Finding the scrapbook I kept whilst filming ‘Swallows and Amazons’ in 1973

I thought I’d lost it! But, on clearing out our mother’s house, my sister found the cuttings book I kept whilst making the original movie ‘Swallows and Amazons’ in 1973.

It includes a plan of the London double-decker bus where we received rudimentary lessons on location. Three bunkbeds on the top floor were meant to be used so we could rest after lunch. Mum said she forced me to lie down everyday but I can only remember a couple of occasion, once when I was reluctant, once when I was freezing cold after a swimming scene.

We changed into our costumes at the top of that bus, enjoying warmth from a gas stove that leaked rather alarmingly on one day necessitating an evacuation.

The exterior looked liked a conventional Routemaster with added curtains.

Once sitting at my desk, I found my italic fountain pen and began keeping a diary. One version of the first seven days spent in Cumbria is pasted into the scrap book. I later re-wrote a slightly more detailed and interesting version in a couple of notebooks and wrote about how I got the part of Titty, and the filming from different perspectives.

These pages describe the day spent travelling to Ambleside and a couple of days spent getting to know each other along with Dame Virginia McKenna, who played the Swallows’ mother, the producer Richard Pilbrow, David Blagden who was in charge of the sailing and the film director Cluade Whatham.

Encouraged by my mother, we began pasting in newspaper cuttings.

The Times and the Guardian were at Havethwaite Railway Station to take photographs on the first day of filming. The BBC Radio 4 newsreader, Alan Smith, who grew up in Cumbria, was a film extra that day and can be spotted standing in train doorway with his brother. He wrote to me with his memories of the day.

I began adding photos from contact sheets that Albert Clarke, the film’s stills photographer, took of the cast and crew. I wrote about the opening locations here.

There are pages of dictation and a few sketches of the film props. I drew the yellow Austin ‘taxi’ we drove in at the station.

There were some cuttings that I hadn’t seen for years until until I opened the pages of this mislaid cuttings book. Others can be found on earlier posts.

I took pages of dictation, learning about the plants and geology of the Lake District, about Beatrix Potter and the National Trust, but it’s a wonder any schoolwork was accomplished at all. We spent so much time on set. I fell behind in French and Maths but gained respectable exam grades that summer, gaining 80% in Geography. Perhaps I wrote about glacial lakes.

You can read more about the adventures we had whilst filming ‘Swallows and Amazons’ in books detailed on this website.

There is now an audiobook on ‘The Making of Swallows and Amazons’ published by The Lutterworth Press and available on all online platforms including Audible.