Why is ‘Swallows and Amazons’ so inspirational?

'John, Titty & Susan on the Swallow' by Fadi Mikhail

‘John, Titty & Susan on the Swallow’ by Fadi Mikhail

As you can see from these paintings, Fadi Mikhail, the artist famous in the UK for painting one of our Christmas stamps and being commissioned by the Prince of Wales, as well as the Duke and Duchess of Cambridge, was certainly inspired by the film of ‘Swallows & Amazons’ made in 1973. He has kindly let me publish this remarkable series of paintings.

Look-Out-Another-boat

‘Look out! Another boat’ by Fadi Mikhail

Since my last post, comments have flooded in as to why the simple story is so popular:

John-And-Susan-Coming-About

‘John and Susan coming about’ by Fadi Mikhail

‘…the Swallows don’t own ‘Swallow’ – they’re having a farmhouse holiday and the boat belongs to the farm, and that could just have happened to any of us. Norman Willis… used to rise up against critics who considered that children from poorer backgrounds should read books full of gritty reality related to their daily lives: he pointed out that they wanted to escape from their daily lives for a few precious hours, not always into a zone of dragons and princesses but into an alternative realistic world.’ Jill Goulder of The Arthur Ransome Society.

'The Swallows in the boat' by Fadi Mikhail

‘The Swallows in the boat’ by Fadi Mikhail

‘What I liked most about these stories was that the Swallows and Amazons and their friends behaved like real children, but lived in a completely different world from the one I inhabited. I’d camped with the Girl Guides, but the Swallows and Amazons had astounding freedom – camping alone on an island, going out at night and sailing wherever they liked without needing to ask permission.’ Emily Lock ‘…the books gripped my imagination forever’. Please click here to read Emily Lock’s full review.

Titty-and-John-Eating-Apples

Titty and John eating apples by Fadi Mikhail

Christopher Tuft thought the enduring success is, ‘Because it’s a wonderful adventure story, with well rounded characters, played out in a beautiful setting, reminding us of a time now gone.’

The-Swallows-In-The-Wood

‘The Swallows in the wood’ by Faid Milhail

‘The combination of practical realism – everything that happens could happen – and the child’s viewpoint makes the story and it’s sister volumes almost unique even now,’ Andrew Craig-Bennett of The Arthur Ransome Group on Facebook.

'John and Susan hoisting the sail'by Fadi Mikhail

‘John and Susan hoisting the sail’ by Fadi Mikhail

The whole series of books clearly have a worldwide following popular from one generation to another. ‘I don’t find this surprising. I got my first Arthur Ransome book (Swallowdale) as a present, in 1948. At the time it was a copper-bottomed dead cert as a present for any child, couldn’t be criticised, known to be virtuous, and incidentally known to be good. All that is still true and has been for decades. I don’t think it could fail to be up there. Children may now prefer Star Wars, Lego books or Minecraft (my grandsons certainly do), but books are still *bought* by adults.’ Peter Ceresole Roger-In-The-Boat ‘The book has lasting appeal, particularly for children, because there is nothing in the adventures of the Swallows and Amazons that readers feel they could not do themselves. They felt they could sail a dinghy like the Swallows. I know, because when adults came aboard Ransome’s restored boat Nancy Blackett in recent years, many had tears in their eyes and said: ‘I learned to sail from the books; and Arthur Ransome was the biggest influence on my life.’ The story is not like so many others an unachievable fantasy. This must stem in part from the fact that the characters are based on real children and on Ransome’s observation of those real children. The quality of the plotting is superb. Ransome was utterly clear about the stories he wrote, sometime writing chapters in the middle of the book before writing earlier ones. His prose is spare and simple and very easy to read, and bears comparison with the writing of Jonathan Swift in Gulliver’s Travels — another writer with appeal to both children and adults.’ Michael Rines Do add your own thoughts in the Comments below.

The-Swallows-Chasing-The-Amazons

‘The Swallows chasing the Amazons’ by Fadi Mikhail

Hugh Shelley wrote, in his Bodely Head Monograph of Arthur Ransome, that it is the joy with which the story is written that makes Swallows and Amazons a great book. In many ways it is a reflection of Arthur Ransome’s own childhood holidays with his brother and sisters on Coniston Water. And even today, children can discover the places mentioned for themselves. Holly, aged six, wrote to me recently saying, ‘My Mummy and Daddy took me to Wild Cat Island. It was my favorite day… When I am bigger I want to be like Titty.’

Roger-Ties-The-Swallow-Down

‘Roger ties the Swallow down’ by Fadi Mikhail

While ‘nearly all enduring books do so because of the writing,’ as another reader commented, children enjoy the camaraderie and the action that have been captured in these semi-abstract oils.

'Titty and John at Camp' by Fadi Mikhail

‘Titty and John at Camp’ by Fadi Mikhail

Some of these paintings have already sold, some are available from the Lawson Gallery in Cambridge, some from Gallery Rouge in St Albans, at Highgate Contemporary Art, the Aubrey Gallery in Great Dunmow and direct from Fadi Mikhail, the artist himself. You can see more here.

John-Susan-&-Roger-Waving-To-Titty

‘John, Susan and Roger waving to Titty’ 60x50cms  by Fadi Mikhail depicting Sophie Neville, Suzanna Hamilton, Simon West and Sten Grendon in a scene from ‘Swallows & Amazons’ (1974)

5 Comments

Filed under 1973, adventure, Arthur Ransome, Bestseller, British Film, Cinema, Cumbria, Duchess of Cambridge, Family Film, Film, Film Cast, Film History, Lake District, Movie, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, Vintage Film

5 responses to “Why is ‘Swallows and Amazons’ so inspirational?

  1. Some years ago I tried to analyse the secret of Ransome’s appeal and I feel that what I wrote then bears repeating:
    I believe there is a very simple answer to that question, and it is far more significant than any amount of searching, as critics do on the influence on him of other writers or of his place in English literature of the last century or two. In a word, it is enthusiasm. Far more than inventing the ‘holiday’ genre, more than creating people and places so vividly that generations of readers have asked him, ‘are they real? —  more even than fulfilling so many wishes and setting his child characters free from caring adults in an idyllic world — far more important than these in the work of Arthur Ransome is his sheer boyish enthusiasm.
    At the centre of Ransome’s art, of course lies in his genius as a story-teller.
    In effortless ease he can arouse your curiosity, engage your sympathy, and without artifice, persuade you to hear out his tale to the end — whether he is recounting the wanderings of “Racundra”, gradually unmasking the villains in “The Big Six” or describing a fisherman talking to a salmon he is chasing downstream, oblivious to all else in “Rod and Line”.

  2. Wonderful post, Sophie, and those paintings brought back a few memories! Thanks for mentioning my guest post on Vintage Book Life http://www.vintagebooklife.com/2015/05/swallows-and-amazons-book-review.html. I’m now looking forward to getting your book, ‘The Making of Swallows and Amazons’, but I’ve been told to wait until my birthday as someone has already bought it for me – the suspense is killing me!

    • I only hope it brings you a few visitors to your very well considered review. I have put up my post on the Arthur Ransome Group on Facebook, as I know members would be interested in reading your piece. Do you belong to The Arthur Ransome Society or the Nancy Blackett Trust?

      I hope that you enjoy my book! Do let me know if you see anything amiss or have any questions. I am hoping we can go to a second edition.

  3. Mike

    Because he was such a great writer for children, he explained how to do things, described what ‘he’ saw in the role of narrator and did so as would a child. (Sorry to say, I don’t like the Fadi Mikhail the paintings at all!)

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