can read more about this near disaster in the diary I kept here

My father’s view of Swallow attached to the camera pontoon from his position on MV Tern ~ photo: Martin Neville

The other big scene was shot at Bowness-on-Windermere, referred to as Rio in the story.

Rio – or Bowness-on-Windermere in 1973

Steamboats such as Osprey and the Lady Elizabeth, who is currently residing at Windermere Jetty museum, appeared in the background.

The film crew of ‘Swallows and Amazons’ wait with Swallow and Stephen Grendon at the end of the jetty while Simon West, Suzanna Hamilton and Sophie Neville line up by the launch

Had we arrived in Rio? Arthur Ransome confirmed this in a letter to a young reader:

When the movie was made in the summer of 1973 the original green boat sheds, featured in Ransome’s sequel ‘Swallowdale’ were captured on film.

The Swallows row into Bowness - a film still available from StudioCanal
The Swallows row into Bowness – a film still available from StudioCanal

Is that the steam launch Osprey moored to the jetty?

Kit Seymour who played Nancy was watching the filming. You can just see the original bandstand with period cars parked in the background.

The bandstand and shelter on Glebe Road were also caught on celluloid, along with the traditional Windermere skiffs. You can see more photos of the filming on this website here.

The Price children, Perry Neville, Jane Grendon, Tamzin Neville and Pandora Doyle in their 1929 costumes on the shore of Lake Windermere at Bowness in 1973
The Swallows in Woodland Road, Windermere in 1973

After buying rope for their lighthouse tree in Woodland Road, the Swallows walk down Church Street past the Stags Head Hotel.

John, Susan and Titty walking down to the jetty

Other scenes were shot nearby, with the film opening on a steam train running along the River Leven on Lakeside and Haverthwaite Railway. You can add details about the locations yourself by contributing to the website Reelstreets which logs film locations in the United Kingdom.

Talking to the engine driver at the Haverthwaite Railway Station on the first day of filming 'Swallows and Amazons' in 1973 (Photo: Daphne Neville)
Talking to the engine driver on the first day of filming ‘Swallows and Amazons’ in 1973 (Photo: Daphne Neville)

When Richard Pilbrow, the film producer asked Mrs Ransome to point out more, she claimed the Peak at Darrien could be found on Windermere. She may have been thinking of a headland at Waterhead but in the end the opening titles shot was taken from Friar’s Crag on Derwentwater with the Borrowdale Fells in the background. The secret is that the 1974 film ‘Swallows and Amazons’ was also shot on Coniston Water, Elterwater and a lily pond near Skelworth Fold.

The Kirkstone Foot Hotel Ambleside in 1973
The Kirkstone Foot Hotel, Ambleside in 1973

In real life, Richard based his production office at the Kirkstone Foot Hotel near Ambleside at the northern tip Windermere and it was from here that we practiced sailing Swallow and Amazon in May 1973. Here is a description written by my twelve-year-old self:

Preparing for filming Swallows and Amazons by sailing on Windermere, written by Sophie Neville, when aged 12
Preparing for filming Swallows and Amazons by sailing on Windermere

Virginia McKenna, who starred in the film as Mrs Walker, was accommodated at the Langdale Chase Hotel on the lake. The wrap party was held there to the great excitement of children in the cast. You can see the view on the hotel website here.

Dame Virginia McKenna on Windermere in 1973 - photo: Philip Hatfield
Dame Virginia McKenna on Windermere in 1973 – photo: Philip Hatfield

The 40th Anniversary DVD includes an Extras package on the locations and you can read more in ‘The Making of Swallows and Amazons’, available online in different editions here or direct from The Lutterworth Press.

For mugs or other gifts showing my map of Windermere, please click here or here for the cream and green map

Swallows and Amazons mugs
Mugs printed with maps used to illustrate Sophie’s books

10 Tips for Photographing Books

On Sunday 16th July 2023, Sophie is giving an online talk on photographing books at a Summer Festival of Books and Writing, detailed on Facebook here. Please add your own to the comments section, below.

Funnily Enough – the paperback has black and white illustrations

Book reviewers and writers need a huge variety of photographs to illustrate blog posts and social media stories. I run informal workshops at conferences to show writers what can be achieved quickly and easily. It’s fun and we’ve had some great results. Many were simple but worked well.

'The Making of Swallows and Amazons (1974) by Sophie Neville'
Different editions of ‘The Making of Swallows and Amazons (1974) by Sophie Neville’

I use a spotlight and various props while authors bring along their books and publications. I help them to dress a shot to inspire reading and we snap away with iPhones, taking shots for summer reading and ‘Ideas for Christmas’.

We feature ebooks on Kindle or open a magazine to showing articles.

Ride the Wings of Morning by Sophie Neville
Easy summer reading

Ten tips:

  1. Always use a spotlight – a desk light will do, or wait for lovely outdoor light.
  2. Think of who is going to read your book, where, when and why.
  3. Chose a minor colour used on the cover for your background eg: gold or dark grey. A cashmere pashmina or plaid tablecloth can look good.
  4. Only use 1, 3 or 5 props with a limited palette of colours. Don’t distract from the book.
  5. Useful props include sunglasses and a straw hat with a few leaves to suggest summer reading, spectacles and comparison books with a steaming cup of coffee or glass of wine for winter, wrapping paper and ribbon to suggest giving a book as a present. Vintage black and white photos illustrate 20th Century historical fiction well.
  6. Tap the screen on the spot you need in clear focus, such as the title.
  7. Frame as closely as you dare. Try to feature the spine.
  8. When you take portraits of people, animals or birds, compose images with one eye in the centre of the shot.
  9. If you want a comic shot, cut your subject off at a shoulder joint.
  10. Play around with the picture until you get it right. Discard any that aren’t perfect.

Take three aspects for each set up: square shots for Instagram, landscape shots for blog posts, Twitter or Facebook and portrait aspect for Facebook or Instagram Stories. Check out publishers’ photos for ideas.

An idea for an historical novel coming soon

Enjoy yourself. It should be quicker and easier than using Canva or computer generated images but that is fun and you can add graphics:

Sophie Neville won the Create! Prize for Photography in 2020.

Her memoirs include ‘Funnily Enough’ serialized in iBelieve magazine, ‘Ride the Wings of Morning’ and ‘The Making of Swallows and Amazons (1974)’ published by The Lutterworth Press. She is working on two novels set in East Africa, which have been winning writing awards.

originally featured in Christian Writer magazine

Article published in Christian Writer