Speaking about filming ‘Coot Club’ and ‘The Big Six’ on the Norfolk Broads

 

Sophie Neville with Titmouse

~Sophie Neville with the star of ‘Coot Club’~

I was invited to talk about making the BBC TV classic serial ‘Coot Club’ and ‘The Big Six’ at the Norfolk Broads Yacht Club to help celebrate their 80th Anniversary. Titmouse, then 1930s dinghy owned by Hunter’s Yard had been brought down from Ludham for the occasion.

The bonus was that I was able to go sailing in one of the classic boats gathered at the club for their Open Day.

Geoff and Rose Angell kindly took me out on Pippa, their beautiful yacht with brown sails that appeared in ‘The Big Six’. I am sure Arthur Ransome would have loved her.

I’d spent nine months working with the BBC production back in 1983 when it had been my job to cast the children and teenagers who appear in the drama, many of whom needed genuine Norfolk accents.

Coot Club - book cover

~Henry Dimbleby, Nicholas Walpole, Jake Coppard, Mark Page, Caroline Downer and Richard Walton as they appeared in ‘The Big Six’ (1984)~

We had been looking for young actors who could swim well and were able handle boats. We then spent three months filming in East Anglia when I looked after the children and helped rehearse their lines. I set up this shot for the cover of the Puffin paperback that accompanied the series.

~Author Sophie Neville giving a talk at the Norfolk Broads Yacht Club~

At a forum organised after my talk, Pat Simpson from Stalham Yacht Services explained how he found one of the stars of the series – an old lifeboat suitable to play the Death and Glory. She had been brought from where she is kept at Belaugh for the evening. You can see more photographs of her in the previous blog post here.

'The Death and Glory'

Pat provided a number of other vessels for the series including Buttercup and support boats such as the safely boat, a large modern cruiser used as a school room along with another for the costume and make up personnel. He explained that this came as a god-send as boat rentals had not been good that summer. Working on the series was harder than he imagined, ‘We once had to take a boat from Regan to Horning Hall overnight’ but he was pleased that ‘after three months of concentrated work, we got it all done.’

~Robin Richardson~

Robin Richardson, who co-owned Pippa back in 1983, explained how the shot of her being cast adrift was achieved. This wasn’t as easy as first thought as even when Simon Hawes, who was playing George Owdon, flung her stem line on the deck, a gentle breeze was blowing her back against the staithe. ‘Pippa didn’t want to go anywhere’. Robin had to stage the action by throwing out a mud anchor, climbing under her awning and pulling on the line to create the effect of a boat drifting out of control into potential danger. Pippa’s white canvas cover is pulled back here, but you can imagine the scene.

He was on location when Henry Dimbleby, who played Tom Dudgeon, was attempting to tow the Teasel under Potter Heigham bridge. He was rowing Titmouse, pulling hard on the aors but nothing was happening. ‘Stop for lunch,’ Robin advised the director, ‘and the tide will turn.’ This they did, and Henry we able to row under the bridge, towing the Teasel quite easily. Hunter’s Yard, who own Lullaby, who played the Teasle, could not bring her down for the weekend as she had been leased out with other boats, but they sent her transom, painted with her stage name.

'TEASEL'

Robin Richardson owns the ‘Slipstream’ class dinghy called Spindrift who played Shooting Star in the serial. She was built by her father but couldn’t be with us as they were not able to complete her winter maintenance in time but Richard Hattersley said she came tenth in this year’s Three Rivers race when only 15 of the 98 entries actually finished. It’s a 24 hour endurance challenge, which they completed despite light winds. He sent me this shot, ‘of her battling it out with much larger Thames A Raters.’

Spindrift a Slipstream class dinghy

I was shown a wonderful black and white photograph of the vessel used to play the Cachalot. She was skippered in the series by the film actor Sam Kelly in the role of the unnamed pike fishermen who the Death and Glory boys simply called ‘Sir’. She is seen here with John Boswell, her real owner who has sadly passed away. His son, the artist Patrick Boswell, brought along an album of behind-the-scenes photos.

