Tag Archives: Arthur of the Britons

The secrets of filming ‘Arthur of the Britons’ in 1972

I have promised to write more about my experiences behind-the-scenes in film and television for some time now. There is one series in particular that still has a strong following. 

Dressing up in medieval garb as children

Dressing up in medieval garb as children at Sudley Castle in about 1970

As children in 1971, we were all excited to hear that HTV was planning to film a series about King Arthur near where we lived in Gloucestershire. We were keen on dressing up and I was already interested in medieval history.

Filming 'King Arthur and the Spaceship'

The Arthurian legend had always been portrayed with ladies in pointy conical hats and knights in chain mail riding around with lances, however expectations of turreted castles were soon to be dashed.

Instead, we woke up one morning to find this tent in the field beyond our house, with a full English breakfast being served by location caterers from the back of a two-tone bus. The final scenes of Episode One of the series Arthur of the Britons, entitled Arthur is Dead, starring Oliver Tobias in the title role, was to be filmed on our farm.

A unit base for HTV's drama serial 'Arthur of the Britons' in 1972

The unit base for HTV’s drama serial ‘Arthur of the Britons’ being shot on our farm in the Cotswolds in 1972

We learnt that the drama series, Arthur of the Britions was to be quite different from traditional renditions of the well-loved stories. Apart from anything else the actors had long hair and wore rough hessian garments or sheepskins to reflect the culture of Iron Age England. Everyone was excited about the idea, which seemed more authentic and certainly held more sex-appeal than the Hollywood idyl lodged in our consciousness.

While the lane below the wood that ran along the sides of our valley was closed to traffic, HTV ran cables and moved in with their lights, camera equipment and props amounting to bundles of swords, spears, shields and other weaponry.

Filming 'Arthur of the Britons' on our farm

Here you can see the Gulliver’s Prop lorry as well as costume and make-up artists with their kit-bags attending to the actors and supporting artistes. Please remind me of the name of the character to the left of shot and who played him.

Filming 'Arthur of the Britons' on our farm2

It must have been dark under the trees, as there would have been have been  a large 2K light on this tripod. The crew  set up carefully and were finally ready to go for a take, recording the battle in the woods on 16mm.

Filming 'Arthur of the Britons' on our farm1

After a short skirmish, Arthur pretends to retreat, leading his men downhill. They are soon followed by the Saxon hordes. The reality was that the wood was much steeper than it came across on television. The actors ended up tumbling down the bank.

The actors come leaping out of the wood

We were waiting in the open field in the valley floor. Although naturally marshy, this had been made much wetter by damming the stream that flowed down from the woods. Our local road engineer Percy Baxter dug pits that filled with water and acted as a trap for the Saxons who did not know the secret way through the marshes.

Filming 'Arthur of the Britons' on our farm6

My sisters and our sheepdog with Percy Baxter who dug great holes in the field before allowing them to fill up with spring water. Members of the crew work beyond.

We knew the ledgend and were fascinated to see how the sequence would come together.

Filming 'Arthur of the Britons' on our farm5

As the scene was difficult to replicate it was shot with two cameras, seen here set on wooden tripods. The result was exciting.

Filming Arthur of the Britons

For photos of the location on the Arthur of the Britons website please click here.

Scroll to 19.50 towards the end of the episode to watch the scene here on Youtube:

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Filed under Acting, Biography, Film, Film Catering, Film crew, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, truelife story, Uncategorized, Vintage Film

Behind-the-scenes in television and film

BW Filming on Peel Island

When I was a little girl, I was an avid viewer of Blue Peter, BBC Television’s flagship series for children. My favorite items would be profiles that were run from time to time about life behind the scenes at Television Centre. It was only later, whilst working for the BBC as a researcher, that I was told the terrible truth. The set designer Bruce Macadie said that such items were produced when the editor of Blue Peter was unexpectedly let down by a guest or couldn’t think of anything more newsworthy. I didn’t care a hoot. I was interested in how films were made from the age of about nine.

‘What a peculiar girl!’  I hear my friend Nac saying.

The reason was that I had rather a peculiar upbringing. I once described myself in an application for a job as a television director as a ‘Child of the studio floor’. The reason was that in 1969, when I was about eight years old, my mother became an in-vision announcer, reading the regional News and appearing on our crackly black and white set to brightly declare what would be shown that evening.  She worked at the Harlech Television Studios in Cardiff, alongside Martyn Lewis and Liz Carse. She would also descend in an oval wicker basket chair from which she would present a one-woman Children’s programme on called It’s Time For Me. This looked liked magic, and I wanted to know how it was achieved.

