The secrets of filming ‘Arthur of the Britons’ in 1972, part two

Shaun Fleming and Michael Gothard with Tamzin Neville as Elka

Shaun Fleming, Michael Goddard and Tamzin Neville in ‘The Gift of Life’

 ~ Behind-the-scenes in film and television, continued ~

Much of Arthur of the Britons was shot at Woodchester Mansion, a vast house built of cut stone yet left half-finished and eventually sold for £1 to Stroud District Council. My father became a Trustee of the Board that decided its future.

It was on the property below the half-finished building, that HTV constructed the vast lathe and wattle hall which comprised King Arthur’s seat.

Michael Gothard with Oliver Tobias

Oliver Tobias as Arthur and Michael Gothard as Kai can just been seen standing outside the doors of the hall

We went to watch the filming soon after the fire scene, which opens the episode entitled ‘The Gift of Life’. My sister Tamzin was cast as Elka, the little Saxon girl who arrived with her brother Krist unexpectedly by longboat. This was spotted drifting down the river – which is in reality the lake at Woodchester. In the story Arthur insists they should be returned to their own people by Kai, portrayed by Michael Gothard, who rode some distance with them on his horse.

Shaun Fleming and Michael Gothard with Tamzin Neville as Elka1

Shaun Fleming as Krist, Micheal Gothard as Kai, Tamzin Neville and Elka and Kerig the hideous doll whose head kept falling off

We were also able to watch. The episode was a beautifully shot.

Tamzin Neville as Elka riding with Kai

‘I want to feed the squirrels,’ Tamzin declared after they had been riding for a while. It was a line few have forgotten.

‘Oh, no!’

‘Oh, yes.’

‘Why couldn’t you feed the squirrels before you left?’

‘I did, but now I want to feed them again.’

I was fascinated in her costume, including her shoes which were made of hessian sacking.

Michael Gothard as Kai1

Sophie and Perry Neville watching their sister Tamzin having her dirty face seen to by a make-up artist during the filming of ‘Arthur of the Britons’ being made on location in Gloucestershire in 1972. Michael Gothard waits, seated on his horse.

I am not sure whether Michael Gothard had worked with children before but he seemed able to cope. It was a good thing Tamzin could ride.  Her hessian dress was not exactly ideal riding wear.

‘I couldn’t even whistle when I had all my teeth.’

Shaun Fleming was excellent as her brother and managed to cling on behind the saddle as they charged across the hills, which can’t have been easy. The secret was that he acted under his mother’s maiden name instead of his real surname.

Daphne Neville with Tamzin Neville and Shaun Fleming

Daphne Neville with her daughter Tamzin Neville who played Elka and Geoffrey Adams who played Hald with Shaun Fleming as Krist in ‘The Gift of Life’

I appeared as the Saxon girl with blonde curly hair seen working in the fields with Heather Wright when the children returned to the Saxon village. While Heather was in lime green, I wore a gold-ish coloured top and plum skirt with no shoes. You can see me hobbling across the end of the field which was full of thistles.

Heather Wright with Perry, Sophie and Daphne Neville in Arthur of the Britons

My other sister, Perry, was barefoot too. My mother, as a Saxon woman with short fair hair, (photographed above) virtually carryied her into the village after Tamzin and Shaun.

Michael Gothard as Kai

There were a number of weapons on set that intrigued us as children. We all wanted to learn how to use them. Oliver Tobias began to teach us sword fighting, however there was an accident on set which put a stop to this. One of the actors was having his boots sorted out by a wardrobe assistant when he casually swung his axe. Although it was just a blunt prop, with no edge to the blade, it went into her head, resulting in a four inch gash across her scalp. He was devastated. It was a complete accident. The wardrobe assistant recovered but it was a sobering incident and great care was taken when handling the props afterwards, even though they seemed blunt and harmless.

Boys playing with dangerous weapons whilst watching Arthur of the Britons

 

Forty two years later this series is still treasured by many. It had such a strong cast. Heather Wright went on to star in The Bellstone Fox with Bill Travers and Dennis Waterman and in the 1976 movie Shout at the Devil with Lee Marvin, Roger Moore and Ian Holm.

Geoffrey Adams was terribly well known at the time, as for years he’d played the part of Detective Constable Lauderdale in the long-running BBC Police series Dixon of Dock Green appearing with Jack Warner in nearly 300 episodes.

Shaun (Fleming) Dromgoole went to work in film production on a number of well known movies including American Gothic and The Woman He Loved, about which starred Anthony Andrews and Olivia de Havilland and Jane Seymour as Wallis Simpson.

To read more about Tamzin’s acting career please see this previous post.

Arthur of the Britons

Shaun Fleming, Tamzin Neville, Sophie Neville , Jenny Fleming, Kerig the doll and  Daphne Neville in 1972

The producer, Patrick Dromgoole was absolutely prolific, producing a huge number of classic television dram serials including The She Wolf of London and The Clifton House Mystery, which my mother appeared in as well as Robin of Sherwood . Her drama pupil Robert Addie played Sir Guy of Gisbourne so convincingly in that series he became hated throughout the UK.  For more photographs of Mum please see flick down though various posts on my blog for Funnily Enough.

Do please add additional information or memories in the comments below.

To read more about the story-line and see more photos, please click here.

It is fascinating to read Shaun Drongoole’s recollection of making the episode. Please click here

 

6 Comments

Filed under Acting, Biography, Film crew, Film History, Film production, Filmaking, Memoir, Movie stories, Sophie Neville, truelife story, Uncategorized, Vintage Film

6 responses to “The secrets of filming ‘Arthur of the Britons’ in 1972, part two

  1. These are amazing! Really interesting. Thanks a million for posting!

  2. What’s really striking is how close the cameras have to be, and how many people are standing right near – it must have been very difficult making sure the camera only saw what was supposed to be in the shot.

    • Now a days we have feeds from the camera to monitors but up until the 1990s a substantial number of people would need to watch from behind the camera making it quite difficult for actors to concentrate.

  3. sian pearson

    I loved this series and used to race home from school to watch it. I now have all the episodes on DVD and have enjoyed watching them all again.

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