~ Behind-the-scenes in film and television, continued ~
Much of Arthur of the Britons was shot at Woodchester Mansion where HTV constructed the huge lathe and wattle hall which comprised King Arthur’s seat.
We went to watch the filming soon after the fire scene, which opens the episode entitled ‘The Gift of Life’. My sister Tamzin was cast as Elka, the little Saxon girl who arrived unexpectedly by longboat with her brother Krist.
In the story, this was spotted drifting down the river – which is in reality the lake at Woodchester. Arthur insists they should be returned to their own people by Kai, portrayed by Michael Gothard, who rides off with them on his horse.
We were able to watch the episode being shot.
‘I want to feed the squirrels,’ Tamzin declared after they had been riding for a while. It was a line few have forgotten.
‘Why couldn’t you feed the squirrels before you left?’
‘I did, but now I want to feed them again.’
I was fascinated in her costume, including her shoes which were made of hessian sacking.
I am not sure whether Michael Gothard had worked with children before but he seemed able to cope. No one had asked Tamzin if she could ride. It was a good thing she was used to large horses and had a naughty pony of her own. They set off at speed and her hessian dress was not exactly ideal riding wear.
Shaun Fleming was excellent as her brother and managed to cling on behind the saddle as they charged across the hills, which can’t have been easy. The secret was that he acted under his mother’s maiden name instead of his real surname.
Tamzin was then asked if she could whistle while she was ‘feeding the squirrels’, or having a pee as we would say now. It was demanded by the script.
No one had asked her in advance if she could whistle. This was tricky as the tooth fairy had recently visited her in a big way.
‘I couldn’t even whistle when I had all my teeth.’
I appeared as the Saxon girl with blonde curly hair seen working in the fields with Heather Wright when the children returned to the Saxon village. While Heather was in lime green, I wore a gold-ish coloured top and plum skirt with no shoes. You can see me hobbling across the end of the field which was full of thistles.
My other sister, Perry, was barefoot too. My mother, as a Saxon woman with short fair hair, (photographed above) virtually carried her into the village after Tamzin and Shaun.
It had been decided that, on the whole, Saxons were blonde, Celts were dark-haired like Oliver Tobias, who played King Arthur. It wasn’t until I did an Ancestry.com DNA test in 2022 that I discovered my heritage was almost 100% Celtic – Scots/Cornish/Irish/Welsh with a little Danish thrown in.
There were a number of weapons on set that intrigued us as children. We all wanted to learn how to use them. Oliver Tobias began to teach us sword fighting, however there was an accident on set which put a stop to this. One of the actors was having his boots sorted out by a wardrobe assistant when he casually swung his axe. Although it was just a blunt prop, with no edge to the blade, it went into her head, resulting in a four inch gash across her scalp. He was devastated. It was a complete accident. The wardrobe assistant recovered but it was a sobering incident and great care was taken when handling the props afterwards, even though they seemed blunt and harmless.
Fifty years later this series is still treasured by many. It had such a strong cast. Heather Wright went on to star in The Bellstone Fox with Bill Travers and Dennis Waterman and in the 1976 movie Shout at the Devil with Lee Marvin, Roger Moore and Ian Holm.
Geoffrey Adams was terribly well known at the time, as for years he’d played the part of Detective Constable Lauderdale in the long-running BBC Police series Dixon of Dock Green appearing with Jack Warner in nearly 300 episodes.
Shaun (Fleming) Dromgoole went to work in film production on a number of well known movies including American Gothic and The Woman He Loved, about which starred Anthony Andrews and Olivia de Havilland and Jane Seymour as Wallis Simpson.
Woodchester Mansion, the vast house built of cut stone yet left half-finished, was eventually sold for £1 to Stroud District Council. My father became a Trustee of the Board that decided its future.
To read more about Tamzin’s acting career please see this previous post.
Shaun Fleming, Tamzin Neville, Sophie Neville , Jenny Fleming, Kerig the doll and Daphne Neville in 1972
The producer, Patrick Dromgoole was absolutely prolific, producing a huge number of classic television dram serials including The She Wolf of London and The Clifton House Mystery, which my mother appeared in as well as Robin of Sherwood . Her drama pupil Robert Addie played Sir Guy of Gisbourne so convincingly in that series he became hated throughout the UK. For more photographs of Mum please see flick down though various posts on my blog for Funnily Enough.
Do please add additional information or memories in the comments below.
To read more about the story-line and see more photos, please click here.
It is fascinating to read Shaun Dromgoole’s recollection of making the episode. Please click here
18 thoughts on “The secrets of filming ‘Arthur of the Britons’ in 1972, part two”
These are amazing! Really interesting. Thanks a million for posting!
It took me a while to find and scan the photos in but they have suddenly become a little slice of history.
What’s really striking is how close the cameras have to be, and how many people are standing right near – it must have been very difficult making sure the camera only saw what was supposed to be in the shot.
Now a days we have feeds from the camera to monitors but up until the 1990s a substantial number of people would need to watch from behind the camera making it quite difficult for actors to concentrate.
I loved this series and used to race home from school to watch it. I now have all the episodes on DVD and have enjoyed watching them all again.
We loved it too. There is an Arthur of the Britons group on Facebook now.
Awesome photos Sophie, i wish i was an extra in a film it would be most enjoyable expirence, i am not camera shy so that helps has for scripts i might forget my lines.
Appearing in Arthur of the Britons wasn’t very comfortable: we had to run barefoot across a field of thistles!
Crumbs, i hope your feet get better,
could u buzz me please Sophie.
These photos are brilliant. Thank you for posting all this. Being a film extra seems like fun, if uncomfortable at times!
The hours can be very long and it can be chilly. There is often a lot of waiting around.
I’ve heard that before. Still, if the opportunity ever arises I think I would give it a try.
You can apply to a local agent. They might be looking for extras to be in ‘All Creatures Great and Small’ filmed on location in Cheshire. Apply to Creative Artists (I think) for work in the West Country.
Thank you Sophie. I shall seriously consider contacting them when I am back home.
I think you can watch the episodes on YouTube.
Thank you, I will have a look.