Points to add to the third edition of ‘The Secrets of Filming Swallows and Amazons’ part nine

People often ask how making the original film of ‘Swallows and Amazons’ influenced my life. What struck me when I last saw the 1974 film trailer on Amazon Prime was that it begins with Titty saying, ‘The endless trek, through the Sahara Desert…’ In 1985, I did just that, crossing the Sahara on an expedition led by Charlie Mayhew, now CEO of the charity TUSK. I made my first documentary on the aid projects we worked on when we eventually reached Kenya. Had uttering those lines when I was little influenced my decision to drive from London to Johannesburg?

Sophie Neville on an endless trek, crossing the Sahara Desert – photo James Lindsay

People who know Arthur Ransome’s books are able to point out where the original film of Swallows and Amazons made mistakes. Janet Mearns noted that the Swallows ‘certainly didn’t take enamel mugs’ camping, ‘because they took extra in case of breakages.’ I had never noticed!

Andrew Clayton pointed out that, ‘Someone (Hugh Brogan?) Said that John was the lad he wanted to be. Titty, while based on an original person, carries some of his dreams and literary interests.’

Making a film while crossing the Sahara Desert in 1985

Peter Wright, former chairman of The Arthur Ransome Society, noticed that I sang ‘Adieu and Farewell’ instead of ‘Farewell and Adieu to you fair Spanish Ladies’ as the Swallows sailed from the jetty below Holly Howe. I now realize this mistake may have been due to the influence of ‘The Sound of Music’, which was the first movie I ever saw in the cinema. Captivated by the big screen at the age of four, I must have had the lyrics – ‘So long, farewell, auf Wiedersehen, adieu, Adieu, adieu, to yieu and yieu and yieu,’ imprinted on my brain.

I didn’t sing very well, but one of the secrets to the integrity of the film was that there was no vanity. None of us sought to further ourselves. Self promotion was an unknown concept. We had no personal agenda. We were not there for the money or any reason other than to live out the life portrayed in the books. All of us spurned the publicity and still find it surreal.

Someone also said how much they would have loved to live through a scene from ‘Swallows and Amazons’. We were fortunate enough to live through an abridged version of the book, which is what my parents hoped. It must have been one reason why my headmistress let me take a term off school to appear in the film.

Sophie Neville writing letters from Africa with the author Rebecca Hunter

Since then I went on to lead a ‘Swallows and Amazons’ style life, exploring unchartered territory, which isn’t always easy, I was touched when a fan of the books wrote:

‘Arthur Ransome has helped me through some very difficult times – when you are at your wits end to know what to do or where to turn, it is so refreshing to return to the Lake, or Norfolk, to a peace and tranquillity where  you can forget your problems and just enjoy the adventures of the Swallows, Amazons, D’s, Coots, wherever you happen to be.’

Sophie Neville
Sophie Neville in a vehicle that we submerged in Moremi. The shoes were later stolen in Mosambique, the Toyota in Johannesburg ~ photo: Rebecca Hunter

Nigel H Seymour wrote, ‘…every-time I put the ‘Swallow’s and Amazon’s film  on, I’m transported into another dimension and another time.  it’s so very refreshingly simple and innocent, it radiates with a romanticism and  happiness which has sadly been lost now for ever, but luckily we have the film and we still have ‘You’….. to keep the memory alive!’

The audiobook of 'The Making of Swallows and Amazons'
The audiobook of The Making of Swallows and Amazons (1974