More behind the scenes footage of ‘Swallows & Amazons’ (1974)

We have just found another reel of 16mm home movie footage shot, not on location in the Lake District, but at Runneymede near Egham in Surrey. It captures the essence of a hot day in September 1973 when we were re-called for pick-up shots after the main body of the film of Swallows & Amazons had already been edited.

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Ronnie Cogan trimming Sophie Neville’s hair for the part of Titty in September 1973

The clip opens with the film hairstylist Ronnie Cogan cutting my hair. It had been a good six weeks since I had last played Titty in front of the camera and I needed a trim to restore it to the same length it had been on 14th May when we had first started filming on the Lakeside and Haverthwaite railway. Suzanna Hamilton’s thick dark hair had grown a great deal, as had Sten Grendon’s.

Cutting Sten's hair

Sophie Neville watching Ronnie Cogan cut Sten Grendon’s hair.

Peter Robb-King the Make-up artist had been toning down out complections inside the same Make-up caravan we’d used while on location for seven weeks in Cumbria. I remember it had orange flowery curtains, a patern much in vogue at the time.

Sophie Neville with Sten Grendon, Jane Grendon, Claude Whatham and Neville Thompson

Sophie Neville looks on as Stephen Grendon organises his costume helped by Jane Grendon with Claude Whatham and Neville C Thompson.

Neville C Thompson, the Associate Producer, who was wearing a red shirt that day, seemed happy to be back on location. The film director, Claude Whatham was working, as I will always remember him, in a pair of navy blue shorts and sailing shoes. I loved putting on the school hat and silk dress I’d worn in the train but was difficult for the boys to climb into their woolen costumes on such a bright sunny day.

Theatre Projects Call Sheet for 'Swallows and Amazons'

Richard Pilbrow, the Producer, who you can see wearing a white stripy cheese-cloth shirt so typical of the early 1970′s, seemed rather on edge. Bringing a camera crew along for what amounted to three shots must have been expensive, stretching his budget to the limit.

Sophie Neville, Claude Whatham and Simon West with Richard Pilbrow in the foreground ~photo:Daphne Neville

Gordon Hayman with a 35mm Ariss camera, Sophie Neville, Claude Whatham and Simon West, with Richard Pilbrow in the foreground ~photo:Daphne Neville

The oak tree, under which the 35mm Ariss camera was set, was chosen to represent the Peak of Darien from which we looked out over an imaginary lake to an imaginary island. The finished movie cuts from the Walker children’s faces to a shot taken of Derwentwater at sunset with the opening title graphics superimposed over what is in reality Blakeholme, or Wild Cat Island as it is called in Arthur Ransome’s world.

Opening Titles

Denis Lewiston, the Director of Photography, was working with the Cameraman Gordon Hayman, using reflector boards to light our faces. At one stage he had me standing on a cream coloured blanket to reflect light from below. You can see it in this shot:

Sophie Neville playing Titty Walker with Stephen Grendon as Roger Walker with Gordon Hayman, Denis Lewiston and Claude Whatham behind the camera

Sophie Neville playing Titty Walker with Stephen Grendon as Roger Walker with Gordon Hayman, Denis Lewiston and Claude Whatham behind the camera

What I had forgotten was that two little girls came along that day to stand-in for us when the shot was being lined up. You can see them in the home-movie footage, one wearing a pale blouse with puffed sleeves.

Claude was very keen on running. He often took us for a short run before going for a shot to aeriate our minds and freshen up our faces. In the story we had run down the hill from Holly Howe, so he had us running quite far before we landed on the marks that the cameraman had given us so that we’d be in focus. We had no dialogue, but the expressions on our faces were crucial to engaging the audience.

Denis Lewiston, Claude Whatham, Sophie Neville, Suzanna Hamilton, Simon West and the cameramen

Denis Lewiston, Claude Whatham, Sophie Neville, Suzanna Hamilton, Simon West and the cameramen

You see a few other people on location, not least Sten’s mother, Jane Grendon, my little sister, Molly Pilbrow and a few others who were watching. My mother had been taking the footage.

Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West

Daphne Neville with Stephen Grendon, Suzanna Hamilton, Sophie Neville, Jane Grendon and Simon West

To read about this day from another angle, please click here to visit an earlier post with a few more photos.

Tomorrow afternoon, 21st November 2014, I have been invited to talk about the making of Swallows & Amazons on the CBBC Movie Show with David Wood, who wrote the screenplay. I’ll let you know when this will be broadcast. I am excited about meeting everyone at Novel Entertainment who are producing the series.