The theme of the weekend was ‘Boats of the 1930s’. I explained how Swallow, the dinghy used in the original film ‘Swallows and Amazons’ originally came from Burnham-on-Sea where she was made by W. King and Sons to be used as a run-a-round boat. She was stabilised by a keel that ran the length of the hull, as Ransome described. It makes her rather difficult to turn. You can sail her today and is in the Lake District right now. Please see Sailransome for details.

There was quite a bit of interest in memorabilia from the original movie ‘Swallows and Amazons’. I bought along the white elephant flag captured from Captain Flint’s houseboat in the 1974 film, which was approved by a young Amazon pirate.

After a celebratory dinner, David and Nicky Talbot invited me to spend the night in the comfortable for’ard cabin of Kingfisher, a 1970’s motor yacht moored at the club.

I woke early on the Sunday morning to find mist hanging above the water as the sun was rising on what proved to be another sunny day with a fair wind for sailing.

After breakfast aboard, I was invited out in the 1930s river cruiser ‘Water Rail’, who had also appeared in the serial. We took her down the River Bure to her mooring in Horning where she is still part of the scene.

It was wonderful to be out on the waterways of Norfolk, passing traditional buildings. This was a stretch of river never featured in the television drama as Rosemary Leach, who played Mrs Barrable, took Dick and Dorothea from Wroxham to Horning in a trap pulled by Rufus the pony. One reason for this was that in 1983 we had to use the North Norfolk Steam Railway, since Wroxham Station had been modernised but Joe Waters, the producer, said he wanted to add variety by featuring a pony rather than a motorboat.

IMG_6885

We encountered a number of period cruisers, although Janca, who we used to play the Hullabaloos’ Margoletta, sadly could not be with us, as she is still under repair.

IMG_6912

However, by motoring into Horning ourselves, we passed The Swan Inn and Horning Staithe where a number of scenes had been shot, including some that featured Julian Fellowes and Sarah Crowden, playing the hated Hullabaloos. You can see photographs of them in an earlier post here.

~Horning in Norfolk showing The Swan Inn and Horning Staithe where boats are moored~

Another vessel that interested me was a river launch that reminded me of the 1901 steamboat Daffodil, which I renovated with my father in 1978. I have photographs of her here.

IMG_6903

You can read more about the traditional boats used in the series by clicking here.

Gerry Spiller, has written from Woodbridge in Suffolk, to say that she has found an oar labelled TITMOUSE, bought at a boat jumble. Could this date from the early 1930? Does anyone have the pair?

Blade labelled TITMOUSE

 

The DVD of the serial is now available on a re-mastered DVD, available from Amazon here

(Do not be tempted by the old version with a more colourful cover as the image quality is very poor)

New DVD of 'Coot Club and The Big Six'

Additional photographs by Richard Hattersly

24 Comments

Filed under 1983, Arthur Ransome, boating, Dinghy sailing, sailing film, Sophie Neville, Swallows & Amazons, Swallows and Amazons, Uncategorized

24 responses to “Speaking about filming ‘Coot Club’ and ‘The Big Six’ on the Norfolk Broads

  1. Mike

    Thank You Sophie, a great post.

    I think only you could have made ‘Coot Club’ and ‘The Big Six’ programmes the success they were (and still are!)

  2. Yes another great post thanks Sophie. I just wish they would have gone on to make a few of the other stories too.. 😦

    • Back in 1983, I began to cast children from the Lake District with a view to making Swallowdale and Pigeon Post as an 8-part series – but the serial was deemed to expensive to film and was sadly cancelled. I am sure WDMTGTS will be made into a film one day.