‘I was paid the same amount as a short-hand typist.’ The men were paid more than the women and her schedule was gruelling. On top of this she would drive 72 miles to the Cardiff studios in a rusty Mini van. Even though this was replaced she went part-time. Having become an expert on how long script bites took to read in different accents she would ‘whizz down to Bristol’ to read the letters on Any Answers for the producer Carol Stone.

‘But how did the basket come down?’

‘Oh, the rope was attached to a pulley on the studio lighting rig and  lowered  by three prop men.’

Daphne Neville making a radio commercial

My mother working in a radio studio in the 1970’s. Please not the producer’s cigarette and plastic cups.

I would often travel down with my mother to be shown around various studios. I remember sitting behind the Dalek-like cameras watching a live afternoon programme called Women Only being recorded at HTV Bristol. Mum presented it with Jan Leeming and a rotund TV cook called Tony. He had to wear a bright yellow chef’s hat and top so that they would come across as ‘chef’s whites’ rather than weirdo glowing garments on everyone’s black and white television sets. Mum spent ages looking for clothes to wear in vision as she was not allowed to wear either spots or stripes since they were liable to strobe. Dresses made from crimplene were all the rage but (luckily) she was banned from wearing this as TV screens would pick up on any static that it might exude. Sparkling garments were a no-no.

You wouldn’t think that Gloucestershire would be a hot spot for the film industry in the UK but in 1971 I was able to watch a film crew making a drama on location in Slad near Stroud, when I was chosen to play Eileen Brown in the BBC adaption of Laurie Lee’s memoir, Cider with Rosie directed by Claude Whatham. It had nothing to do with luck. I was the only little girl they could find with long hair who could play the piano.

Sophie Neville on the set of Cider with Rosie

Narrowly avoiding a collision with the BBC wardrobe mistress outside Slad village school where BBC TV were filming ‘Cider with Rosie’ in 1971. A tripod, camera cases and scenic props are stacked up by the blackout curtain.

In 1972 I was given a tiny non-speaking part of a ‘Woodchild’ in Arthur of the Britons that was made near Woodchester by HTV.  I had forgotten all about this until I saw a Youtube clip. I gather the serial has become cult viewing in the States.

Filming Arthur of the Britons

‘Arthur of the Britons’ being shot on two 16mm cameras at my parents’ farm in 1972

Around this time the BBC made an adaptation of Jane Austen’s Persuasion, shot on location in Bath. We went down to be film extras in this and in a BBC drama called Song of Songs.

Sophie with the Panavision

Sophie Neville in 1973 with a 35mm Panavision camera

By the time I was cast as Titty in Swallows & Amazons I was relatively experienced. Later that summer I was in a Weetabix commercial and the next year I was invited to appear on a number of magazine programmes to publicise the movie. I remember being interviewed on Nationwide and profiled at home on Animal Magic.

Watching a television commercial being made in 1973

Watching a television commercial being made in 1973

Inevitably one thing leads to another and I was soon asked to audition for a number of subsequent films. Inflation was roaring at 17% in the mid-1970s and I don’t think any of these were ever made but it was good interview experience. I ended up at Shepperton Studios doing a screen test for a musical version of The Old Curiosity Shop. This was serious stuff, shot on a film stage in Victorian costume. My music teacher spent ages teaching me to sing All I Want is a Room Somewhere but despite endless discussions nothing more came of it. However looking around Shepperton had been amazing. At some stage I had also auditioned at Pinewood Studios. I had been shown around the set of the latest James Bond and even had a go on the swing featured in Chitty Chitty Bang Bang. Mum wouldn’t let me tell anyone at school about it, as I might had come across as swanky. But as film studios were not open to the public then it did add to my education.

Sophie and Vic Armstrong in Copter Kids

Jonathan Scott-Taylor, Sophie Neville, Sophie Ward, Vic Armstrong and Michael Balfour in ‘The Copter Kids’ – a movie for CFF shot on location in 1975

Although lanky, and focused on GCSEs, I managed to gain a leading role in an adventure film when I was fifteen. This proved interesting it involved working with stunt men including Vic Armstrong, who later became Harrison Ford’s double. We got to shoot from helicopters. At times the camera literally showed me shooting from a helicopter with a bow and arrow.