 

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Biography, Cinema, Claude Whatham, Cumbria, Film, Film Cast, Film crew, Film History, Film production, Filmaking, Lake District, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story, Uncategorized, Zanna Hamilton

Raising Swallow’s flag higher

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For some time now we have been doing a variety of things to raise interest in Arthur Ransome and his books, particularly the ‘Swallows and Amazons’ series originally written for children.

The Royal London Yacht Club recently hosted a Swallows and Amazons weekend for the combined yacht clubs of Cowes on the Isle of Wight and in doing so raised quite a bit of money for charity.

Sophie Neville talking in Cowes

Sophie Neville giving a talk on ‘The Making of Swallows & Amazons’

Glenridding Sailing Centre in Cumbria have been running Swallows & Amazons Adventure Days on Ullswater and promise to hold more in 2015 . SailRansome have made Swallow, the original clinker built dinghy used in the film, available for families to use there. I took her out in August.

Sophie Neville sailing Swallow

Swallow, the dinghy used in the 1974 film on Ullswater this summer

We’ve been using the Draper’s shallop to teach children how to row on the River Lee under the auspices of Countryside Live. We have now taught hundreds of children most of whom have never been in a boat before. The idea is to inspire them to join the Sea Scouts or a local rowing or canoeing club.

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Countryside Live at Lee Valley 2014

Another boat you can sail is the Nancy Blackett portrayed as Goblin from We Didn’t Mean To Go To Sea and Secret Water. It only costs £15 a year to join the Nancy Blackett Trust. This is wonderful for anyone living near the Orwell as Ransome once did.

The Arthur Ransome Society, known as TARS, is welcoming new members to its six regional branches. Next year an international gathering is being planned in East Anglia over the May Bank Holiday when we hope to be able to take short trips on the wherry Albion and visit Hunter’s yard to meet Teasel, Titmouse, Dreadnaught and Death and Glory ~ the boats used in the BBC dramatisation of ‘Coot Club’ and ‘The Big Six’, when the Albion played Sir Garnet skippered by Jack Watson. Revelation Films have digitally remastered the series, which they have available as a new release entitled ‘Swallows & Amazons Forever!’  I’ve been asked to give a talk on how the BBC serial was made.

I’ve been promoting StudioCanal’s re-release of the 1974 film of Swallows & Amazons on Radio Cumbria, Premier Radio, Lakeland Radio and Channel 5′s live TV programme The Wright Stuff. There’s a lot going on in the media with recent pictorials in Country Life, The Lady and Cotswold Life magazines as well as newspapers and colour supplements.

Sophie Neville Q&A in Kendal

Q&A with a large cinema audience in Kendal this August

We brought the 1974 film of Swallows & Amazons back to cinemas in London, Ambleside, Kendal and to Hastings on Pirate Day. I took Captain Flint’s trunk along and wore a tricorn hat only to be told by one little boy in the audience, ‘I hate pirates. They are my enemies.’  Other children asked,  ‘Did you enjoy being in the film?’ and ‘Were the spiders in your tent real?’

When we were in Kendal, the curator of the Museum of Lakeland Life gave a talk to the cinema audience bringing along the actual red slippers given to Arthur Ransome by the Altounyan children in 1929 which inspired him to write Swallows and Amazons.

Swallows & Amazons on the Houseboat

An offical still from the film of ‘Swallows & Amazons’ (c) StudioCanal

Some schools have Swallows and Amazons as a set book. I was invited to give a talk at Walhampton School who claim a ‘Swallows and Amazons ethos’. They aspire to giving their pupils as much of an exciting outdoor education as possible with sailing and exploring on the curriculum. School House magazine backs this up saying, ‘There is a distinct ‘Swallows and Amazons’ spirit that burns brightly here.’

The Arthur Ransome Trust have a range of exhibitions, displays and resource materials. Do check out their website and future events. Meanwhile All Things Ransome have been quietly offering a veritable library of information along with a media vault. The Arthur Ransome Society has a large library of books in Dumfries where the 2016 IAGM will be held.

Swallow on Coniston

Swallow sailing from Wild Cat Island (C) StudioCanal

 

What could you do to keep Ransome’s writing on book shop shelves?

Could you organise an event at your local sailing club? Or request a screening of newly restored version of the film at your local cinema?  One is being planned in Oxford with hopefully another at Wolverstone.  PictureHouse cinemas are particularly open to the idea of screening classic family films.

I am planning ‘An Arthur Ransome Day’ at my local Waterstones and another at our library. How can we make this special and attract people off the street?

