Saturday 12th May 1973
In the early ’70s most people had long hair. Ours had to be cut and bobbed to match the 1929 hair styles in Arthur Ransome’s well-known illustrations. I wrote in my diary that, ‘Sten went first and came out looking much older with all his locks cut off! Simon was next. He looked much the same, except with his ears showing.’ We thought they looked so much better with short-back-and-sides. Mum said that Sten really did have long, flowing hair, which looked extraordianry on a nine year old boy.
I’ve just been reminded that the production company really struggled to find male Extras to be in Swallows and Amazons because no one wanted this cut. The actors were the same. Mike Pratt, who played Mr Dixon the diary farmer, couldn’t have his hair cut as he was in the middle of filming a television series, The Adventures of Black Beauty, set in the Victorian era – a good excuse to avoid being shorn. His hair had to be pinned up under a flat cap, which looked weird on the big screen. You could see the kirby grips.
My mother had huge reservations about my straggly blonde hair being chopped off and said she nearly refused to let them. I am very glad she didn’t. It was wonderful having short hair. My haircut proved such a great success that I believe it set a fashion for having a graduated bob or ‘Titty Haircut’.
The dentist ~
I am sure that as well as having our teeth cleaned that they were checked over before they caused a problem. As it was I lost a fairly conspicuous milk tooth during the filming at a time when it caused havoc with the continuity. The director was not pleased but there was nothing he could do. Because the film could not always be shot in sequence you’ll see a full set of teeth in one shot and one missing in another. People still comment on it today.
The sailing director ~
Because Claude Whatham, the film director, was not a sailor himself he appointed a sailing instructor or ‘Sailing Director’, David Blagden who took us sailing in both Swallow and Amazon before the filming, as my diary relates.
We needed to get used to handling the dinghies, was great fun. David made it fun. He was a tall, dark, good looking actor who had been in Kidnapped and was given the part of the Sammy the Policeman, which he did very well. ‘Now then, Miss Nancy.’ Having his hair-cut was such a big thing that he took off his helmet during scene to make the most of it, displaying his very short hair to the the world. We all adored David, who was well known for having sailed across the Atlantic. He had come in tenth, out of fifty-nine competitors, in the 1972 Observer Single-handed Transatlantic Race. He made the crossing in Willing Griffin a Hunter 19, the smallest yacht ever to offically participate in a transatlantic race. I’m afraid that my father thought that he over estimated his abilities. He was of the opinion that crossing the ocean was not quite the experience needed for clinker built sailing dinghies, which could jibe viciously without warning when wind blustered down from the fells, and didn’t rate him highly for the job. Dad was concerned about our safety. After the film David attempted to cross the Atlantic once more. He was never seen again.
Richard Pilbrow and the other boats ~
Richard Pilbrow, who was producing Swallows and Amazons loved boats and was often out on the water with us. It seemed that he came on on this day with us in a motor boat – it was one of those typical glass-fibre ones with a small cabin that were thought quite snazzy at the time. Along with the gaff-rigged dinghies, Swallow and Amazon there were quite a number of other period boats used during the filming – not least Captain Flint’s Houseboat, one of the Windermere Steamers and the Holly Howe rowing boat, or native canoe, in which Virginia McKenna so gallantly rowed out to the island when as Mother she came to visit her children only to find Robinson Crusoe (me) in residence. Richard loved them all. So did we.