Sophie Neville in Crossroads for ATV

Playing Kevin’s sister, Glenda Brownlow’s bridesmaid, in a couple of episodes of ‘Crossroads’, the ATV soap opera that ran for 24 years

And then there was an opportunity to be in Crossroads. What an experience! I was various wedding scenes and the crowds who turned out to watch were unexpected. I was eighteen by then and did it purely for the money. I’ll see if I can find the article I wrote about it for my university magazine. Please let me know the name of the actor playing Kevin. I was meant to be his sister.

To see more about Mum’s career please see her website

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Filed under 1973, 1983, Acting, Autobiography, Biography, Film, Film History, Filmaking, Memoir, Movie, Movie stories, Sophie Neville, Swallows and Amazons, truelife story, Uncategorized

The child star, once seen as the little girl eating an ice cream in ‘Swallows & Amazons’ (1974)

 Tamzin in pink and and Perry in yellow eating ice creams whilst appearing as film extras in 'Swallows & Amazons'. Kit Seymour and Jane Grendon stand behind them.

Tamzin eating ice cream in a pink dress whilst appearing as a film extra in ‘Swallows & Amazons’. Kit Seymour and Jane Grendon stand behind her.

It is with some bemusement that I see myself described as a child star in newspapers.  I only appeared in two feature films before I grew too tall to do more. It was the little girl here seen eating ice-cream in a pink dress, when she appeared as a film extra in Swallows & Amazons, who became a much brighter starlet than I.

Wheetabix Commercial with Tamzin Neville and Percy Baxter

Tamzin appearing with Percy Baxter in a Weetabix advert directed by Claude Whatham in 1973

My sister Tamzin enchanted directors who cast her in one role after another. Her career started in 1972 when she was given the lead role of Elka in an episode of Arthur of the Britons opposite Oliver Tobias who played King Arthur. He later introduced her as his co-star. By this time he was known as The Studhaving starred opposite Joan Collins in the movie of her sister Jackie Collins’ racy novel.

Tamzin in Arthur of the Britons

No one asked Tamzin if she could ride. It was a good thing that she could as she was soon cantering up and down the hills on a massive horse, whilst clutching that medieval  doll. You can watch a bit on Youtube. Arthur of the Britons had the most prestigious cast: Brian Blessed, Martin Jarvis, Tom Baker, Catherine Schell, Iain Cuthbertson, Peter Firth, Heather Wright, Michael Gambon and Peter Bowles all appeared in the drama series, some of which was filmed on my parents’ farm. I remember Jack Watson leaping down the bank above our house. Tamzin played most of her scenes opposite  Michael Gothard, who became famous for playing the villain Locque  in the James Bond movie For Your Eyes Only.

Daphne Neville in The Pheonix and the Carpet

Tamzin was then cast as Anthea in the 1976 BBC adaptation of of E Nesbit’s classic story The Phoenix and the Carpet. I’ve just read that it was a story much admired by Arthur Ransome.

While Mum enjoyed playing the part of Mother, Tamzin’s brother Cyril was played by Gary Russell, who after appearing as Dick in the BBC series of Enid Blyton’s The Famous Five,  grew up to become a writer and script editor on Doctor Who. I last saw him at a book launch at the Imperial War Museum.

DSCF0092-001

Sophie Neville with Gary Russell in London in 2012

Here he is with Tamzin in the 1970s:

As she was used to appearing on television, Tamzin wrote in to Blue Peter and soon appeared on the show. She was also featured on Animal Magic and a number of other magazine programmes.

Tamzin soon had another lead role, that of the young Linda in the ITV production of Nancy Mitford’s semi-autobiographical novel Love in a Cold Climate. While Judi Dench and Michael Aldridge starred as her parents, her brother Matt was played by Max Harris who had the role of her brother Robert in The Phoenix and the Carpet. Tamzin can been seen on the trailer wearing a red dressing-gown in the Hons’ cupboard, looking dreamy in a tam o’shanter and jumping a white Arab over a Cotswold stone wall, whilst riding side-saddle.

She went on to take leading roles in episodes of A Play for Today, Crown Court and Screen Two. Ironically she was expelled from Drama College after Mum persuaded her to work professionally one summer vacation. At that, she tossed her head and went on to occupy time more gainfully.

She won’t believe me, but Tamzin is a most amusing writer.  You can see for yourself. Her letters are  featured in Ride the Wings of Morning.

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Filed under 1973, Acting, Biography, Cinema, Claude Whatham, Cumbria, Film Cast, Film History, Filmaking, Memoir, Movie stories, Sophie Neville, Swallows and Amazons, truelife story, Uncategorized