Do add your ideas to the comments below.

 

Easy things you can do right now to help promote the books:

Request a book or DVD from your local library.

Add a review to on-line sites. This leads to increased marketing of books, audio books or DVDs.

Click here for Books by Arthur Ransome on Amazon UK

Add a comment about the DVD of the film. Click here for StudioCanal’s new DVD on Amazon UK

Click here for the Amazon UK site for the DVD of the BBC serial of ‘Coot Club and The Big Six’ 

Other ideas:

Join The Arthur Ransome Group on Facebook. They always have  lively discussions.

There are a number of Twitter sites you can follow.

Contact BBC TV to ask for your favourite TV or radio programmes on Arthur Ransome or his books to be repeated: Click here for the site.

 

 

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Comments on ‘The Making of Swallows & Amazons’

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This post comes with a huge thank you to readers who have taken the trouble to write in, send emails or add reviews on Amazon about ‘The Making of Swallows & Amazons’

Filming on Peel Island in 1973

Sophie Neville and Sten Grendon filming on Peel Island in 1973

‘I very much enjoyed reading about all the background and stories of what is one of mine and my children’s favourite films.’ David Hambelton, Oxford

Kit Seymour and Lesley Bennet as the Amazon Pirates

Kit Seymour and Lesley Bennet as the Amazon Pirates

‘…an absolutely fascinating account…about a film we all thought we knew so well. Like so many members of The Arthur Ransome Society I am an utter devotee… I’m finding the background to filming quite fascinating, and if I had thought it possible, yours is the book I have always longed for to exist. I’ve been absorbed in it ever since it arrived, forcing myself to take it slowly and not gobble it up in one go. Of course I’ll be back to it soon, dodging back and forth in tune with your narrative, indenifying particular scenes.’ Jeremy Gibson, Witney

Simon West and Sophie Neville in Swallow

Simon West as John and Sophie Neville as Titty in Swallow

‘If you liked the film, you MUST read this book. “Titty” is enthralling, and the story of the film is almost as exciting as the real story by Arthur Ransome. Essential reading for devotees.’ Chloe Randall, Scotland

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Suzanna Hamilton and Simon West on Peel Island

Children still ask me questions that never occurred to me:

‘How did it feel to be on the island by yourself?’  Alex aged 7.  The truth of course is that I was never on the island by myself. Perhaps I should have been left there for a while so I could experience it. I would have relished the chance.

DoP Denis Lewiston and Director Claude Whatham

DoP Denis Lewiston and Director Claude Whatham in Coniston Water

Another boy asked, ‘How did you do the water?’

This took my breath away for a second. ‘How did we do the water? The water was real, and it was very cold,’ I replied, explaining that we actually shot the film on four different lakes in Cumbria, all of which you can discover for yourself.

Have your children any questions? I’d love to hear them.

Simon West and Sophie Neville on Coniston Water

Simon West and Sophie Neville on Coniston Water

For more reviews of The Making of Swallows & Amazons on Amazon, please click here.

To see more still from the film that can be purchased as framed prints or on mugs etc please click here for StudioCanal’s website.

To find out more about The Arthur Ransome Society please click here

Brenda Bruce as Mrs Dixon with Claude Whatham

Brenda Bruce as Mrs Dixon with Claude Whatham at Tent Lodge Cottages

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Filed under 1973, Acting, Arthur Ransome, Autobiography, Cumbria, Film, Film History, Filmaking, Lake District, Letters, Memoir, Movie, Movie stories, Richard Pilbrow, Sophie Neville, Suzanna Hamilton, Swallows and Amazons, truelife story, Uncategorized, Zanna Hamilton

Comments on ‘The Making of Swallows & Amazons’

Sophie Neville with Suzanna Hamilton

Very, very many thanks to all those who have taken the trouble to send in feedback about our paperback version of ‘The Making of Swallows & Amazons: Behind the scenes on the Classic Film’.

The publishers have been thrilled to hear what you think, hoping that the will appeal as a good Christmas present.

Virginia McKenna rowing

Here are a few recent comments:

‘Get a glimpse behind the scenes from Sophie Neville, who played Titty, in this gorgeous book, released to celebrate its 40th anniversary.’ Yours magazine.

‘Came home to a wonderful surprise – my copy of The Making of Swallows and Amazons! wonderful.’ Pandora Doyle  ‘I love it! So excited. The photos make the book especially the coloured ones. I will be dipping into it all day!’

