The oddest thing happened whilst filming at Beccles Post Office ~

Henry Dimbleby, Rosemary Leach, Caroline Downer, Richard Walton with Sarah and Calire Matthews in 'Coot Club'

Henry Dimbleby, Rosemary Leach, Caroline Downer, Richard Walton with Sarah and Claire Matthews in ‘Coot Club’

If there was a sequence we all enjoyed putting together more than any other, whilst filming Arthur Ransome’s ‘Coot Club’, it was the scene when Williams the pug dog is weighted on the scales outside Beccles Post Office. This was shot on dry land in the market place of a village in Norfolk, whose name I am afraid I don’t remember – you will have to remind me in the comments below.

Coot Club ~ Jane

Either Claire or Sarah Matthews with Joe Water’s secretary Jane

In the story, Port and Starboard surprise the crew of the Teasle by arriving unexpectedly on the back of a motorbike, having hitched rides across Norfolk on a series of historic craft including the Albion.  Andrew Morgan, our Director was keen to end the scene with a high shot of the bustling market town, portraying East Anglian life as it was in the early 1930’s.

Director Andrew Morgan with film carmeraman Alec Curtis and his assistant and designer Brue McCaddie. Production Managers Peter Markham and Liz Mace stand below

Director Andrew Morgan with film cameraman Alec Curtis and his assistant and designer Bruce McCaddie. Production Managers Peter Markham and Liz Mace stand below

Apart from creating the Post Office so beautifully that we were convinced it had always been there, Bruce McCaddie our designer had television ariels taken off houses and yellow lines on the roads obliterated. He also commissioned his Prop Buyer, Dave Privett, to find a number of period vehicles that could be driven through the town.

Coot Club - Dave Privett

BBC Prop Buyer David Privett ~ photo taken at a later date

Our Producer Joe Waters was keen on what was refered to in television as production value. ‘Always put your money in front of the camera’, he told me. David Privet did that for him, going to endless trouble to source steam rollers and hay wagons, charabangs and river cruisers to bring life and colour to a period drama. I learnt later when we all worked together on ‘My Family and Other Animals’ shot on location in Corfu what a complete perfectionist Dave was.

Coot Club - The sheep

Caroline Downer, Sarah Matthews and Henry Dimbleby waiting for the shot to be set up. The camera was on top the mobile generator from Fenners behind them.

Busy crowd scenes are rewarding and look wonderful on screen, but they do take a while to set up. All the drivers had to have short back-and-sides haircuts and change into period costumes. On top of the motor-cycle and side car, which Port and Starboard arrived in, Dave had found a 1929 delivery lorry and several bicycles aswell as vintage motorcars. We also had various passers-by and towns people dressed in costume, armed as you’d expect with shopping baskets or prams. This was all pretty much as you’d expect. I’m not sure who decided that we should add a herd of sheep, but we also had sheep. Black-faced sheep to add a bit of rural life. The idea was they they would be driven through the market square at the end of the scene. Bruce sensibly had portable wooden fencing out-of-vision between the houses so they couldn’t escape.

Coot Club - Rosemary Leach in Beccles

Henry Dimbleby, Richard Walton, Claire and Sarah Matthews, Caroline Downer and Rosemary Leach with the delivery lorry outside the Post Office.

Our leading lady, Rosemary Leach, took up her position outside the Post Office with the children, and we set up to go for a take with all the vehicles in their start positions. As you can see from the low light in my photographs we were getting to the end of a long day. Everyone on the crew was tired, tempers were getting short and the twins were the only ones left with any energy. But the camera turned over and the Director shouted, ‘Action!’  The vehicles set off. There was then the curious sound of heavy rain. Sheep came not walking but galloping into the market square.

‘Cut!’ yelled the Director. The vehicles came to a halt. Bruce and his prop men sprung up, ready with the hurdles. The sheep took one look at them and panicked further. The Dave Privett rushed in to help. There was no where for the sheep to go. They ended up following each other, running round and around a large black motor in the middle of the square. Dave was pinned against the rear bumper. He couldn’t move. The sheep kept on running, round and round. Alec Curtis, having a dry sense of humour, kept the camera running too. The whole sequence was caught on film.

Ricky King, Dave Privett, Peter Markham and Mary Soan filming 'Coot Club', or trying to

Ricky King, Dave Privett, Peter Markham and Mary Soan filming ‘Coot Club’, or trying to

8 Comments

Filed under 1983, Acting, animal stories, Arthur Ransome, Biography, Film, Film crew, Film History, Filmaking, Humour, Memoir, Movie stories, Sophie Neville, Swallows and Amazons, truelife story

8 responses to “The oddest thing happened whilst filming at Beccles Post Office ~

  1. Martin Honor

    I am sure the weighing machine in Coot Club was in Potter Heigham where William was “a hard worker and sure to become successful”.

  2. peter

    Oh, that bridge! It’s famous, or infamous!

  3. Rebecca Potter

    Re: The Coot Club and The Big Six
    Beccles Post Office was The Old Post Office in Worstead. This was our family home and we were living there at the time of filming.
    I also met Nicholas Walpole in 1985 when we sailed on the Ocean Youth Club Boat Spirit of Boadicea.

    • Thanks so much for letting me know! Can you remember anything about the filming? I have been asked to give a talk about making the series at a gathering of The Arthur Ransome Society near Beccles next May.

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