  3. Martin Robinson

    A really good post , Sophie . I have the new dvd and I well remember enjoying the series origionally on tv . We took our family group on a nature cruise on Horsey Mere several years ago – mv `Lady Ann` skippered by Ross Warrell who told me that he had auditioned for the part of `Tom ` in `Coot Club` . He was really interesting as a nature guide and ship captain, and works for part of the year at Hampton Court palace in the historic kitchens !
    I do hope the new book comes out soon . TARS for ever , Martin .

    • Sophie Neville

      How amazing that you met Someone who auditioned for the part of Tom. It must have been lovely up on Horsey. We enjoyed filming there. John Buxton, who lived on the mere, shot the wildlife sequences. I remember urging the producer to schedule this ahead of the drama as they needed to find coots while they were nesting in the spring.

      Sent from my iPhone

      >

  4. Jill G

    More lovely snippets – interesting about the pony!

    • Joe Waters, the producer, thought little girls would like the pony. It has disappointed the Ransome purists who like the idea of travelling from Wroxham station by motor boat but it is not a very interesting stretch of river. You do pass the converted windmill that I photographed and rather a nice thatched boatshed. Have you ever been to Horning?

  5. Jill G

    Yes, I’ve been lucky enough to have stayed a couple of times at the mill (has a cap but no sweeps) just SE of the junction of the Bure and the Thurne. My friends had a small scruffy old motorboat, and I was able to put-put up the river and moor right outside the Ferry Inn (it was then a nice small pub). And they had a tiny dinghy which we could row around at grebe’s eye level – lovely.

  6. Martin Robinson

    Sad I was not able to be at the IAGM this year . At one of the TARS events in previous years , I was gifted to meet the Kelsall brothers , both of whom played a huge part in ` Winter Holiday` and ` Picts and Martyrs`- ( my favourite book ) They had loads to tell about AR , and I loved the tales of signalling between their homes ….!!
    Sadly missed , Martin……

    • Ahh, that’s a shame as TARS were able to visit Barkbooth and Low Ludderburn this year. However, you can watch wonderful – quite lengthy – interviews of the Kensall brothers on the new TARS DVD, which I presented, called ‘Encountering the Ransome’ £20 from the TARS stall. It includes broadcast quality interviews with a number of people who knew Arthur Ransome and his wife, captured for prosperity. Do you have a copy?

  7. Martin Robinson

    YES , I bought a copy at a Northern Tars meeting , and I really enjoyed it.I visited Low Ludderburn many years ago with TARS , Arthur Lupton dressed up as A.R. and posed with a car exactly like `Rattletrap`. The Kelsall brothers were there that day .
    Martin

    • I’m so glad you have a copy. Arthur Lupton comes across as fascinating. I expect you have visited all the places we went to on the last IAGM. I was glad to see the grave stones designed by WG Collingwood. We also visited Titty’s grave and walked to Low Yewdale Farm. I’ll post photos sometime.

  8. Martin Robinson

    I look forward to seeing the photos . I have never been to Titty`s grave or Low Yewdale Farm , but we all ( at least 20 of us ), once `dropped in` for afternoon tea at the house at High Nibthwaite where Brigit and John Sanders lived . It was a real `Wild Cat Island` tea ,including seedcake !!
    Arthur Lupton was the most charming , well spoken , man you could ever meet . He was a faithful TARS member , attending and contributing to Northern TARS meetings for many years . He was a proud member of the Ransome family and I feel privileged to have met him and his wife , who have given so much to TARS .
    Martin

  9. Martin Robinson

    I have several albums of prints from TARS events since the whole TARS society began . Can you suggest a place I can send them where they will be preserved for future members or historians . I really don`t want them to go to the nearest tip !!!
    TARS for ever , Martin

  10. Martin Robinson

    No , I don`t but I`m sure you do ! Please send it to me and send me an address to which I can send the odd photo print to you ! There are loads which I am sure you would like to see…
    Martin

  11. Martin Robinson

    1000 thanks for the address . Photos to follow…
    M

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