‘…a delightful book, which tells the behind-the-scenes story of the film. Neville’s account of exploring, sailing, and the green parrot will no doubt have readers reliving childhood memories and falling in love with the Lake District all over again.’ The Lady

Sophie Neville in the tent at night

‘I can’t wait to read The Making of Swallows and Amazons! My eight year old daughter is also looking forward to it – she has learned to sail on Sydney Harbour just like the Swallows’ mother did! (I learned to sail on other Ransome waters – near Pin Mill in Suffolk!). Thank you so much for sharing your memories of the experience with us – what a magical film!’ Clare Havens, author

‘I ordered two copies, one signed by yourself and one unsigned which is already becoming dog eared {my measure of a good book}.’ Arnold Mostyn

David Bamford: (Antipodes) I am in the middle of reading Sophie’s book about the Making of ‘Swallows and Amazons’ and enjoying every word of it! Now, when I see the stills, I remember her writing about how cold the weather was, and they were dressed in light summer clothes.

Sophie Neville in Swallow

Loving @Sophie_Neville ‘s Making of Swallows and Amazons. Technicalities of filming with big unwieldy cameras. Plus lots #ambleside gossip. Eileen Jones @CumbriaPR

‘It was great to read an account of how filming is not as simple as people imagine! Enjoyed it very much.’  Martin Robinson

‘A sort-of layman’s perspective on filming is completely fascinating.’ Nick Archer

‘I enjoyed the book much more than I expected, if that doesn’t sound v strange.’ Tom Morgan.  ‘I thought I would enjoy it but I really, really enjoyed it. I… was very impressed by the flow and ease of your writing. My inherent nosiness helped of course.’

‘Great book, I really enjoyed reading it.’ Stephen O’brien

‘Really enjoyed it. Lots of insight into/memories of 70s life (not sorry to have left that behind!!). Very interesting to learn more about your co-stars, and the other people involved in creating the film – my original discovery of your blog was having watched the film, and wondering “where are they now?” That question is comprehensively answered!! Also very interesting to learn about the process of film-making – we take so much for granted with digital video cameras these days. I guess for me the whole thing about learning about you, Suzanna, Lesley etc as people is what most interests me from a human point of view – kind of much the same as learning about the Altounyans and Collingwoods in Hardyment’s book.’  Paul Fernandez.

‘Lovely to meet you in Ambleside, It was a great evening. Book and DVD are brilliant.’ Ali Graham

‘I matched your book to the DVD and the two made a really good present, even though I say so myself!’ Barry Burles
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Nancy and Peggy on Wild Cat Island

To read more, please click here for reviews on the Amazon UK site

All photos (c) StudioCanal, reflecting the quality of the digitally restored blu-ray. To see official stills from the film please click here.

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Filed under Acting, Autobiography, Biography, Cumbria, Film History, Memoir, Movie stories, Sophie Neville, Swallows and Amazons, truelife story

What we did on our holiday ~ Part 3

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The Drapers’ shallop on the River Erdre

You know what it’s like; you never see photos of yourself on holiday until someone else sends them to you. Here I am, rowing in the bow of the Drapers’ shallop. By some miracle we seem to be together, in that our blades are barely visible.

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The most challenging task for me is raising my oar in salute, as we did here for our landlady:

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The long oars are heavy. The only way I can raise mine is by putting one end under my foot.

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My fellow rowing club member who took these shots from the water explained that his camera unexpectedly went into an ‘Impressive Art’ setting. Although this looks like a painting, it was for real, taken out on the water from a sandolo.

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As you can imagine, the whole trip took quite a bit of organising, but it was worth it. This shot was also taken on art mode.

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While some of us worked really rather hard on our holiday, others enjoyed the river from a different perspective.

Passengers in the shallop

Next week, on Wednesday 24th and Thursday 25th September, The Draper’s Shallop will be taking part in Countryside Live at Lee Valley in the London Borough of Hackney, when children from the inner city of London will get a chance to pull an oar and experience what it feels like to travel on the river as Queen Mary once did.  I’m volunteering on the Thursday.

On Saturday 27th September, she will be competing in London’s river marathon along with 300 other crews. The course of the The Great River Race starts at London Docklands, with vessels rowing up the River Thames under all the great bridges of the capital to Ham House in Richmond, passing under Kew Bridge at about 3.00pm. Let me know if you spot her!

~ photos by Robin Privett

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What we did on our holiday ~ Part Two

royal thamesis in the French newspapers

A newspaper report has just arrived from Nantes in France, where we arrived on 30th August in our shallop, the Royal Thamesis and Serena, a sandolo belonging to our rowing club, City Barge. As I explained in my previous post, we’d been asked to lead a procession of historic boats into the city as feature of their jazz festival – an activity holiday with a difference.

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I’ve also been sent these photographs of the sandolo, showing our standing up oarsmen being applauded by the crowds.

10620557_10152240262897821_5850021894383206567_n The traditional French rowing boats taking part such as Fille de la Loire, were also admired by thousands.

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Although a couple of gondolas took part, accompanying us some way down the River Erdre, I don’t remember seeing them in Nantes.

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There was certainly a huge variety of boats involved in the Rendez Vous de l’Erdre 2014.

Click here for another photo on the website of Club d’Aviron de Suce sur Erdre. 

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The 240 vessels taking part ranged from sleek period motorboats to a barge once used to transport cattle, which was now taking jazz musicians downriver.

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I loved seeing the steam boats or bateaux vapeur, including Ursula who was flying the flag of the SBA or British Steam Boat Association we once belonged to as a family.

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After mooring up in the basin at Nantes,

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the Mayor of the city treated us all to the most fabulous reception at the Hotel de Ville.

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We found that a feast awaited us.

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Hungry sailors and oarsmen were rewarded for their efforts

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with a variety of delicious things to eat

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and local wines.

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‘What did you do on your holidays?’

I am often asked what I get up to on holiday. We have just returned from Rendez-vous de l’Erdre in Brittany, when we rowed some forty-five kilometers down a tributary of the Loire, leading a procession of 240 traditional boats into Nantes.

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The journey started in Portsmouth,

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where the crew from our boat club, City Barge, gathered to load two boats onto the cross-channel ferry to Le Havre.

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We took Serena, a Venetian sandalo and The Royal Thamesis, a thirty-six foot shallop belonging to the Draper’s Company. Towing them from Oxford to Brittany was no mean feat, but other vessels from Great Britain had also made the crossing, including a thirty-three foot steamboat.

RDV flag

We launched the shallop at a pretty town called Nort sur Erdre where a jazz band was already playing to herald the festival de la Belle plaisance française.

RDV map

Stephanie Pasgrimaud from France Televisions Pays de la Loire came aboard to interview me – in French and English for the regional News on France 3.

Sophie Neville being interviewed on France 3 TV

That afternoon we rowed some way down to Monsieur et Madame Courant’s B&B on the river where we met up with other members of the party and stayed for the next four nights.

The gite

I had the most lovely room overlooking the water; chambre d’Empire.

Chambre d'Empire

As the mist rose the next morning we put up our canopy to transport our passengers downstream.

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We have a crew of six oarsmen,  with a cox and a wiffler. I alternated with others, taking on all three tasks.

Rowing the shallop

We row in medieval fashion, one oar each, seated on a fixed thwarts.  Please click on the image for a history of the vessel. You may have seen our boat if you watched the Queen’s Jubilee pageant, rowing in third place, while old Father Thames glared down from our badge on the stern, elvers peaking from his beard.

Father Thames

That first morning in Brittany we practised various manoeuvres before rowing a short distance to a boat club, where we moored for a picnic lunch.

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Here we met oarsmen from all over Europe.

Pauline with the Venitians

Including those who row standing up.

Gondaliers

We rowed on to moor up for the night at the small town of Suce-sur-Erdre

Reflections

where Stephanie was reporting on our progress for France 3.

France Television

Here the crews of the 240 boats taking part in the event were treated to a special dinner held outside with a jazz band playing sea shanties.

Diner with sea shanties

The organisers had brought together traditional boats, passé nautique, of many kinds.

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Although there were four steamboats and a number of canoes

Steamboats

most were in the class  de voile-aviron ~ row and sail ~ principalement des bateaux de petites tailles, souvent anciens, et correspondent pour la plupart à des critères de rareté ou d’élégance.

French boats

At every stop for coffee or lunch, laid on by the festival au point de vue, we were accompanied by le jazz.

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It was phenomenal. Much was traditional but new experimental jazz was also being played to appreciative audiences.

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With the music came with the most amazing food.

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We were looked after beautifully.

Sophie Neville on the Erdre

Having eaten well, with our passengers aboard once more,

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we were honoured with the task of leading the procession of historic boats into Nantes.

Nantes

On the Sunday morning we were invited to the Hotel de Ville, the town hall

Sophie in Nantes

for a reception with speeches

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and prize giving when our club, City Barge, was awarded a very large bottle of red wine.

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